Ledaig 15yo 1997/2013 (59.3%, Gordon & MacPhail, Reserve, for Van Wees, Refill Sherry Hogshead #464, 262 bottles, AC/JICD)

Well, this should be interesting! Fall 2015 saw me doing a review of a sistercask (#465) of this Whisky. The cask next door, so to speak. It was filled the same day with exactly the same distillate, in just another refill Sherry hogshead, but with, probably, a different result, since no two casks are really alike. Both were distilled on 23/10/1997, #464 was bottled 01/08/2013, and #465 was bottled on 30/10/2013. Bottled only three months later but making one a 15yo old and the other a 16yo. #465 is also the darker of the two, but the difference looks bigger than the aforementioned 3 months. Maybe the two casks contained different Sherries. Maybe one cask was more active, or had a deeper char. All can be true.

#465 was bottled for The Whisky Exchange (of London), and #464 was bottled for Van Wees (of Amersfoort). Both casks were refill Sherry hogsheads. I’m opening this #464 now, since #465 is almost empty and it’s time to “kill” it. Don’t believe for a second, since it lasted me this long, it wasn’t any good. It is actually so good, I didn’t want it to be empty soon, second it isn’t really a daily drinker type Whisky to boot. It’s a big, big Whisky. So today I still have a chance to compare the two. Just bear in kind, one has had plenty of time to breathe and the other is almost freshly opened.

Color: Full gold, with some orange.

Nose: Funky, dusty and meaty. Big and sweet-smelling. Fatty, dirty, meaty peat. Almost like an animal was turned into peat along with the plants. Nothing bad here, just very animalesk. Crushed beetle and gasses bubbling up from a pond. Expect no clean earthy peat, or just bursts of sharp smoke. Yes, smoke is here, as well as peat. Smoke from wet wood. Marshland wood. Earthy. Wet and dirty peat. Earthy sweet peat. The smoke is soft. Spicy, vegetal and highly aromatic. Hints of liquorice and dust, mixed in with toasted oak. Vanilla, mocha and more drier wood and sharper smoke. Hints of Rhum Agricole if you ask me. Hints of peppermint immersed in mud. Very organic mud. Do I detect some sulphurous compounds in the back? Wonderful balance though.

Taste: Starts sharp and quickly turns to sweet, with a peppery attack, quickly followed by peat and sharp smoke. Its like the initial sweetness coats the mouth and when that recedes, the sharper element comes to the front of the stage. Maybe fruity even, I’m sure of it actually, but that part is overwhelmed by the rest of the big aroma’s this Whisky has. Licorice power, sweet licorice wood. Ashes, even cigarette ashes. Extremely warming, I can feel it going all the way down. Never get that a lot, not even from cask #465. Sweet, lots and lots of almonds and even hints of anise, barely noticeable: acetone based nail polish remover, and the crushed beetle is here too. This may seem strange and quite off, but let me assure you, this is all positive for the whole of this Whisky. Give it some time and more fruity notes start to develop. Red and yellow fruits. Sweetish, but also slightly acidic. Nutty and waxy. Hints of burnt plastic. Lots of smoke in the taste, along with some cow dung in the finish. Very rural and farmy. Salty lips. What a wonderful Whisky again, utterly complex. There is so much happening. It’s only slightly less balanced than the nose, and cask #465 for that matter. This imperfection is best noticeable in the aftertaste.

In a direct comparison, it is obvious to me that #465 is the more civilized of the two. The same notes appear, but turned down quite a bit. It’s not as “loud” as #464. It’s fruitier, with apple notes and some more red fruits emerge as well. More elegant and less broad, less sweet. Slightly sharper and more acidic. Better balance in the taste and definitely more elegant and less dirty. So not identical twins. #464 is bigger, bolder and has a longer finish. The sulphurous bits of #464 are easier to detect in a direct comparison, since #465 seems to have much less of it, or lacks it altogether.

