Paul John 6yo 2011/2018 (56.6%, Cadenhead, Bourbon Hogshead & Bourbon Barrel, 564 bottles)

Since the last review was of an Amrut Indian Whisky finished in a cask that held peated Whisky, why not review another Indian Whisky I have on my lectern that came into contact with peat. Here we have a Cadenhead’s bottling of a Whisky that originally came from three casks that previously held peated Whisky and two casks that held unpeated Whisky. Since Indian Whisky, due to the local climate, suffers from a lot of evaporation, all this Whisky was vatted together and then transferred to only one hogshead and one barrel. My guess would be 5 years of maturation in India and one year in Scotland. Both casks were dumped together and then bottled. The label doesn’t say anything about a marrying period before bottling, there probably was, we only don’t know how long that was.

Color: Copper gold.

Nose: Slightly peaty and quite fruity (especially in the beginning). Sharp fresh air with a hint of horseradish, which is quite common for a Paul John. Some leather, wood (pencil shavings, yes) and sweet licorice. Bonfire and smoke. Somewhat creamy, nutty and green as well. Vegetal. Cold chimney and it seems a bit salty. Salty custard. Dry vanilla powder and molten ice-cream. Smells tasty and compared to the Blackadder Amrut, a bit more modern (distant hint of warm plastic) and less, definitely less complex, not a lot of evolution as well, but there is some. It reaches a certain point, and stays there. The aforementioned Amrut was putting out layer after layer, but needed a lot of time to do so. This Paul John shows its colours right away. It’s not a very big Malt but the experience I have with it now, when analysing, is the same as when casually nipping it, which is a good thing. Well, again quite a good balance. I have nothing to complain about in this department for the last few reviews, good! Yes. this is again a very nice nose. A wonderful Malt to smell. The two unpeated casks did bring the peat down a little bit, without adding to much of the nutty and waxy pencil shavings note, most unpeated Paul John’s have in abundance. Sometimes exactly this can be overwhelming, which is why I prefer peated Paul Johns yet there are examples of good unpeated expressions as well. No off notes whatsoever. Good stuff.

Taste: Nutty and peaty. Sugared fruits (pineapple) without being too sweet. Some bitter oak and hops, both with staying power on my tongue. Still, very nice on entry. Different than expected considering the nose. Here the pencil shavings have more to say than it had in the nose. Where on entry it was pleasant, now that the body starts to develop inside your mouth, a lack in balance starts to be apparent, making it less pleasant. Ice-cream combined with a funky organic note as well as some burnt plastic. Where the nose was already not all too complex, the taste is even less complex and less balanced to boot. There is something not quite right when balancing the acidic notes with the bitterness this has on offer. Nice almond-like finish though and also quite warming, but it also has a quite short aftertaste, with a bit of bitterness, cinnamon, horseradish and plastic again. Definitely not for novices, I would say. Drink this in big gulps, and nip it often to counter the somewhat short finish. Thus, definitely one for a more experienced drinker. The bitterness stays behind on my tongue for longer than the actual aftertaste. Drying it out a bit.

In the end, this still is a nice Paul John, with an interesting history to it, and an interesting palate, (plastic) warts and all. Alas it’s definitely not the best you can get, but nevertheless a good one. Good, but not great.

Points: 86

Royal Brackla 14yo 2006/2020 (59.5%, Gordon & MacPhail, Cask Strength Connoisseurs Choice, Refill Hogshead #310821, Batch 20/110, 281 bottles)

Wow, on it for a long time, and still I manage to review a Scottish Single Malt Whisky that has never been featured on these pages before. How nice, and it’s not a new distillery either. This distillery was founded back in 1812 and called itself Royal since 1835, a title awarded by King William IV. Today Royal Brackla is part of the Dewar’s portfolio, owned by Bacardi-Martini since 1998. Other Scottish Single Malts in this portfolio are Aberfeldy, Aultmore, Craigellachie and Macduff (marketed as Glen Deveron). Apart from Macduff that was owned by William Lawson Distillers as well as the William Lawson’s Brand, the other four distilleries, as well as the Dewar’s Brand, were bought from the newly formed Diageo to avoid a monopoly position. Of the five Single Malt Whiskies, Royal Brackla was the only one absent from these pages until now. As said, the company also owns two blends: Dewar’s and William Lawson’s, both big sellers, and since both are big sellers, Bacardi didn’t do a lot to market the five Single Malts at first. Only since 2014/2015 a big relaunch of the Single Malt portfolio was carried out. They called them The Last Great Malts, a bit of an ominous or sad name to be frank.

