Paul John 2011/2015 (60%, Malts of Scotland, Bourbon Barrel MoS 15066, 210 bottles)

In the previous post I mentioned that I always have two Paul John Malts open, as well as two offerings from Amrut. I’ve grown quite a fondness for Single Malt Whiskies from India. I’m sure that when more room comes available for open bottles, India will be the first to get more room on my lectern. The previous post was about the peated official Paul John single cask #745 I currently have open, and it’s a stunner again, after #777, and now we’ll have a go at another unpeated one. This time I chose one, bottled by German independent outfit Malts of Scotland (and in this case: Malts of India, really, it says so on the label). This is not the first Malts of Scotland’s Paul John on these pages though, in 2018, I reviewed a different cask, MoS 15068, that matured longer and contained peated Whisky, and again yet another stunner. Both Malts of Scotland and Paul John need no further introduction, so lets move on to the tasting.

Color: Full gold.

Nose: Malty and biscuity. Cookie dough with fresh citrus notes, occasionally sweet mint, and quickly taken over by more woody and dusty notes. This one smells a bit younger and simpler than #745 and #777, lacking some age maybe and the added bonus of peat. This is a back to basics kind of a smell. Since the peat is not here, there is more room for this Malt, or the Paul John distillate in particular, to show its more floral side (borderline men’s cologne). The wood is, well woody and waxy, and somewhat spicy, but not your typical Indian or exotic spiciness though, but a kind of spiciness that can be had in a Scottish Malt as well. Let’s say spices coming from the wood. So, kind of heavy, but the rest is fresh, floral and friendly. The sun is shining in this one even though the “heavy” bit can dominate at times. This is definitely a less complex Paul John, but a Paul John nevertheless, very recognizable. At first I thought this was maybe a closed Malt and given time it would develop some more, but no this is more or less it. Not bad, but simpler.

Taste: Initially sweet and fruity. Wax and ear wax. The sweetness is quite quickly pushed aside. A little sting from wood, some woody acidity as well. This must have been quite an active cask and maybe it aged right under the roof in hot surroundings. Quite some woody bitterness now. Big and hidden sweetness now, with a lot of wood spices. Barley (sugar) and biscuity. Soapy feel on my tongue. But even for this quite young Paul John, this is still remarkably balanced and very tasty. Again dangerously easy to drink, even though it is wood driven and bottled at 60% ABV. Quite hot going down, this sure is a 60% Malt. The finish is more of the same, wood, wax and to a lesser extent, some fruit in the aftertaste. Quite some bitterness stays behind in the middle of my tongue. I’ve spent some time with this Malt, again thinking it might be somewhat closed, but no, again it is what it is and for me it is quite a simple expression dominated by a few big aroma’s mentioned above.

So there you have it, all in all a simpler take on a Paul John single cask, quite young and dominated by wood. The wood gave off quite some bitterness, that I believe they couldn’t even leave it ageing for longer even if they wanted to, before the bitterness would be taking over, and dominating this Malt. As it is now, the bitterness is still acceptable, but definitely present. Luckily there are some other dominating factors in the Malt as well, not to let the bitterness rule. So still, a good, rather young and simple Malt. I say young, but coming from India this has nothing to do with the aroma’s of new make spirit, so don’t you worry ’bout a thing! This is still a good Malt and I’ve spent many happy moments with it, especially when it’s sunny.

Points: 86

Ardbeg NAS “Perpetuum” (47.4%, OB, Bourbon & Sherry casks, 72.000 bottles, 30/03/2015)

Most of today’s Ardbeg core range has been featured on these pages now. I already liked Ardbeg in the past, but all modern Ardbeg’s seem to be to my liking as well, but they are quite different from the old ones obviously. I have to say that the core range of Ardbeg might be quite unusual to some; a 5yo (Wee Beastie), a 10 yo (Ten), and three NAS bottlings of which one has a lower strength (An Oa) and two are at a rather high ABV (Uigeadail and Corryvreckan). These bottlings show that Ardbeg is still a wonderful Whisky today. This prompted me to look beyond the core range and buy (at auction), some of the special releases Ardbeg has been doing for a while. First one up, is one that has been released for the 200th anniversary of the distillery, and honouring this fact, this must be a stellar release. Looking at auction, this might not be the case, since prices are still reasonable today, even at the time of writing. Sure 72.000 bottles is not really a limited release, but even with the popularity of Ardbeg, these are still widely available (at auction) and affordable, although at least twice the price of any of the core range bottlings.

Color: Light pale gold.

Nose: Right upfront soft peat and warm smoke from the fire place, soft wood and tar. Sea spray, barley sugar (quality Rum sweetness) with a hint of cardboard. Tarry rope. Salty, aromatic and balanced. After a while, more iodine is noticeable as well as some lemon notes. Grandma’s old bar of perfumed soap, found after many years in the back of a closet (behind her rather large knickers). Nice subdued yellow fruit. Green garden plants (not flowers, nothing blooming), just the leafy stuff. Black tea (the dry leaves) and do I detect some chlorine (mixed in with the lemon)? The “hefty” peat notes that jumped out of my glass before, dissipates rather quickly, making the nose rather soft. I’m guessing this is quite a young Malt or has at least quite some young stuff in the blend, without it being anyway near new make. Nothing wrong in that sense, because young Ardbeg can be damn good. When the peat takes a back seat, the iodine I already mentioned, is accompanied by some plastic and pencil shavings and some deeper older peat, so probably some older casks were used as well. Since this is another modern sea faring Malt, lets call it tarry nylon rope, shall we? The warm smoke I mentioned before, has some more staying power. More of the faint citrussy note, as well as some cold butter and maybe even some unripe yellow fruits, but as I said, it’s faint. Late in the mix another faint note of spices emerges. This is again a very nice smelling Ardbeg, still a force from Islay to reckon with. This promises a lot for what is to come next…

