Lochindaal 10yo 2007/2018 (53.1%, Hidden Spirits, 235 bottles, LH718)

Bruichladdich, today, is known for their three brands of Whisky. The “unpeated” Bruichladdich, the heavily peated Port Charlotte (40 ppm), and the super heavily peated Octomore (80 ppm and higher). In november and december of 2007 Bruichladdich also made a heavily peated distillate at 50 ppm called Lochindaal. The Lochindaal spirit is named after a distillery. Lochindaal is one of the names, Rhinns was another, for a distillery we now know better as Port Charlotte, which started up in 1829 and closed in 1929. The Octomore spirit is also named after a distillery which operated between 1816 and eventually closed in 1854, Operations halted much earlier around 1840.

There were plans to reopen/rebuild the Lochindaal/Port Charlotte distillery and for this purpose in 2005, the Spirit and Wash stills from the Dumbarton complex, that once made Inverleven Whisky, were acquired. Dumbarton closed down. The Lomond Stills from Dumbarton (making a Single Malt called ‘Lomond”) are now used at Bruichladdich for The Botanist Gin. Lomond was mothballed in 1985 and Inverleven in 1991. In the end the whole Dumbarton complex was closed in 2002 and demolished in 2005 and subsequently the stills transferred to Bruichladdich. The Inverleven wash still was put outside the distillery on show, and the wash still was put in the Lochindaal/Port Charlotte distillery. Both stills never ran on Islay and were yet again transferred, this time to Ireland for the new Waterford Distillery, so I guess the reopening of Port Charlotte is put on ice for the time being.

Lochindaal was made available to the public, at the time, for £1850 a cask. The plan was to fill around a 100 casks a year and to keep making this distillate. Hardly any information can be found on that plan, so I have to ask around. By now we know that Lochindaal never really saw the light of day as a brand for themselves (yet), because in truth, what would it have added for the discerning Malt aficionado, or the public in general, when you already have Port Charlotte which is also a heavily peated Malt. Nevertheless, examples of Lochindaal, made in 2007, in 2009 (september) and 2010 (december) were bottled, and maybe more will be bottled in the future. So casks do exist, and maybe casks are still filled with the Lochindaal spirit. Most Lochindaal is bottled by independent bottlers or as private casks, by the people who bought the casks mentioned above. Be warned, since it seems to be quite rare, prepare to pay a little extra for a bottle of Lochindaal.

Color: Light gold, piccalilli yellow, when the sun hits it.

Nose: Creamy. Pudding, custard, warm butter and vanilla with smoke on top. Excellent. This creamy bit really reminds me of the Bruichladdich Islay Barley expressions. Like the 2007. I If you ask me it’s essentially a peated Bruichladdich (in style). Hints of soft black pepper and soft wood and mocha. Very appetizing. Fresh and somewhat fruity, but the creamy bit is where this Malt is all about. Give it some air and it develops even more, with an even more floral note. Salt and pepper come to mind on more than one occasion whilst nosing this. The oak, nice because it gives a backbone, shows itself quite late. The creamy bit is quite dominant. yet, if given even more time, still more is revealed, and the balance grows as well. more oak and paper notes. Spices adding depth. With even more time, a funky acidic note comes forth. Interesting. The peat is wonderful, soft and brooding and on top of that some fatty smoke to finish it off.

Taste: Fatty peat and stinging smoke. Big aroma. Black pepper attack like the best of Talisker. Peat lingers in my mouth. Warming and brooding upon a layer of toasted barley. Winter warmer this is. Almonds and ashtray aromas develop in my mouth. Hot motor oil, and a more winey note? All this accompanied by some lemon and lime freshness, zest and acidity. Big upon entry, but somewhat less big in the body-department. less creamy bits making for a slightly thinner experience, making room for the sharper smoky notes. However the pepper and the peat and the half-strength creamy backdrop do steal the show here. Long finish with an even longer aftertaste. It goes down like treacle!

I really like the 2007 Islay Barley Bruichladdich and I also liked the 10yo Port Charlotte and Octomore is nice as well. This Lochindaal is no exception. Easily recognizable as a product from this distillery. A rarity at 50 ppm. Well made but as I said, not terribly different from the rest of the output from this distillery. It’s very good, I really like this Lochindaal, but if you want to pay, or do you need to pay an elevated price for this and most other scarce expressions, is entirely up to you.

