Torabhaig Allt Gleann (46%, OB, The Legacy Series, First Fill Bourbon & Refill Bourbon Barrels, Batch 001, 2021)

Not too long ago when thinking about Whisky, Skye was Talisker, and Talisker was Skye. Not any more, since a second Distillery came about on the island. Production at Torabhaig started in January 2017 and this particular bottling contains Whisky from the opening year as well as from 2018. The back label is a treasure trove for info: Barleys used for this bottling are Concerto and Laureate. Yeasts used are Pinnacle MG+ and Safspirit M-1. For me a first. I have never seen the yeast being mentioned, nor do I possess any knowledge about yeast strains that are used today. So useful info I’m sure, just not right now. The in-grain phenol content was 77 ppm, off the still, it was around 60 ppm, with a residual peating level of around 17 ppm, so this is then a heavily peated Malt. The Whisky underwent no chill filtration, nor was it coloured. Before the Allt Gleann came the 2017 vintage in the Legacy series, which was also bottled @ 46% ABV. The difference between the two probably the usage of 2018 spirit in the Allt Gleann, and by now there is also a second release of Allt Gleann called Batch 002.

Color: Pale White Wine

Nose: Modern, soft with slightly sweet peat. Very clean, including a breath of fresh air, maybe even slightly Menthos-like minty. Salty smoke (this makes my lips go dry, only by smelling it), tobacco, dust and soft wood (not virgin, yet slightly creamy and vanilla-like). Quite mature actually for such a young Whisky. Nice spicy and green notes. Slightly perfumy. Nicely peated, yet not over the top. Black tea with a slight leather note as well. Distant fruitiness and the smell of baking cookies, an ashtray and cold roasted pork. This is much better smelling than I thought it would be, well made stuff. The smell gets somewhat softer and more malty (and sweeter) after extensive breathing. If this tastes anything like it smells, we have a winner on our hands. Even the Lagavulin 12yo, I recently reviewed, showed more hints towards new make than this. Quite amazing. I only hope the reduction to 46% ABV didn’t harm it in any way.

Taste: Aiii, right from the beginning rather thin. Tastes oily and fatty, but doesn’t have the matching texture. Nice soft peat, wood and some liquid smoke and yes, quite sweet and fruity. Yellow fruits with lots of unforeseen licorice notes. Thin it is yet balanced and tasty. Quite strange and unexpected since the nose is quite big and aromatic. Elements of crushed beetle and maybe some lemonade or cola mixed in with the smoke and the peat. Less salty than the nose predicted. No new make in the taste as well. Not entirely Islay in its approach, but not far from it either. Good stuff, I hope for a bright future for Torabhaig.

I think this is already amazing stuff for a Whisky of three to four years old and definitely better than I though it would be. The quality is there, even at this reduced ABV. I’d like to try a similar product of Torabhaig at cask strength, that should be nice!.

Points: 86

Thanks go out to Auke for his sample.

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Aberlour 13yo (58%, OB, First Fill Sherry Butt #34595)

So what do you do after a few reviews of mostly Ex-Bourbon cask matured Whiskies? Yep, you’ve got it, you try to find a Sherry bomb to review, and as luck would have it, I just have such a thing still waiting on my lectern to be reviewed. Back in the day when one wanted a very good Sherried Whisky, one would turn to the likes of Longmorn, Strathisla and Macallan. After that, I remember Glendronach 15yo, (not the Revival one, no the one before that), was a nice alternative to Macallan 18yo (and the 15yo when it existed in some years). In more recent years, Macallan changed direction somewhat, so, Glendronach, Tamdhu and even more recently Glenallachie seem to be the, more affordable, go to Sherry bombs these days. Glenallachie 15yo seems to be rather popular, although it didn’t really convince me (yet).

Many independent bottlers are coming out with a lot of young first fill Sherry bottlings as well. Parallel to all this Sherry Bomb activity, there has always been Aberlour, especially with their A’Bunadh bottlings, and to a somewhat lesser extent with some single cask bottlings, which are less available and more expensive. Simply because they aren’t flooding the market with those, it’s giving me the feeling that if they do release a single cask bottling, it must be something of an exceptional single cask, a stunner so to speak. So when this was sold locally, I just couldn’t resist the looks of it, and bought it. I’m a sucker for those dumpy bottles, I just had to have it. Now the time has come to find out if this is an exceptional single cask or not, and if #13330 and #4934 are anything to go by, both are first fills as well by the way,…well you’ll understand that expectations run high by now.

Color: Orange-red-brown.

Nose: Sherry alright. Dusty oak and meaty. Cold gravy and animal fat. Quite heavy Sherry and a cellar type smell, yet also vibrant and fresh. Dull dishwater and fresh air, here a wonderful combination. Rhum Agricole from Martinique, not funky enough for Réunion. Very aromatic and again a well balanced nose. The stars seem aligned a bit in my house, since a lot of the previously reviewed Whiskies showed some really good balance as well. Seems a bit syrupy and muddy at times, but not all the time. Quite clean otherwise, due to its freshness and lemony aroma’s. Old dry nuts still in their shell, lying in a bowl on the table, not touched for a while since the nutcracker broke. Still fresh with sometimes a more organic (slightly farty) whiff flying by. Almonds and Sinaspril (an artificial smell of old orange powder). This is a Whisky that needs the warmth of your hand to unlock all the fine aroma’s. So don’t hold your glass by the stem of foot, but just keep it in your hand, moving it around a bit. If anything, this lacks the promise of a wee bit of sweetness or creaminess, although some of this is emerging, (honey notes now), if you keep the glass around for half an hour or so. Only after sipping a tiny hint of spicy sulphur comes forth, mixed in with licorice (Bassett’s, which emerges even later). It’s a bit strict, like teachers used to be. In comes Pink Floyd now…

