Inchgower 25yo (1980/2006 (53.2%, Dewar Rattray, Sherry Cask #14161, 486 bottles)

After the “old” Teaninich, let’s have a look at something else from the attic that was also bottled a long time ago. Just like Teaninich, Inchgower is another lesser known Distillery owned by Diageo. And for me one of the better ones as well. I’ve come across quite a few really good Inchgowers. Long time no Inchgower though on these pages. It’s almost six years since I reviewed another Inchgower. One from 1982 bottled by Raymond Armstrong, remember Bladnoch? The 1982 was quite hefty and although very good, it was another Whisky, like the Teaninich F&F I reviewed just now, that needs a lot of attention, wearing you out if it didn’t get the attention it wanted. If carelessly sipped, it will kill you, so even though it is a very good Whisky with a quite a high score, I was glad when the bottle was finally finished. Strange ‘eh? Here we have another Inchgower from the beginning of the eighties, so I’m already bracing myself, especially since this is a Sherried one as well…

Color: Dark copper brown.

Nose: Boiled eggs (not rotten). Very buttery and milky. Luckily, these off notes dissipate quite quickly. I have to say right off the bat that this Whisky got a lot of time to breathe. When it was freshly opened this had a lot of Sulphur. When the milky, baby vomit notes dissipate, it shows more woody notes. A minute amount of sulphur and some bitter black tea. Underneath (sniff hard), brown sugar and even some honey. Sulphur still detectable and now it rears its head (is it ugly?) like swamp-gas. Although a lot seems wrong with this, I seem not to dislike it. I never belonged to the I’m-allergic-to-sulphur-police, so I’m able to deal with it. In the depth, where the brown sugar is, are also the more soft woody notes. Some whiffs smell like Rum actually. Sulphur seems to be dying down, but when you move the Whisky around in your glass vigorously, you’ll be able to get some more. Spicy, yet not woody. Vanilla powder and altogether funky. Give it time to breathe. In the end the Sulphur is kept in check and all the remaining wonderful aroma’s get their room to shine. What a wonderful nose this is. The sulphur didn’t bother me that much, but the milky part did, this must breathe before sipping.

Taste: Big, woody and slightly soapy. After swallowing, the first sip, the soap, again, this time around, no too bad, is followed by a wave of liquid bitterness (and fruity acidity). I know, a strange sentence indeed. Fruity underneath and mouthcoating. Sweeter than expected, very, red, fruity. Cold black tea. And the bitterness seems ok. Very funky floral notes which mix well with the red over-ripe fruits. Berries, raspberry, little ripe forest strawberries. Mouth coating, very, mouthcoating indeed, leaving behind some bitterness, but more important, some priceless black fruits as well. For me the black fruits are the holy grail of Whisky. Nice finish, but who cares, if the long aftertaste shows you all those black fruits, dark chocolate and some wood. Sure it isn’t able to shed all of the soapyness, but with fruits like these, I’m happy to forgive it it’s soapyness and the many other flaws it shows. Special stuff.

Some Whiskies like this, over-the-top, can be bad. This one has a lot wrong with it but it’s not bad, There is a lot of fun to be had, if you like the extreme ones, if you are able to deal with a Whisky like this. If you are a novice, steer clear, please. If you are an anorak, a whisky-geek with tendencies towards SM, please pick it up at an auction, because as I said, it is not a bad Whisky. Too much of a lot, but therein lies the fun. A guilty pleasure. Aficionados like it, that’s why this doesn’t pop up a lot at auctions. I’m sure that when I’m going to clean my glass, it will foam like crazy! (It did). For me a no-brainer if it shows up somewhere. Don’t bid against me please!

Points: 91

(Freshly opened, without breathing, the score would be 84, so you’d better let it breathe, long time!)

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Teaninich 10yo “Flora & Fauna” (43%, OB, Circa 2004)

In 1991, the predecessors of Diageo, the owners of Teaninich, introduced us to Teaninich and many other lesser known distilleries they own, through this series we now call Flora & Fauna. The labels depict local wildlife and sometimes plants. We have Michael Jackson to thank for the name, nevertheless, Diageo never adopted the name. In 2001 four new ones were added (Glen Elgin, Auchroisk, Glen Spey and Strathmill). For a short while nine cask strength versions were also available. Many of the original 22 entries have since vanished. Sometimes Diageo closed the distillery (Rosebank & Pittyvaich) or sold it off (Bladnoch, Craigellachie, Royal Brackla, Aultmore, Aberfeldy, Balmenach and Speyburn), and in several cases Diageo put the distillery forward and graced them with their own series (Clynelish, Caol Ila, Mortlach, Dufftown, Glendullan and Glen Elgin). The latter just added to the series in 2001. Today all that’s left of the Flora and Fauna series is (Teaninich, Benrinnes, Inchgower, Blair Athol, Linkwood, Mannochmore, Strathmill, Auchroisk, Glenlossie, Glen Spey and Dailuaine), although it seems Dailuaine is disappearing as well…