I love both these Ledaigs, and if you have a preference, it’s because one of the two better suits your profile )of the moment). More elegant or more rough, cases can be made for both. Personally today, I might prefer #465 (it shows coal and black fruit, which I love), however tomorrow I might prefer #464 (big and bold). It just depends. #465 will score higher because it does show a bit more quality and balance, with more of the aroma’s I like, but, who knows, maybe some more breathing will bring out even more in #464. I’m in for a treat the next months/years…

Points: 89

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Macallan 9yo 1999/2008 (46%, Gordon & MacPhail, Speymalt, for Van Wees, First Fill Sherry Hogshead #12378)

Wow, look at his colour! I’ll explain shortly what I mean. Also, unusually dark for a Speymalt from this vintage. For those of you who don’t know, here we have an independently bottled Macallan. Maybe this is the way to go for the non-millionaires amongst us, since the owners of Macallan seem to have gone completely over-the-top bonkers with the “brand”, super premiumizing it, crystallizing the bottles, teletubbying the distillery and… well you know what I mean. Let’s shy away from the marketing and focus on quality then. The quality of Macallan’s distillate, the quality of what we’re getting, putting this quality distillate in a quality Sherry cask the good people of Gordon & MacPhail provided for this distillate and reviewing this drinkers’ Macallan…

Color: Vibrant mahogany! No it’s not just orange-brown, it’s mahogany, and it’s only mahogany when it has this redness to it, a red flame if you wish.

Nose: Restrained for a short while. Wonderful Sherry and woody notes. Ever so slightly waxy and also fresh and airy. Milk chocolate, with a tiny hint of smoke, which most likely came into the mix from the burnt insides of the cask. Next, some pencil shavings. Smells fantastic. Quality Sherry cask. Classic Macallan. Not a lot of vanilla, so, I’m hardly guessing, this was matured in european oak, although I do pick up on a slightly creamy note as well. Hard to explain why, but this smells luxurious, elegant and perfumy. Reminiscent of the great Macallans from earlier decades. Remember the times before Fine Oak, and all the stuff that came after that. Remember the days of, “…which science can’t wholly explain…”? Elegant and fruity and in no way, harsh nor overpowered by the first fill Sherry. Not cloying nor heavy. Excellent cask.

Taste: Smoky and slightly tarry. Black coal. Thin honey, yet not a lot of vanilla sweetness. Initially very, very nice. Reminds me of the Macallans, Strathisla’s and Longmorn’s, when Gordon & MacPhail bottles still had screw caps and were bottled @ 40% ABV. (…and still had enough power)! The body is about Sherry and wood, beautiful spicy, and perfumy, wood, and shows a little bit of nice woody bitterness as well. Soft and silky bitterness, which adds to the overall flavour of the Whisky. Quite fruity and almost drinks like red fruit lemonade. Nice notes of mocha and coffee with milk. Rather short finish though. This is where the relative youth comes in, but I don’t think this should have stayed in cask longer. First fill Sherry can be a brutal thing! Short bursts of warming and red fruity notes. And the aftertaste lingers longer than the finish was. Again classic style.

On the other hand, maybe, this could have stayed in cask longer, since in no way it is overoaked. The flavours could have been more powerful, and the cask itself seems very elegant and good. Or maybe it should have been bottled at cask strength, who knows. This might have had some more to it in the end. For me the best bit of this Whisky is the start, when you take a sip and keep it in your mouth for a while before swallowing. Nice woody and licorice notes start emerging that way. Tar and coal. Wonderful stuff. Tiny hint of the typical acidity from rather new oak, which is a different note from fruity acidity, mind you.

The ABV, is slightly higher than the regular expression of the Speymalt from 1999/2008 which was bottled @43% ABV. Darker as well. Still it manages to come across a bit thin. Would it be too harsh at cask strength or is it an economical move by Van Wees? As in, if you dilute it with water you get more bottles from the hoggie? Probably not since it’s a Speymalt. All things considered, this is a classic Macallan. Wonderful stuff. Sure, maybe more could have come from this, maybe not, but I’d still get it as it is. Most definitely I would. Much better than many, and I mean, many modern Macallans, bottled by the (owners of the) distillery themselves. Highly drinkable, so a bottle of this wouldn’t last long…

Points: 89

Tamdhu 15yo 1991/2006 (60%, Adelphi, Bourbon Cask #1955, 257 bottles)

Well let’s continue with another oldie, shall we? Clear out some of the sample bottles to fill it up with something new. This is Tamdhu, and Tamdhu is not on Islay, nor will this Whisky be peated. I expect a lot of this Whisky. First of all it’s Tamdhu, which makes a lovely distillate. It’s bottled by Adelphi, a bottler so good, it almost seems as if they can pick any cask they like. This has 60% ABV and just look at the color. Yeah baby, bring it on!

Color: Orange gold.