Taste: Medium syrupy and hot, woody, spicy start. Tarry vanilla powder, somewhat soapy and some artificial cherries, making it less exceptional on entry, but still quite good, don’t get me wrong here. Let’s say right of the bat, that this is not recommended for novices. Next, fruity syrup, some spices and some good old wood. Cinnamon, cola, star anise and a light to medium, (depends on the moment), and soft, woody bitterness, in this case maybe taking away even some more from the exceptionalness (if that’s a word). Still, I have to mention this doesn’t bother me all that much every time around and on some days my perception of this differs from other days. Some hidden sweetness. On entry this might be a bit strange, not exactly perfectly balanced, the body is good though, but the finish shows a sort of fruity acidity which doesn’t fit the Whisky all that much, hurting the balance some more. Maybe the Sherry that was previously in this Butt wasn’t the best? I notice a slight soapy edge (again) on the sides of my tongue some time after swallowing. Medium length finish with some soap to it and this lingers on even longer in a long warming aftertaste. Seems older than 13yo.

This is a bit of a chameleon Malt, on some days I like it more and get something else out of it than on other days, yet another point why this might not be for novices. I wouldn’t even recommend an A’Bunadh for novices though, all of the batches, especially with these kinds of ABV. It definitely has quite a few good sides, but to be honest, when looking at the wonky bits, I’m not entirely sure why this cask was picked out for a single cask bottling, not for the general public I guess. It’s just not exceptional, although it is most definitely a very interesting bottling for anoraks. Sure it has its strange bits, but in a way I do like it, it is another take on Aberlour. Case closed.

Points: 86

Paul John 6yo 2011/2018 (56.6%, Cadenhead, Bourbon Hogshead & Bourbon Barrel, 564 bottles)

Since the last review was of an Amrut Indian Whisky finished in a cask that held peated Whisky, why not review another Indian Whisky I have on my lectern that came into contact with peat. Here we have a Cadenhead’s bottling of a Whisky that originally came from three casks that previously held peated Whisky and two casks that held unpeated Whisky. Since Indian Whisky, due to the local climate, suffers from a lot of evaporation, all this Whisky was vatted together and then transferred to only one hogshead and one barrel. My guess would be 5 years of maturation in India and one year in Scotland. Both casks were dumped together and then bottled. The label doesn’t say anything about a marrying period before bottling, there probably was, we only don’t know how long that was.

Color: Copper gold.

Nose: Slightly peaty and quite fruity (especially in the beginning). Sharp fresh air with a hint of horseradish, which is quite common for a Paul John. Some leather, wood (pencil shavings, yes) and sweet licorice. Bonfire and smoke. Somewhat creamy, nutty and green as well. Vegetal. Cold chimney and it seems a bit salty. Salty custard. Dry vanilla powder and molten ice-cream. Smells tasty and compared to the Blackadder Amrut, a bit more modern (distant hint of warm plastic) and less, definitely less complex, not a lot of evolution as well, but there is some. It reaches a certain point, and stays there. The aforementioned Amrut was putting out layer after layer, but needed a lot of time to do so. This Paul John shows its colours right away. It’s not a very big Malt but the experience I have with it now, when analysing, is the same as when casually nipping it, which is a good thing. Well, again quite a good balance. I have nothing to complain about in this department for the last few reviews, good! Yes. this is again a very nice nose. A wonderful Malt to smell. The two unpeated casks did bring the peat down a little bit, without adding to much of the nutty and waxy pencil shavings note, most unpeated Paul John’s have in abundance. Sometimes exactly this can be overwhelming, which is why I prefer peated Paul Johns yet there are examples of good unpeated expressions as well. No off notes whatsoever. Good stuff.

Taste: Nutty and peaty. Sugared fruits (pineapple) without being too sweet. Some bitter oak and hops, both with staying power on my tongue. Still, very nice on entry. Different than expected considering the nose. Here the pencil shavings have more to say than it had in the nose. Where on entry it was pleasant, now that the body starts to develop inside your mouth, a lack in balance starts to be apparent, making it less pleasant. Ice-cream combined with a funky organic note as well as some burnt plastic. Where the nose was already not all too complex, the taste is even less complex and less balanced to boot. There is something not quite right when balancing the acidic notes with the bitterness this has on offer. Nice almond-like finish though and also quite warming, but it also has a quite short aftertaste, with a bit of bitterness, cinnamon, horseradish and plastic again. Definitely not for novices, I would say. Drink this in big gulps, and nip it often to counter the somewhat short finish. Thus, definitely one for a more experienced drinker. The bitterness stays behind on my tongue for longer than the actual aftertaste. Drying it out a bit.

In the end, this still is a nice Paul John, with an interesting history to it, and an interesting palate, (plastic) warts and all. Alas it’s definitely not the best you can get, but nevertheless a good one. Good, but not great.

Points: 86

Lagavulin 2006/2021 “Distillers Edition” (43%, OB, lgv.4/510)

Precisely one year ago (with one day to spare), I reviewed the Lagavulin Distillers edition that was bottled in 2018. Just recently this 2021 version came into my hands as part of a bottle share I did with friends. This particular bottle was a three way split, and yes it does keep the costs down, but also 1/3 rd of a bottle is really not all that much, so bottles like these have to be quickly reviewed before it is gone. Earlier reviews of Lagavulin Distillers Editions should show you this is sort of a fan favourite and at 43% a very drinkable affair as well. The quality of these being usually quite high and thus often eclipses the newer releases like the 8yo, the 9yo (Game of Thrones), the 10yo and the 11yo (Offerman Edition). Prices are steadily rising as well, and in some markets the Distillers Editions are quite expensive already, but what luxury good isn’t these days…

Color: Copper orange gold (caramel coloured).

