Glenlochy 1977/1994 (40%, Gordon & MacPhail , Connoisseurs Choice, Old Map Label, ID/AHD)

And here is the first Glenlochy on these pages, and only the second Glenlochy I ever tasted. (Amateur!). Glenlochy was founded in 1898 (some say 1897), during the Whisky-boom, but only started distilling in 1901. Glenlochy was closed in 1983 when a lake of Whisky was forming. Many others like Brora, Banff and Saint Magdalene, to name but a few, were closed during that year. In 1992 most of the Distillery was demolished. Now only Ben Nevis survives in the region (Fort William).

Glenlochy 1977/1994 (40%, Gordon & MacPhail , Connoisseurs Choice, Old Map Label, ID/AHD)Color: Gold.

Nose: Fresh, citrus and wax. Hints of smoked kippers and old stale water. Old damp storage room from the 19th century. Clay, some smoke and alas quickly fading at first, but getting better after some breathing. Some menthol (light) and heavy esters. A little bit of latex paint and the most minute traces of bitterness. From the wood obviously, but also connected to the waxy part.

Taste: Old wood, and some clay. Very fruity and also due to its low ABV, very drinkable. Vanilla and toffee. Wet leaves. Actually this takes me by surprise. After some extensive breathing inside the glass, it gets better and better. Probably a nice candidate to try in a big balloon glass. I quite like it, more than anticipated.

I would have loved it, to be able to taste this undiluted, because it oozes potential quality. The quality is here too, but a bit watered down. Very interesting dram this is, but it also shows why I didn’t buy a lot of Connoisseurs Choice bottlings in the past. I know, I know, there are a lot of stunners in this range, but I feel a lot were done some harm when diluted to 40% ABV. By the way, again this is a Whisky that needs a lot of air to open up. needs a bit of work, to show all of its beauty.

Points: 86

The Macallan ‘Fine Oak – Whisky Maker’s Selection’ (42.8%, OB, 1 Litre, Circa 2006)

I come from the times when The Macallan may have been the best Sherried Speysiders around. Almost all Macallans were made of Oloroso Sherry cask, well controlled by the distillery. Who doesn’t know the old back label with the famous last words: “FOR REASONS NOT EVEN SCIENCE CAN WHOLLY EXPLAIN, whisky has always matured best on oak casks that have contained sherry.” or the famous last two words on this very back label: “the tumbler” Well I for one was very disappointed tasting the very first Fine Oak range back in the day, having expected something like the quality of the old Macallans. For me the Fine Oaks had to be of the higher ages to get a high rating. Also the pricing has put me off back then. Some time has passed, some ten years, and here is finally another Fine Oak. Let’s give it another chance…

Color: Honey gold.

Nose: Fresh wood and fresh overall. A bit like a nice Fino Sherry. Waxy (ear wax) and slightly soapy. Apricot and bitter orange marmalade. Heather and a lot of toffee. Quite syrupy smelling and promises of a full body. Seems young with some added depth from some older casks.

Taste: A bit thin at first, but highly drinkable. Again some heather and maybe even a little bit of honey. I can’t shed the feeling this actually is a full bodied Highland Park with lots of Fino Sherry. Hidden bitterness surrounded by fruity sweetness and custard. Towards the end of the body and into the finish it gets drier with more wood and it’s bitterness. Even the toasted cask is here in minute amounts.

This reminds me of the old wide neck Highland Park 12yo, with even the same sort of bitterness in the finish. In fact, if I would have tasted this blind I most definitely would have said this was a Highland Park, who knows, same owner 😉

Points: 85

Ardbeg 10yo 1993/2004 (57.3%, Cadenhead, Refill Bourbon Hogshead, 252 bottles)

Wow, unbelievable, this is just my second Ardbeg review on these pages! I have this distillery up there with the greats, so what happened? This is an Ardbeg from 1993 bottled by independent bottlers Cadenhead’s. This is most definitely not the first Cadenhead’s on these pages, no it’s actually already the tenth, so for more information about Cadenhead’s, please have a look at all the other reviews of Cadenhead’s bottlings.

Color: White wine.