Color: Pale White Wine

Nose: Very appetizing, barley, barley sugar and yellow fruits. Very nice perfumed wood, hay, American oak, very elegant. I already love the nose. It reminds me of Whiskies like this that were bottled twenty years ago. Floral and fruity and both go together well. Soft, yet this still manages to leap out of my glass. Mocha and barley. Since the fruit is the dominant aroma, this also smells a bit fruity/sweet. Red fruit (raspberry) candy (again a sweet smell) mixed with some wet wood. The wet wood is a softer (greenish) wood aroma, setting it apart from more spicy dry oak. This is an extremely balanced smelling Whisky for a sunny day and a happy mood. This is not a melancholic drop, but in a way it also is, when it reminds me of Whisky from a while back. For a simple ex-Bourbon cask matured Whisky, this is really likeable and nice. Well made, aged in a good cask. Well done USA! Nice aroma’s and quite some complexity to it as well. There is a lot happening between the sprit and the active cask. Lots of organic and green notes. I would love to have this, when lying on a blanket in some quiet field on a hot, yet slightly windy, summers day. Far from everybody and everything. Yup, melancholic mood Whisky it is. After a while, slightly more oak, with a hoppy note, still green and wet though. Hints of vanilla and some indistinct dry kitchen spices. Hot butter and wax. Good stuff. The more air this gets, and time obviously, the fruitier it becomes. Definitely melancholic, or is it just me?

Taste: Sweet on entry. Very fruity, right from the start. A nice slight white pepper attack, with waxy and quite some wonderful woody and nutty aroma’s following suit. After the first sip, the nose even gets better than it already was. The Whisky evaporating inside your oral cavity, helps the smell further along. The fatty sweetness does dissipate quite quickly for a short acidic burst, leaving room for another yet shorter peppery attack and a somewhat thinner feel. The wood, still green and vegetal, now also shows an austere bitter note. Sappy, as in tree sap. After this happens, the balance can’t really match up with the wonderful balance of the nose. When the bitter note appears in the taste, aroma’s come to the fore, that aren’t really in harmony with each other. The nose itself remains wonderful though, maybe even better than before. Still a kind of bitterness in the finish that doesn’t match the whole, and even for an almost 60% Whisky, a light and shortish aftertaste. Whiskies like this need to be sipped in a high frequency.

So it comes apart a bit in the finish, but the nose is very good en even grows over time, so give it time. I will have fond memories of this one, even though it has this slight “defect” towards the end. Its a defect that can be sorted by upping your sipping speed. So at first you have to be slow, to let it breathe and after that the “race” begins. Like a stage in the Tour de France that ends in a sprint.

Points: 87

Glenallachie 26yo 1992/2019 (54.8%, Cadenhead, Bourbon Hogshead, 240 bottles)

Here is another example of a soft spot Whisky that has been aged for a good while in a (refill) Bourbon Hogshead, like the Glentauchers I just reviewed, although this Glenallachie is twice the age of the Glentauchers. In my recent reviews of Inchgower and Tormore, I mentioned Whiskies although they may be lesser known to the public, I particularly like. This may very well be, and most definitely is, a personal thing. I believe one of the interesting aspects of one’s Whisky adventure is finding a Whisky that suits you personally. One that clicks. Often these lesser known Whiskies come from work-horse distilleries built for the sole purpose of making whisky for some big volume blend. In the case of Glenallachie that was the Clan Campbell blend. Well, Glenallachie might just be another one of those work-horse distilleries that could suit my palate just right. Up ’till just recently, only bearded extremist, poncho wearing, aficionado’s had ever heard of Glenallachie and knew what the distillery was capable of, and sure enough, even Master Quill did only write about independent bottlings of Glenallachie until the recent review of the official 15yo. So the tradition has already been broken, but here is yet another independent bottling of Glenallachie, this time one bottled by Cadenhead.

Fairly recently things have changed considerably at Glenallachie. Billy Walker cashed in big-time by selling Benriach and Glendronach, and turned his eye upon Glenallachie for his next project. Similar to what has happened with Benriach and Glendronach, a lot of Single Cask bottlings and a new and extensive standard range, with lots of variants, is hitting the markets as we speak. Hot stuff! At the Whisky Show in London, I had the opportunity to try a lot of these newly released Glenallachie OB’s for the first time, and, I have to say, I was quite impressed and especially pleasantly surprised by the “younger” expressions. The 12yo OB as well as the first few batches of the cask strength versions of the 10yo were very good. I am liking the potential here and will keep an eye out for this distillery and its offerings.

Color: White Wine.