Nose: The soft peat comes out first, along with a fresh citrussy and medicinal note, as well as some dish-water and almonds, a funky combination. Fatty, waxy and quite creamy, fruity as well. Soft overall. Chewy and toffee-like, thus sweet with some smoke, fruity in general and hints of toasted bread (with Nutella) and stale bread crumbs. Minty chocolate. This edition seems softer and more friendly than some other editions, like the 2018 edition. The 2018 edition had quite some iodine right up front, which seems to be lacking here, or is much more subdued, in this 2021 edition. This 2021 has many traits of PX (the second maturation), so I guess the PX plays a bigger role in this particular edition. more hints of cold dishwater and now paper (old fragrant cardboard). Overall quite sweet smelling, making it a more toned down version, softer, “rounder” and less Islay. After a while, a more prickly bit of smoke comes to the front. Licorice and Bassett’s Allsorts are noticeable all way through the entire nose. Nice balance (in the nose). However what I will remember most from this 2021 edition is how it smells of the promise of sweetness. Sugared cherries, toffee and PX. Maybe in this particular edition they used somewhat more caramel colouring? Most aroma’s seem to be glued together, which is something caramel colouring can do to a Whisky. I have to keep this in mind when tasting…

Taste: Quite sweet on entry, watery (thin), yet warming going down. Ashy with again quite some licorice and vanilla and some more ashes. Crushed beetle (got that in the nose as well). The PX sweetness is quite cloying and makes up this 2021 Distillers Edition. Toffee and wine gums. A bit too sweet I guess (for a Lagavulin DE). Chewy smoke, yet all slightly unbalanced (on the palate). As in the nose, the taste is homogenized by the addition of caramel colouring. I’m not sure, but I’ve never had as much of this in a Lagavulin DE, as in this one, just keep in mind I haven’t got around (yet) to taste all of them. After a while, oak, toasted cask and the licorice and smoke break right through the cover of sweetness. A bit of an unexpected fruity aftertaste and a minty feel stays behind in the centre of my tongue.

This one is definitely bigger and sweeter than the Offermann Edition. The Offermann seems more refined and is overpowered by the sweetness of this Distillers Edition, so I wouldn’t recommend trying both head to head. What is noticeable though is that 46% is a much better ABV than 43%, I hope, but I don’t think it will ever happen, to have the Distillers Edition @ 46% ABV as well (and again some more Lagavulin and some less PX). The balance got a bit tipped this time around. Definitely not my favourite expression of all Lagavulin Distillers Editions, although it still is a tasty bugger. In the end, the 2021 Distillers Edition scores exactly the same as the Game of Thrones Edition, and to be fair, I’ve had quite some (unexpected) fun with that one as well. So in this case, I would suggest to pick up the Game of Thrones Edition instead of the 2021 Distillers Edition, since the former costs quite a bit less. A lot of other editions of the Distillers Editions are definitely better than the aforementioned Games of Thrones Edition though, just have a look at the 2018 Edition or especially the 2002 Edition. Not all Distillers Editions are created equal. Amen to that.

Points: 86

Kavalan Sherry Oak Matured (46%, OB, Oloroso Sherry Casks, 2017.08.07)

Kavalan has been founded in 2005, built in 8 months and thus in 2006 the first spirit already started to run off the still. Fun fact, most of the Barley that goes into the Whisky is imported from…Scotland. Kavalan is a big distillery (very big actually, and they keep expanding it), and lies an hours’ drive away from Taipei (the capital of Taiwan). Kavalan makes and bottles a lot of Whisky in lots of expressions. In 2009 the first Solist saw the light of day. Solists are single cask expressions, although officially released in batches, so maybe not every batch is from a single cask? Solists are bottled at cask strength, and not only coming from ex-Bourbon and ex-Sherry casks, there are a lot of other variants as well, some of which are quite expensive, for a NAS-Whisky. Me, already being a fan of Indian single cask Whiskies, the Solists are the ones I was most keen on trying, buying and reviewing.

Indian Malts, made from Indian six-row Barley (which makes a difference), as well as the Whisky made in Taiwan “suffer” from a lot of evaporation (a similarity). In these countries with their hot climates, numbers between 10% and 15% evaporation from the cask, per annum, are quite normal. So, Kavalan is made with Scottish barley and put in casks that also could have wound up in Scotland, the water is obviously different, but the biggest difference is thus the climate ensuring a more speedy maturation. Before I get to reviewing a true Solist, here is first a sort of lighter version of a Solist bottling called, Kavalan Sherry oak, bottled at 46% ABV. Presentation looks quite similar to a Solist, surely these must have been made in (small) batches rather than a reduced single cask.

Color: Deep dark brown, slightly orange/red.

