Tag Archives: India

Paul John (59.7%, OB, Single Cask #1444, 2014)

While we’re at it, why not continue with yet another Paul John. In the previous two reviews we first had an Amrut finished in cask that previously held peated Whisky and the second Whisky, a Cadenhead Paul John, consists for 40% of Peated Whisky. This time around, we’ll be looking into a single cask of Paul John, a totally unpeated one. Personally I believe Paul John in its peated variant is often at its best. However, like I claimed in the review of the Cadenhead Paul John, there are very good unpeated expressions as well, so lets see if #1444 is one of them.

Color: Light copper gold.

Nose: Very nice entry, with Paul John’s trademark horseradish. A good Springbank has cocos, and a good Paul John has horseradish. Dusty horseradish in this case, like dried out horseradish cream (from a jar). Prickly and spicy, with trace amounts of smoke and floral soap. Appetizing. Cola flavoured wood, and a zesty oak flavour. Appealing in this zesty soda kind of way. Maybe they should carbonate this particular expression of Paul John? The wood now turns a bit vegetal, somewhat virgin, although it is highly unlikely this came from a virgin oak cask. Cold tea. Complex. This has pencil shavings which is also quite normal for a Paul John, but much less than other unpeated expressions, which is a good thing in my book, since that aroma can often dominate the Whisky, masking the complexity it might have and thus resulting in a lower score. So it seems this is a better balanced unpeated single cask than the ones reviewed earlier. The nose benefits hugely from sipping, showing yet more layers. Wow. Sometimes I smell some creamy fruits from an Alsatian Gewürztraminer (not the lychee by the way). How is that for complexity.

Taste: Wood, mocha, ashes and horseradish toffee. Prickly (white pepper?) and somewhat sweet. Again showing great balance. The next wave concentrates more around the sweet bit, now showing a ripe fruitiness. Yet also quite some wood without ever getting bitter. Hints of virgin oak again, but also some dusty old dried out leather books. Classy. A slight lemony acidity (lemon meringue) at the end of the body and well into the finish, which is nice, nutty and long. Walnuts without the bitter skin, the flesh of walnuts only, so to speak. Warming finish and thus this nutty and woody aftertaste with again quite some length.

I have to say this is a very nice dram, and may very well be the best of the unpeated Paul John’s I tried up ’till now. Just compare this one to the other unpeated official single casks: #1906 (87 points) and #1051 (84 points). Great balance and it all works together quite nicely. The aromas in the nose are nice, as well as on the palate, and both the nose and the taste fit together well. Nice finish and a good lengthy aftertaste. Very good example this one, definitely my favourite of the unpeated ones. Funny really, all these single casks look alike especially because a lot of information is lacking. What kind of cask it is, how many bottles, distillation year and so on. So they all look the same, they seem to come all from Bourbon barrels, but the difference between the different casks can still be really great.

Points: 89

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Paul John 6yo 2011/2018 (56.6%, Cadenhead, Bourbon Hogshead & Bourbon Barrel, 564 bottles)

Since the last review was of an Amrut Indian Whisky finished in a cask that held peated Whisky, why not review another Indian Whisky I have on my lectern that came into contact with peat. Here we have a Cadenhead’s bottling of a Whisky that originally came from three casks that previously held peated Whisky and two casks that held unpeated Whisky. Since Indian Whisky, due to the local climate, suffers from a lot of evaporation, all this Whisky was vatted together and then transferred to only one hogshead and one barrel. My guess would be 5 years of maturation in India and one year in Scotland. Both casks were dumped together and then bottled. The label doesn’t say anything about a marrying period before bottling, there probably was, we only don’t know how long that was.

Color: Copper gold.

Nose: Slightly peaty and quite fruity (especially in the beginning). Sharp fresh air with a hint of horseradish, which is quite common for a Paul John. Some leather, wood (pencil shavings, yes) and sweet licorice. Bonfire and smoke. Somewhat creamy, nutty and green as well. Vegetal. Cold chimney and it seems a bit salty. Salty custard. Dry vanilla powder and molten ice-cream. Smells tasty and compared to the Blackadder Amrut, a bit more modern (distant hint of warm plastic) and less, definitely less complex, not a lot of evolution as well, but there is some. It reaches a certain point, and stays there. The aforementioned Amrut was putting out layer after layer, but needed a lot of time to do so. This Paul John shows its colours right away. It’s not a very big Malt but the experience I have with it now, when analysing, is the same as when casually nipping it, which is a good thing. Well, again quite a good balance. I have nothing to complain about in this department for the last few reviews, good! Yes. this is again a very nice nose. A wonderful Malt to smell. The two unpeated casks did bring the peat down a little bit, without adding to much of the nutty and waxy pencil shavings note, most unpeated Paul John’s have in abundance. Sometimes exactly this can be overwhelming, which is why I prefer peated Paul Johns yet there are examples of good unpeated expressions as well. No off notes whatsoever. Good stuff.