In this series I usually tend towards the more sherried expressions, since especially bottles bottled more than a decade ago show a lot of quality. The Whisky-boom wasn’t really there so lots of excellent Sherry casks found their way into this series. We already had a look at Mortlach and Benrinnes, but also Dailuaine and Blair Athol come to mind. Someone once gave me the Blair Athol to taste next to one bottled ten years prior, and the difference was amazing. A whopping 10 points. So yes, the best casks don’t seem to find their way anymore into the F&F series. However, for some distilleries the second best Sherry casks are still pretty decent, especially considering the bottles from this Flora and Fauna series are quite affordable to boot.

In comes this Teaninich, most definitely an expression that has never seen Sherry casks, and at 10yo, a very young one indeed. Still it’s a Teaninich and you know I love Teaninich, so even though no Sherry was used (probably), I still have some sort of high hopes for this one, since there is nothing to scoff at when Whisky has matured in Bourbon-wood. Barrel or hogshead alike.

Color: Dark straw yellow.

Nose: Buttery and woody. Yes, American oak for sure. Buttery and creamy. Custard pudding, coffee creamer (powder) with added sweet, ripe yellow fruits and a lot of influence from the wood. I said wood influence, not woody. Leafy. Dry plants and dried ice cream left over in the bowl. This seems like a typical (young) Whisky that has matured in American oak. If you are familiar with it, the profile can’t come as a surprise to you. As is the case with Whiskies like this, the beauty has to be found in the details. Occasional whiffs of fresh acidity (oak).

Taste: Short lived sweetness from the start, quickly to be overtaken by hints of fireworks, flint, sulphur (huh?) and liquorice. Didn’t expect that. Never simple, Teaninich. The sweetness doesn’t have any staying power though. It isn’t really present in the body nor in the finish. Maybe I’m interpreting the creamy notes with sweetness? Spicy notes emerge next. However it isn’t an easy Malt. This won’t do if you think you need a simple, American oak driven Whisky you want to drink playing cards with the boys. Because, if you give this enough attention, not all aroma’s are easy on the palate. Darn Teaninich, again more than you’d bargain for. Tea, with citrus aroma. sweet yellow fruits like dried apricots. This is a Whisky drinkers Malt, which is a very anoraky thing to say, Quill!

As I said above, if you drink this not giving it the attention it needs, it will let you down. For a careless drinker this isn’t really suitable. This means, not everything works as well as it should, because you, the sipper in this story, have to make it all fall into place, so without flaws this is not, and I have to score this accordingly.

Another word of caution. Flora & Fauna bottlings can be (very) different from batch to batch, decade to decade. This is a bottle bottled some fifteen years ago, so hard to tell what you get if you buy the latest release.

Points: 82

 

Ardmore 1996/2014 (43%, Gordon & MacPhail, Distillery Label, Refill Sherry Hogsheads)

Why review one Ardmore, when you can review two? Hidden far away in a wooden box, where I keep my odd-shaped sample bottles, I found this more recent Ardmore. All Ardmores I reviewed up ’till now, were somewhat older bottlings, and this one is more recent. 2014 is not that long ago isn’t it? Gordon & MacPhail released 1996 Ardmores in 2013 and 2014, and both are still available, so I guess they hold off a new release, untill both of these sell out. Where on one side we have official bottlings (OB’s), in this case the range released by Beam Suntory (the owners of Ardmore), on the other side we have independent bottlers (IB’s). Usually, firms that buy casks of Whisky and bottle them as a single cask (usually).

However, this particular Gordon & MacPhail bottling lies somewhere in between. This series is known as the licensed bottlings, but are also known as the distillery labels. This comes from the time the owners of certain distilleries allow Gordon & MacPhail to bottle a Whisky and market it as the “official” release, since back then the owners didn’t release an official bottling themselves, probably using the output from that distillery for blends.