Taste: Sweet, soft and friendly. Somewhat fruity already with molten vanilla ice cream and toasted wood. Lots of licorice, black and white powder and chlorine on the palate as well. Salty. Fruit and fruity acidity. Initially lacking a bit of balance, and it seems overall simpler as well. It tastes a bit like a dram to which I’ve added a little bit too much water. (I haven’t added any water at this point). Wee hint of a bitter note in the back and traces of coffee. Quite tasty, but not truly powerful. A fruity Ardbeg. Crushed beetle, prickly smoke and not so soft peat. More fire and fireplace. Sometimes it seems like the fruit and the peat aren’t very happy with each others presence. For instance, the fruit and the peat did like each other much more in the Benriach Latada I reviewed recently. Also, the promise made by the nose, isn’t kept by the taste. A shame really, because the nose is really good. So what went wrong here? Has this suffered from too much reduction? I do think that might be one of it’s problems, as well as the youthy bit and therefore lacking some depth of the whole. Seems to me they tried to get too many bottles out of this batch. Maybe this should have had a higher ABV and maybe some more older casks blended in. I don’t know, I’m not a blender. However, having said that, I do like this expression quite a bit, there is a lot good stuff here, and it sure has some weak points, in the end it has more strong points. I had a lot of fun with this one. The Ardbeg quality is certainly there.

In the big world, this is quite an unloved Ardbeg, This is the quintessential Ardbeg, that in the beginning of gym class never gets picked for the side, even when it’s liked by everyone. It just doesn’t seem to perform or isn’t considered a winner, and we play to win now, aren’t we? There is most definitely nothing wrong with the nose, because this is a very nice nose with lots of nice things to smell. Taste wise, yes, sure, it is a bit weaker, reduced, but given some time to breath this Ardbeg do catches its breath and reaches a higher level. This would make for a nice addition to Ardbeg’s core range as a third high ABV, NAS bottling. But as is, this might be something of an underdog. Lets be clear, the nose is nothing short of wonderful and the taste, although lacking some oomph, is likeable and easily drinkable. An easy Malt to be around with. Soft and friendly, with a good character and tasty as well. If you feel, taking part is more important than winning, than this is still a good Ardbeg if you allow it to be. If you are critical and expect every Ardbeg has to be an absolute winner or stunner, than no, this is not for you. Get a Twenty Something instead, which is relatively recent and easily a 90+ points Whisky to boot.

Points: 86

Because its different from my two favourites out of the core range: Uigeadail and Corryvreckan, then sure, you can get this and it won’t fail you. It didn’t fail me. But in the end, both NAS bottlings are slightly better and both together cost more or less the same as this one Perpetuum by itself, definitely something to consider.

Glenallachie 26yo 1992/2019 (54.8%, Cadenhead, Bourbon Hogshead, 240 bottles)

Here is another example of a soft spot Whisky that has been aged for a good while in a (refill) Bourbon Hogshead, like the Glentauchers I just reviewed, although this Glenallachie is twice the age of the Glentauchers. In my recent reviews of Inchgower and Tormore, I mentioned Whiskies although they may be lesser known to the public, I particularly like. This may very well be, and most definitely is, a personal thing. I believe one of the interesting aspects of one’s Whisky adventure is finding a Whisky that suits you personally. One that clicks. Often these lesser known Whiskies come from work-horse distilleries built for the sole purpose of making whisky for some big volume blend. In the case of Glenallachie that was the Clan Campbell blend. Well, Glenallachie might just be another one of those work-horse distilleries that could suit my palate just right. Up ’till just recently, only bearded extremist, poncho wearing, aficionado’s had ever heard of Glenallachie and knew what the distillery was capable of, and sure enough, even Master Quill did only write about independent bottlings of Glenallachie until the recent review of the official 15yo. So the tradition has already been broken, but here is yet another independent bottling of Glenallachie, this time one bottled by Cadenhead.

Fairly recently things have changed considerably at Glenallachie. Billy Walker cashed in big-time by selling Benriach and Glendronach, and turned his eye upon Glenallachie for his next project. Similar to what has happened with Benriach and Glendronach, a lot of Single Cask bottlings and a new and extensive standard range, with lots of variants, is hitting the markets as we speak. Hot stuff! At the Whisky Show in London, I had the opportunity to try a lot of these newly released Glenallachie OB’s for the first time, and, I have to say, I was quite impressed and especially pleasantly surprised by the “younger” expressions. The 12yo OB as well as the first few batches of the cask strength versions of the 10yo were very good. I am liking the potential here and will keep an eye out for this distillery and its offerings.

Color: White Wine.