Taste: Nutty and peaty. Sugared fruits (pineapple) without being too sweet. Some bitter oak and hops, both with staying power on my tongue. Still, very nice on entry. Different than expected considering the nose. Here the pencil shavings have more to say than it had in the nose. Where on entry it was pleasant, now that the body starts to develop inside your mouth, a lack in balance starts to be apparent, making it less pleasant. Ice-cream combined with a funky organic note as well as some burnt plastic. Where the nose was already not all too complex, the taste is even less complex and less balanced to boot. There is something not quite right when balancing the acidic notes with the bitterness this has on offer. Nice almond-like finish though and also quite warming, but it also has a quite short aftertaste, with a bit of bitterness, cinnamon, horseradish and plastic again. Definitely not for novices, I would say. Drink this in big gulps, and nip it often to counter the somewhat short finish. Thus, definitely one for a more experienced drinker. The bitterness stays behind on my tongue for longer than the actual aftertaste. Drying it out a bit.

In the end, this still is a nice Paul John, with an interesting history to it, and an interesting palate, (plastic) warts and all. Alas it’s definitely not the best you can get, but nevertheless a good one. Good, but not great.

Points: 86

Amrut (61.3%, Blackadder, Raw Cask, Peated Cask Finish, BA26/2016, 165 bottles, 2016)

This isn’t the first Amrut on these pages, (it’s the ninth), nor is it the first Blackadder (it’s the fifth). Looking at Blackadder, this Amrut finds itself in good company with a 26yo Port Ellen, a 28yo Royal Lochnagar, a 28yo Lochside and a 40yo Glenfarclas. All scoring 88 or 91 points. I don’t think this Amrut is as old as these other ones. After 26 years an Amrut cask would probably be empty, all evaporated in the hot and humid local climate. So, this is not the first Amrut on these pages, but it most certainly is the first one bottled by an independent bottler, and somehow this bottler felt the need to finish this Whisky in a peated cask, or did Amrut already do that themselves? Was the original cask a bit tired, the Whisky a bit bland and/or did the Whisky need something of a booster, or did it just seem to be a neat experiment, a great idea? Well there is only one way to find out, and have a go at it ourselves and see if it’s any good. By the way, if you see some black cask sediment on the bottom of your bottle, don’t bring the bottle back to your retailer, it’s supposed to be there, hence the name Raw Cask.

Color: Copper gold (with black dandruff, the bigger chunks of cask sediment are still in the bottle).

Nose: Buttery with vanilla. Creamy, pudding-like, big and bold. Citrus freshness and some nice fresh oak mixed with some fresh air, sometimes even a bit sweet smelling. After the Ledaig, yet another well balanced nose, just much less peated. Green, black tea and somewhat floral with only the tiniest hint of peat, typical Indian barley smell, you can also get from a Paul John, (reminiscent of nutty pencil shavings). Definitely no smoke, but there is a dusty and dry side to it, even though this has this sweetish and chewy cream note. Crème brûlée and some licorice. The green notes are moving into the realm of wood, tree sap with a hint of pencil shavings. Somewhat spicy, as well as spices you get from a nice (oak aged) Chardonnay. Nice whiff of eucalyptus you can smell in a sauna (I only picked up on this after sipping) and unlit Cuban cigar notes. If you put some time into it, it is actually an excellent smelling Malt. It just needs quite some time and air. A nose built around green wood and the many guises of cream. Not a very complex nose at first, but a very nice one indeed, and near perfect after half an hour or so. Works well outside. The fresher the air it gets to breathe, the bigger the reward.

Taste: Sweet, fruity, nutty and somewhat waxy and yes, peaty it is this time. Sweet, wet wood, licorice and white pepper. Cold cigarette ashes and sweet fatty smoke. Menthos and a distant hint of hard red fruit (raspberry) candy. At times quite spicy and almost hot. Still creamy, although masked. Toffee. Behind this is some acidic fruit. Not only citrus, but also some acidity from (red) berries. Some white pepper. Long finish (in the wood realm again) and a nice similar aftertaste, now with a slight bitter (and soapy) edge to it. The perception of bitterness was different from one day to the other. All in all, slightly less balanced than the nose. After a few drams, I managed to anaesthetize the roof of my mouth a bit, so this really is a 60%+ ABV Malt in the end.

Yet another example of a Whisky that needs your attention to “get” everything it has. So maybe this is, in a way, a delicate Malt. For instance, the previously reviewed Ledaig, well, that one doesn’t need your attention. That one will make sure it will get your attention, by leaping out of your glass, and coming after you(r nose). Yup, the beauty of this Amrut lies in the details and the time you are willing to give it. Just leave it in your glass, move it around a bit, take the occasional sip, and only then you will find out what it’s got. I think this is wonderful stuff, but when carelessly sipping it, I didn’t think all that much of it to be honest (and alas I drammed right through most of this bottle that way). So beware how you treat it (and thus yourself). I don’t know why this was finished in a peated cask, but it clearly worked. Kudo’s!