Nose: Wood and sometimes a hint of an aromatic White wine. Very spicy. This must have been a very active (toasted) cask. Although you might think this cask previously held some sort of Sherry, I hardly doubt it. Creamy vanilla. American oak, all the way. No Sherry notes whatsoever and yet pretty sweet-smelling, although the dryness of the oak, soon takes over, to never let go. Ehhhm, is this all? Hints of fresh air, but it’s mostly all aroma’s that have to do with oak. It’s definitely not overoaked, mind you, but it seems to be rather mono-dimensional. I’m actually a bit disappointed now, since this is Tamdhu, from Adelphi, which has a reputation, and it’s 60% ABV. I love cask strength. Still, nothing happens for me. Sawdust and hot oak. It smells a bit like a carpenters workshop. This definitely could have done with some blueberry notes, now it smells a bit, dull…

Taste: Initially quite sweet, and again, everything you’d expect from an ex-Bourbon cask. Vanilla, powdered vanilla, creamy pudding, instant pudding powder. Milk chocolate (powder) and a totally different green feel to it, as well. My heart skips a beat right now, because, this is more or less it. Lots of oaky notes, and a strange sweetness. Not a lot more is coming to me to be honest. Earlier I already thought my nose was failing me, but tastewise I don’t “see” a lot of evolution in my glass. WYSIWYG.

Although Adelphi claim, Tamdhu prefers ex- Bourbon casks, I always thought Tamdhu was one of those distillates that work wonders with ex-Sherry casks, in both American and European oak. This particular example has no flaws, it’s nice, but it almost has no  complexity, nor does it evolve a lot after pouring or whilst drinking. I’m pretty sure I will forget rather quickly, how this tasted like, and I hardly forget the taste of a Whisky. Go figure.

Points: 83

Caol Ila 10yo 1996/2006 (57%, Berry Brothers & Rudd, Cask #732-735)

Here is an old one from the dungeons of Master Quill’s castle. (Independent) Caol Ila #11, yes another Independently bottled Caol Ila. The eleventh already on these pages, and I have yet to review an official bottling of the stuff. It’s not as if there aren’t any around now, aren’t there. Although it is a sunny day today, the nights are still cold, so no problem whatsoever to pick me another peaty dram. This time we’ll have a look at a Caol Ila bottled by independent bottler Berry Brothers & Rudd. Although it was distilled back in 1996, it is a mere 10 years old. Young Islay Whisky with a healthy ABV. I expect a nice peaty Whisky. I remember a 1996, which was also 10yo, bottled by Cadenhead’s which I liked very much. I have one of those lying around, so if this Caol Ila turns out to be great, maybe I’ll break out that one as well. Or is it time for an OB? Only time will tell.

Color: White Wine, straw.

Nose: Peaty, but in a christmassy way. Dried orange skins with cloves. Spicy. Otherwise clean. Slightly sweet, aromatic, yet light. Soft wood, almost like cardboard. Definitely refill Bourbon, and the color shows for it. Hints of pepper and overall very friendly. I no way does this smell like a Whisky with lots of alcohol or peat. Appetizing. Next the usual suspects when reviewing Whisky aged in refill American oak. Soft wood, butter, creamy and vanilla. Hints of coal and dust. What’s especially nice is the peppery bit. It suits the nose well, pulling it more to the middle, away from too much creaminess or sweetness.

Taste: soft spices, hints of cannabis and crushed beetle. I only got cannabis in some Bunnahabhains up ’till now. Nice balance. Wow, very soft indeed. Creamy and ashy. Here the ashes replaces the pepper from the nose. Nice green notes as well. Even an Islay profile like this, seems to be already gone from modern peated Whiskies. It doesn’t smell like a high ABV. Whisky, but it also doesn’t taste like one. The profile is so soft and warming. The peat is soft as well, so no heavy hitting Islay here. Spicy, green, ashy and now also fruity. There is an acidic note and the fruit closes to the aroma I pick up on is apple. Green apple, but also cooked apple. Apple sauce. However, this Whisky has also a soapy trait, like cold dishwater at the end of the body, well into the finish. This brings the whole down a notch. There is this brief moment I have to “get through” before the finish picks itself up for the very rewarding and warming aftertaste. This Whisky has a summery feel to it. Countryside in the sun, with fruity and floral bits thrown in.