Gordon & MacPhail do their own wood management (The wood makes the whisky). They bring in their own casks and fill them at a distillery. Sometimes they leave the cask to mature at the distillery, but more often they take it with them to their own warehouses.

Color: Copper gold.

Nose: Creamy, vanilla and ice-cream, oh and Sherried as well. On top some smoke. Right from the start this is very well-balanced. Everything is where it’s supposed to be. Sherry casks from American oak. Very sweet, big and thick smelling. Nutty. Almonds, with hints of clay. Add to this a fruity cloying sweetness with an edge of perfect peat, with sometimes some burnt match-stick aroma’s, with only a tiny hint of the sulphur. The sulphur is a mere trace, and I don’t pick it up every time I try this. Next to this the Sherry gives off a funky note which should be an off-note, but here, it works well in the construct of the nose. Almost like artificial orange powder (Sinaspril). Fire-place in the middle of winter. Almost christmas. Lots of vanilla comes next and the smoky note stays. Works very nice together. As I said, very well-balanced indeed. Medium complexity though, and it shows its hand quite quickly. After that, not a lot of development is happening.

Taste: Ahhh, yes. Nice (simple) sweet, creamy, nutty and (red) fruity Sherry nose, mixed in with vanilla and big toffee. Cold black tea. It’s big on the Sherry, the almonds and the cream this is. Also a slightly bitter oaky edge. Peat, but it’s aroma is different from the nose. Stricter and more modern. The fruit evolves in acidity. Excellent smoky note. Come to think of it, where is the wood influence? The wood may have made this Whisky (imho, the Sherry did), but where is the wood itself? Sure it has a lot of vanilla and creamy notes, so American oak was used, I believe, this one would have been better in European oak. A similar thing happens as it did with the nose. Everything is there right from the start and hardly any evolution happens after that. Balanced, yes, sure, but not as much as the nose. Lacks even more complexity than the nose.

Right from the start I thought it was nice, and it is. The journey, however, I was about to take with this Ardmore didn’t happen. Alas. A good Whisky, but it is what it is. The start was promising, and it started with a nice statement from the nose. After that it all went a bit downhill and simple. The Ardmore I reviewed last, also has its flaws, and I can’t say this one is better, hence the similar score. Both are good, but I expected a bit more, especially since in this one, the Ardmore distillery character is obvious in the nose, but not on the palate.

Points: 85

Ardmore 13yo 1994/2008 (56.8%, Specialty Drinks, The Single Malts of Scotland, Hogshead #65, 303 bottles)

Ardmore, my poor-man’s Brora. Since coming across several Ardmore’s over the time, I see huge potential in this Whisky. Very good spirit, and if it is filled into a cask of equal quality, activity, this stuff can really shine. Just have a look at the three I reviewed earlier. Whiskyman’s 1992 (89 Points), Gordon & MacPhail’s 1993 (87 Points), and finally Mo Ór’s 1992 (84 Points), where the last one was reduced to 46%, Why would one do that? All three were bottled some time ago and the reviews were written a few years back as well, so let’s continue with another one from the past. We move up only one year, since this was distilled in 1994, and bottled some ten years ago.

Color: White Wine.

Nose: Well, this most definitely doesn’t smell like White Wine. Slightly buttery, with vanilla, some soft oak, and a slightly acidic side-note. Typical Hogshead remade with American oak staves. Green, grassy and even slightly meaty. Gravy? Not very peaty and hardly any smoke at all. When searching for peat I’m welcomed by a more fruity and lemony note as well as a leafy and green note. Hmmmm, it is the lemon you get from detergents. Nice oaky note taking over from this little faux-pas though. Pencil shavings even. Yes some peat seems to be coupled with the oak, soon to be followed by the return of the creamy and buttery notes from the start as well as some cold dish water. Remember you washed the dishes yesterday and forgot to pull the plug? This may not be one of those complex Ardmores, since it is clearly from a cask that has been filled several times before. Its friendly and fruity, almost summery in demeanor. Some notes seem a bit off, but pull together just in time. Interesting feat.

Taste: Oak and sawdust first. Hints of pepper. Yeah. Right after the characterful statement, the more fruity, citrussy, notes appear. Almost with a carbonated quality to it. Although very tasty, friendly it is not. Too much alcohol for that. I love the oomph which you can sense does great things to balance this Whisky. Ashtray and nice peat mixed in with the citrus fruit. It switches effortlessly between the (fatty) creamy & woody/cardboardy part and the more fruity acidity. Although not very complex, what it does, it does it good. Quite a long finish, although it maybe better to describe it as a prolonged body, since you get all the aroma’s, all the time. Aftertaste is bitter (wood) and again all of the above. This one fools you into thinking its simple, and fruity, it is, but it is not an easy one, and that’s not only because of the high ABV.