Nose: Spicy, fruity and appetizing. Smells a bit like (any) classic Cadenhead refill hogshead bottling I know from 20 years ago. Citrussy, almost the clean and cold citrussy (lemon) smell of a freshly cleaned toilet. Wonderful soft wood. Even the toilet paper seems to be here. It is definitely not as bad as it sounds, it is actually quite appealing, but I find a freshly cleaned toilet also appealing (and inviting). So fresh and clean it is (The Whisky). Next, a more warming and medium spicy wood smell next to the citrus. Pencil shavings. Nice development as well. It’s aromatic, but it is not big. Next, more sweeter (diluted honey). The fruit is never far away just like this impression of sweetness. Some seriously fine fruity aroma’s emerge. For instance, green apple emerges quite late. Damp forest floor as well as some plants in the summer. Slightly minty and hints of Calvados. Dry lavender pouch from grannies drawers and lots of fresh air too. The citrus I already mentioned, but also some ripe sweeter kinds of yellow fruits. This needs some time to open up. Excellent balance between the wood and the fruit. Probably from a (second, or more) refill Bourbon Hogshead. This one is just about the cask and the distillate, giving us some nice results. The recently reviewed Cragganmore 12yo Special Release, is also a Whisky built around this theme (as well as some unexpected smoke, in that particular case). A perfect example of a Whisky where the beauty lies in the details, which works excellently in a flight of Whiskies like these. Top Tip!

Taste: Hot entry, where the wood has a louder voice than it had on the nose. Alcohol first. Caramel, toffee, cold chocolate milk and a candied apple on a stick. Sweetness second. Starts with only a clear hint of wood. Sharpish (painted) wood (old paint), yet not a lot of it. Wood third. Quite pleasant. Sweet and lots of sugary sweet yellow fruits, very, very appetizing. The start of this Malt is really wonderful and well balanced. Very tasty. Towards the body of the Malt and especially in the finish, there is also quite some, lets say, some less hidden wood, which is no surprise after 26 years. The wood becomes quite pronounced towards the end of the body and especially in the finish. The wood shows quite some bitterness as well, which takes away a bit from this Dram. Plant sap and oak. A bit hot going down. Drying on my tongue, making the malt more astringent. The sweet start is entirely pushed away. The fruit is still there but the wood replaces the sweetness, making it less lively and less “tropical”. The bitterness has some staying power but not much. Actually, nothing has a lot of staying power, so this definitely is of medium length at best. A light bitter woodiness makes up the aftertaste.

Yes this is a good Malt and I understand the people who say they really like it. It has some really good traits. For me personally though, losing the sweetness along the way and the wood, and its bitterness, taking over like this, takes away a from this Malt. But hey, this is a 26yo Malt, so there is bound to be some wood in here, don’t you think? I wonder how this was when it was younger. Would the wood have less to say, less drying and less bitter? Would the fruit be still as developed as it is now or would it be more youthful and vibrant? Maybe we’ll find out some day from a sister cask that was bottled several years earlier. In the intro I was wondering if Glenallachie might be another work-horse distillery which would suit my palate? Well after the Glenallachies I tasted up ’till this point, I wouldn’t place it in that category with Tormore and Teaninich just yet…

Points: 86

Cragganmore 1999-2019 (51.2%, Malts of Scotland, Bourbon Hogshead, MoS 19038, 312 bottles)

Finally a chance to review a sample of Whisky, instead of one of my own bottles I have to hurry to review before it is gone. Cragganmore it is then, which has been probably a long time since I had one. Sure, I did already do a few reviews already, but since those works of art, I probably haven’t touched a Cragganmore at all, even outside of reviewing. I do have two or three bottles at home, but never got around to opening one of those. It isn’t also one of the favourite distilleries amongst my friends. I’ll have to check with them. Somehow it also never got rid of the “under the radar” status I mentioned earlier and yet it isn’t one of the worst Whiskies either. So, what is it with Cragganmore, that makes it so invisible? Maybe it should deserve this onder-the-radar-but-very-nice status or is it a hidden gem? Time to have another go.

Color: White Wine.

Nose: Biscuity. Clean and fruity. Strong aroma. This leaps out of my glass like a happy puppy when I come home. Tail wagging! Latex paint and very soft wood throughout. Fresh and quiet now (you know the introvert type). Not a puppy any more. Vanilla and caramel, but no signs of toasted oak. Thus no heavy cask influence. The color is also witness of this. The Malt is sweet and accessible. Slight hint of rotting grass, well rotting is maybe a bit of a strong word, let’s say cut grass that has been lying around for a while. Ice cream with more floral and plant-like aroma’s. Dried autumn leaves. Also a fruity note in the back, like dried apricots and fresh hazelnuts. Do I detect a hint of smoke there in the back as well? More vanilla ice-cream, lemon sherbet and smoked and sugared lime peel. Excellent. However, the beauty lies in the details, as is often the case with Malts like this. So if you are a fan of Sherry monsters only, this is not for you. Refill Bourbon hoggie fans will know what to do with this one.