Nose: Spicy, fruity and appetizing. Smells a bit like (any) classic Cadenhead refill hogshead bottling I know from 20 years ago. Citrussy, almost the clean and cold citrussy (lemon) smell of a freshly cleaned toilet. Wonderful soft wood. Even the toilet paper seems to be here. It is definitely not as bad as it sounds, it is actually quite appealing, but I find a freshly cleaned toilet also appealing (and inviting). So fresh and clean it is (The Whisky). Next, a more warming and medium spicy wood smell next to the citrus. Pencil shavings. Nice development as well. It’s aromatic, but it is not big. Next, more sweeter (diluted honey). The fruit is never far away just like this impression of sweetness. Some seriously fine fruity aroma’s emerge. For instance, green apple emerges quite late. Damp forest floor as well as some plants in the summer. Slightly minty and hints of Calvados. Dry lavender pouch from grannies drawers and lots of fresh air too. The citrus I already mentioned, but also some ripe sweeter kinds of yellow fruits. This needs some time to open up. Excellent balance between the wood and the fruit. Probably from a (second, or more) refill Bourbon Hogshead. This one is just about the cask and the distillate, giving us some nice results. The recently reviewed Cragganmore 12yo Special Release, is also a Whisky built around this theme (as well as some unexpected smoke, in that particular case). A perfect example of a Whisky where the beauty lies in the details, which works excellently in a flight of Whiskies like these. Top Tip!

Taste: Hot entry, where the wood has a louder voice than it had on the nose. Alcohol first. Caramel, toffee, cold chocolate milk and a candied apple on a stick. Sweetness second. Starts with only a clear hint of wood. Sharpish (painted) wood (old paint), yet not a lot of it. Wood third. Quite pleasant. Sweet and lots of sugary sweet yellow fruits, very, very appetizing. The start of this Malt is really wonderful and well balanced. Very tasty. Towards the body of the Malt and especially in the finish, there is also quite some, lets say, some less hidden wood, which is no surprise after 26 years. The wood becomes quite pronounced towards the end of the body and especially in the finish. The wood shows quite some bitterness as well, which takes away a bit from this Dram. Plant sap and oak. A bit hot going down. Drying on my tongue, making the malt more astringent. The sweet start is entirely pushed away. The fruit is still there but the wood replaces the sweetness, making it less lively and less “tropical”. The bitterness has some staying power but not much. Actually, nothing has a lot of staying power, so this definitely is of medium length at best. A light bitter woodiness makes up the aftertaste.

Yes this is a good Malt and I understand the people who say they really like it. It has some really good traits. For me personally though, losing the sweetness along the way and the wood, and its bitterness, taking over like this, takes away a from this Malt. But hey, this is a 26yo Malt, so there is bound to be some wood in here, don’t you think? I wonder how this was when it was younger. Would the wood have less to say, less drying and less bitter? Would the fruit be still as developed as it is now or would it be more youthful and vibrant? Maybe we’ll find out some day from a sister cask that was bottled several years earlier. In the intro I was wondering if Glenallachie might be another work-horse distillery which would suit my palate? Well after the Glenallachies I tasted up ’till this point, I wouldn’t place it in that category with Tormore and Teaninich just yet…

Points: 86

Glentauchers 13yo 2002/2015 (55.6%, Five Lions, Private Collection, 2nd Fill Bourbon Barrel)

Within the realm of Whisky one can find a lot of different tastes and smells. But hey, that is also true for Rum and many other aged distillates. This is one of the reasons one can never really stop talking or writing about it, because there is always a lot more to say. Whisky isn’t dead, there is a lot of evolution in Whisky as well. Once only Blended Whiskies were the ” thing” and most distilleries owe their life to being part of a big selling blend. There was also a big move towards ageing Whiskies in Spanish Sherry casks, butts and puncheons. Who doesn’t like those excellent 60’s and 70’s Sherry driven Malts like the Macallan, Glendronach, Longmorn and Strathisla to name but a few.

More recent and more evolved are Whiskies in less traditional casks like Red and White Wine casks. Today everything goes. Casks after Rum, Cognac, Calvados, Sweet Dessert Wines, or Sherry’s put on American Oak casks rather than the traditional European Oak. The Sherry drinking public finds these Sherry’s more friendly and accessible. The art being how to use all those different casks, and for how long. A fine example turned out to be this recently reviewed Deanston finished in Bordeaux casks. When talking to people who… well the world knows them as anoraks, aficionado’s or connoisseurs, when talking about the different styles of Whisky, these people always seem have a soft spot for Whiskies that have been aged for a good while in refill Bourbon barrels and Hogsheads. These casks tend to less dominate the distillate and add more creamy and vanilla flavours (coming from American Oak). Whiskies that have been aged this way always leave some room for the quality of the distillate, which differs from distillery to distillery, making these Whiskies extremely interesting.

Here we have an example of this. A Glentauchers, aged for 13 years in a second fill Bourbon barrel, nothing more. So what we have here is the distillate and a previously used cask, nothing more. I bought this one at auction and it didn’t break the bank, and I felt this would do just fine. Glentauchers makes a nice distillate, the cask is a second refill, so not worn out, not tampered with, recharred or something and always a plus, the Whisky was bottled at cask strength, giving it enough power to bring all those lovely flavours forth. Lets dig in!