Points: 89

Paul John (59.5%, Single Cask #1906, 210 bottles, 2015)

In the previous review we delved into Paul John single cask #1051, although that particular one turned out to be a tad wonky. So I just had to compare it to another Paul John unpeated single cask. I still have some samples lying around from the golden Shilton Almeida era, probably the most passionate brand ambassador out there, and amongst others, certainly one of the best. Still baffled Paul John let him go, and since Shilton left the company, I don’t see a lot happening on-line yet at Paul John headquarters. Shilton moved on from the Goan sun to the sun that bakes Tel Aviv. One of Shilton’s samples is of cask #1906, like #1051, hailing from the same glorious year that was 2015. For most people certainly a better year than the virus infested, war ridden years we are living through these days.

Color: Gold.

Nose: Super fruity at first, and different from cask #1051. This just leaps out of my glass, with a nice sweet, fruity and surprisingly, flinty toasted cask notes, reminding me a bit of Pouilly Fumé. This cask also has more complexity to it, with a nice floral note as well as some lemon detergent, giving it more cleanliness, dûh, and freshness, even though it might sound horrible to some. Waxy and paper-like, meaty even, dry meat, beef jerky. No, this one is definitely more appetizing than #1051. More complex as well. The pencil shavings are here too, but much more toned down. The pencil shavings are overshadowed by the fruitiness, which is nice. Very nice spicy wood, just the right amount. Fresh butter. Well balanced stuff. This is from a 75% full sample, so this had a lot of time to interact with some air. To be honest, the cold dishwater is also recognizable, just less heavy handed and it has less of it than cask #1051 had. After some more air in my glass, the pencil shavings component does become more apparent, but it never gets to the same level as it does in #1051. The woody bit is more spicy, and evolves a little. More herbal and green. With this one, all seems to fall right in its place, much more balanced. Nice fruity nose, something that is lacking from #1051. A pleasant experience, as well as a pleasant surprise (after #1051). The Pouilly Fumé bit in the nose, makes this one extra special, since that flinty note works so well for this Malt.

Taste: sweet and waxy, (including a distinct paper or cardboard note), with an even bigger (red pepper?) sting to it. Distant mocha and milk chocolate. Quite some ripe yellow fruits. Wow, excellent. #1051 seems gloomy compared to this. #1051 is more like a winter Whisky, and shows nothing of the tropical shores of Goa. Quite some wax in this one again, as well as some soapy detergent. More wax than I expected and the woody bitterness is helped along by the wax. Less bitter than #1051. Appetizing stuff this one, with again quite a lot of influence from the wood. Next some more fruit, fresh, not over-ripe yellow fruit and some fresh citrus for zestiness and likeability. Also the acidity of red berries. Giving it an extra layer over #1051. In the finish some soft notes of anise and sweet licorice. Again not a big aftertaste, more like a lingering warmth, with a wee soft bitterness.

Well, in this review I compared this #1906 all the time to #1051 which I reviewed right before this one, so there isn’t a lot more to comment about here really. To sum things up: #1906 is a way more friendly example, more fruity, and the gloomy bits that overpower #1051 are here as well, just less of it. #1906 is also better balanced, and just better overall. Having tasted quite some Paul John single cask offerings, I would recommend you to pass on #1051, because there are a lot of better examples around, #1906 is just one of them, and #1906 isn’t even one of the very best, close, but not quite. Final observation: personally, I like the peated single cask offerings of Paul John even more than the unpeated ones. The peating levels are not very high, but highly effective and very tasty.

Points: 87

Paul John (58%, Single Cask #1051, for The Nectar Belgium, 2015)

Last year I wrote a review of the Malts of Scotland Paul John #15066, another unpeated example of a Paul John single cask Whisky. When I emptied that bottle, it got replaced by this official bottling from single cask #1051 picked by Mario G., and bottled for The Nectar in Belgium. I normally write my reviews of a half full/half empty bottle. You know the drill about optimists and pessimists. Most of the time, Whiskies need some time or air to reach their best, so it is actually a big no-no to review a freshly opened bottle. However, this time around, I’m writing this review from a nearly empty bottle, but I have been following the development of this bottle very sharply, and I do remember all the stages this Whisky went through over time. All this, because in this particular case, this actually was at its best right after the bottle was freshly opened. I was really happy with it, let’s say the first half of the bottle, and when I brought it with me for a tasting of my whisky club, the comments were not all that positive. Yes, it may have suffered a bit by the preceding Whiskies in the line-up, but when tasting it back a few days later, I also thought it wasn’t as good as it was earlier. I left a few drams in the bottle and let it sit for a while before reviewing it now. I will make an honest review, based on all its stages and not only about the last bit I have left at this point. I haven’t tasted it yet, this last bit, so let’s see what time did to it this time.

Color: Gold.