Amazingly soft and totally different from what I expected. No heavy peat, no heavy alcohol, and not big at all, but friendly stuff, with a kind heart. Smells great. This has a lot of nice and almost rare aroma’s to it. It seems like something distilled longer back than 1996. Yes I’ve got it, this is a melancholic Whisky, which is able to move you, when remembering the carefree good ol’ days…

Points: 85

Longrow 14yo 2003/2018 (57.8%, OB, Limited Edition, Refill Oloroso Sherry, 9.000 bottles)

At the moment I have two Longrows open on my lectern. One is the 1992 Vintage, which, I have to admit, is damn fine, really very good, so it is a favourite and I don’t think it’ll be around for long. The second one is this, limited to 9.000 bottles only, edition of Longrow. This particular Longrow was fully matured in refill Oloroso Sherry casks. I really like the output of the Springbank Distillery, so I expect a lot for each and every Whisky of theirs I can afford to buy and review. This time a bottling that has fully matured in Oloroso cask, so not a finish and not a blend with Bourbon casks, like many standard expressions are. The 12yo cask strength version for instance is usually blended from 70% Sherry casks and 30% Bourbon casks. The link, by the way, will lead you to my review of batch 8 from 2014. Now let’s have a look at this 14yo Longrow. Yes please!

Color: Copper gold.

Nose: Spicy, with slightly rotting banana’s, some muddy sulphur and fruity Sherry. Fatty peat (not a lot) and some soft wood. Freshly ground coffee and lots of fresh coastal air. Some licorice and somewhat more sulphur. Toasted wood. Big bonfire and more aroma’s from being in the woods at night (with a bonfire burning close by). Night air, with a smelly pond (yes, sulphur again) and a sweeter bit close to creamy raisins. As I’m smelling this a lot, this raisiny bit has the staying power and not the sulphury bits mentioned earlier, but since its part of the DNA of this Whisky, I wouldn’t be surprised if it returns. More creamy bits emerge. Vanilla, Sherry casks made of American oak? Probably. Sweetness from the Sherry and the oak as well, so yes, American oak, if you ask me. Raspberry hard candy adds a tad of more fruit to it. Dries out a bit over time with more burnt notes coming forward. By now I’m again struggling to find peat on the nose of an aged Longrow. Did I already mention raisins? I did? Alright then!

Taste: Wood first, then sweet fruits, sulphur, ashes, and even some more wood. they present themselves in this order. Ashtray, and candied red fruits come next. After this first sip the nose gets bigger instantaneously. Still, not a lot of peat, but more on the smoky (sharper than peat) and ashtray side, and don’t forget about the slightly bitter wood. Maybe it’s not the wood that’s bitter, but the sulphur. Hint of burn plastic. Warming honey. Second sip reveals more of good old Oloroso, we know from the past. Red fruits and coal. Burnt rubber, and aroma’s, I tasted last in Rhum Agricole. The aromas of cold ashtray never leaves the palate. It is an integral part of this Whisky and pretty dominant. Sure, some sulphur is here as well, but it seems to be mixed in with the ashtray notes. Cigarette ashes in the aftertaste accompanied by some woody bitterness, which is not a problem in a profile like this.

Definitely not an easy Whisky, and probably not for everyone. I can imagine a lot of drinkers of Whisky and even fans of Springbank and Longrow, consider this to be somewhat flawed. Sulphur (the devil) has been detected. Sure it is here, and maybe even plenty of it. But for me it’s not the harsh and sharp kind you sometimes get, I can forgive its flaws to a degree, but one has to decide for oneself if one can. As I said, maybe not for everyone, although I believe most Longrow’s do end up on connoisseurs shelves anyway. It’s probably a wee bit to expensive as well for a casual pick at your dealer of choice. Nope, most of the people of this particular Longrow are already members of the Springbank Society. A show of hands please?

I mentioned the Vintage 1992? Well, in that one, one could easily taste what a Longrow is. It shines with distillery character. This Oloroso expression is as opposite to the 1992 Vintage, as the flat earth society is to the dead poets society. Oh, my, I hope I haven’t offended anyone. A show of hands please? Here the Sherry overpowered the Longrow, and pushed it out of sight altogether. Considering this and the overall profile of this Whisky I can’t score it as high as I did the ‘1992″. Still good though, but definitely not as good as the “1992” or the Springbank 17yo Sherry Wood, which also matured fully on Sherry casks, for even longer than this Longrow has.

Points: 86

Lochindaal 10yo 2007/2018 (53.1%, Hidden Spirits, 235 bottles, LH718)

Bruichladdich, today, is known for their three brands of Whisky. The “unpeated” Bruichladdich, the heavily peated Port Charlotte (40 ppm), and the super heavily peated Octomore (80 ppm and higher). In november and december of 2007 Bruichladdich also made a heavily peated distillate at 50 ppm called Lochindaal. The Lochindaal spirit is named after a distillery. Lochindaal is one of the names, Rhinns was another, for a distillery we now know better as Port Charlotte, which started up in 1829 and closed in 1929. The Octomore spirit is also named after a distillery which operated between 1816 and eventually closed in 1854, Operations halted much earlier around 1840.