Points: 87

Grazie mille, Andrea!

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Ardbeg “Uigeadail” (54.2%, OB, 2018, L70174)

My Ardbeg Corryvreckan from 2014 is almost empty, and it will be replaced by this Uigeadail from 2018. However, even before the Corryvreckan is finished, I already opened the Uigeadail, so I can taste them both Head-to-head. Well just for fun, because the Corryvreckan is almost empty, so it had time to breathe, and the Uigeadail is freshly opened and full. Not a truly fair comparison. I’ll compensate by taking my time. If you surf the interweb, and read about the standard Ardbegs, the Corryvreckan gets less love than Uigeadail. Uigeadail is some sort of favourite for fans of Ardbeg. Nevertheless, when I reviewed the Corryvreckan I scored it a hefty 89 points, and never regretted that score over time, when emptying the bottle. I love this (batch of) Corryvreckan. Where Corryvreckan is about ex-Bourbon casks and new French oak. Uigeadail is about ex-Bourbon casks and Sherry casks containing older Whisky than the aforementioned ex-Bourbon casks. Or so they say…

Color: Light gold.

Nose: Nice soft and sweet peat and definitely some smoke rising from the bonfire (I found out later, bonfire is mentioned on the label). Bits of coal for good measure. Big aroma, perfectly balanced. In no way does this smell young or immature, remember this is a NAS bottling, right! Citrus and floral notes. Very fresh and working well with the peat ‘n smoke. The peat is fatty and brooding, but especially this peat reaches greater depths by the Sherry influence. I struggled a bit, at first, to “find” the Sherry, as I expected it to be far more upfront, maybe fruity and obvious, but in fact, it hid in plain sight, it hid in the shadows of peat, just shy of the gates of hell… uhmmmm… I got carried away a bit, sorry Auke. Nevermind, lets continue the review, shall we? Hints of forest floor late in autumn. Spicy, decaying wood, soft wood, but add to that a more meaty feel. Bacon is suggested by the label. I hate that. It indoctrinates the consumer, did I get bacon by myself or am I pushed that way? I can’t unsmell the bacon now, can’t I? Get it off the label, please Mickey, pretty please.

Next something that reminds me of crushed beetle (a ladybug actually, and yes, it was an accident). Yet also some licorice, and earwax on a breath of fresh air. Dry cocoa powder and salty, smoked bacon and more bonfire again. By the way, the label mentions treacle, something I don’t get on the nose. This just keeps evolving. Probably the influence of Sherry again. Hey, quite late to the mix some fresh oak, probably not virgin, but very upfront nevertheless. Even later in the mix some minute amounts of sweet ripe red fruit, of which raspberry is the most obvious to me. I say, excellent stuff again, just like the Corryvreckan. I hope all batches are this good, or did I get lucky again?

Taste: Ahhh, here is the treacle, and the peat and the smoke. Luckily the treacle is thin, making the entry not too sweet, although memories of old Demerara Rum, fly in and out of my head now, more than Sherry notes, although I do pick up some sultana’s, raisins. More liquorice and milk chocolate (liqueur). Burnt plastics and liquid bonfire. Luckily the label only uses three words “describing” this Whisky, which I can report are correct. Treacle wouldn’t have been one of my top three words, yet I understand why. Personally I might have gone for “Chocolate”, but it may be another word tomorrow, only human, y’know.

After tasting the Whisky, the smell gets more of those spices you smell around Christmas, as well as some kippers and creamy latex paint. Tastewise the odd plastic note remains, and in come some more youthful aroma’s hinting at young Whisky. Vanilla and salty butter. More smoke, but like an ashtray this time, mixed with liquorice notes. Sometimes some bitter woody notes, but not every time. Less balanced than the nose though. Fatty, but also with some acidity, splitting the Whisky a bit. The finish has medium length, with the return of the ashtray in the aftertaste. Nice long and warming aftertaste, better than the finish itself. Good stuff.