Nose: Buttery, woody and waxy. Quite nutty as well. The wood is fresh and lively at first with a nice spicy feel to it. Sweet smelling, fruity, with big notes of pencil shavings. Pencil shavings is what this Whisky always had over time, big time. Barley notes with cold dish water and dry grass. Do I detect the tiniest hint of clear glue? It still is quite simple in its approach, but what you get, smells good, yet also for some, maybe a bit dull. Dusty, now turning a bit meaty (gravy actually) and glue like, before the pencil shavings come back. Still overall a good nose, with the fruity bit taking a back seat. It’s still there but not really overpowering. Simple yet appetizing. It’s simpleness is also evident in the lack of development, over the course of time in my glass there isn’t really anything changing. This is one for first impressions and not one that must grow on you. Even though these are the last drops of the bottle, it smells nice and seems to have kept its quality. It’s good, but not a stellar smelling expression, with the main focus on cold dishwater (and barley) and especially the pencil shavings.

Taste: Sweet and very nutty on entry, with a nice (red pepper?) sting to it. After the first sweet wave comes a more fresh and acidic wave. Here is the cold dishwater again. All this is quickly surpassed by medium bitter and spicy oak and pencil shavings. Slightly minty as well, since it has a slight cooling effect on the middle of my tongue. I don’t remember from earlier tastings, the amount of bitterness it is showing now. The bitterness is somewhere in-between oak and the oils from the skin of oranges, without really being all that orange-y. You know what I mean. Luckily the bitterness is smack in the middle of the body and less pronounced in the finish. Warming going down with a more toffee-like and friendly finish, yet still a lot of wood of the pencil shavings kind. Finish and aftertaste have less staying power than expected, although quite warming. It just fades away.

When freshly opened this really was a very promising unpeated Paul John. Time and air however, didn’t do this Malt a lot of good. The freshly opened bottle showed a pleasant nose and rounded out taste, balanced and tasty. Over time the Malt got ripped apart a bit, thus showing less balance. This never has been a very complex Malt to boot. Based on the freshly opened bottle, I understand and support Mario for selecting it. I just learned over time, this wasn’t Paul John’s best offering. I understand the comments it got from the guys from the club, because in a way this is a delicate expression, even though it has a big body. This won’t do well in a flight, sandwiched between other Malts, also because it is different from most others. It doesn’t know too well how to mingle. When having only this one and focussing on it and analysing it, it is clear to me, that this is more than a decent Malt, even though I feel it was better when the bottle was freshly opened. It did suffer in the balance department over time and with air.

Points: 84

Paul John 2011/2015 (60%, Malts of Scotland, Bourbon Barrel MoS 15066, 210 bottles)

In the previous post I mentioned that I always have two Paul John Malts open, as well as two offerings from Amrut. I’ve grown quite a fondness for Single Malt Whiskies from India. I’m sure that when more room comes available for open bottles, India will be the first to get more room on my lectern. The previous post was about the peated official Paul John single cask #745 I currently have open, and it’s a stunner again, after #777, and now we’ll have a go at another unpeated one. This time I chose one, bottled by German independent outfit Malts of Scotland (and in this case: Malts of India, really, it says so on the label). This is not the first Malts of Scotland’s Paul John on these pages though, in 2018, I reviewed a different cask, MoS 15068, that matured longer and contained peated Whisky, and again yet another stunner. Both Malts of Scotland and Paul John need no further introduction, so lets move on to the tasting.

Color: Full gold.

Nose: Malty and biscuity. Cookie dough with fresh citrus notes, occasionally sweet mint, and quickly taken over by more woody and dusty notes. This one smells a bit younger and simpler than #745 and #777, lacking some age maybe and the added bonus of peat. This is a back to basics kind of a smell. Since the peat is not here, there is more room for this Malt, or the Paul John distillate in particular, to show its more floral side (borderline men’s cologne). The wood is, well woody and waxy, and somewhat spicy, but not your typical Indian or exotic spiciness though, but a kind of spiciness that can be had in a Scottish Malt as well. Let’s say spices coming from the wood. So, kind of heavy, but the rest is fresh, floral and friendly. The sun is shining in this one even though the “heavy” bit can dominate at times. This is definitely a less complex Paul John, but a Paul John nevertheless, very recognizable. At first I thought this was maybe a closed Malt and given time it would develop some more, but no this is more or less it. Not bad, but simpler.

Taste: Initially sweet and fruity. Wax and ear wax. The sweetness is quite quickly pushed aside. A little sting from wood, some woody acidity as well. This must have been quite an active cask and maybe it aged right under the roof in hot surroundings. Quite some woody bitterness now. Big and hidden sweetness now, with a lot of wood spices. Barley (sugar) and biscuity. Soapy feel on my tongue. But even for this quite young Paul John, this is still remarkably balanced and very tasty. Again dangerously easy to drink, even though it is wood driven and bottled at 60% ABV. Quite hot going down, this sure is a 60% Malt. The finish is more of the same, wood, wax and to a lesser extent, some fruit in the aftertaste. Quite some bitterness stays behind in the middle of my tongue. I’ve spent some time with this Malt, again thinking it might be somewhat closed, but no, again it is what it is and for me it is quite a simple expression dominated by a few big aroma’s mentioned above.