There were plans to reopen/rebuild the Lochindaal/Port Charlotte distillery and for this purpose in 2005, the Spirit and Wash stills from the Dumbarton complex, that once made Inverleven Whisky, were acquired. Dumbarton closed down. The Lomond Stills from Dumbarton (making a Single Malt called ‘Lomond”) are now used at Bruichladdich for The Botanist Gin. Lomond was mothballed in 1985 and Inverleven in 1991. In the end the whole Dumbarton complex was closed in 2002 and demolished in 2005 and subsequently the stills transferred to Bruichladdich. The Inverleven wash still was put outside the distillery on show, and the wash still was put in the Lochindaal/Port Charlotte distillery. Both stills never ran on Islay and were yet again transferred, this time to Ireland for the new Waterford Distillery, so I guess the reopening of Port Charlotte is put on ice for the time being.

Lochindaal was made available to the public, at the time, for £1850 a cask. The plan was to fill around a 100 casks a year and to keep making this distillate. Hardly any information can be found on that plan, so I have to ask around. By now we know that Lochindaal never really saw the light of day as a brand for themselves (yet), because in truth, what would it have added for the discerning Malt aficionado, or the public in general, when you already have Port Charlotte which is also a heavily peated Malt. Nevertheless, examples of Lochindaal, made in 2007, in 2009 (september) and 2010 (december) were bottled, and maybe more will be bottled in the future. So casks do exist, and maybe casks are still filled with the Lochindaal spirit. Most Lochindaal is bottled by independent bottlers or as private casks, by the people who bought the casks mentioned above. Be warned, since it seems to be quite rare, prepare to pay a little extra for a bottle of Lochindaal.

Color: Light gold, piccalilli yellow, when the sun hits it.

Nose: Creamy. Pudding, custard, warm butter and vanilla with smoke on top. Excellent. This creamy bit really reminds me of the Bruichladdich Islay Barley expressions. Like the 2007. I If you ask me it’s essentially a peated Bruichladdich (in style). Hints of soft black pepper and soft wood and mocha. Very appetizing. Fresh and somewhat fruity, but the creamy bit is where this Malt is all about. Give it some air and it develops even more, with an even more floral note. Salt and pepper come to mind on more than one occasion whilst nosing this. The oak, nice because it gives a backbone, shows itself quite late. The creamy bit is quite dominant. yet, if given even more time, still more is revealed, and the balance grows as well. more oak and paper notes. Spices adding depth. With even more time, a funky acidic note comes forth. Interesting. The peat is wonderful, soft and brooding and on top of that some fatty smoke to finish it off.

Taste: Fatty peat and stinging smoke. Big aroma. Black pepper attack like the best of Talisker. Peat lingers in my mouth. Warming and brooding upon a layer of toasted barley. Winter warmer this is. Almonds and ashtray aromas develop in my mouth. Hot motor oil, and a more winey note? All this accompanied by some lemon and lime freshness, zest and acidity. Big upon entry, but somewhat less big in the body-department. less creamy bits making for a slightly thinner experience, making room for the sharper smoky notes. However the pepper and the peat and the half-strength creamy backdrop do steal the show here. Long finish with an even longer aftertaste. It goes down like treacle!

I really like the 2007 Islay Barley Bruichladdich and I also liked the 10yo Port Charlotte and Octomore is nice as well. This Lochindaal is no exception. Easily recognizable as a product from this distillery. A rarity at 50 ppm. Well made but as I said, not terribly different from the rest of the output from this distillery. It’s very good, I really like this Lochindaal, but if you want to pay, or do you need to pay an elevated price for this and most other scarce expressions, is entirely up to you.

Points: 87

Grazie mille, Andrea!

Ardbeg “Uigeadail” (54.2%, OB, 2018, L70174)

My Ardbeg Corryvreckan from 2014 is almost empty, and it will be replaced by this Uigeadail from 2018. However, even before the Corryvreckan is finished, I already opened the Uigeadail, so I can taste them both Head-to-head. Well just for fun, because the Corryvreckan is almost empty, so it had time to breathe, and the Uigeadail is freshly opened and full. Not a truly fair comparison. I’ll compensate by taking my time. If you surf the interweb, and read about the standard Ardbegs, the Corryvreckan gets less love than Uigeadail. Uigeadail is some sort of favourite for fans of Ardbeg. Nevertheless, when I reviewed the Corryvreckan I scored it a hefty 89 points, and never regretted that score over time, when emptying the bottle. I love this (batch of) Corryvreckan. Where Corryvreckan is about ex-Bourbon casks and new French oak. Uigeadail is about ex-Bourbon casks and Sherry casks containing older Whisky than the aforementioned ex-Bourbon casks. Or so they say…

Color: Light gold.