What an odd standard range. A TEN and two NAS bottlings. Beforehand, the difference seems to be the difference between Sherry casks and new French oak casks. Where one might say that one prefers the former, I have to say that in Corryvreckan the latter works very well. I really can’t say if that is true for all the batches that have been released, through the years, but my 2014 batch was very good indeed. If I was less adventurous, or have a shelf somewhere for bottles that I should have around all the time, both these NAS Ardbegs would be on there. Both wonderful Whiskies, well made, tasty and quite affordable as well.

Points: 87

H2H: Which of the two do you think is darker in color? Corryvreckan! Virgin oak is quite different from Sherry oak, and both nose differ as such. Uigeadail is dirtier and smokier, and saltier, and plastic-ier. Corryvreckan is more about American oak. More vanilla, creamier, very appetizing. Nose and taste alike. Both noses are great, but for me Corryvreckan has a very special side to it. I’m finishing the bottle right now (I saved the last bit for this review), but I’m really, really sad to see it go. Great one, and it certainly deserves my high mark, I mentioned above, both of these would get a place on my “always open shelf”, if I had one that is. I would recommend to have them both open at the same time. Both make the other one better, very different and that’s exactly why. One the main course and the other the perfect desert. I really have to look into a shelf like that!

El Dorado 21yo “Special Reserve” (43%, Guyana, 2006)

After reviewing the 12yo (in 2013) and the 15yo (in 2015) from the El Dorado premium range, now the time has come to move up one step of the ladder again and have a look at the 21yo. Just like it’s two younger brothers it has been blended together from Rums made with several of the many stills that have survived. I call the three, “brothers”, since the three aren’t simply older versions of the same kid, but the DNA between the three has some variation. Related but different, like brothers. This 21yo has been blended together from the Albion (AN), a French Savalle still, the Versailles (VSG), a single wooden pot still and the Enmore (EHP), a wooden Coffey still. Where in the 21yo, the Albion is the dominant one.

I have read somewhere that, 35yo Rum was used, but by now, because the 21yo is around for some while, that might not be the case anymore. I’m sure the Rums used, have different vintages where the youngest Rum has to be 21yo. A rule adopted, from Single Malt Whisky, by the English-speaking Rum world. This is completely different from the practices of Solera type Rums. The Rum has aged exclusively in the carribean and since the climate is hot and dry, Rums this age can get very easily over-oaked, since water, instead of alcohol, is the first to evaporate. Speeding up the ageing process, as compared to the more mild European climate. Cadenheads and Bristol come to mind, when thinking about Demerara Rums that have (partly) aged in Europe, but there are many others.

Color: Copper gold.

Nose: Thick Demerara style. But with a breath of fresh air. Sharp wood, spicy wood. Tar and oak. Lovely. This is how a Rum should smell, one that has been in cask for a long time. Are you paying attention Don Papa? Oh, wait a minute. Caramel and toffee comes next. Somehow the nose seems glued together with sweetness now. Hints of petrol and melting plastic to balance things out. Yes again an aroma that sounds hideous, but really isn’t. Well it is, but not in this Rum. Dry crushed leaves and molasses with a return to the more woody notes. Green and (dry) grassy. Hints of lavas, but darker and more brooding. Tar covered lavas then? Black tea and hot toffee (again, slightly deep burnt sugar-toffee). Dry, dusty and now I get more than a fair share of licorice (and warm caramel), whilst I revert to smelling it like a Dyson would. Vortex snorting. (I must remember this expression, and use it more often, since it is revealing). Nice stuff. I have a feeling there is some fruit to it as well, but since the Demerara style is strict and fierce it doesn’t let it out. Very appetizing but also I fear some added sugar was used on this old Rum. Let’s taste it.

Taste: Thick (for a brief moment) and sweet, but not too much, and never cloying. Lots of licorice again, but also a slight nudge towards the style of Agricole. Unmistakable, I get it every time. Excellent aged brown sugar aroma, but with lots of soft wood notes to balance this out. A nice burnt (sugar) note, toasted oak with vanilla, combined with bitter oranges. Cold black tea and ear wax, but with less bitterness than both. This one is about wood. So here the number 21 does mean age. Very balanced, it tastes exactly like it smells, less sweet maybe and “thinner” in structure. Since this is an old one, because in Caribbean weather, 21 years in wood is almost a lifetime, the sweetness is broken down and surpassed by the effect the wood has on this Rum. Hints of freshly sawn oak even. It’s not as big and shows some delicacy of the old, especially towards the finish. In the finish some soapy and definitely bitter wood stay behind and some honey as well. The aroma’s are brittle and hardly a problem though.