Taste: Very sweet on entry. Yes, vanilla ice-cream and lemon sherbet. Mocha, hard coffee candy (hopjes) and chocolate custard. Dare I say a hint of cannabis, or does that make me Dutch? Very tasty and very friendly. Fruity and not too sweet. Some wood in the background, like a wooden frame around the vanilla and lemon dessert notes. It’s not really bitter, but the bitter notes are quite interesting in this Malt. You have the obvious bitterness you get from oak, but here there is also this bitterness you get from lemon peel, or lets say, the white fluffy bit from the inside of the peel. This doesn’t seem very complex, especially for a 19yo or 20yo Malt. It also doesn’t show a lot of evolution, but what is there is balanced and just tastes very good. This Cragganmore is from the same class as a Signatory Vintage Glen Keith. The finish is similar to the body and than slowly fades away. Medium finish, maybe some vanilla and cannabis in the aftertaste and a woody sensation on the sides of my tongue.

Well a light colored Cragganmore, from a single not so active cask, well if this isn’t aficionado territory then what is? But here we have a perfect example of a quiet Whisky at cask strength from a good distillate with time as an ingredient. Maybe not entirely a surprise how this older refill Bourbon Hoggie performs. If the distillate is good and the cask isn’t worn out or has a bad vibe, what could go wrong? This combination always seems to give us decent Whiskies.

Points: 87

Thanks go out to Rik for the sample!

Ledaig 15yo 1997/2013 (59.3%, Gordon & MacPhail, Reserve, for Van Wees, Refill Sherry Hogshead #464, 262 bottles, AC/JICD)

Well, this should be interesting! Fall 2015 saw me doing a review of a sistercask (#465) of this Whisky. The cask next door, so to speak. It was filled the same day with exactly the same distillate, in just another refill Sherry hogshead, but with, probably, a different result, since no two casks are really alike. Both were distilled on 23/10/1997, #464 was bottled 01/08/2013, and #465 was bottled on 30/10/2013. Bottled only three months later but making one a 15yo old and the other a 16yo. #465 is also the darker of the two, but the difference looks bigger than the aforementioned 3 months. Maybe the two casks contained different Sherries. Maybe one cask was more active, or had a deeper char. All can be true.

#465 was bottled for The Whisky Exchange (of London), and #464 was bottled for Van Wees (of Amersfoort). Both casks were refill Sherry hogsheads. I’m opening this #464 now, since #465 is almost empty and it’s time to “kill” it. Don’t believe for a second, since it lasted me this long, it wasn’t any good. It is actually so good, I didn’t want it to be empty soon, second it isn’t really a daily drinker type Whisky to boot. It’s a big, big Whisky. So today I still have a chance to compare the two. Just bear in kind, one has had plenty of time to breathe and the other is almost freshly opened.

Color: Full gold, with some orange.

Nose: Funky, dusty and meaty. Big and sweet-smelling. Fatty, dirty, meaty peat. Almost like an animal was turned into peat along with the plants. Nothing bad here, just very animalesk. Crushed beetle and gasses bubbling up from a pond. Expect no clean earthy peat, or just bursts of sharp smoke. Yes, smoke is here, as well as peat. Smoke from wet wood. Marshland wood. Earthy. Wet and dirty peat. Earthy sweet peat. The smoke is soft. Spicy, vegetal and highly aromatic. Hints of liquorice and dust, mixed in with toasted oak. Vanilla, mocha and more drier wood and sharper smoke. Hints of Rhum Agricole if you ask me. Hints of peppermint immersed in mud. Very organic mud. Do I detect some sulphurous compounds in the back? Wonderful balance though.

Taste: Starts sharp and quickly turns to sweet, with a peppery attack, quickly followed by peat and sharp smoke. Its like the initial sweetness coats the mouth and when that recedes, the sharper element comes to the front of the stage. Maybe fruity even, I’m sure of it actually, but that part is overwhelmed by the rest of the big aroma’s this Whisky has. Licorice power, sweet licorice wood. Ashes, even cigarette ashes. Extremely warming, I can feel it going all the way down. Never get that a lot, not even from cask #465. Sweet, lots and lots of almonds and even hints of anise, barely noticeable: acetone based nail polish remover, and the crushed beetle is here too. This may seem strange and quite off, but let me assure you, this is all positive for the whole of this Whisky. Give it some time and more fruity notes start to develop. Red and yellow fruits. Sweetish, but also slightly acidic. Nutty and waxy. Hints of burnt plastic. Lots of smoke in the taste, along with some cow dung in the finish. Very rural and farmy. Salty lips. What a wonderful Whisky again, utterly complex. There is so much happening. It’s only slightly less balanced than the nose, and cask #465 for that matter. This imperfection is best noticeable in the aftertaste.