Color: White Wine

Nose: Starts nutty and waxy. Dried out yellow fruits with a little bit of honey. Big breaths of fresh air and a citrussy acidic note as well. An ever so slight edge of smokiness. A huge layer of perfumed paper and a slight burnt note as well. Soft wood bordering on cardboard and the skins of almonds. Initially not as fruity as expected. So it seems not fruity nor woody at first. However, having said that, there is definitely some fruit here, but it is all fresh citrus notes. Oils from the skins. Hidden fruits. Thus the cask might have been less active, making this an excellent example of a malt where only time and the quality of the spirit determine the outcome, and the cask did do something as well obviously, but to a lesser extent than in most other cases. Still, this is a giving Malt, it is quite big on the nose, very fragrant and aromatic. Soft blend of licorice and spices in cold dishwater (a wee bit soapy), which isn’t as horrible as it sounds. This is a very laid-back Malt were nothing really stands out. A soft and quiet spoken Malt. The one that sits in the back at a birthday party, aptly dressed for a party and wearing fine floral cologne. It is more than happy to observe in stead of taking part in idle and utter boring conversation, biding his time until it’s time to finally go home again. Slightly (saw)dusty and the fresh air just keeps coming. Hints of cold gravy. After a while the floral note becomes clearer. Jasmine. not so much the fresh flower itself, but more like the scented rice or the tea. I’m actually still struggling a bit to distinguish the other fruits. Some unripe pineapple and unripe waxy mango skin. The malt is friendly and accessible, which often spells: “fruit”, but no, that doesn’t seem to be the dominant aroma this time (apart from the citrussy top note, and maybe some unripe fruits). Good one this though. Balanced, I like it.

Taste: Sweet and wood-spicy on entry. Hints of mocha cream on a cake. A friendly, and citrussy fresh, entry. Wood and wax and definitely more fruit than in the nose, the sweetness helps that along. Yet still not a very fruity Whisky though. The wood adds some restrained bitterness. Licorice all sorts, including the anise. Wow, remarkable. Quite hot going down. Lightly smoked toffee with some cumin and minty toothpaste. Light honey aroma’s make up the rest of the sweetness. Hints of wood, cardboard and a leafy note. Some smoke, pineapple and lemon hard candy. In the end the woody bitterness stays behind in the aftertaste. Sometimes it even tastes a bit soapy. Alcohol definitely there. Sweet, nice, and a very tasty Whisky indeed.

Even though one might consider this less interesting because of the cask used, and therefore one may find it even a bit boring. If you do, you might be missing the point. For me, this is a well made Whisky which does have a lot to offer. All is good and all is in its place. It’s a Malt of integrity and honesty and to be honest, this one pleased me a lot more than the dark coloured and Sherried Glenallachie 15yo I reviewed recently.

Points: 86

Kingsbarns “Dream to Dram” (46%, OB, First Fill Bourbon & First Fill STR barrique)

Happy 2021! After dry Januari, finally the moment has arrived to forget about the past year, may it never return, in no shape or form whatsoever. However, all is still not well with the world at the beginning of 2021. I hope this review reaches you in good health and sound mind. With this new year, I’ll kick off with a new dram from a new Distillery. Kingsbarns is the new distillery owned by the Wemyss-family, a name we already know as an independent bottler of Single Malts like the Bowmore “Aniseed Pastille” and the Clynelish “Cayenne Cocoa Bean“, Malts I reviewed earlier.

Kingsbarns Distillery lies approximately six miles from St. Andrews, close to the Kingsbarns Golf Links. This is not a coincidence since the distillery was the dream of former Golf Caddie Douglas Clement. Word is that clients of Douglas’ were asking for directions to the nearest distillery, for “refreshments” after a strenuous game of golf, and since there really wasn’t a distillery close by, Douglas came up with the idea of having a distillery much closer to the golf course. Douglas found a suitable site close to the Golf Links. He found the derelict East Newhall Farm that serviced Cambo House and Estate. The buildings originated from around 1800 as part of the East Newhall Farm. Owned by Thomas Erskine, the ninth Earl of Kellie, and were restored for the use as a distillery in the original style. The farm, now distillery, overlooks barley fields, what else do you need? Kingsbarns Distillery opened in November 2014 and began filling casks from March 2015.

Raising money for a distillery was too much for Douglas alone, so he looked for financial backing, eventually finding the Wemyss family. Some reports mention that Wemyss simply joined the project, where others mention Douglas was bought out by Wemyss. As far as I know, Douglas worked together with Wemyss to fulfil his dream. The Wemyss family themselves probably were interested in the project, because they already did have a Whisky business and thus know their way around, but also have a historical link with this site as well. The 7th Earl of Wemyss owned part of the Cambo Estate between 1759 and 1783.

Color: White wine

Nose: Very Malty and grassy, but also pleasant. Young and creamy with hay, cereal and citrus aroma’s. Yes. very Lowland. Somewhere between soft and fresh ‘n zesty. Young, but not really new make spirit young (so nothing like young Tomatin, which is more milky and acidic to boot). Vanilla pudding with a little bit of American oak (vanilla and some wood spice), soft wood. Sweet mint candy. Menthos and vanilla ice-cream. With some air more friendly floral notes emerge. Already quite balanced and accomplished for such a young malt, but young and simple nevertheless. The nose can be compared easily with something like Bruichladdich Organic (the vintage ones @ 50% ABV), which are around twice the age, and still those are considered to be very young. The Bruichladdich tastes much bigger though. Tiny hint of toasted oak and a winey top-note. What was STR-cask again Kato? (Shaved, Toasted en Re-charred). Nice nose, better than expected. After some more breathing a little bit of new make does show up, but not much. However once this note shows up, it never leaves again, so definitely a young expression, but that’s what we expected now, didn’t we? Perfumy and aromatic next, like a Dutch Korenwijn or Jenever. A light Whisky for springtime, an introduction.