This is geriatric Rum, I love it, sure in many ways it is over the top, as if aged for too long, gaining too much of the benefits of wood, making it less easily drinkable, than the very sweet 12yo and the very nice 15yo. This is why of the whole series people tend to prefer the 15yo as a sipper, and the 8yo as a daily drinker. But this 21yo has its moments and when it time, this delivers, warts and all. Granted this may be for experienced drinkers to really appreciate it, and so be it. If you are not one of those, you might want to stay off this one for a while for you to become of age and try it again. And if you do, it will be clear this was (today), fairly priced as well.

Points: 87

Bowmore 18yo “Deep & Complex” (43%, OB, for Travel Retail, Oloroso & Pedro Ximénez Sherry Casks, 2017)

Lets start this review with a confession. I’m a faulty human, and I admit to having prejudices. I don’t know where they come from, I didn’t invite them into my mind, but still they are there and I am battling them. The prejudice I have is that I have a more than healthy suspicion towards travel retail bottlings. Compared to this, my feelings towards NAS-bottlings are pretty mild, since there are enough good NAS bottlings around. Bowmore travel retail bottlings are an excellent example why I have this prejudice. A few years back I wrote a review about the Bowmore “Black Rock“, and it is travel retail at its finest. First it comes in a big litre bottle and second, it was almost reduced to death by bottling it at 40% ABV. So to celebrate your trip you bring back a souvenir of a weak Whisky and a lot of it. When tasting bottles like this, I just knew I had to stay away from such bottles, and I still will steer clear of litre bottles bottled at 40% ABV.

In comes Nico. Nico is one of the founding fathers of the Whisky club I am a member of, and he invited me over to bathe in the excellence of one of the latest batches of The Balvenie “Doublewood“. Taking about ruining a perfectly good Whisky! Since we both are very keen on Whisky, obviously the evening didn’t end with several Balvenies. We had plenty more adventures in Whisky. Funny enough, the surprise of the evening (for me) was a Bowmore travel retail bottling! Nope not this 18yo Deep & Complex but the 17yo “White Sands” of the previous travel retail series.

In 2014, Bowmore released a trio called “Black Rock” (litre, 40% ABV), “Gold Reef” (litre, 40% ABV) and “White Sands” (70 cl, 43% ABV) and I should have known better. “White Sands” wasn’t a litre bottle, was the only one of the three with an age statement (17yo), and the ABV was slightly higher as well. Tell-tale signs that there was a possibility it would be a good one. Good? I loved it! I have met (the wonderful) Eddie MacAffer (voted Whisky distillery manager of the year at Whisky Magazine’s 2013 Icons of Whisky Awards) and “White Sands” is a favorite of his, so I definitely should have known better!

So why isn’t this review about “White Sands” then? Relax, I’ll get to that shortly. Probably in the next post. When I found out how good “White Sands” was, I ordered a few of those. At the same time, I got a pretty good deal on this “Deep & Complex” (What’s in a name), and knowing now that the top offering in Bowmore’s travel retail series might be quite good, I ordered it as well. So, let’s do this new one first and we’ll get to the old one later…

Color: Copper.

Nose: Sherry all right. I would say the PX is upfront. It smells sweet and dessert-like. Caramel. Cherries on syrup. Candied orange skins. Sweet alright. Raisins and dates (freshly dried). Fresh macadamia nuts. A nice typical smokiness (birch) I get from “White Sands”as well, although that is an entirely different bottling. Garden bonfire. Wood smoke. Lovely smoke aroma’s all over. Charred wood. Nice ripe black and red fruits and definitely more smoke than peat. Excellent balance. Vanilla and dust. Islay in the summer. Tar with hints of peppermint and menthol.