So there you have it, all in all a simpler take on a Paul John single cask, quite young and dominated by wood. The wood gave off quite some bitterness, that I believe they couldn’t even leave it ageing for longer even if they wanted to, before the bitterness would be taking over, and dominating this Malt. As it is now, the bitterness is still acceptable, but definitely present. Luckily there are some other dominating factors in the Malt as well, not to let the bitterness rule. So still, a good, rather young and simple Malt. I say young, but coming from India this has nothing to do with the aroma’s of new make spirit, so don’t you worry ’bout a thing! This is still a good Malt and I’ve spent many happy moments with it, especially when it’s sunny.

Points: 86

Paul John (58.2%, Single Cask #745, for Germany, Peated, 2016)

On an average day, I have two open Paul John bottlings on my lectern, if possible one peated and one not peated. Recently I reviewed the two bottles I had open at that time. The official peated cask #777 and an unpeated 6yo Cadenhead’s bottling. Both are gone now, and have since been replaced. Today we are going to have a look at the peated replacement bottle. This one is another official single cask release and even better, it looks like a sister cask of #777. Why would you do that? I hear you ask. Isn’t there a risk that it’s more of the same? A similar cask, with the same distillate in it? Well first things first. #777 was so good (it scored 90 Points), that there is definitely no risk in opening another one of those beauties, even if it is exactly the same (which I doubt). Second, as many Whisky producers and bottlers already tried to show for a few times now, (remember Gordon & MacPhail’s “Wood makes the Whisky” campaign?). Wood makes the Whisky, and no two casks are alike, just have a look at my reviews of Gordon & MacPhail’s Ledaig cask #464 and cask #465. Both the same distillate, the only difference being the cask itself (and what it previously held). So I’m confident the differences between #745 and #777 will be easy to spot and maybe even greater that one would expect.

Color: Orange golden brown.

Nose: Initially fresh and friendly. Lots of honey, oranges and a lot of prepared horseradish (Chrzan). May seem strange, but I get this every time and its here right from the start. Nice clean wood and sometimes fresh sawdust, which changes into more wet wood pulled from a prolonged stay in a pond. More prepared horseradish and ear wax. Fresh, fruity and also some candied fruits. More honey, wax and wood. Licorice. Fatty, organic and perfumy. J.M Rhum from Martinique. Extremely aromatic, complex and right from the start balanced and big. There is so much happening, that the wood has been pushed back quite a bit, I can’t image the wood is that soft, hidden under all these aroma’s. More floral than peaty, with some smoke. Fireplace on a cold winter’s evening, Christmas, but also the smell of horseradish incense sticks, as if they would exist), but not much. Deep smell of waxy almonds, toffee and clay. Smells like a rural house this, a house thoroughly in use, with wave after wave of smells passing by. Furniture smells, smells of preparing food, smells from the fields outside (including the clay), whiffs of a perfumed woman passing by, whiffs of cold dish water, whiffs of funky organic bad breath and warm, almost melting plastic (polyester!) and the smell of the dusty insides of a warm old TV. The plastic/polyester, once smelled, will be around and can’t be un-smelled. What an amazing smell this Malt has. Smells released in many layers, amazing complexity. Tiny hint of smoke trickles in from outside, but the even sharper element in this nose is still the prepared horseradish. You know salted caramel? Well, this one is more horseradished caramel. I like that, since I don’t encounter horseradish a lot in Whisky. More honey, toffee and vanilla powder. It certainly has excellent balance, and layer upon layer of complexity. Very good expression again, I like it very much. It is a wonderful Malt to smell, but beware, it can anaesthetize your nose for some time, since the smell is so wonderful and complex you’ll be smelling this for a long time before tasting. After numbing down your nose, further smelling is futile, after which it is better to have a taste…

Taste: Well, more wood here, and most definitely waxy, nutty and sweet. More of the Rhum Agricole notes as well. Sometimes, yet not always, a hint of cola early in the taste. There is this certain (slightly unbalanced) acidity to it. Smoked toffee and caramel are here, spread thinly, but where is the honey? Well? Undistinguishable sugared ripe fruits. Faint orange skin oil, grapefruit meat. Toffee, corn flakes and quite some licorice, and lots and lots of ashes (cigarettes in an ashtray, the day after). Syrupy sweet, runny caramel. Waxy and fruity. Waxy fruit and ear-wax. This is a bit of a strange puppy, because this has plenty of tastes originating from fire, but they really aren’t from peat and smoke this time. Dry, cured, salty and smoky meat. Cigar smoke and smells I have only encountered in a Sauna. This one is quite ashy. Is there something like waxy cigarette ashes? A quite nice sweetness makes the Malt bigger. Is it fruity underneath? Thus, again a big Malt. Now, more smoke than peat in the nose. No horseradish (well, maybe…). Must have some hidden wood now, because it carries some bitterness. There is so much happening, that even this medium size bitterness isn’t half bad. After extensive sipping, the Horseradish is even more obvious on the nose. I encourage the people of Poland to try this Malt with their excellent szynka, and let me know if the chrzan notes match up. Ashes here too, dominating the aftertaste. Liquid smoke, still not peaty though. The finish is waxy and woody. The aftertaste is warming and somewhat stinging. Smoke and wood spices, somewhat less friendly, but bolder, towards the end. Polyester returns in the aftertaste. Very interesting Malt with a finish of medium length.