In a direct comparison, it is obvious to me that #465 is the more civilized of the two. The same notes appear, but turned down quite a bit. It’s not as “loud” as #464. It’s fruitier, with apple notes and some more red fruits emerge as well. More elegant and less broad, less sweet. Slightly sharper and more acidic. Better balance in the taste and definitely more elegant and less dirty. So not identical twins. #464 is bigger, bolder and has a longer finish. The sulphurous bits of #464 are easier to detect in a direct comparison, since #465 seems to have much less of it, or lacks it altogether.

I love both these Ledaigs, and if you have a preference, it’s because one of the two better suits your profile )of the moment). More elegant or more rough, cases can be made for both. Personally today, I might prefer #465 (it shows coal and black fruit, which I love), however tomorrow I might prefer #464 (big and bold). It just depends. #465 will score higher because it does show a bit more quality and balance, with more of the aroma’s I like, but, who knows, maybe some more breathing will bring out even more in #464. I’m in for a treat the next months/years…

Points: 89

Longmorn 20yo 1992/2013 (52.3%, Kintra, Bourbon Hogshead #86624, 132 bottles)

Longmorn probably was one of the best Whiskies coming out of the sixties and seventies of the previous century. There are so many remarkable bottlings coming from that time, it’s nothing but amazing. Because of this, it also might be its curse. It is almost impossible to drink something like this (a Longmorn from the eighties and later), without having high expectations and looking back to the old stuff instead of comparing it to its contemporaries. Sure we all know stuff from “back then” is different from the stuff today, but still, Longmorn, has a special place with me…

Color: Gold.

Nose: Fruity, biscuity and malty. Fruity it is. Passion fruit and some pineapple, mixed with vanilla powder. Sugared and dried yellow fruits, but also a more waxy note. Meaty as well. Old warm dusty warehouse, more like a Kentucky warehouse than a cold and damp one in Scotland to be honest. So a lively, sunny, and dusty Whisky, from a dry warehouse with a summery feel to it. Nice fruity aromatics aided by a more creamy and vanilla note, backed by dust and oak. Character building. Nutty, with hot water. Overall laid back with a quiet disposition.

Taste: A sweet, nutty and spicy entry. Sometimes with a beer-like and hoppy note to it. The woody bit can taste this way when you try this early in the morning, when your palate is till fresh. In the evening its woody and spicy, nothing more. Typical Bourbon Hogshead Whisky. Funky green sweetness from the start, and even though not extremely high in alcohol, it does exert itself. Definitely fruity and nuttier than the nose. passion fruit again with old apricots next. Hints of toasted oak, this time more warming than sharp. Hints of clear glue and lots of fruits, apricot and to a lesser extent: peaches, even dried pineapple comes to mind. Nice touches of sweet vanilla and ice-cream, but never turning overly sweet and dessert-like by the backbone of spicy oak and toasted oak. Nice development though. It evolves over time.

Nice Longmorn, nice Whisky, but also almost anonymous. It could have been anything, apart from the amount of fruit in this one, which gives it away a bit. Keep in mind that this is from a Bourbon hogshead, so the distillate hasn’t been masked by Sherry or some kind of finish. This is pure Whisky. Its good, it does the job, however it’s almost not a ‘Longmorn” to me. Maybe I’m a bit harsh, maybe I’m a bit prejudiced and maybe I’m not truly objective as well. Am I capable to let the memories of old Longmorn go, for a review like this? I don’t know. This is a good one, but not a must buy for me, sorry. Come to think of it, this does have some similarities to the profile of the old Longmorn 15yo OB. That one is good as well, but also a bottling I don’t neccesseraly need to have. it doesn’t completely click with me. So If you really like the 15yo, by all means get this one as well when it pops up at an auction somewhere. For me, I’m glad I’m taking notes here, because after some time, I might forget how this tasted like, but thinking of the 15yo I’d probably remember.

Points: 85

Caol Ila 11yo 2004/2016 (46%, Gordon & MacPhail, Exclusive, for Milano Whisky Festival 2016 & Bar Metro, Refill American Hogshead #306662, 348 bottles)

Once nowhere to be found, now maybe one of the most bottled Islay Malts today. Caol Ila. For me at least, Caol Ila is always a nice Whisky which also ages well. This is a pretty young one, bottled less than four months shy of its 12th birthday. In fact, this Caol Ila has matured for precisely 4.275 days. It was bottled for the Milano Whisky Festival & Bar Metro in 2016, I picked this up at a well-known German auction and didn’t have to pay much, nor did I have a lot of competition for this bottle, so maybe there’s something I should have known? At the same auction I picked up its sister-bottling from Glen Elgin bottled for the same festival in 2016 and didn’t have to pay much for that one either. I bought these two, because I found out I had a lot of cask strength bottlings on my lectern, so I wanted to buy some bottles, to start an evening with. A bit reduced to work up an appetite. Gordon & MacPhail have (or had) lots of casks from the 3066XX-range, bottled in many different series; “Cask Strength”, “Reserve”, “Spirit of Scotland” and more “Exclusive’s” as well, so there is enough around for comparison. For instance, Refill American Hogshead #306664 was bottled for Maison du Whisky @ cask strength in the Exclusive range. By the way, some of the casks from this range are Sherry casks. Let’s find out now if this hoggie is any good.