Nose: Sweet and mellow peat. Smells older than it actually is. Very nice, refined and balanced. Vegetal. Lemon sherbet. Fatty and smoky. Definitely citrus fruits this one, and some tropical fruits too. Not an in-your-face Islay monster, but with a lot of Islay character. Freshly cut peat. After a wee bit of breathing, some butter emerges, and it picks up a bit in oomph. More oily and smoky, ans even the citrus (lemon) is more dominant. The peat on the other hand recedes even more. Breathing adds something fishy and some vanilla to the mix. Somewhat more sea influence.

Taste: Sweet, sweet and light young peat. The smoke comes later. Nice effect. Hardly any wood. Whereas the nose showed me some light (old) peat, on the palate this Whisky does show its youth. Just as in the nose, very restrained lively and fruity Ardbeg, again not a kick in the head. With some air and time, it even gets a wee bit floral and ashy and slightly more pungent.

The offset and the body are nice and full, or round, if you prefer. The tastes fit together and show a more elegant side of Ardbeg. Towards the finish it does start to break down a bit. I said a bit. For an Ardbeg the finish is rather short and again light at first, but breathing lengthens the finish (and adds a little woody bitterness, finally). Typical Islay, not typical Ardbeg is you ask me. Probably not a very active cask, since there isn’t any wood detectable, nor has it picked up a lot op color.  It reminds me of an Ardbeg Bond Reserve I still have, so I’ll review that shortly (also from Cadenhead’s).

Summa summarum, nice Ardbeg that needs to breathe!

Points: 86

Clynelish 15yo 1997/2013 (52.2%, The Whisky Mercenary, for Beproefd.be, 65 bottles)

This Clynelish caught me completely by surprise, since Jürgen didn’t tell me he was sending this, and getting free Whisky in the post is, niiiice 🙂 We all know Jürgen from his series of Whiskies he picks out and releases under his Whisky Mercenary moniker, but he also writes the odd stuff about Whisky including some notes on beproefd.be. I’m guessing Jürgen doesn’t need an introduction, but for those of you who do, here is review of Jürgens Tormore. Now let’s have a look at this Clynelish…

Color: Light gold.

Nose: Clean, fresh and fruity, meaty and salty smoke, bacon? Waxy with vanilla, paper and nice hints of wood. A plethora of yellow sugared fruits. The Obvious apricot, but also some pineapple. Excellent modern and clean nose. Warm butter and gravy, so a little bit musty. Easily recognizable as a Clynelish.

Taste: Fatty, waxy and fruity. Warm toffee and mellow oak. A little bit of woodsmoke. Quite sugary sweet, but not overly sweet. Vanilla ice-cream. Nice warming spiciness. Lemons and some orange skins. Dry black tea. The nice fruits mingle perfectly with a nice touch of wood. Extremely drinkable. Nice full body with a medium finish. Low 50’s is a perfect strength too. Lovely and with great balance.

Well Jürgen is known for having a good nose and palate, so his picks are always interesing to have a look at. And Jürgen delivered again. This is again a very good Whisky. I found this one to be even better after some breathing. With air it achieves even better balance and the body gets even more full. Reccomended!

Points: 87

Port Ellen 31yo 1982/2013 (51.5%, Douglas Laing, Old Particular, Refill Hogshead, DL REF 9964, 286 bottles)

Next up, yet another Port Ellen, yes, Master Quill gets spoiled again! This time by Cara Laing ehhh Leggat (daughter of…) and Chris Leggat (now the son-in-law of…). Yes in the time between me receiving this Port Ellen, and reviewing it now, these two got married! Congratulations (again) guys! So let’s call this Port Ellen their wedding dram, shall we?

For those of you who didn’t know already, there have been some changes within Douglas Laing company. Brothers Fred (father of… & father in law of…) and Stewart Laing parted ways and divided the old Douglas Laing firm between themselves. Fred retained the ‘Douglas Laing’ name, ‘The Provenance’ series and ‘Big Peat’ and last but not least acquired the help of daughter Cara, who had to be bought back from Bowmore.

Stewart had to think up a new name: ‘Hunter Laing’ (also a family name) and has the highly succesful ranges of the ‘Old Malt Cask’ (OMC) and the ‘Old and Rare’ (O&R) series. Although OMC is probably the most impressive series the brothers had together, Fred created the new series of Old Particular, not wholly different from the OMC (and O&R lettering, if you ask me). So the loss of OMC and O&R are almost painlessly intercepted with The ‘Old Particular’ range and the ‘Directors’ Cask’ range. The future is looking great for the Laing’s and Leggats!