Nose: Cherries, Oloroso Sherry and maybe a wee hint of PX for good measure. Figs, light black coal, herbal licorice and spicy wood. Very aromatic. Fresh oak and toasted oak, and no tarry notes to be smelled. Sometimes very clean and modern (at first), yet at other times almost old skool in style, but also just damn nice smelling, very appetizing. No tar, but it does have this classic fatty black coal note. Quite some American oak vanilla. Slightly nutty and cardboardy with vanilla pods. Hints of dust, more licorice, horseradish, lavas, clay and meat. Fresh air and an even fresher minty bit. Thick syrupy fruit, red fruit jam. Dust from a bookshelf and stinging sawdust. Milk chocolate. Even though this is quite dark, this isn’t a big, heavy, black coal and tarry, old style Sherry monster, no, it does have lots of those aroma’s, but they are fresh and fruity, and considering this has been reduced, the total package is more of a Sherry Whisky suitable for a lukewarm sunny day, whereas the monsters are more for an cold yet calm, and not entirely unpleasant evening in autumn. Having said all that, after some more breathing, the Whisky gets deeper. Honey, even more licorice, raisins and more syrupy. Maybe I spoke to soon. The nose moves more towards a dark, sweet Sherry, more towards the profile of a PX, even though this has been solely made with Ex-Oloroso casks. The vanilla note stays throughout, so most casks used, if not all, were probably made with American oak. The darker tone evaporates again like it was blown out with a whiff of fresh air. More of the milk chocolate now combined with a toffee note and a hint of creamy latex paint, and a more dry and warm summer wind. It also retains its modern feel as well as the older style notes. Well balanced, and yet another example of a Malt that really gets better with some extensive breathing, at least the nose did.

Taste: Well, dare I say it, It’s tarry now, diluted red fruit lemonade, with an light to medium oaky bitterness. Less sweet than expected, yet more acidic. This feels like it’s sweet, but it got somewhat masked by the wood. Very drinkable and sometimes a bit thin on entry. It’s big on aroma, if you give it some time. The sweetness is a bit odd though, it has this cloying taste, even though the texture remains thin. It tastes a bit like overly sugared food does, or even better, come to think of it, Rum with too much added sugar. Like A.H. Riise or Plantation. Now I can even smell the Plantation Grenada Rum. Wood, dosed Rum and licorice, also hindering the balance. Now that it somehow tastes like a Rum, the point of no return (to Whisky) has been reached. These must have been very active, first fill Oloroso casks, overpowering the distillate an turning it into an Oloroso finished Rum. Tastes good though, it really does, but it’s not what I’m looking for when I’m buying a Sherried Single Malt Whisky. So, wonderful nose, Rum-like on the palate. Big bodied aroma, with some thin moments, but a rather short finish and hardly any aftertaste to speak of.

Up ’till this point I haven’t had the opportunity to taste a lot of Kavalan’s. But with this Sherry Oak edition and some others that I did taste, I have to say that the distillate is quite good, although in this one, exactly that has been completely masked. I will try to get my hands on some more expressions, most likely some Solists, since I just love cask strength. In the introduction of this review I mentioned Indian Malts, but I feel now, for the time being, that Kavalan, as a whole, has more similarities with Scottish Malts, than Indian Malts, so the six-row Barley (and maybe some other regional factors present in India) does its job, creating a little bit of uniqueness…

Points: 86

Empty glass (the next day) smells of wood, red fruit jam and surprisingly, horseradish.

Lagavulin 9yo “Game of Thrones” (46%, OB, “House Lannister” L9016CM008, 2019)

For a Long time, Lagavulin was the unknown jewel in the crown of what is now Diageo, known to only a few. Lagavulin saw more recognition when it became part of the Classic Malts. Before that, Lagavulin was more or less only an utterly wonderful 12yo. Later came the also stellar 16yo and a nicely done Distillers Edition, again a very, very good version of this great distillery. Last of the newer regular releases the return of a 12yo, this time from Bourbon casks only and since 2002 bottled annually as a special release at cask strength. Some batches of these Whiskies have been reviewed on this site earlier.

Personally Diageo was taking a wrong turn starting with Talisker for me, with the release of a lot of mediocre (NAS) “versions”. I might have mentioned this already in several previous reviews, (Talisker is Diageo’s best selling Malt). The 10yo is still by far the best affordable Talisker, although it suffers sometimes of batch variation, just have a look at the following two more recent releases from 2015, and 2019. Incomparable to an earlier bottling from 2002. When NAS wasn’t all that accepted at first, Talisker tested out a rather young Malt, but gave it an age statement. The 8yo from 2018, is a very good Whisky, but the follow-ups from 2020 and 2021 are less so. Alas. I have tried them all, but have yet to review them here.

Back to Lagavulin. When Talisker was being taken advantage of (to up the sales), by all those aforementioned releases, Diageo left Lagavulin alone, at least for a while. Then all of a sudden in 2016 the 8yo and in 2019 the 10yo surfaced. In hindsight, both editions are gnawing away at the perfect reputation Lagavulin had (for me). Sure, both releases are not bad, especially the 8yo was acceptable (for a Lagavulin), but the downward spiral is easily noticeable. A disappointing and depressing feeling for me. Well, the time has come to look at the next one. Between the 8yo and the 10yo came a 9yo, bottled in 2018 in the Game of Thrones range, yeah because coupling up this Classic Malt with a TV-show makes sense now does it. And sure it does, from a business standpoint. I’m sure it’s making Diageo a lot of money and even selling more of the less popular Whiskies from the Diageo portfolio in the Game of Thrones series. Amazing how many people I know, have the whole range at home, some even got the GoT Johnny Walker editions. I respect the fact Diageo is in the business of making money and are not only aficionado’s. I’ve met several Diageo employees who have no clue what it is what they’re selling (but look the part and talk the talk) and only care about their monthly sales and what car they will be allowed to drive next. On the other hand I’ve also met several Diageo employees that are true aficionado’s and big ones as well! (This second group is usually a bit older than the first group).