This is definitely the most complex Malt I have smelled in a long, long time. This has many layers and many different and unique smells. The empty glass smells of Honey and wait for it, an electrical fire and iodine, something I didn’t pick up on, when smelling the Whisky whilst reviewing.

In comparison, the recently reviewed cask #777 is way more friendly. It’s a dessert in itself. If you compare this to the Swayze brothers, #777 is Patrick and #745 is Don. They both share a lot of genes and it is easy to see that both are brothers. Just #777 is more “beautiful” and #745 is more “rough”, less polished. Maybe it’s even deeper. Even though both Whiskies share a lot of the same markers, #777 just outshines #745, although for some #745 has many amazing bits as well. #777 seems better balanced and more “perfect”. Softer and friendlier. #745 has more power, and a lot more complexity and an amazing layering of smells. The peat comes through better in #777 and it’s heavenly, especially in combination with the Malt’s sweetness. #745 has more honey, wood and waxiness coming through, but it also has a lot of unique aroma’s. Some elements are just bigger and more exaggerated in comparison to #777. I can imagine that over half of the time one would prefer #777 over #745, but definitely not every time, sometimes bigger is just better. Yes, with #745 we have another belter, I repeat, another belter from India on our hands. Life is good.

Points: 89

Paul John (59.2%, Single Cask #777, Peated)

Yes, again in this case, I could find another Malt to accompany the previous Paul John Whisky. After last weeks Paul John, we are finishing off this rather terrible year with this Paul John. I’m sure this Whisky will be better than this horrible year was, although there were some silver linings to this year as well. Here we have an officially released single cask: Cask #777, although to truly honour this past year, this should have rather been cask #666. Which, hasn’t been released, yet, and if it exists, I’m not sure I have the nerve to buy one with the number of the beast on it! I hope 2021 will be a lot better! Not a lot is known about this Malt, no age statement, no distillation or bottling year, no cask type. It’s all a mystery.

Color: Orange gold.

Nose: Medium peat, clay and nuts. Sharpish and spicy. Almonds with a whiff of bad breath which turns quickly into something wonderful, (toothpaste) mint. Warming, sweet, like smoked runny caramel and vanilla. Fresh air, toffee, perfumed wood, warm sawdust. The wood note is so soft, so good. This is already truly wonderful and very appetizing. Amazing balance. Hint of fresh citrussy zest. Warm smoke from a fire place down the street. There is a lot happening and everything is in the right place. The perfumy bit turns a bit soapy, and where this is often a problem, not here. Here there are so many aroma’s that work together with it, that it just works. In the back a plethora of fruits. Ripe red fruits, ripe yellow fruits, even some baked banana. Some funky organics emerge next, next to the clean woody profile, mixed with a perfumy bit (including some orange zest) and the smoke/peat. I have been very fond of many Amruts, I had open and reviewed earlier, as well as the Cadenheads Paul John from last week, but this one “bidens” (trumps) them all. This one clicks with me even more. Paul John is different from Amrut, but both are really good. Go India! I have to say that I prefer these Indian Malts at cask strength, for me they just work best like that. Sure the 46% ABV and 50% ABV versions are very good as well, but for me, the single cask versions of Amrut and Paul John are the best of the bunch.

Taste: Hot and woody, but not too woody, just enough I would say. A medium sugary sweetness works in tandem with the wood. Toffee and smoke. Prickly fire place smoke and toasted, salty and smoky almonds. I can feel it going down. Ripe fruit sweetness, and some more smoke (and tar). Asphalt melting on a hot street in Marseille. Warm asphalt, complete with droplets of motor oil. Warm industrial wind from a beach near an industrial estate. Light bitterness, which in part originates from smoke and from wood as well. Again, just enough bitterness. Cold ashes and some organic (farty) toffee. By now not a lot of vanilla actually, but the fruity sweetness remains, as well as some runny caramel. The taste matches the nose perfectly. It is what you would expect from the nose. Where the nose is a very complex organ that is able to pick up upon many details and nuances, the mouth is a more crude organ. Yes, the taste of this Whisky might be simpler, or less complex, than the nose is, yet sipping this whisky enhances the nose even more. At times some of the soapiness returns, this time taking away a bit from the finish. The bitter notes seem to be fond of the inner side of your cheeks, so it can be found over there. So, we have some bitterness and some soapiness but the rest is very nice. Good stuff.

I hope to welcome another single cask @ cask strength here soon. Maybe an unpeated one from Paul John’s own releases? Who knows. The peat is an added bonus on top of the quality the Cadenheads bottling already showed. Add to that the “better” sweetness of #777, since this has some more on offer. It may very well be present in the Cadenhead bottling, but maybe in a more masked way. It was more short lived in that expression to begin with, taken over by dry spicy wood. #777 has sweetness in the right amount giving it incredible balance. This is a very tasty expression. The planets aligned for this one.