Definitely not your typical Ardmore. Where in the past I called a particular Ardmore a potential Brora, this one most definitely isn’t. This bottling is an interesting Whisky, made form excellent spirit, but not good enough to be a Brora to be. I feel Ardmore is somewhat overlooked and underestimated by its owner Beam Suntory in favour of the other distilleries in their portfolio. Ardmore has to compete with Auchentoshan, (one of the last Lowland distilleries), Laphroaig and Bowmore (big, big Islay brands) and Glen Garioch (Highland), which seems to get a lot more love and attention than Ardmore (also Highland). So Ardmore seems to be the ugly duckling in the portfolio. Maybe Ardmore isn’t getting the best casks the company owns, since the Mo Ór example and this The Single Malts of Scotland offering seem to come from somewhat less active casks, yet still manage to turn out quite good. Apart from this, the official output doesn’t seem to be hurling at the consumer as well. Still, I have a lot of faith in Ardmore, it holds a place on my favourites list. It can be a truly amazing Whisky. As long as it stays under the radar, we have to hunt for examples from the independent bottlers world, that were ‘accidentally’ filled into good casks.

To the people of Ardmore Distillery. Keep doing the excellent work, your moment to shine will come!

Points: 85

Bowmore 1996/2014 “Aniseed Pastille” (46%, Wemyss Malts, Single Cask Release, Hogshead, 344 bottles)

This is not the first Wemyss bottling on Master Quill, but it is definitely the second and most certainly not the last. In the previous review I mentioned something about William Wemyss, so I won’t repeat that here.

Wemyss Malts (Edinburgh) was established in 2005 by William, who previously made a name for the Wemyss family in the wine business, producing Fonty’s Pool (Western Australia) and Rimauresq (Provence, France). Wemyss is Scottish and owns land where in the early 19th century John Haig’s first distillery, Cameronbridge, was built. Wemyss also grows barley there, that is used by several Scottish Malt Whisky distilleries, so historically the interest in Whisky has always been there.

Wemyss Malts releases vintage single cask Whiskies from many different distilleries as well as a few Blended Malts (since 2005), a Blended Whisky called Lord Elcho (since 2012) and through another company, a Gin (Darnley’s View, since 2010). The single cask bottlings are reduced to 46% and get a “name” in a similar way SMWS uses a flavour descriptor on their Whiskies. In 2013 William entered a new phase in their Whisky-adventure by purchasing the Kingsbarns distillery project at East Newhall Farm in Fife from Douglas Clement, who had problems raising money to fund the building of the distillery. The distillery is managed under Wemyss Distillery Ltd. which is a separate company from Wemyss Malts. Kingsbarns produces spirit since January 2015, so maybe we can expect their first Single Malt very soon. Since it is supposed to be a light and fruity Whisky, I expect it during summer. At first Douglas stayed on as founding director and as manager of the visitor centre. However, Douglas eventually left the distillery by the end of 2016 to ‘pursue other projects’.

Color: Light citrussy gold.

Nose: Big and fresh. This jumps out of my glass, like a young dog, full of life, wanting to lick you in the face. I hope this makes you understand, that this doesn’t smell like a heavy hitting Islay Malt, but a more friendly one. Nice soft peat, with a spiral of smoke rising from our bonfire. Fresh almonds, but it’s not a nutty Whisky. Apart from that, it’s quite citrussy, fresh and thus fruity, hence the friendliness of this Malt. Salty smoked fish with hints of sea-spray. Yes a bit of creamy vanilla, but no real woody notes. Only a tiny bit of wood and an even tinier hint of liquorice. Cigarette ashes? Proper refill hogshead. If smelled longer and more vigorously, I also get some more soft red fruits, ripe raspberry’s come to mind mixed in with some mud and a black pepper edge. Dirty friendly stuff. Smells excellent!