Color: Almost copper gold.

Nose: Lovely old and mellow peat, not very smoky, although there is some wood-smoke in here. Swamp-like plants (although this sounds horrible, it’s quite the opposite). The swamp also contained some lavas. Small hints of licorice and tar (worn down tarred rope). Under this all, some yellow sugared fruits want to emerge. Old dried apricots. (No I’m not mad). unusually mellow Port Ellen, but therefore absolutely lovely. Great balance too.

Taste: Sweeeeeeet, sweet and chewy at first. Fruity sweetness with ash and licorice again. Again old peat, very mellow. Small hints of mint (the mint stays in the back of my throat after the finish, it’s absolutely there), almonds and clove. A little bit of wood, but nowhere near the amount to be expected considering the age, also no bitterness. Quite a lively and full-bodied Port Ellen, but not a lot of legs in my glass. Medium finish but that fits the profile, it’s in no way an extreme Islay Whisky, but a more introvert and stylish Whisky. I love it!

Nothing to complain then? Not really, life is great, still having these Whiskies around, although more and more expensive. I was a bit surprised the finish wasn’t longer considering it’s a Port Ellen at 51.5% ABV, and comparing this to DL REF 4112, but really, who cares. The Whisky is great, the packaging looks great, Cara and Chris look great, and at the time of writing, the sun is shining, what more can we ask for. Ehhh, so more Port Ellen maybe…?

Points: 92

Thanks go out to Cara & Chris for providing the sample!

Glen Garioch Founder’s Reserve (48%, OB, Circa 2013)

Glen Garioch, pronounced Glen Geerie, used to be a powerhouse of a whisky and several legendary bottlings, like some “vintage” 1968’s or the Samaroli’s from the 70’s. It’s this tasters feeling, and I could be very wrong here, after that, Glen Garioch felt a little bit silent. Not production-wise of course. It just seems to have slipped into anonymity. I haven’t written a review of a Glen Garioch up untill now, since I don’t come across a lot of samples of Glen Garioch, nor do I buy a lot of more recent Glen Gariochs. A classic case of being biased? Thus the curtain rises and taking center stage is this bottle of Glen Garioch Founder’s Reserve.

Four years ago Glen Garioch revamped the looks of their bottles. Exit the standard scotch liquor bottle with the stag label, and enter this elegant ánd dumpy (metro man) bottle. In the new range of Glen Garioch are some NAS (No Age Statement) bottles, Like this ‘Founder’s Reserve’ and the ‘Virgin Oak’. There is also a 12yo and the rest is all ‘Vintage’, where the younger ones are all cask strength and the older ones are bottled at the new preferred strength of 48% ABV. After 40%, 43% and 46% ABV, now an even higher proof becomes standard.

Color: Full Gold.

Nose: Very young and malty, spicy wood and it smells almost like new make spirit (this wears off with lots of breathing, so a half full bottle will smell better than a full one). Funky. Very spicy. Oriental. Nosed blind I would have gone for an Indian Whisky. Hints of sulphur. It fits the fashion of issuing younger and younger whiskies. This probably is not older than five or six years old with maybe some partial ageing in virgin oak. Grassy, vegetal (hints of lavas) and latex paint. Indian spices mixed in with butter and vanilla. Not quite what I expected. It starts out young and anonymous, almost lacking character, but give it room to breathe and this becomes a different puppy altogether. The character it has on the nose comes form the oak, nice cask management.

Taste: Punchy (hot) oak carried by the higher than usual ABV. Bitter wood, Indian spices again and an edge of silky bitterness. Also, I’m guessing here, this does need the higher ABV. Half-sweet and light with the slightest hint of bitterness from virgin oak, fresh walnut skins, cardboard and some licorice (and tar). This is a young woody whisky. The wood pushes the fruity notes a bit to the background. Anonymous at first, but also nothing actually wrong. But after some breathing… Warming finish with quite some staying-power. For a short while a creamy aftertaste.

Tomatin Legacy is also a Whisky that is not older than 5 years old. But for me a better and cheaper choice if you compare it to a freshly opened Glen Garioch. However the Tomatin doesn’t change much over time, whereas this Glen Garioch evolves quicker than anything Charles Darwin encountered. Just smell it after a while. Wonderful. Consider my interest in Glen Garioch rekindled.