A final peculiar remark. The nose needs quite some time to show all its beauty, but the liquid itself doesn’t need as much time as the nose does, simply because in this time frame it gets too much air and deteriorates a little bit. The remedy is, pour it, keep it there, warm it up in your hand, and when you are done smelling, pour some more before you start sipping. May sound strange, but for me this worked best. All in all, this is a very good Paul John, amazing stuff this #777!

Points: 90

Paul John 6yo (56,3%, Cadenhead, Refill Bourbon Barrel, 330 bottles, Summer 2018)

Here is yet another bottle of an Indian Malt I have to hurry to review before it is gone. Tasty stuff, I can already tell you that! What is it with those Indian Malts I like so much? Is it the Barley used? Indian six-row barley? Is it the wonderful exotic aroma achieved, from a simple Bourbon cask, without adding any wonky stuff to the Whisky? Probably all of the above and I guess some more. I already mentioned how good Amrut is, but this newer kid on the block is doing quite well for itself as well. In case you might wonder, there is already an independent offering from SMWS called Ringo George.

I remember my introduction to the Paul John brand (and Shilton, I might add) at The Whisky Show in London vividly. I was immediately amazed. Loved the flavours. When I bought my first bottle, (Brilliance, Batch No. 1), and let others taste it, it wasn’t all that well received every time, to be honest. I like it very much. Maybe some people just need some time to get used to it, I guess, since today a lot more people seem to like it. On the other hand, some people just don’t get used to it, because they don’t like the flavour profile, and maybe it is an acquired taste? Prices keep rising though, for more recent bottlings. OB and IB alike. So there must be more like me, who really like it. The aforementioned Ringo George was a 5yo 2nd refill Bourbon cask bottling and already cost a hefty £150 upon release, and sold out rather quickly. What’s in a name you might ask? Older bottlings on auctions are fetching quite a lot of money as well, these days. So the mantra probably should be: if you like it, and still can find it for a decent price, get it, because if you don’t…

Color: Orange-Brown Gold. Bourbon. Slightly misty. Indian mist.

Nose: Wood and pencil shavings. Sawdust and almonds. Drying, sharpish and wood-spicy. No peat! Slightly waxy and nutty. Trace amounts of vanilla and toffee. Aromatic in a dry style. The wood is speaking here, like a men’s fragrance. Gucci Pour Homme, but less classy, I suspect the difference being that Gucci has some stuff thrown in that is definitely not allowed in Whisky! Cloaked (acidic) fruits, but not the red fruits mentioned on the back-label. If so, the fruits are very un-ripe. You smell them, but do you really smell them? The fruit is hard to point out. Fragrant, yet not floral. There are many aroma’s here that seem to originate from wood. Earwax with a hint of ginger and toffee, and more dust and wood. Not overly complex, but not simple as well. Somewhat single minded. Letting it breathe for a while doesn’t do as much for this Malt as I expected. When I pour myself a new dram, the fruit is shortly obvious, so it seems that the yellow (not red) fruit aroma, dried apricots for about a second or three, dissipates quite quickly, to be replaced by a lot of spicy and woody bits. By the way, no typical Indian spices I can pick up on in many other Amruts and Paul Johns. Quite a restrained expression this one, but clearly a Paul John. A woody Paul John, and a nice smelling one too. Needs a lot of attention to get the most out of it. Not for careless dramming. Also, this needs a lot of time to really open up.

Taste: Starts out quite closed, this is true for the nose as well. When it opens up, more of the same. Earwax, lots of sweetish (as in not too sweet) toffee and wood. Right after pouring, it tastes of sweet toffee, but this is quickly overpowered by the dry woody bits, which is a bit of a shame, since this toffee note did add to the balance. Ashes and dust, with some hidden woody fruitiness. Dried orange and lemon peel with vanilla, yet much less orange peel oil than for instance Amrut Naarangi has, but every Whisky has less orange peel than Naarangi has! I like it better here. (Naarangi’s Orange comes from prepared Oloroso casks, but more about this in the future). This Paul John comes from a refill Bourbon barrel, so the source for this orange note is different. Distant hint of peat. Starts woody, and when that passes, there is some room for a very short sweeter note, without it being really sweet to boot. Also some woody bitterness pops up. Seems a bit thin due to the lack of sweetness. However, the short sweetness is soon again dominated by this dry wood note, that also makes up the finish. Nose and taste are more or less the same. Some (orange) honey in the aftertaste of mostly wood and some of its bitterness. The more this breathes, the sweeter it seems to get (up to a point). In the end, this Paul John is still a pleasure to drink. When you know what you are getting (wood instead of fruit), it’s alright. Again, this may not seem like a top example at first, but it is a pretty decent Dram nevertheless, as long as you are willing to put some effort into it. Definitely sold out by now. I wouldn’t pay top money for this at auction, only if you are something of an anorak and know your way around “difficult” Malts like these, or if you are a Paul John collector obviously. This is a pretty good Whisky, but there are quite a few better single cask expressions of Paul John to be had. This is really a high quality Malt, don’t get me wrong, but it doesn’t show its merits easily. I do feel this is a classy Whisky, just not Gucci classy.