Nose: Nice soft and sweet peat and definitely some smoke rising from the bonfire (I found out later, bonfire is mentioned on the label). Bits of coal for good measure. Big aroma, perfectly balanced. In no way does this smell young or immature, remember this is a NAS bottling, right! Citrus and floral notes. Very fresh and working well with the peat ‘n smoke. The peat is fatty and brooding, but especially this peat reaches greater depths by the Sherry influence. I struggled a bit, at first, to “find” the Sherry, as I expected it to be far more upfront, maybe fruity and obvious, but in fact, it hid in plain sight, it hid in the shadows of peat, just shy of the gates of hell… uhmmmm… I got carried away a bit, sorry Auke. Nevermind, lets continue the review, shall we? Hints of forest floor late in autumn. Spicy, decaying wood, soft wood, but add to that a more meaty feel. Bacon is suggested by the label. I hate that. It indoctrinates the consumer, did I get bacon by myself or am I pushed that way? I can’t unsmell the bacon now, can’t I? Get it off the label, please Mickey, pretty please.

Next something that reminds me of crushed beetle (a ladybug actually, and yes, it was an accident). Yet also some licorice, and earwax on a breath of fresh air. Dry cocoa powder and salty, smoked bacon and more bonfire again. By the way, the label mentions treacle, something I don’t get on the nose. This just keeps evolving. Probably the influence of Sherry again. Hey, quite late to the mix some fresh oak, probably not virgin, but very upfront nevertheless. Even later in the mix some minute amounts of sweet ripe red fruit, of which raspberry is the most obvious to me. I say, excellent stuff again, just like the Corryvreckan. I hope all batches are this good, or did I get lucky again?

Taste: Ahhh, here is the treacle, and the peat and the smoke. Luckily the treacle is thin, making the entry not too sweet, although memories of old Demerara Rum, fly in and out of my head now, more than Sherry notes, although I do pick up some sultana’s, raisins. More liquorice and milk chocolate (liqueur). Burnt plastics and liquid bonfire. Luckily the label only uses three words “describing” this Whisky, which I can report are correct. Treacle wouldn’t have been one of my top three words, yet I understand why. Personally I might have gone for “Chocolate”, but it may be another word tomorrow, only human, y’know.

After tasting the Whisky, the smell gets more of those spices you smell around Christmas, as well as some kippers and creamy latex paint. Tastewise the odd plastic note remains, and in come some more youthful aroma’s hinting at young Whisky. Vanilla and salty butter. More smoke, but like an ashtray this time, mixed with liquorice notes. Sometimes some bitter woody notes, but not every time. Less balanced than the nose though. Fatty, but also with some acidity, splitting the Whisky a bit. The finish has medium length, with the return of the ashtray in the aftertaste. Nice long and warming aftertaste, better than the finish itself. Good stuff.

What an odd standard range. A TEN and two NAS bottlings. Beforehand, the difference seems to be the difference between Sherry casks and new French oak casks. Where one might say that one prefers the former, I have to say that in Corryvreckan the latter works very well. I really can’t say if that is true for all the batches that have been released, through the years, but my 2014 batch was very good indeed. If I was less adventurous, or have a shelf somewhere for bottles that I should have around all the time, both these NAS Ardbegs would be on there. Both wonderful Whiskies, well made, tasty and quite affordable as well.

Points: 87

H2H: Which of the two do you think is darker in color? Corryvreckan! Virgin oak is quite different from Sherry oak, and both nose differ as such. Uigeadail is dirtier and smokier, and saltier, and plastic-ier. Corryvreckan is more about American oak. More vanilla, creamier, very appetizing. Nose and taste alike. Both noses are great, but for me Corryvreckan has a very special side to it. I’m finishing the bottle right now (I saved the last bit for this review), but I’m really, really sad to see it go. Great one, and it certainly deserves my high mark, I mentioned above, both of these would get a place on my “always open shelf”, if I had one that is. I would recommend to have them both open at the same time. Both make the other one better, very different and that’s exactly why. One the main course and the other the perfect desert. I really have to look into a shelf like that!