Taste: Sweet and fruity. Round, they call it. Half-sweet Cherries and only some wood and peat. It has an even deeper lying smoky bit, but again a nice smoky bit. A bit thinner (and fruitier) than expected. Burning newspaper. Nice warming quality though. Warm wet earth and the fresh macadamia’s are here as well. Not too bitter dark chocolate, wood and toffee. Tar and coal. Licorice. Surprisingly short to medium finish and not a lengthy aftertaste as well. What happened over those 18 years? I’m trying this before breakfast so I have a fresh and eager palate, but still the Whisky is too weak. It’s lovely, but too weak, so don’t drink this in small sips, it won’t work as well that way.

It is somehow suggested and assumed this was matured solely in Oloroso and PX-casks, but I do have my doubts. In a way it’s almost like a “White Sands” with a Oloroso and PX-finish. Wonderful stuff, but like the 40% ABV travel retail versions. It’s a bit too thin. Even at 43% ABV, it doesn’t quite cut the mustard. It has the potential of being a wonderful Malt (scoring in the lower 90’s). It is actually a wonderful malt as is, but it could do so much better if it had some more oomph, something more to carry it. Now its like (white) sand running through my fingers…

Points: 87

P.S. In a head to head (H2H) with the 1995 Lagavulin its easy to see what I mean. The Lagavulin has only 5% ABV more, but it does so much more for the Malt. It gives it power and length. It even brings out the aroma’s more. I’m not afraid to say that this Bowmore, if it was 46 or 48% ABV like the Lagavulin, would even be better than it. Now, the Lagavulin beats it (just). Nevertheless both are damn good drams and easily worth your money. I’m enjoying them both.

Balblair 1990/2014 (46%, OB, 2nd Release)

Unbelievable! Here we have another Distillery that has never featured on these pages before. Balblair. Just like Glenrothes, Balblair is a distillery that has gone down the road, laid out by Wine. The long and winding road of releasing their products as vintages (in a reduced state, ABV-wise, that is). On the back of the bottle, in rather small print one can find the statement: “2nd release”. It implies that there has been an earlier 1st release, yes? Well, yes, but…

Since 2008 there has been an 1990 release which was a lot lighter in colour and which was only released in litre bottles for travel retail. That one was matured solely in ex-Bourbon barrels. It was released annually untill 2011. So there was a 1990/2008, a 1990/2009 etc. Since 2013 the first 2nd release, was released. the second in 2014, the third in 2015 etc. So what we have here are multiple, annual, batches from different bottling years of the 1st release, as well as of the 2nd release. So not only Glenrothes style vintages, but also Springbank style batches. Again the industry seems to consider batch variation to be a dirty word(s), yet I hope there is some adventure in these different batches. This will be a review of the 2014 batch (the 2nd batch of the 2nd vintage 1990, can you still follow? However, if a different batch falls into my hands, I’ll compare it to this one. By the way the 2nd release comes from the same casks and the same vintage as the 1st release, the only difference being this second release has spent about two years in ex-Oloroso Sherry butts. Oh, and with each new batch, it gets older as well.

Color: Copper gold.

Nose: Quite creamy, with sweet vanilla, ice-cream, fresh cold butter and Sherry. Hints of oak, fresh and toasted. Dry (scorched) leaves and herbal. Hints of coal even. Hints of paper, cardboard, toffee and honey. Cough syrup. This smells so sweet and syrupy that it is easy to conclude it lacks a bit of the woody backbone to keep it standing. This Whisky smells like a dessert by itself. The wood that is here, smells like pencil shavings.

Taste: Quite big, matching the nose. Sweet (Sherry) and syrupy. A bit too sweet imho. Maybe these casks didn’t contain the highest quality Sherry in the first place. Sweet milk chocolate, vanilla and vanilla ice-cream. (Now the honey in the nose becomes more pronounced as well.) Butter and more chocolate. Almonds with fruity acidity on top, as often this fruity acidity doesn’t blend in all that well. There seems to be a little problem with balance as well.  This acidity also has quite some staying power well into the finish only to dissipate in the aftertaste.