Color: Straw.

Nose: Quite restrained. No big smoky peaty notes. Fresh, zesty but also a bit tame (at first), as in sweet barley with a wee bit of soft peat only. When the flow rate of air through the nose has been increased, lots more seems to be emerging. A prickly sensation awarded to a smoky note. Burning newspaper, and even more earthy peaty notes, still restrained though. Next more creamy notes of vanilla and pudding. Well balanced although I’m not sure yet about its complexity. Hints of sugared, or sweet, yellow fruits. Warming toffee and more soft barley, marzipan and almonds. Even a little bit of honey. All very restrained without it being closed. Dusty. All aroma’s work together nicely. Good balance. A cold and misty day with hardly any wind. As this Whisky picks up air, the good balance even gets better, definitely the forté of this Whisky, and it gets bigger, bolder and more aromatic as well. Quite a surprise. The longer it stays in my glass and I don’t hurry it, the better it gets. More of the fruity notes emerge and the marzipan, very nice. Some wood and ashes as well. So this needs a bit of air and patience. If you hurry this one, you’ll miss the reward of this Whisky.

Taste: Sweet, fruity and smoky, with a funky red fruit acidity on top (it may could do without). Yes, peat as well. Slightly too watery (at first), but as I wanted a “starting Whisky” this does the job quite well. Very nice fruity sweetness, the sweetness of ripe fruits rather than plain old sugar. Very balanced again. Milk chocolate, chocolate mousse, mocha and a tiny hint of coffee with lots of milk. Mint. Just like the nose, the sweetness moves into the territory of vanilla and pudding retaining the minty note. More toffee, caramel and mocha. Chocolate cake, custard, crème brûlée even, with the added bonus of peat, charcoal and ashes. Finally a green, leafy note. Earthy.

The finish is warming yet falls a bit short and I can’t say the wonderful balance reaches the aftertaste. A slightly acidic note peels of from the rest of the Whisky. Where the finish was somewhat short, the aftertaste recovers winning it a bit back for the team. Nevertheless a very nice Caol Ila again, and this probably its sisters as well, deserve your money. I for one, will try to find a G&M 2004 cask strength version from such a hogshead again.

Points: 86

Glenburgie 26yo 1983/2010 (53.7%, Bladnoch Forum, Hogshead #9801, 204 bottles)

Kilnflat was founded, by William Paul in 1810. The distillery was closed between 1870 and 1878. When it was opened again, by Charles Hay, he also renamed the place to Glenburgie, a name are more familiar with. In 1884 Alexander Fraser & Co. takes over only to go bankrupt in 1925. Again the distillery changes hands, and this time to those of James & George Stodart Ltd. In 1927 the distillery was mothballed and stays that way untill 1936, when Hiram Walker buys the distillery. In the mean time in 1930, Hiram Walker also gained a majority of James & George Stodart Ltd.

In 1958 the distillery also gets Lomond Stills to produce another SIngle Malt you might have heard of: Glencraig. This will go on for several years but finally in 1981 the Lomond Stills are removed again and replaced by conventional stills, making Glencraig a “closed distillery” and somewhat of a collector’s item. In 1987 Hiram Walker is bought by Allied Lyons. In 2005 Chivas Brothers (Pernod Ricard) buys Allied Domecq becoming the current owner of Glenburgie.

In 2003 the distillery was demolished entirely and replaced (a bit further down the premises) by a new and highly modern distillery. Only the old customs house remains and the four stills, the boiler and the mill were brought in from the old distillery. By 2006 another pair of stills were added.

Unbelievable, this is only my first review of a Glenburgie. Amazing. That’s why I stared with this brief history “lesson”. Not so long ago I was asked about great, lesser known, Malts (from Scotland) a.k.a. personal favourites off the beaten track. Glenburgie managed to get into that top 10, that’s why I’m so amazed this is just the first review of Glenburgie, should have been much sooner. Glenburgie is a distillate that works extremely well in Sherry casks.

Glenburgie might be lesser known as a Single Malt, but that’s because a lot of it goes into the Ballantine’s Blend. In 2017, Chivas Brothers released three Single Malts under the Ballantine’s name. Huh? Yes Glenburgie 15yo (the heart), Miltonduff 15yo (the foundation) and Glentauchers 15yo (the finish), were released as such, to tell the story how they make up the Ballantine’s Blended Whisky.