These new kinds of NAS Whiskies are definitely tailored for a new type of Whisky-drinker. I’d like to know how this new Whisky-drinker is described…

Points: 83

(When I tasted it right after opening I gave it 76 points, go figure)

Thanks go out to Laura!

Warre’s Warrior (Reserve)

And finally a Port emerges on these pages and since it took so long, it might come as a surprise that I really like Port. I normally do not like sweet drinks, but reading back on these pages it should become clear to you, that I do like (overly) sweet Sherries like the PX’s, but also Port. Due to some issues with shelve space I do not have a lot of Sherries and Port’s open, nor should I, since both Sherry and Port shouldn’t be kept open for too long, it’s not Whisky you know.

As with lot’s of Port “houses” it has a long, very long history. Even this Warrior has a long history. Warre themselves claim that: “[Warrior] is the oldest brand of Port in the world, having been shipped continuously since the 1750’s”. The company that became Warre’s was established in 1670, but the first Warre came to the firm in 1729.

Let’s start of with Warre’s Warrior. I’d like to start with Warre since a long time ago, Warre’s Otima 10 (or 20) was my first bottle of Port ever. Warre’s Warrior comes from Quinta da Cavadinha and Quinta do Retiro Antigo from the Pinhão and Rio Torto valleys, also the home of Warre’s Vintage Port.

Color: Deep red and thick.

Nose: Very sweet and raisiny. It definitely smells like a Port to be had as a dessert, or with a dessert. For me it smells like a warm summer, mellow and toned down. I can imagine drinking this in summer, slightly chilled. It smells nice, but lacks complexity, it isn’t very pretentious, but easily drinkable.

Taste: Ahhh, very fruity and aromatic, much more of a flavor explosion than the nose suggested. Various red fruits. Sweet raspberry mostly. The nose suggested an extremely sweet Port, heavy sweetness and raisins, but on the contrary. Even though it shows long legs and smells of raisins, it doesn’t taste like that. This Warrior is fruity! Half-sweet and has a very nice balance with its (sometimes sharp, but refreshing) acidity. A little bit of oil from orange skins. Tannins play a role too, they’re drying the tongue. Last but not least, the finish, it’s short. Slightly woody too. If the finish was longer and a little bit sweeter, this would really be perfect, but as it is, it still is a steal.

Thick Ruby Port that sticks to the glass. Even though it has a lot of balance, the nose and the taste seem to be two different wines in one (ain’t that a contradiction!). It’s a surprise, but treat it as a present, since we’re getting two types of Port for the price of one, and it’s dirt cheap to boot. Due to a lot of regulation and control from the Port Institute, only Ports with a decent quality are released. This Warrior is definitely worth looking into for an inexpensive daily drinker. ABV is 20%.

Points: 83

Bunnahabhain 40yo 1972/2012 (44.6%, The House of MacDuff, The Golden Cask, CM 184, 346 bottles)

Recently I reviewed an anonymous Bunnahabhain by David Stirk. That expression was heavy on Sherry. Here we have another Bunnahabhain, much older, and much lighter. As with all Golden Casks, this is again a cask that was picked by John McDougall. John has a big, big history in Whisky, so in the time when it is pretty hard for independent bottlers to find an exceptional cask, John still might be able to find one. Let’s see how this oldie he picked is holding up.

Color: Light Gold.

Nose: Waxy and old smelling (old bottle effect). Fatty wood, with hints of licorice and maybe even some lavas. The profile is also fruitier with pineapple, and dried apricots. It doesn’t have any apparent peat. I do detect, however, some smoke, some chalk and butter. Hints of latex wall paint and custard. Quite a list of funny aroma’s for this Bunnahabhain if you ask me. The most striking aroma of them all is the very special waxy oldness it oozes.

Taste: Interesting, at first a combination of white wine, wood and slightly bitter beer. Licorice again with toffee, but the whole is quite dry and light. The initial attack is there, but the body is already light and the finish is not very long. The more this Whisky gets a chance to breathe, for instance in the glass, the more bitter it gets. It’s still easy within limits, so not to worry. Lacks a bit of power though if you ask me. This cask strength Whisky was bottled at 44.6%, so the angels particularly liked it!