Having said all that and with the experience I had with the 8yo and the 10yo, I’m not having high hopes for this 9yo, especially with the caramel colouring remark on the back label, but nevertheless here we go!

Color: Gold, slightly brownish.

Nose: Slightly sweet, with nice bonfire smoke and peat notes. Even some (dried) meaty notes crop up. Underneath, a little bit of fresh lemon skin acidity, as well as some menthos you are already chewing on. As always, the E150a cloaks the smell a bit, but also adds some artificial balance, as per design, although I also feel not a lot of colouring was needed for this one. Whiskies with lots of colouring tend to be dull and cloaked. But credit where credit’s due, this is a pretty good smelling Lagavulin. Nice and fresh. Since this is supposed to be first fill Bourbon casks only, is it really? Since it has this added caramel, it still has a decent spicy, ashy, waxy and fruity feel to it. On occasion, I even encounter some floral dishwater-detergent kind-of-job aroma. Spicy with some hot tar and smoking embers. Some molten plastic, clay, wood, some (burning) paper (and ashes), but some red fruit notes seem to point at Sherry, but no Sherry casks were used for this one. Yup, this is a very nice smelling Lagavulin. If the taste is on par with the nose, which has some classic Lagavulin traits to it, I’m in for a nice surprise.

Taste: Here it is a bit thinner than the nose promised. Sweet with obvious licorice and black and white powder right from the start, as well as the sweet lemon skin note from the nose. Smoky toffee. Here the caramel colouring seems to have a greater effect than it had on the nose. Nice chewy peat, nicely framed by some smoke. Waxy. Some cloaking caramel, and creamy, fatty hand ointment, but it’s also letting though some nice red fruity notes. Appetizing. Towards the finish the woody bits show some slight bitterness, fitting the rather large licorice profile quite well. However, for the profile it has it is actually a little bit too sweet. One glass of this on an evening is enough.

Well, this one is a bit of a surprise, I didn’t expect much of it to be honest, considering I’m not really a fan of the 8yo and especially the 10yo, as well as coupling it to a TV-show was a bit suspicious. The Talisker GoT was pretty decent as well. Nothing of the milky, new make-ish, youthful notes I got from both other mentioned Lagavulins. Maybe the E150a did some good here (yeah right, hahaha), or maybe the casks were just better (more likely). This would be a really really good Whisky if it was somewhat less sweet and bottled at a higher strength. Still, this was bottled at 46% ABV instead of the 43% ABV of some other Lagavulin releases. This is a review from a particular batch (L9016CM008) from 2019. I haven’t tried any others, so I can’t comment on batch variation, but there is always a chance that different batches have (slightly) different outcomes.

Points: 86

Kilchoman 5yo 2012/2018 (50%, OB, Sauternes Cask Finish, 10.000 bottles)

In the previous review, I wrote that the way to go with Kilchoman, (for me at least), are the red labelled ones. Nice single cask bottlings, with quite some ooomph, like this Belgian and German one. Often still young, but already finished. Not a sign of extreme youth or new make spirit in sight. Bourbon casks work well with the Kilchoman spirit and all the other varieties, are definitely not too bad either. Time maybe for a green labelled one. I just can’t claim the red ones are the best, without even considering Kilchoman’s other colours now can I? A while back Nico and I did a bottle share of this Sauternes cask finish. This, in itself is odd, since both Nico and I do have a fondness for bottlings that came in contact with Sauternes. I guess Nico wasn’t too sure about Kilchoman back then, and I’ll have to ask him how he feels about Kilchoman right now. Sauternes, by the way, is a sweet White Wine from Bordeaux (France). You may have heard of Château d’Yquem?

Color: Light gold.

Nose: Soft, creamy and dusty. Cookie dough. Sweet smelling, perfumy and fruity (white peach in sweet yoghurt comes to mind). Fruity acidity, yet not only citrus. Apples with a hint of exhaust gasses from a small, yet efficient, petrol car. Dusty with cold motor oil. Spicy as well, dry kitchen herbs, cinnamon and some white pepper. Old cardboard box, bad breath and cold dishwater. Nice soft wood and some mint. The typical Kilchoman bonfire smoke note is here again, but toned down a little. Overall quite elegant, although some of the off-putting notes, I just wrote down, seem to indicate differently. Nevertheless, elegant it is. Let’s say Islay style elegant, with Kilts and muddy wellies. The whole Whisky seems slightly toned down, compared to the Bourbon single cask bottlings (the red ones, remember) I reviewed earlier. Slightly less sparkly. Light vanilla notes combined with mocha flavoured whipped cream, mixed in with pencil shavings and a wee bit of menthol. Dry garden waste lying in the sun in autumn. This nose keeps giving and giving and evolves, it’s just not as powerful as the German Single Cask. This is again a quality Malt from Kilchoman, more complex than a Bourbon cask alone, and this one is also softer. Hint of sweet mint now. It shows a different side of Kilchoman. Very appetizing and very good again. It seems a bit more harmonious than a single cask Bourbon expression, and as said, it gained some complexity with the Sauternes finish. However, in all the aromas presented, it is impossible to find any true Sauternes notes. I no way I can smell a sweet White Wine in this Whisky. All the elements that went into making this Whisky do work perfectly, so it seems. Very good Kilchoman again.