One sunny afternoon I tasted this 1990 2nd release and I loved it. Now, when giving it almost too much attention and analyzing it, there are some flaws that distort the balance a bit. It’s a bit too sweet and I don’t think the Sherry finish worked quite as it should. It’s completely fine when you have a casual dram and that is precisely where it’s for. I really liked it on that sunny afternoon, outside, with nice food and friends. When sitting at home, analyzing it, in a controlled environment, these flaws become more obvious, but I still like the Whisky very much. I wish I had the first release for comparison.

Ok, now I ask you to look past the flaws I described above, because as a whole this is definitely a good Whisky, so I stand by my score, which might be higher than you might expect from the text alone, and yes, at a good price, I would even buy it again. How is that for a recommendation. Just pick your moments to drink this, wisely…

Points: 87

Glendronach 13yo 2003/2016 (55.2%, OB, for TasTToe & Drankenshop Broekmans, Oloroso Sherry Butt #5489, 705 bottles)

To my amazement, after all those years of writing Single Malt reviews, this is the first Glendronach on these pages. How did that happen? I’ll have to conduct a formal inquiry into this matter. Heads will roll. Lets hope this young Glendronach is a worthy expression of the distillery. Glendronach was founded in 1826, and has changed hands some nine times if I count correctly. In recent history the distillery was mothballed in 1996. Production resumed for a short while in 2002. In 2005 the distillery abandoned coal firing in favour of indirect firing with steam. After the change the distillery reopened in the portfolio of yet another owner, when Chivas Brothers (Pernod Ricard) acquires Allied Domecq. Almost there. In 2008 Pernod Ricard sells the distillery to a small consortium lead by Billy Walker, the owners of the Benriach distillery. Billy revamped the core range and started releasing Single Cask bottlings with the now common brown labels, as the one I’m about to taste. After Glendronach, Billy and his mates bought Glenglassaugh in 2013, but sold all three to Brown Forman in 2016 for a heft sum of money…

By the way, the picture below is wrong. I couldn’t find a proper picture of the bottle I tasted, and the picture I took of the label with my phone, well lets say it wouldn’t look professional. The picture below is for another Glendronach 13yo from 2003. In fact it is of a bottle filled from the cask filled in 2003 right after the one I tasted. Same distillate, same sort of cask, but still another single cask. The picture I used is for cask #5490 whereas I tasted cask #5489. Both were bottled for different customers from the same country: Belgium, so close enough, wouldn’t you say? Enough of the dry stuff, let’s get wet now!

Color: Copper gold.

Nose: Oloroso Sherry alright. Thick but right from the start some nice dusty woody notes and do I detect a hint of the S-element? Sweet raisins, fresh and pretty modern.  (which need some time to breathe to show themselves). Black and white licorice powder. Remember the 9yo Highland Park I recently reviewed? Well that is old style Sherry maturation, where the wood is softer, whereas this is more modern. Clean and sharp. Woodshop with oriental spices. Hints of fresh new oak and a wonderful floral and woody perfume, fragrant soap even, very nice. Very faintly meaty, like cold gravy. Great balance but not very complex. More wood notes in the form of pencil shavings. So, excellent wood, with less Sherry than expected. Wonderful nose.

Taste: Yep big wood alright, but again not in a bad way. Oriental Spicy wood with thin cherry liqueur. Reminds me a bit of Amrut. I really love the wood in this. Remember, someone is saying that the wood makes the Whisky, so wood should be a contributing factor. Again the wood has more to say than the Sherry. Starts half-sweet at best, where wood and Sherry share the attention, but quickly the wood demands center-stage for itself and dominates, without overpowering it though. Both contribute the right amount of aroma’s to make for a wonderful Malt. Hints of Italian laurel licorice and hard coffee candy. The body is even less sweet and for a moment turns in to an oaky acidity. Again, not bad. Medium finish and more of the same into the aftertaste, which after a while is gone completely.

This is well-balanced, not very complex, but very nice to drink. I feel no need to add water. It seems to be good to go as it is. Nice and likeable. A bottle you’ll like and finish quite quickly since it will be the one you’ll want to start the evening with. Unless you insist on starting with something at 40 or 43% ABV.

Points: 87

 

Thanx Nico!