Taste: Sweet and citrussy, floral and grassy, but also a bit (sugar) watery (with licorice) and simple. Again, this whiff of toasted cask, lemongrass and young sweet malt. The sweet note makes for an instant gratification Malt, be it a very simple one. Here the youth is even more noticeable. It definitely lacks a lot of complexity and some balls. What you taste is what you get. It doesn’t really evolve much in my glass. It’s very soft and friendly, like a soft spoken person. Humble and kind. Lowland-ish in style. Luckily, some backbone is offered by a peppery note and warm wood. Cold White Wine storage complete with a whiff of new cardboard. The higher ABV of 46%, does help to lift things a bit up, although I do believe this Malt could have done with an even higher ABV. Very short sweet finish, peppery and warming, dessert-like, with hardly any aftertaste.

The nose shows this distillate really has potential. I guess this will be very nice when it gets more years behind its belt. The Lowland quality is there, time and the people of Kingsbarns will do the rest. A Malt to start your evening with. Treat this as an introduction, a young whisky to present itself. We now know what style to expect. It is most definitely not a full blown Whisky yet, and if you buy a bottle expecting a proper aged Whisky, you’ll be disappointed. Nice one for building expectations. We’ll be watching this one to see how this develops further.

Points: 76

Thanks go out to Nico, for this sample of his Whisky.

Paul John 6yo (56,3%, Cadenhead, Refill Bourbon Barrel, 330 bottles, Summer 2018)

Here is yet another bottle of an Indian Malt I have to hurry to review before it is gone. Tasty stuff, I can already tell you that! What is it with those Indian Malts I like so much? Is it the Barley used? Indian six-row barley? Is it the wonderful exotic aroma achieved, from a simple Bourbon cask, without adding any wonky stuff to the Whisky? Probably all of the above and I guess some more. I already mentioned how good Amrut is, but this newer kid on the block is doing quite well for itself as well. In case you might wonder, there is already an independent offering from SMWS called Ringo George.

I remember my introduction to the Paul John brand (and Shilton, I might add) at The Whisky Show in London vividly. I was immediately amazed. Loved the flavours. When I bought my first bottle, (Brilliance, Batch No. 1), and let others taste it, it wasn’t all that well received every time, to be honest. I like it very much. Maybe some people just need some time to get used to it, I guess, since today a lot more people seem to like it. On the other hand, some people just don’t get used to it, because they don’t like the flavour profile, and maybe it is an acquired taste? Prices keep rising though, for more recent bottlings. OB and IB alike. So there must be more like me, who really like it. The aforementioned Ringo George was a 5yo 2nd refill Bourbon cask bottling and already cost a hefty £150 upon release, and sold out rather quickly. What’s in a name you might ask? Older bottlings on auctions are fetching quite a lot of money as well, these days. So the mantra probably should be: if you like it, and still can find it for a decent price, get it, because if you don’t…

Color: Orange-Brown Gold. Bourbon. Slightly misty. Indian mist.

Nose: Wood and pencil shavings. Sawdust and almonds. Drying, sharpish and wood-spicy. No peat! Slightly waxy and nutty. Trace amounts of vanilla and toffee. Aromatic in a dry style. The wood is speaking here, like a men’s fragrance. Gucci Pour Homme, but less classy, I suspect the difference being that Gucci has some stuff thrown in that is definitely not allowed in Whisky! Cloaked (acidic) fruits, but not the red fruits mentioned on the back-label. If so, the fruits are very un-ripe. You smell them, but do you really smell them? The fruit is hard to point out. Fragrant, yet not floral. There are many aroma’s here that seem to originate from wood. Earwax with a hint of ginger and toffee, and more dust and wood. Not overly complex, but not simple as well. Somewhat single minded. Letting it breathe for a while doesn’t do as much for this Malt as I expected. When I pour myself a new dram, the fruit is shortly obvious, so it seems that the yellow (not red) fruit aroma, dried apricots for about a second or three, dissipates quite quickly, to be replaced by a lot of spicy and woody bits. By the way, no typical Indian spices I can pick up on in many other Amruts and Paul Johns. Quite a restrained expression this one, but clearly a Paul John. A woody Paul John, and a nice smelling one too. Needs a lot of attention to get the most out of it. Not for careless dramming. Also, this needs a lot of time to really open up.

Taste: Starts out quite closed, this is true for the nose as well. When it opens up, more of the same. Earwax, lots of sweetish (as in not too sweet) toffee and wood. Right after pouring, it tastes of sweet toffee, but this is quickly overpowered by the dry woody bits, which is a bit of a shame, since this toffee note did add to the balance. Ashes and dust, with some hidden woody fruitiness. Dried orange and lemon peel with vanilla, yet much less orange peel oil than for instance Amrut Naarangi has, but every Whisky has less orange peel than Naarangi has! I like it better here. (Naarangi’s Orange comes from prepared Oloroso casks, but more about this in the future). This Paul John comes from a refill Bourbon barrel, so the source for this orange note is different. Distant hint of peat. Starts woody, and when that passes, there is some room for a very short sweeter note, without it being really sweet to boot. Also some woody bitterness pops up. Seems a bit thin due to the lack of sweetness. However, the short sweetness is soon again dominated by this dry wood note, that also makes up the finish. Nose and taste are more or less the same. Some (orange) honey in the aftertaste of mostly wood and some of its bitterness. The more this breathes, the sweeter it seems to get (up to a point). In the end, this Paul John is still a pleasure to drink. When you know what you are getting (wood instead of fruit), it’s alright. Again, this may not seem like a top example at first, but it is a pretty decent Dram nevertheless, as long as you are willing to put some effort into it. Definitely sold out by now. I wouldn’t pay top money for this at auction, only if you are something of an anorak and know your way around “difficult” Malts like these, or if you are a Paul John collector obviously. This is a pretty good Whisky, but there are quite a few better single cask expressions of Paul John to be had. This is really a high quality Malt, don’t get me wrong, but it doesn’t show its merits easily. I do feel this is a classy Whisky, just not Gucci classy.