At first, it even shows some similarities to 1972 Caperdonichs, with this exceptionally waxyness, but soon it gets much simpler or should I say lighter. Especially the body of those 1972 Caperdonichs are quite full, whereas this Bunnahabhain has a more lighter style to it. A bit brittle or fragile, but this Bunnahabhain does have the old wax and wood, that Whisky these day just don’t have and with modern techniques, will never be made like this again. So treat this Bunna gently and see it as a time capsule of some sorts.

Points: 86

Dunedin “Double Wood” 10yo (40%, OB, 6y American Oak, 4y French Oak, ex-New Zealand Red Wine barrels, Blended Whisky)

Here at Master Quill, when writing about whisky, we foremost are keeping up busy with the Scottish version of the tipple. However in the early 19th century lots of Scots moved across the world and settled in New Zealand. Finding a lot of Scottish (Whisky) heritage in New Zealand is not all that unusual. Even today a lot of small or micro-distilleries do pop up in the country. (like Southern, Hokonui and Thomson, to name but a few).

This time we’ll concentrate on the biggest and best known of the New Zealand Whisky producers, al be it under a lot of different names, and also under quite some different management.

In December 1969 the Baker family started distillation in Dunedin (on the south Island, to the south of Oamaru). They named their distillery “Willowbank”. The Whisky was released under their Wilson’s brand name since 1974. By 1974 The distillery was named after it’s Whisky “Wilson Distillery”. In 1981 the giant Seagram’s bought the distillery. Seagrams made a “minor” contribution by replacing the copper necked stainless steel stills for more traditional whole copper stills. Seagram’s released their Whisky as Lammerlaw. Lammerlaw being a nearby mountain range, but also the source of water for Whisky production. The distillery was mothballed in 1995 and Seagram’s sold the distillery to Foster’s in 1997, who had it untill 2002. The two copper stills and the four column grain still were eventually sold to Fiji to distill rum, but the gin still remained in New Zealand. It is now located in pieces at the McCashin’s Brewery in Nelson, and may be used again in the future.

First Warren Preston bought the Distillery and some 600 ageing casks of amongst others Lammerlaw Malt Whisky and starting a firm called The New Zealand Malt Whisky Company (NZMWC). The Casks were laid down in Oamaru. Some 150 of those casks were bottled (under the Milfort brand name, but also Blended Whisky under the Preston’s brand name). Alas NZMWC went bankrupt and in 2010 the Forward looking entrepreneur Greg Ramsay (leading a consortium of investors) took over and renamed the firm The New Zealand Whisky Company (NZWC). Mr. Ramsay bought the last 450 casks of Whisky of which half were Lammerlaw Malt Whisky (18 to 24yo) and the other half Wilson’s Whisky (at least 12yo). By 2012 some 90 casks were bottled for the current range, so by now only 360 casks are left. In the grand scheme of things and the good promotion for the Whisky being carried out, I guess that the whole stock will be sold by the end of 2016. So be quick, because, this New Zealand whisky is rapidly becoming extinct!

Plans are to build a new distillery (or two). Obvious choices for new sites are Oamaru, but also Dunedin. Less obvious choices would be Auckland and Nelson, both Auckland and Nelson showed more interest than Oamaru and Dunedin in being the home of a new New Zealand Whisky distillery.

Color: Red copper.

Nose: Fresh and woody at first, and a little bit winey, well that’s a surprise! Spicy and a little bit of sweet, toffee-like wood. It does have a sweet side to it, but overall pretty dark, with already hints of grain whisky. Maybe some cask toast and influences (tannins) from the wine. Spicy Syrah? Next, the grain whisky starts to play its part. This is spicy and definitely smells like a volcanic red wine, so I got even some terroir in this (Syrah again). That’s not completely strange since the Red Wine finish was done for a whopping 4 years, whereas others finish their whiskies for mere months. (I understand that there also is, or was, a 15yo Double Wood that was finished for 10 whole years in Wine casks!) This one is dark and brooding after the initial freshness right out of the bottle. Very appetizing.