Highland Park Week – Day 6: Highland Park 17yo 1984/2001 (50%, Douglas Laing, Old Malt Cask, 786 bottles)

Two more to go, so alas, we are near the end of yet another Master Quill Week. As we have seen the past few days, here is another independently bottled Highland Park, this time by Douglas Laing. Near the end of the nineties, Douglas Laing started bottling single cask Single Malts, with enormous success. It may very well have been the most successful independent bottler with stellar releases, time after time. Heaps of Brora and Port Ellen come to mind. I guess back then, they were a bigger name, temporarily, than Gordon & MacPhail and maybe Signatory Vintage. If the cask had enough ooomph, the Whisky was reduced to their preferred drinking strength of 50% ABV. It is a good strength. Nobody back then complained about reduction, or that it should have been cask strength only. I loved a lot of their bottlings and bought quite a few of them. Even though the bottle itself is pretty simple, I am a sucker for Whisky in green glass (remember Laphroaig?).

Here we have a 17yo Highland Park with hardly any color. The cask yielded a lot of bottles, so I’m guessing the original Whisky was pretty high in ABV, and came out of a Fino Sherry puncheon (or butt). I’ve tried quite a few Douglas Laing bottlings from Fino Sherry casks, so it shouldn’t be too hard to recognize.

Color: White Wine.

Nose: Very restrained, but right from the start the unmistakable aroma’s of Fino Sherry maturation. As I said, if you had a few, it isn’t too hard to recognize. Fresh sea-spray with a laid back nuttiness. The more it breathes, the nuttier it becomes. Wonderfully elegant and not as big or raw, as Oloroso and PX sherry casks can be, especially in more recent bottlings. This Fino cask didn’t impair a lot of color to the Whisky, but that doesn’t mean it didn’t give off a lot of aroma as well. Well, one thing is for sure, this doesn’t smell like a Whisky from a Bourbon or even some other tired cask. So don’t be fooled. Added to the fresh sea-spray, are some lemony notes. Zesty lemon skins. Perfumy, and ever so slightly floral. Cookie dough. Almond cookies. Hints of toasted cask. Scorched heather maybe? Vegetal, with hints of garden bonfire (but not the smoke). Slightly dusty as well. Extremely balanced, but not hugely complex. Lovely.

Taste: Yeah. Sweet, much sweeter than expected. Lots of Vanilla and nicely creamy and vibrant. Lemons and the flesh of sweet apples, so not thick nor cloying. Where the nose was quite restrained, this isn’t, but on the other hand, the nose had more “Fino” to it. Ice-cream and hardly any wood. For a short while, towards the finish, it has aroma’s from a Belgian Trappist Triple Beer. Also a bit soapy, floral with a tad of bitterness. These three are kept in check rather well, so don’t be disturbed. High quality stuff, and tasting it now it is much nicer and better than I remembered. Last time I tasted this, I still had not acquired the taste for Fino Whiskies, but now I have and I love it! Long finish, as all Whiskies should have and a very nice and warming aftertaste. If I’m honest, this isn’t the most complex stuff around, even though there is enough development in the glass. It is, however, extremely balanced, and I consider this to be high quality stuff, but I might have said that before already.

When I smell this and my mind wanders off, I feel Whiskies today rarely ever have this profile anymore, so it seems Fino casks often end up somewhere else than in Independent bottlings. Maybe the Whisky is different because Sherry casks themselves are more often made from American oak (more vanilla aromas) than European oak (more tannins). American oak makes Sherry creamier and more accessible, friendlier, aiming at a larger consumer base.

I have said it before, and I will say it again. Whiskies from Fino casks maybe are an acquired taste, as it was for me. I wasn’t too fond of the particularities of Fino cask maturation for a long time, but I got it in the end, and I have to say it works wonders with Whisky. I love it. Its like Bourbon cask matured Whisky with a twist, and sometimes quite a large twist, also the difference between Fino bottlings can be enormous.

A nice contrast to yesterdays Signatory offering. The differences couldn’t be greater, even though both come from a “Sherry-cask”. So now you know if you see: “Matured in a Sherry cask” on a label, you still know nothing and have no clue of what to expect…

Points: 87