Taste: Paper and ashes. Wax and sugar syrup. Dry tall grass and hay foremost. Borderline Grappa. Creamy and sweet candied yellow fruits. Less strong than the single cask expressions. Clearly reduced. A very appealing sweetness, aromatically close to a sweet apple. Fresh air after some rain. Ashes, black and white powder (licorice), hints of spicy wood and some (sweet) bitterness. Warming going down. Little bit of molten plastic in the finish. I know, this sounds terrible, but rest assured, it isn’t. This is a very drinkable expression, due to the balance and probably the reduction to 50% ABV. The aftertaste does pick up some more on the medium bitterness. The nose was definitely more complex than the taste. This, in all fairness, tastes simpler than expected. All is good and tasty, yet not as complex as the nose promised, (and the buzz in the anorak-y part of the Whisky world). I believe the recently tasted German Single Cask expression may have even tasted more complex. This is more of an instant gratification Malt (and the reduced ABV helps with this).

This offers a (slightly) different take on Kilchoman. It’s good and definitely softer than the Single Cask expressions I reviewed earlier. Sauternes, well, if I tried this blind I might not have picked up upon the White Wine finish, although there are some hints in the depth of the taste, some sort of brooding sweetness, if that makes any sense to you. For some, this offers a more likeable Kilchoman, personally I still like both earlier reviewed red labelled ones better. Can’t wait to open another Kilchoman though, to have some more Kilchoman’s under my belt for comparison and a better view of the Whisky that is Kilchoman. Impressive Whisky, especially considering the age of the reviewed stuff.

Points: 86

Bladnoch 10yo (46.7%, OB, Limited Release, Bourbon Expression, Bourbon Barrels, 2018)

Wow, this is just the second review of Bladnoch on these pages. Bladnoch is one of those distilleries that look charming, but for the knowledgeable consumer, it has (or had) a bit of a wonky reputation for being buttery and somewhat unbalanced. I understand why some people might dislike Bladnoch, having tasted quite a few Bladnochs over the past twenty odd years. In the mean time, the only other Bladnoch I reviewed until now, is this 8yo, and this one was most definitely a learning experience. However it was a Whisky that grew on me, which also prompted an updated review, which I rarely do. Maybe it didn’t score as high as many other Whiskies reviewed here, but I still do remember it fondly.
In 1993 the distillery was bought by Raymond and Colin Armstrong and they sold it again in 2015. Raymond and Colin probably spent most of their money on purchasing the place, because it showed, there wasn’t a lot of money around. Simple bottles, not a lot of different labels, no boxes and no big refurbishments to boot. But the feeling was great. Raymond is an outspoken and accessible figure, who “did” the distillery, opened Bladnoch forum on-line, (again very a rudimentary looking affair), where aficionado’s could talk about many Whisky topics, with Raymond often participating, and last but not least, the famous Bladnoch Forum, independent bottlings of casks from other distilleries. All simple looking, home printed labels, and very nicely priced. This was a great time, and I’m sorry this didn’t last a lifetime, although Raymond’s son Martin continued the concept with Whiskybroker.co.uk.

2013 was the last year, many officially released bottling were released, but in 2014 & 2015 not so much. Finally, in 2015 Bladnoch was bought by Australian David Prior. With new management came an extensive two year refurbishment and a different and way more sophisticated look. The money was now certainly coming to Bladnoch. The contrast couldn’t be bigger. Distilling commenced in 2017. In 2016 with the releases of Talia, Samsara and Adela, the first new bottlings saw the light of day. Yes these are whiskies and not David’s daughters, at least I don’t think so. Just like the new Glenallachies, I tasted the new Bladnochs at the Whisky Show in London, and again the younger more “simple” expressions seemed best, or most promising. Of everything that was available to taste, I liked the 10yo best, it seemed to be the most interesting, and there even was this 25yo Talia to be had, just sayin’. So this 10yo is much less expensive and easily matches the others in quality. So no strange thing than, that the 10yo was the first one I bought, which has recently been replaced by an 11yo, which I recently bought as well. I guess the future of Bladnoch looks rosy again.

Color: Light gold.

Nose: Extremely malty, biscuity and slightly dusty. Warm summer air with the smell of oak planks (in the sun). Sweet malts with some distant citrus notes (the flesh, not the skins), mixed with cinnamon, green apple skins and dry banana. Warm slightly toasted bread with molten butter, cereals and dust. Grassy and dry, with some soft hay and cardboard. Perfumy (chic) and highly aromatic. Sugared yellow fruits. Friendly and appetizing. Well balanced. White latex wall paint. This is not only sweet, but also has a rough edge to it. At times, sweaty, dead leaves and organic. There is a lot here, and it’s quite big as well. There is nothing like it, and it seems almost like a style on its own. Who said a lighter style of whisky can’t be big? Remember St. Magdalene? Meaty, cold gravy, but also some milk chocolate and some more cinnamon. Soft ice cream melting in the sun. The combinations may seem strange, and to be honest, Bladnoch can be a strange Whisky at times, different from others, but in this lies also its charm. I can say that, because for me, for a long time, Bladnoch has been some sort of a guilty pleasure. I liked it a lot even when I shouldn’t. I liked it better than my scores showed. (Thinking of intrinsic quality here). Funny how this works. It’s strangeness is quite appealing (to me). I do like extremes. Sherry bombs and Peat monsters as well, and a big buttery Lowlander is an extreme as well, these three are the points of a triangle.

Taste: Sweet and fruity, definitely some sweet apple in here as well. Malty check, cinnamon check, it goes great with the sweet apple aroma. Quite quickly the woody notes, complete with some bitterness, exert themselves. Still lots of butter and vanilla and this creamy texture. Fatty and waxy. And this wax is the carrier for the bitterness of the oak. Less of the cardboard kind, which is more like paper here. Lots of aroma’s in the nose, because these must have been some pretty active casks giving off a (smoky) bitterness. Citrus fruits and some more sweet sugary yellow fruits aroma’s form on top of the body. These notes are sharper and more acidic and go together well with the more fatty base or body of this Whisky. Passion fruit and maracuja maybe, hard to tell right now which fruits make up the fruity bit.