Taste: Less woody than one might think, half-sweet cookie dough and nicely fruity. Slightly acidic at first, but quickly taken over by the sweet red fruits. Not even a lot of Wine to this, so the 4 years in Wine barrels didn’t do the Whisky any harm. Maybe the grain balances the Whisky out? That said, it doesn’t mean the wine didn’t impair a lot of taste onto the Whisky, because it did (sweet fruits, red fruits, plums, Merlot?), especially after some breathing. The Whisky just doesn’t taste like Wine, although some markers are definitely there. Seems to me that the 70/30 ratio of malt and grain is pretty much spot on. Nice and half-long, warming and sweetish finish, with some hints of oak. Very well made, likeable and drinkable blend.

Yes, this is a blended Whisky, the NZWC itself calls it a Master Blended Whisky. With 70% Single Malt this really is a sort of super premium luxury blend. Stuff that the Scots these days put into expensive crystal decanters. Nice aroma’s and pretty different and bold. For the Whisky it is, this is bottled at the right ABV. Recommended!

Points: 84 Points

Thanks go out to Cyril and Greg for the Whiskies and the additional info!

Longmorn 17yo 1996/2013 (57.2%, The Ultimate, Sherry Butt #72319, 600 bottles)

I’m pretty amazed this Sherry Butt #72319 is still available. Here in the low countries there is a lot of discussion about these Sherry Butts released by Dutch indie bottlers The Ultimate (Van Wees). This Sherry Butt Sherry Butt #72319 is the third one in a row and earlier I already reviewed Sherry Butt #72315, which was the first one of the series. The second one was Sherry Butt #72318.

As I said, lots of discussion, since all casks are good, didn’t cost a lot and have some differences. So nice whisky to compare to each other. I still have some Sherry Butt #72315 left, so I can compare it to this Sherry Butt #72319. Word in the grapevine is that the first one (Sherry Butt #72315) is the “worst” of the three, all are very clear about that. Some consider Sherry Butt #72318 to be the best and some Sherry Butt #72319.

By the way I hosted a Cadenhead’s tasting recently and after the tasting, I passed a glass with Sherry Butt #72315 around, without telling people what it was, and it sure got a lot of thumbs up. So maybe some prejudice going around? Earlier I scored Sherry Butt #72315, 88 points, so let’s have a look at this “better one”…

Longmorn 17yo 1996/2013 (57.2%, The Ultimate, Sherry Butt #72319, 600 bottles)Color: Copper Brown (less red/orange in color than Sherry Butt #72315)

Nose: Sherry and polished wood, smallest hint of creamy acetone, soap and some mint. Definitely less raw and dirty than Sherry Butt #72315. Extremely balanced and “soft”. It does have its power, but it’s more laid back. Woody raisins are in here too, but here they show themselves quite late in the mix and more toned down and in balance with sour wood, (milk) chocolate and honey. Very thick.

Taste: Great! The first encounter in the mouth is very nice. Sherry with more than a hint of licorice and sweetness. After that the wood, albeit in a mild way, shows itself. Also some toasted cask and a wee bit of paint. These were some very good Sherry Butt’s. The finish itself seems to me to be a bit less balanced, it seems to be a bit disjointed. Probably the wood gives the finish an acidic (and ashy) touch that somehow doesn’t seem to be a perfect fit. A sourness and taste akin to oranges, (the flesh and the juice), not the oily bits out of the skin. On the plus for a lot of tasters: this one has no sulphur in the finish.

If I had to sum things up, I would say that Sherry Butt #72315 is more of a true Sherry nose, more raw and honest. Maybe also less complex. Sherry Butt #72319 is more elegant and more complex, wint small hints of all sorts of things. Both are worth the same amount of points, but are different, but is I had to pick only one I would say Sherry Butt #72315 would be my choice, since it compensates it slightly simpler profile and it’s rawness with a better finish. But I have the luxury of tasting these two head to head, which makes it a lot easier to pick up on small differences, without that possibility, both are an equally good choice (as if one still has a choice).

I don’t know Sherry Butt #72318, but the two I’ve been comparing here are definitely worth having both. They maybe examples of the same kind of Whisky (heavy Sherry), but both show enough difference to show you a bit more of the possibilities within this profile. Both demand a different mood of the taster, meaning you!  Well, now I’m very interested in Sherry Butt #72318. I hope Erik (a.k.a. Master Quills apprentice), opens his bottle soon 😉

Points: 88