Taste: Sweet on entry. Toffee and runny caramel. Here comes sticky sweetness. Waxy and quite some soft peat. Ashes and slightly tarry. Already suffers a bit from reduction. Orange skins (bitter) and a bit of paper. Nutty notes again, not much though, followed by more smoky notes embedded in the sticky sweetness, giving some sharpness. Paper-like note keeps coming back to me. On the sides of my tongue there is this slight bitter note of aniseed. The power of suggestion? Yes I do get aniseed, but the sweetness is different. Not the dry, hard sugar of the pastilles, but rather soft toffee. Otherwise, I find this Bowmore a wee bit too simple in the taste department. Lacks development as well. It doesn’t have a long finish, nor a lot of aftertaste, which is built around sweetness and smoke (and secretly some black fruits I love in Bowmore), but where is the wood? Again, easy to drink, but a bit too simple. Depending on your day, because you, the taster, are far from being objective, the bitterness shifts in or out of focus. The second time around I tasted this for this review, on another day, I found it to be more bitter than the first time around (more fruity). Isn’t that complexity?

Comparing this Wemyss version of Bowmore, to Bowmore’s own take on Bowmore, I decided to do a head-2-head with “White Sands” an official 17yo travel retail Bowmore reduced to an even more un-modern 43% ABV. This bottling comes with the special recommendation of Eddie MacAffer, and yes, the “White Sands” is a bit more special, read: different. First of all it has development on the nose and more depth. More industrial, oily, smoky and burning notes. Brooding and more woody. However, if I had both bottles open at the same time, the Wemyss would be finished sooner…

Points: 85

The Balvenie 21yo “Portwood” (40%, OB, Circa 2002)

Just like some of the previous reviews, here is another bottle from my lectern. I bought this one way back in 2002 after I sampled it at a friend’s house. I have very fond memories of this one, so in my case the disappointment was humongous when I tried the freshly opened bottle. Almost a year has passed since then, so I believe it is time to have another go. Truth be told, In the passing year I have sampled it several times and found it to be better every time I tried it, so for the second time around I again have high hopes for this one. Oxidation rules! Often, not every time, but often.

Color: Copper gold, with a pinkish hue.

Nose: Winey and sweaty. Nice old, soft and wet, wood and warm wax. Underneath some old vanilla lingering, mixed in with a winey note, sweetish Port. After the initial wet wood, the note shifts into old dry oak. So the original Whisky matured in American oak alright to be finished in Port casks. Very perfumy. Very distinguished. It feels like a member (not a Whisky) of a members only gentleman’s club. Fresh homemade pot-pourri, not the soapy dried hideous stuff, that smells of grannies closet. This bottling oozes the sense of a Whisky from yesteryear, something that can’t be repeated. It also gives me the feeling the whole has worn out a bit, again adding to the note af antiquities. If there is a beef to be had with this Whisky it’s that even with this many years under its belt, it does lack development. The Whisky establishes itself big time, only to not change much in your glass. So breathing in the glass doesn’t do much whereas breathing in the bottle did bring a lot of balance since opening. Oxidation can be a strange phenomenon.

Taste: Not as big as I’ve expected from the nose alone. A bit simple on entry. Sweet and nutty. Yes moving into fortified Wine territory now, complete with a raw and bity (and a soft bitter) effect right after the start (typical for Port finishes). Red fruits and more nuts and wax. The red fruits form a very nice layer on top of the nutty bit. If you’re familiar with tasting Wines, this Balvenie gets richer when you take in some air while you sip this (the more the better actually). Since is so low in ABV. take big gulps! Vanilla, raisins. yeah, now we’re talking. Sure raisins, but in no way does this taste like a Sherried Whisky, no its raisins, but different from a Sherried Whisky. The low ABV. isn’t capable of carrying the finish for a long time, nor does this Whisky have a noticeable aftertaste. After the finish it gets weak quickly and you wait for an aftertaste that doesn’t come. When its gone, its gone. So, in the end, this is very, very nice, all aroma’s fit together nicely, but also (and I hate the word but) I still expect a bit more form a Whisky with a reputation like this one. It’s very nice, highly drinkable, but lacks complexity, development and a bit of oomph. On the other side, after extensive breathing this is a balanced whisky with nice aroma’s and no off notes whatsoever.

Just like the Kilkerran I reviewed last, both are examples of Whiskies that weren’t all that great right after opening. I took this bottle with me when I was invited by Nico to sample some odd Balvenie 12yo from 2016, alongside many other Balvenies. We both had high hopes for this one, since it is an oldie, and everything was better some decades ago, wasn’t it? Yet all we could muster was “is this it?” Again rightfully disappointed with a freshly opened bottle. Did it get better? Yes it did, is it as great as memory serves me? No not really, so this goes to show, that oxidation isn’t necessarily a bad thing, and that tasting Whisky can be a very subjective matter to boot.