This Malt, just like the first Christmas edition, is slightly hazy. That one even more than this. When asked, they explained to me that Indian Six row barley is high on proteins causing this Indian mist, but not every Paul John expression is misty. So probably this has to do with the level of filtering?

To conclude this review, I still have to mention, for completists, that this Whisky has aged for 5 years in Goa, India (Hot), and a year in Campbeltown, Scotland (Cold), what this two continent approach did for this Whisky, I couldn’t tell you. Finally, the label mentions this was bottled in summer 2018. Printed on the glass: 02/04/18 18/152, so summer comes early in Campbeltown! I know, I know, it was released for the summer season, quite strange though, since this is not a fruity expression, yet more of a woody winter warmer.

Points: 87

Amrut Kadhambam (50%, OB, Batch No. 6, Bourbon matured, Rum, Sherry & Brandy Finish, 2017)

If you read my reviews back about Indian Malts, you know they are quite to my liking. However, the last review I did was way back in 2019, remember those pre-Corona days? How different life was back then? So it is about time to review a few more. Today I’m having a look at another Amrut. This time Kadhambam, which is the Tamil word for mixture. Well, what they have concocted here is a mixture of different finishes. The Amrut standard Single Malt (Bourbon matured) has been further matured in casks that previously held Rum, Sherry and Brandy. Those casks are then married together to form this Single Malt.

Color: Orange gold.

Nose: Malty, somewhat less Indian spices than expected but there is still a lot here, in part masked by a lot of other aroma’s. Dusty and sweet. Toffee with nice organics. Fruity, jam-like sweetness and almonds. Vanilla and powdered orange candy. The base Bourbon matured Malt is easily discernable, so the finishes didn’t overpower the Malt. It is also definitely noticeable, that a lot of different casks were used. The Brandy bit is recognizable from my earlier experiences with Port Charlotte CC:01 which was Cognac cask matured. When I smell this with a low flow rate, let’s say 5 seconds worth of snorting (which is quite long, just try if for yourself), lots aroma’s pass by. It is soft and spicy at the same time, very fruity and appetizing. Quite late in the mix the woody bits come forward. Licorice, pencil shavings and the familiar toasted oak. Cold sweet black tea, more licorice and a slight hint of tar. This might seem like a Whisky where just a lot was thrown together, yet still it manages to reach such a high level of balance. Amazing. This turned out very nicely.

The aroma’s of this Malt are transported well. 50% ABV is a very good strength for this. 40% ABV is rather weak for a Modern Malt and 60% ABV can be quite overpowering for some. Old Malts were made differently from different barley varieties, maybe different yeast strains and the cask may have been different. Old Malt’s could be easily diluted to 40% ABV. Just look at G&M’s Longmorn from 1971. Not everything was working At 40% ABV, but a lot did, and today that percentage would be lower. I don’t think Douglas Laing bottled their Old Malt Cask Whiskies at 50% ABV by accident, although I do suspect some economics were applied as well. If you reduce Whisky (a bit), you end up with more bottles to sell. But hey, Whisky is also a business, even though for some of us it feels like a charity. So nothing wrong with the business of it all. Luckily for us aficionado’s, Douglas Laing stopped diluting at 50% ABV. A heartfelt thanks for that!

Taste: Starts sweet and fruity, but thinking back to Port Charlotte CC:01, I don’t really remember that cask giving off this kind of sweetness. Toffee, runny warm caramel, fruit syrup and jam. The perfect sweetness takes a while to move over. Indian spices, almonds and licorice, toasted oak, sweet ripe red fruits and green banana. Let it breathe, it may be a bit closed at first (especially when you’re dealing with a freshly opened bottle). Wood in the back, as well as some cold ashes from the fireplace. There is a lot happening in this Malt, so all this stuff needs a while to break free. Very well balanced with a fruity and nutty aftertaste. Tasty! The longer this stands the nuttier the taste becomes. Amazing balance. Another cracker!

The price is gradually rising over the past few years, but at today’s price-point it is still very recommended. I guess the score reflects that.

Points: 88

Cragganmore 1999-2019 (51.2%, Malts of Scotland, Bourbon Hogshead, MoS 19038, 312 bottles)

Finally a chance to review a sample of Whisky, instead of one of my own bottles I have to hurry to review before it is gone. Cragganmore it is then, which has been probably a long time since I had one. Sure, I did already do a few reviews already, but since those works of art, I probably haven’t touched a Cragganmore at all, even outside of reviewing. I do have two or three bottles at home, but never got around to opening one of those. It isn’t also one of the favourite distilleries amongst my friends. I’ll have to check with them. Somehow it also never got rid of the “under the radar” status I mentioned earlier and yet it isn’t one of the worst Whiskies either. So, what is it with Cragganmore, that makes it so invisible? Maybe it should deserve this onder-the-radar-but-very-nice status or is it a hidden gem? Time to have another go.