Even though this is clearly a Lowland style Whisky, it differs from all the others Lowlanders that still operate. I remember I needed some time to get used to this, and some of that shows in the review of Bladnoch 8yo (look towards the end). To be honest the 8yo and this 10yo do have a lot in common. Even though I found it an odd one out, I really developed a liking for the strange style of Bladnoch. Here we have this new and initial, fairly standard bottling @ 10 years old, with a price to match and I really do like it. I like it for what it is and also for its style. Distilled by Raymond, and now the new owners are reaping the benefits. It seems to me the new owner is also doing the best he can to put Bladnoch out there again and putting out several expressions at reasonable prices. It is possible this style of Whisky isn’t for everyone, and if you bought it because of me and don’t like it (too extreme), I apologize, but for me this is a very nice gig fatty Lowlander, and I can’t wait to try some more expressions of Bladnoch in the near future.

Points: 86

Tomatin “Earth” (46%, OB, Five Virtues #3, Peated, Refill Hogsheads, Sherry Hogsheads and First Fill Bourbon Casks, 6.000 bottles, 2017

After “Wood” and “Fire” here is #3 in the Five Virtues series. Wood was named wood because of three different kinds of oak used for that Whisky: American, French and Hungarian oak. Fire was named fire because of the de-char and re-char treatment of the casks, so these casks were set on fire twice. Earth is named earth because it’s made with peated malt, and peat, as we all know, comes from the earth. So until now, “the logic makes sense”. If I’m not mistaken, this may very well be the first and only peated Whisky bottled under Tomatin’s own brand name. (The peated Cù Bòcan, although made by Tomatin, is a different brand). Earth was distilled in 2006 and made from 50% refill hogsheads, 25% Sherry hogsheads, most likely from American oak, and 25% first fill Bourbon casks, so it must be 10 or 11 years old.

In a way “Earth” has quite some similarities to An Cnoc’s “Rascan”. Both are peated Whiskies from distilleries that aren’t known for their peated Whiskies. Both Whiskies are NAS and quite light in colour. Both claim they’re highland Whiskies even though many Whisky writers place Knockdhu in Speyside. Knockdhu is the distillery, An Cnoc the brand name, by the way. So it came natural to me to start a flight of Whiskies with said “Rascan” and to follow it up with this “Earth” or vice versa. Well, these two are both decent Whiskies, but they absolutely don’t work with one after the other. Both are able to bring out the worst of each other. No matter which one was tasted first. How odd, I wonder why. Rest assured, for this earthy review there was no Rascan in sight.

Color: White Wine.

Nose: Sweet, soft and dusty peat with citrus notes on top. Hint of glue (only when the Whisky is freshly poured). Smells more mature than “Rascan”, lacking the milky new make note Rascan initially has. Very nice spicy wood notes, American oak vanilla notes with sweet citrus on top. Warming peat and only slightly smoky. Rain water, Gin-like. Very aromatic. Smells quite tasty. Hints of sweet coffee with milk, and some added runny toffee. Dust and paper. Old damp wood in a cellar. There isn’t a lot of peat to begin with, but it also dissipates a bit, or is it my nose that gets used to it? Fruity, typical tropical yellow fruits, typical for the best Tomatin’s. Sweet yoghurt with white peach? Slightly peaty and well balanced. After you set you garden waste on fire, it smells like the glowing remnants of the biggest branches in the pile, just before it dies out. I’m sure some of you will share such an experience with me. Coffee candy comes back, together with a whiff of perfume, old almonds and some pencil shavings. When smelled in the morning, the fruits have more to say than it does in the evening. So for me this is more of a day-time dram than it is an after-dinner dram. It maybe is too delicate for after dinner or to pair it up with a cigar. It’s soft peat and sweetish fruit, but it isn’t smoky. It’s not a bonfire dram. This is a lovely peated Whisky, that’s more fruity than it is peaty (or smoky). Fruit comes from the earth as well, so the name is still valid.

Taste: On entry, the sweet and the fruit come first, as well as the almonds from the nose. After this, some prickly smoke and another sweet touch. Only after sipping the smoke comes forth in the nose with some pencil shavings. Creamy and fruity with a tiny hint of bitterness for good measure. Fruit, biscuits and cookie dough. The sweetness is just right, the peat is hardly detectable, yet present. This is a bowl of ripe fruits in a kitchen where preparations are made for baking a apple pie (just no apples in this nose, or are they…), no it’s about the dough. Even though this is peated (can’t be much), this is still easily recognizable as a Tomatin (when you know your Tomatin’s of course). Not super complex, but actually this is a very nice and interesting Tomatin. Sure we have Cù Bòcan, but I’m really interested how another peated Tomatin would turn out, hopefully bottled at cask strength this time, if they care to repeat the experience.

I have to say, that after the first three Five Virtues, this series is quite likeable. All three turned out to be decent Whiskies with interesting differences, and I believe the best is yet to come.

Points: 86

One point above Wood and Fire. All three are good and different, but this one is even more tasty and slightly more special.