Color: Almost copper gold.

Nose: Very big aroma, this leaps, or rather, attacks you, with a soothing friendly voice, from the glass. Nutty and fruity. Meaty and dusty. Some soft old oak right after that. Dusty old oak. Quite big and holding a promise of sweetness, sweet (and meaty) apples rather than the usual Sherry notes. The oak has an aroma reminiscent of tobacco and leather and hints of old Calvados. Very fragrant Glenburgie. Nice and spicy. In fact, this holds it all. Quite balanced, and very big, it’s so big it hides the complexity a bit. Try not to forget, this is a 26yo Malt. It doesn’t show a lot of evolution over time as well, it stays more or less the same when nosing it. But with a Malt so big and nice, who needs complexity and evolution?

Taste: Yes sweet on entry, but with a lot more. Cannabis and toffee. Crushed beetle again and lots of nuts. Yes, let’s throw in some caramel as well. The start is sweet and sticky. Quite hot and the 53.7% ABV printed on the label, seems a bit low. Very fruity but grassy as well, thick fat grass notes, different from fresh-cut grass or dry grass and hay, but as mentioned above, also the grass you smoke. It’s fatty grass and cannabis. Do I detect a nice tarry edge right behind the spicy oak? Hot black tea. Dries out towards the finish. What a wonderful complexity and blend of aroma’s. This bottle is now 1/3 down, and that’s a good thing, because right after opening, this was much tighter and closed. Amazing how the nose lacked complexity and evolution, and when tasting it now, it is all but complex and shows a lot of evolution as well. One has to stop oneself writing notes, since, this keeps emitting more aroma’s from my glass…

Wonderful Glenburgie, extremely drinkable, even at cask strength.

Points: 89

Ardmore 13yo 1994/2008 (56.8%, Specialty Drinks, The Single Malts of Scotland, Hogshead #65, 303 bottles)

Ardmore, my poor-man’s Brora. Since coming across several Ardmore’s over the time, I see huge potential in this Whisky. Very good spirit, and if it is filled into a cask of equal quality, activity, this stuff can really shine. Just have a look at the three I reviewed earlier. Whiskyman’s 1992 (89 Points), Gordon & MacPhail’s 1993 (87 Points), and finally Mo Ór’s 1992 (84 Points), where the last one was reduced to 46%, Why would one do that? All three were bottled some time ago and the reviews were written a few years back as well, so let’s continue with another one from the past. We move up only one year, since this was distilled in 1994, and bottled some ten years ago.

Color: White Wine.

Nose: Well, this most definitely doesn’t smell like White Wine. Slightly buttery, with vanilla, some soft oak, and a slightly acidic side-note. Typical Hogshead remade with American oak staves. Green, grassy and even slightly meaty. Gravy? Not very peaty and hardly any smoke at all. When searching for peat I’m welcomed by a more fruity and lemony note as well as a leafy and green note. Hmmmm, it is the lemon you get from detergents. Nice oaky note taking over from this little faux-pas though. Pencil shavings even. Yes some peat seems to be coupled with the oak, soon to be followed by the return of the creamy and buttery notes from the start as well as some cold dish water. Remember you washed the dishes yesterday and forgot to pull the plug? This may not be one of those complex Ardmores, since it is clearly from a cask that has been filled several times before. Its friendly and fruity, almost summery in demeanor. Some notes seem a bit off, but pull together just in time. Interesting feat.

Taste: Oak and sawdust first. Hints of pepper. Yeah. Right after the characterful statement, the more fruity, citrussy, notes appear. Almost with a carbonated quality to it. Although very tasty, friendly it is not. Too much alcohol for that. I love the oomph which you can sense does great things to balance this Whisky. Ashtray and nice peat mixed in with the citrus fruit. It switches effortlessly between the (fatty) creamy & woody/cardboardy part and the more fruity acidity. Although not very complex, what it does, it does it good. Quite a long finish, although it maybe better to describe it as a prolonged body, since you get all the aroma’s, all the time. Aftertaste is bitter (wood) and again all of the above. This one fools you into thinking its simple, and fruity, it is, but it is not an easy one, and that’s not only because of the high ABV.