Points: 88

For fun, I unearthed a Port finished Imperial, but both are remarkably different so there is no sense in comparing. Where one seems old and distinguished, the other is more modern and even bigger on the nuttiness. Both are quite sweet and they share the need to be had in big gulps. Maybe 81 Points for the Imperial was a bit on the conservative side though (but not by much).

 

Laphroaig ‘Quarter Cask’ (48%, OB, Circa 2006)

Well, it has been a while since The 2015 Laphroaig Week here on Master Quill, that a Laphroaig graced our pages. This is one of the earlier and better known examples of a NAS bottling that can still be had today. Laphroaig Quarter cask was introduced in 2004, so it almost celebrates its 15th birthday, how about that. Quarter Casks are casks of approximately 80 litres. The idea behind this bottling is that smaller casks make the Whisky age more quickly, since smaller casks have a higher surface to liquid ratio, than larger casks. And the higher the ratio the quicker the Whisky matures. However, this Laphroaig wasn’t entirely aged in Quarter casks, but is supposed to have a normal maturation in American oak bourbon barrels for 5 years (up to 11 years) and only then receive a 7 month finish in quarter casks, so essentially this Whisky is still only 5 years old, hence the price. It is very friendly priced and since it is almost 15 years available to us, this must be a recipe to success, and another way in showing the critical and discerning public that young whiskies can be very good. As I already showed in several of my previous recent reviews. Remember Bruichladdich, Cotswolds and the Kilkerran Work in Progress #2 and #3 bottlings? But let’s not get ahead of ourselves just yet, lets first find out if this Laphroaig Quarter Cask is any good. However, this won’t be a review of a more recent Quarter Cask, but an earlier example. As can be seen on the picture below, the design of the label has somewhat changed since the earlier bottlings…

Color: Light gold.

Nose: Nice peat, clean, fruity and fresh, ozonic. Meaty, with hints of sweetness. Rural. Soft and hard at the same time. If you try hard, some spicy oak is detectable. Vanilla and gravy notes emerge at the same time. Ashes, paper and citrus. Wonderful combinations. Amazing how appetizing the peat is (mixed in with Vanilla notes from the American oak). The whole is utterly balanced and every bit of aroma, every note seems to belong to the next one. There is also a very sweet, fresh “other” note present, like a fruity-floral hybrid, an added layer to the darker peaty side. Like light in the darkness. Let it stand in your glass for a while and development starts. Based on the nose alone I definitely understand its broad appeal. Young, inexpensive but with very high quality. A present for Laphroaig aficionado mourning the loss of their beloved 10yo, which simply isn’t what it was. The 10yo suffers from Alzheimer’s, but this Quarter cask, yeah, úp, steps the new generation to take over the reigns. Oh, wait a minute, I have yet to taste it!

Taste: Sweet on entry (tea with lots of sugar), with citrus notes and wonderful peat. Simple and short, very short burst of pepper and quite some ashes. Add to that lemonade-like sweetness and fruitiness, and you have a young but wonderful Whisky on your hands. Add to that some “wrong” notes of (lemon) dishwater and fruity acidity (lemon) and you still have a wonderful Malt with added complexity. Lemon can be a very nice aroma to have. It is so good it can deal with these odd notes very well. Clay and more ashes. Pencil shavings. Paper is here too. Bugger, ’till now, I mentioned peat only once when tasting it. It is simply not upfront here, which is quite odd for a young Malt. (Peat breaks down a bit with age). Anyway, also not the longest of finishes around. Aftertaste, hardly there, tiny hint of peat maybe, and here it shows its youth I guess. Still, nice stuff this is.

Since the old 10yo is no more, I guess this is its true replacement. Its higher ABV. of 48%, its peaty profile and the fact it’s not chillfiltered make this the replacement of the 10yo for Whisky geeks like me (for writing stuff like this, and you (for even bothering reading this). Mind you the old 10yo was even much better than this, but compare this to the new 10yo and you know why this is so good. If you’re not a Whisky geek and are easily scared by the medicinal and peaty notes, and yet still like to start with the big Laphroaig, try the Select or the new 10yo. They are more suited for starters. Sweet, toned down peat etc. etc. This Quarter Cask is a wonderful early bottling. I have to buy me a more recent one, to see if they managed to keep the high standard. If so this is one of the best priced peated Whiskies around.

Points: 86