Ledaig 12yo 2008/2020 (45%, Gordon & MacPhail, Connoisseurs Choice, Wood Finished, Refill Sherry Hogsheads, 3 year finish in Hermitage Casks, 4440 bottles, 20/074)

The previous reviews have shown that the industry is getting the hang of how to successfully incorporate Red Wine Casks into the production of decent Whisky. The three Longrow Red’s reviewed last, were all pretty good. So maybe it’s time to have a look at a different example of this practice. But first this: for one reason or another, the interest in Springbank (and, Hazelburn and Longrow, but to a lesser extent as well), has skyrocketed in the past year of two. Maybe the best example is the latest rendition of the Springbank Local Barley over which people really went ape-shit, and really, there is no other way to put it, ape-shit indeed! Why is that, one might wonder, the colour, more money to spend because of the pandemic? In many markets this latest Local Barley was near impossible to get, and just have a look what people are willing to pay today for one of these at auction. It’s a 10yo! Even when Springbank Society is releasing a bottle these days, you have to enter a ballot! Even though costs have risen considerably across the world, due to Brexit, people are going ape-shit after those as well. Not only aficionado’s and fan’s but many bottle flippers as well, since most of these releases are readily available, in great numbers, I might add, at the next action. A few years back, Springbank Society didn’t even sell everything and you could get a second bottle without any problem. Times are a-changing.

So now that Springbank is often impossible to get (in a normal way), I tried to figure out what would be a nice alternative to Springbank. Well, that is a rather personal question, and the answer might differ from person to person. However I did come to some sort of a conclusion for myself, and figured out it is the peated distillate of Tobermory, we all know better as Ledaig. There are probably more alternatives one can think of, but let’s stick with Ledaig for now. First of all, Ledaig is getting better by the year, (they used to have a rather wonky reputation), it’s readily available, especially through independent bottlers, and it’s damn tasty stuff, even at a young age. I have bought quite a few Ledaig’s in the past year, so I could have, and probably will have it permanently represented on my lectern. So, Ledaig it is for now, and after three Longrow Red’s, here is a Hermitage Wine finished Ledaig. Hermitage is a French Red Wine from the northern Rhône region, made with Syrah grapes. Let’s see if this is really a worthy alternative for the Longrow Red’s. A final remark before digging in, this Gordon & MacPhail offering has been reduced to 45%, where the Longrow Red’s are bottled at cask strength, we’ll see if that matters much.

Color: Vibrant orange brown, like a bourbon. No pink Red Wine hue.

Nose: The bottle I’m reviewing now is less than half full, and this really needed to breathe a lot to get where it is now. When freshly opened, I was really disappointed, asking myself, is this it? Quite unbalanced. Yet today, it is another story altogether. Bonfire smoke and the fur of a wet dog, or maybe an animal with a more coarse fur, lets say wet bear then. Dried out cow dung in the middle of summer. Ledaig always has these “animalesk” notes to it. Fresh air with a whiff of paper and chlorine, this is not a bad thing, because it fits the whole. Smoke, nutty, winey, funky and sweet smelling fatty peat. Also licorice is present in this peat. There is a lot going on in this peat-bit alone. Some wood, nice laid back oak. Hints of fireworks (sulphur). The whole is dark and brooding based around great peat and smoke. Motor oil, coffee flavoured candy, and some vanilla. Creamy. Smallest hint of red fruits only, so the influence of the Red Wine casks is somewhat different to other Red Wine finished Whiskies. Partly floral. Yes after the big aroma’s played their part, a more floral note comes popping up from below. There is definitely a lot happening here. Many entirely different aroma’s come together in harmony. Nevertheless, this seems to me to be dirtier than your average Islay Malt, however I’m not entirely sure right now, if this dirtiness hails from Mull or Southern France, my guess would be the former. Good Ledaig again. Smoke, floral, soap and fresh fruit notes now. I can get used to this. So let people get ape-shit some more on the output of Campbeltown, we’ll join in occasionally, and apart from that, we’ll have Mull as our (dirty) little secret. Amazing how this managed to get from this unbalanced state when freshly opened to this harmonious and balanced Whisky it is now.

Taste: On entry, somewhat sweet (red fruit syrup, in part artificial), toffee, animalesk-peat, crushed beetle, ginger bread, caramel and nutty. With a slightly soapy slippery feel to it and woody bitterness for good measure. Amazingly this also has a little red pepper sting to it. Here, it is all slightly less big and powerful and it tastes somewhat diluted compared to the Red’s. I know there are a lot, and I really mean a lot, of cask strength Ledaig’s out there, but this one would benefit from some more ooomph as well. Still, it is what it is and it is a good Ledaig again. Way less complex here than it was on the nose. Hence less words are needed to describe the taste than the nose. Warming bonfire and cigarette ashtray in the finish and warming meaty aftertaste with coffee candy and surprisingly some mint. Very warming indeed.

First of all, this one definitely needs a long time to breathe and if you allow it to, you’ll be rewarded. Just leave the cork off for a day or two after opening, and repeat this process if necessary. Second, just like the Red’s, here we have another successful Red Wine cask finish. By the way, remember this Deanston? The reputation of Mull is growing and before you know it, (it might take a few years), it just might catch up with Campbeltown altogether. It’s a worthy alternative, and it is not more of the same. Luckily, even though the output of Springbank Distillery is very, very good. But we aficionado’s do like the differences that can be had. One minor gripe. Even though this is yet another good Whisky, the reduction to 45% ABV is very well noticeable. Historically these finishes were bottled by Gordon & MacPhail @ 45% ABV, but with the revamp of the different series they had, towards the “new” Connoisseurs Choice, maybe there should be some Cask Strength Wood Finishes as well?

Points: 86

This one is for Luke Todd-Wood, who recommended it to me, without even knowing. Cheers Luke, I guess you already finished your bottle by now!