Color: White Wine.

Nose: Biscuity. Clean and fruity. Strong aroma. This leaps out of my glass like a happy puppy when I come home. Tail wagging! Latex paint and very soft wood throughout. Fresh and quiet now (you know the introvert type). Not a puppy any more. Vanilla and caramel, but no signs of toasted oak. Thus no heavy cask influence. The color is also witness of this. The Malt is sweet and accessible. Slight hint of rotting grass, well rotting is maybe a bit of a strong word, let’s say cut grass that has been lying around for a while. Ice cream with more floral and plant-like aroma’s. Dried autumn leaves. Also a fruity note in the back, like dried apricots and fresh hazelnuts. Do I detect a hint of smoke there in the back as well? More vanilla ice-cream, lemon sherbet and smoked and sugared lime peel. Excellent. However, the beauty lies in the details, as is often the case with Malts like this. So if you are a fan of Sherry monsters only, this is not for you. Refill Bourbon hoggie fans will know what to do with this one.

Taste: Very sweet on entry. Yes, vanilla ice-cream and lemon sherbet. Mocha, hard coffee candy (hopjes) and chocolate custard. Dare I say a hint of cannabis, or does that make me Dutch? Very tasty and very friendly. Fruity and not too sweet. Some wood in the background, like a wooden frame around the vanilla and lemon dessert notes. It’s not really bitter, but the bitter notes are quite interesting in this Malt. You have the obvious bitterness you get from oak, but here there is also this bitterness you get from lemon peel, or lets say, the white fluffy bit from the inside of the peel. This doesn’t seem very complex, especially for a 19yo or 20yo Malt. It also doesn’t show a lot of evolution, but what is there is balanced and just tastes very good. This Cragganmore is from the same class as a Signatory Vintage Glen Keith. The finish is similar to the body and than slowly fades away. Medium finish, maybe some vanilla and cannabis in the aftertaste and a woody sensation on the sides of my tongue.

Well a light colored Cragganmore, from a single not so active cask, well if this isn’t aficionado territory then what is? But here we have a perfect example of a quiet Whisky at cask strength from a good distillate with time as an ingredient. Maybe not entirely a surprise how this older refill Bourbon Hoggie performs. If the distillate is good and the cask isn’t worn out or has a bad vibe, what could go wrong? This combination always seems to give us decent Whiskies.

Points: 87

Thanks go out to Rik for the sample!

Caol Ila 10yo 2005/2017 (54.0%, Gordon & MacPhail, Reserve, 1st Fill Bourbon Barrel #301553, for Vinotek Massen Luxembourg, 210 bottles, 170927)

Funny how things can go. When I posted the review of Caol Ila #301535 a month ago, I didn’t even have this #301553. I have posted two Tamdhu’s, and I already was well underway with the next tandem of Malts, why not write some reviews in pairs, adding the possibility of comparison one to the other? Nope no spoiler alert needed, you’ll just have to wait and see what comes next. I can only reveal that the next tandem will make for a very interesting comparison. Next, the sound of the doorbell ringing…twice…because the postman always rings twice*, and she brings me my latest auction winnings. One of which is the sister cask of #301535: #301553. So with some further ado, I present you the Caol Ila that went to Luxembourg. Thus, here’s the final ado: Just like the other one, we know the exact distillation date: 21-02-2005 (back label), which is the same day as this one, so the distillate is exactly the same, but, (spoiler alert), the outcome isn’t ! We also know the exact bottling date: 07-08-2017 (printed on the glass), so this Malt is almost 12.5 years old, and aged for almost 25% longer than the previous one. Onwards with the review now Quill, stop your ado-ing!

Color: Light gold.

Nose: Soft peat. Very perfumy, distant hint of coffee and plastics (only when freshly poured, the plastics will be gone soon). Big. Wood, mocha and milk chocolate. Warm. Underneath quite fruity and on top a breath of fresh cold air (after the rain). Moderate fatty peat, crushed beetles and some really nice smoky characteristics, almost not Caol Ila-like and to me this smells like an exceptional cask. Everything is in its right place, and it hits all the right spots. It is really wonderful already, complex and already shows some nice development in my glass. Initially quite sharp. Wood, but not your usual oak, but more like wood lying in a forest. Mild yellow fruits with a promise of fruity sweetness. Apples, mint and meat. In this version of Caol Ila there is this soft layer of smoke that always hangs over it, like smoke or clouds in the sky. Well balanced Malt. Smells more adult than the aforementioned sister cask, and that one already had a stunning nose. Since this is exactly the same distillate, did the 2.5 years more make such a difference or is there more to it? As Gordon & MacPhail already tried to tell us earlier, does the wood make the Whisky? I’m smelling this for a while now, without tasting it, and this really develops in my glass big time! If this is as good to taste as the nose is right now, than we’re in for a real treat. I’m giving this one much time, since this is a freshly opened bottle. What a wonderful, well aged nose this is. One might expected this to be from a similar barrel as its sister cask, but it doesn’t have to be. If so, these must have been some well selected staves then. A cooper with a keen eye, knowing what to pick? This one really smells a lot better, it really is remarkable. More details, better defined and better development. Where #301535 dulled down when smelling for a while, and remember, it was a good one to boot, this #301553 just never stops performing. Amazing!