This Malt, just like the first Christmas edition, is slightly hazy. That one even more than this. When asked, they explained to me that Indian Six row barley is high on proteins causing this Indian mist, but not every Paul John expression is misty. So probably this has to do with the level of filtering?

To conclude this review, I still have to mention, for completists, that this Whisky has aged for 5 years in Goa, India (Hot), and a year in Campbeltown, Scotland (Cold), what this two continent approach did for this Whisky, I couldn’t tell you. Finally, the label mentions this was bottled in summer 2018. Printed on the glass: 02/04/18 18/152, so summer comes early in Campbeltown! I know, I know, it was released for the summer season, quite strange though, since this is not a fruity expression, yet more of a woody winter warmer.

Points: 87

Amrut 4yo 2009/2013 (59%, OB, Single Cask, for Europe, Charred American Virgin Oak & Port Pipe #2712, Peated Barley, 357 bottles)

What again? Yes here is another tandem Malt. After last weeks Amrut here is another one. This time not a direct comparison, there was no reason for that, but I did compare both behind the scenes, to assess which one is better and for the height of the scores. I do love Amrut. Most Amruts I have tasted are at least good, and some are better than that. Lovely stuff and definitely a different and exotic take on Single Malt Whisky. Maybe the people at Amrut don’t even know how to produce a bad Whisky, or maybe they are out there, but I haven’t encountered them yet? Who knows. Amrut is most welcome to the world of Single Malt Whisky, since they do bring something new into the fold.

In 2013 a few single cask bottlings emerged, especially bottled for Europe, but there should be versions for other markets as well, even bottled in a different year. Earlier, I already reviewed a virgin oak and first fill Bourbon barrel version and a charred American virgin oak and PX Sherry butt version. All good things come in threes, so the third version they released that year is this Charred American Virgin Oak and Port Pipe. This time the barley was peated. Amruts standard is so high, that even the “simple” and affordable peated and especially the unpeated cask strength versions turned out to be very tasty, and in hindsight the charred American virgin oak and PX Sherry butt version may have been somewhat less than perfect, still it was slightly better than the peated cask strength version. The peated cask strength version is my lowest scoring Amrut on these pages, and it still was a Whisky I liked. I will probably buy it again sometimes, just to see how it fares.

Color: Orange-brown gold. Bourbon.

Nose: Initially fruity and milky. I often have this Malt right after the Kadhambam, and it definitely has this milky quality to it. Even some expressions of Paul John tasted right before or right after this one makes that evident. Don’t worry though, in the nose the milky bit mostly wears off. I’m guessing this is from the Virgin oak. Fruity and very PX-like. Nosed blind I would have guessed PX instead of Port. Dusty, deep, dark and brooding. Some underlying heavy sweetness, like warm syrup and tarred wood. Treacle. No Indian spiciness, so for me the cask overpowered the original Malt. Mind you, this wasn’t initially matured in Bourbon casks, but rather in virgin oak casks. Red fruit lemonade. Strawberry and raspberry syrup, with still this tarry and treacle note underneath. Fire place smoke, yet hardly peaty. Not peaty at all actually. Pencil shavings and crushed dry leaves from trees. A more fresher citrussy note emerges next, as well as some faint mackerel in oil aroma. Since this was matured in a hot climate, the virgin oak works differently, compared to its Scottish counterparts. No harsh, creamy or sappy wood, we can pick up from Scottish Single Malts matured (in part) in virgin oak. Maybe here the milky bit is the way the virgin oak exerts itself? Also a floral bit now. Soft and delicate rose notes combined with sharper whiffs of smoke from the fire place. This is a winter Malt, bordering on Christmas. Certainly brings you in the mood. It’s a big Malt this. The aroma’s are big and bold and never stop giving…

Taste: Tarry wood. Spicy autumn leaves. Quite sweet and prickly (smoke). Treacle and cookies. Black coal. Carbon powder, gun powder. Big, very big. Almost a bit like Rhum Agricole mixed with a heavy Demerara Rum. Steampunk locomotive. Yes Port, but again, it is also not that far away from a heavy PX cask. Well balanced. Chocolate and Brownies. Candied cherries. Licorice and smoke, but also a green note. Oak, but not like the virgin oak we know. No vanilla notes to be honest. Red fruit syrup towards the finish, warming log fires as well. Some residual bitterness, from burnt down logs of wood. Since I got this heavy Rum note, its hard to picture it without it. This has a very long finish, very warming and a perfect aftertaste of everything mentioned before. All is here and all stays with you for a long time. Very good stuff.

Here a lot of the aroma’s are quite big and overpowering, so it is near impossible to make out the Spicy Indian Spirit. So for me maybe less typical than other expressions, but nevertheless a very tasty piece of work again. The beauty lies in the details, but here the details are masked. Luckily the result is still quite nice. There were more casks bottled like this. I bought cask #2714 as well. I’m especially curious now if that one will have this milky note as well as this one. Something we’ll find out in the future…or not…

Points: 89