Taste: Wow, initially very soft on entry (the other one was softer and definitely soapier, here most, not all, of the soapy bit is replaced by a sweet fruity bit). Peppery and spicy smoke and strong going down, and then turning soft again, and again sweet. Sweet cardboard and paper notes. White pepper and yellow fruits. Sweetish and cold ashes from the fireplace come first. Nutty and fruity, but as I said, lots of ashes. I have to give it some more time, but it seems to me to be different from its sister cask, it is also a bit different than I expected considering the nose. Surely this must be from another line of Barrels? The middle part is fruity and accessible, but towards the finish more ashes, paper and a wood-bitter note. Although the finish is of medium length. It is warming, somewhat soapy (at times) and leaves for a nice, nutty and woody aftertaste. Much better balanced than its sister cask if you ask me. Benefits from the warmth of your hand when breathing, but never really lives up to the amazing level of the nose, but it is still better than its aforementioned sister cask. Especially if you warm this one up in your hands.

When this was sold in Luxembourg it was quite cheap especially considering the quality this Malt possesses. I paid a bit more than the initial price at auction, but still feel I got a good deal. Later I found out that the quality of this particular example is well known in circles of anoraks and aficionado’s and bids can be even (much) higher than my final bid. First of all, this Luxembourg edition surpasses the already good nose of the Belgium edition. It is quite amazing in fact, look how the nose changes and even unlocks another dimension after a few sips. In the taste Luxembourg seems a bit sharper and more complex, less soapy with even more ripe fruits. After #301535, I was not sure about getting a similar bottling, 84 points is good, but not that good. I read somewhere, this one was better and in the end I couldn’t help myself. If given the chance, I bid on two, and that way often securing just one or none even, because one or more of you often overbids me in the last minute, but this time no one did and I got both. In hindsight: Yey!

Amazing how medicinal the empty glass smells the next day. Extreme. The empty glass of the other one smells different. Both seem to have some pine resin, which wasn’t there before. The empty Luxembourg one smells more like a sauna now. How’s that for complexity.

Points: 88 (the nose, if scored by itself, would score well into the 90’s)

* Final ado: I was lying earlier, from where I’m sitting, I can’t even hear the doorbell, the sound is too soft.

Caol Ila 10yo 2005/2015 (55.9%, Gordon & MacPhail, Reserve, 1st Fill Bourbon Barrel #301535,for Whisky Warehouse Belgium, 233 bottles, AE/JACE)

Another bottling for Belgium, what’s up, Belgium! Not all that long ago, not a lot of Caol Ila was available, and look at it now. With every turn of your head, if you are in the right place that is, there is a bottle of Caol Ila of some sorts available. Lots of OB’s to choose from, an even more IB’s. So when Caol Ila is this easy to get, with so much variation, and often fairly priced, and with nice quality, I made a deal with myself to always have a Caol Ila open on my lectern. When the “Milano” bottling was finished, I quickly replaced it with this “Belgium” one and opened it immediately. Both examples were bottled by Gordon & Macphail, but where the “Milano” was reduced, to keep the price down I guess, this “Belgium” is not. (Cask Strength hurray!) The last time I checked, Belgium is also a slightly bigger place than Milano…

Color: White wine, a bit pale though, for a first fill after 10 years.

Nose: More fruity than peaty. Lovely and elegant nose. Very fruity (initially more acidic than sweet), and fresh. Excellent. Mixed in with the fruit is a nice woody and light smoky note, but where is the peat? In a way, this is soapy and floral. Nothing bad though, there won’t be any foam to come out of your nose. Ripe yellow fruits and some smoke. Hints of vanilla from the American oak. Also a slightly spicy and this light woody note. Wonderful stuff. The smell carries a promise of a sweetish Malt. I did already mention ripe fruit, didn’t I, but there is also this note of overripe fruit, the kind that attracts insects, just before it turns bad and rots. Again, in this case, this is not a bad thing. More soft powdery vanilla from the oak. It exerts itself some more. Hidden away in the fruit and smoke, there is this floral type of peat. I recognize it now. In comes this meaty note as well. Nice development in the glass. Whiskies like this fly a bit under the radar, but are actually a lot of fun. Just a Bourbon barrel or hoggie, ten years of time, and there is a lot of beauty to behold in the details of such a Malt. It doesn’t always have to be a big Sherried Malt. Good stuff, this Caol Ila.

Taste: Sweet on entry, and here it starts out with peat. Go figure. It’s big, sweet, fruity and peaty. Warming and spicy going down. Spicy wood and dust. Cardboard and dry vanilla powder. Much peatier and smokier than the nose was. The nose and taste might differ, but work together well. Lets call it well balanced. Less balanced though is the rest of the body and the finish. The entry and the first half of the body are great, big bold, very aromatic. Second half is a bit less interesting. The balance starts suffering, and the initially well integrated aromas come undone. Turns a bit ashy, which also highlights the cardboard aroma mentioned earlier. When the finish starts, I feel this is the right time to take another sip. Something a bit off there. The wood starts to show some acidity (and more bitterness), that doesn’t fit the peaty fruit that is so wonderful in the start. It feels like the roof of my mouth contracts. So, first half of the Malt, excellent, second half, the “players” seem to lose their synergy a bit. Bugger.

The label states the distilling date to be 21/02/2005 yet only mentions a bottling month: February 2015. However, the glass bottle itself carries the bottling code AE/JACE, and, how convenient, a date: 23/02/2015, so yes, 10 years old (barely). Way less peaty then the previously reviewed Belgian offering though.

Points: 84