Definitely not your typical Ardmore. Where in the past I called a particular Ardmore a potential Brora, this one most definitely isn’t. This bottling is an interesting Whisky, made form excellent spirit, but not good enough to be a Brora to be. I feel Ardmore is somewhat overlooked and underestimated by its owner Beam Suntory in favour of the other distilleries in their portfolio. Ardmore has to compete with Auchentoshan, (one of the last Lowland distilleries), Laphroaig and Bowmore (big, big Islay brands) and Glen Garioch (Highland), which seems to get a lot more love and attention than Ardmore (also Highland). So Ardmore seems to be the ugly duckling in the portfolio. Maybe Ardmore isn’t getting the best casks the company owns, since the Mo Ór example and this The Single Malts of Scotland offering seem to come from somewhat less active casks, yet still manage to turn out quite good. Apart from this, the official output doesn’t seem to be hurling at the consumer as well. Still, I have a lot of faith in Ardmore, it holds a place on my favourites list. It can be a truly amazing Whisky. As long as it stays under the radar, we have to hunt for examples from the independent bottlers world, that were ‘accidentally’ filled into good casks.

To the people of Ardmore Distillery. Keep doing the excellent work, your moment to shine will come!

Points: 86

Bowmore 1996/2014 “Aniseed Pastille” (46%, Wemyss Malts, Single Cask Release, Hogshead, 344 bottles)

This is not the first Wemyss bottling on Master Quill, but it is definitely the second and most certainly not the last. In the previous review I mentioned something about William Wemyss, so I won’t repeat that here.

Wemyss Malts (Edinburgh) was established in 2005 by William, who previously made a name for the Wemyss family in the wine business, producing Fonty’s Pool (Western Australia) and Rimauresq (Provence, France). Wemyss is Scottish and owns land where in the early 19th century John Haig’s first distillery, Cameronbridge, was built. Wemyss also grows barley there, that is used by several Scottish Malt Whisky distilleries, so historically the interest in Whisky has always been there.

Wemyss Malts releases vintage single cask Whiskies from many different distilleries as well as a few Blended Malts (since 2005), a Blended Whisky called Lord Elcho (since 2012) and through another company, a Gin (Darnley’s View, since 2010). The single cask bottlings are reduced to 46% and get a “name” in a similar way SMWS uses a flavour descriptor on their Whiskies. In 2013 William entered a new phase in their Whisky-adventure by purchasing the Kingsbarns distillery project at East Newhall Farm in Fife from Douglas Clement, who had problems raising money to fund the building of the distillery. The distillery is managed under Wemyss Distillery Ltd. which is a separate company from Wemyss Malts. Kingsbarns produces spirit since January 2015, so maybe we can expect their first Single Malt very soon. Since it is supposed to be a light and fruity Whisky, I expect it during summer. At first Douglas stayed on as founding director and as manager of the visitor centre. However, Douglas eventually left the distillery by the end of 2016 to ‘pursue other projects’.

Color: Light citrussy gold.

Nose: Big and fresh. This jumps out of my glass, like a young dog, full of life, wanting to lick you in the face. I hope this makes you understand, that this doesn’t smell like a heavy hitting Islay Malt, but a more friendly one. Nice soft peat, with a spiral of smoke rising from our bonfire. Fresh almonds, but it’s not a nutty Whisky. Apart from that, it’s quite citrussy, fresh and thus fruity, hence the friendliness of this Malt. Salty smoked fish with hints of sea-spray. Yes a bit of creamy vanilla, but no real woody notes. Only a tiny bit of wood and an even tinier hint of liquorice. Cigarette ashes? Proper refill hogshead. If smelled longer and more vigorously, I also get some more soft red fruits, ripe raspberry’s come to mind mixed in with some mud and a black pepper edge. Dirty friendly stuff. Smells excellent!

Taste: Sweet on entry. Toffee and runny caramel. Here comes sticky sweetness. Waxy and quite some soft peat. Ashes and slightly tarry. Already suffers a bit from reduction. Orange skins (bitter) and a bit of paper. Nutty notes again, not much though, followed by more smoky notes embedded in the sticky sweetness, giving some sharpness. Paper-like note keeps coming back to me. On the sides of my tongue there is this slight bitter note of aniseed. The power of suggestion? Yes I do get aniseed, but the sweetness is different. Not the dry, hard sugar of the pastilles, but rather soft toffee. Otherwise, I find this Bowmore a wee bit too simple in the taste department. Lacks development as well. It doesn’t have a long finish, nor a lot of aftertaste, which is built around sweetness and smoke (and secretly some black fruits I love in Bowmore), but where is the wood? Again, easy to drink, but a bit too simple. Depending on your day, because you, the taster, are far from being objective, the bitterness shifts in or out of focus. The second time around I tasted this for this review, on another day, I found it to be more bitter than the first time around (more fruity). Isn’t that complexity?

Comparing this Wemyss version of Bowmore, to Bowmore’s own take on Bowmore, I decided to do a head-2-head with “White Sands” an official 17yo travel retail Bowmore reduced to an even more un-modern 43% ABV. This bottling comes with the special recommendation of Eddie MacAffer, and yes, the “White Sands” is a bit more special, read: different. First of all it has development on the nose and more depth. More industrial, oily, smoky and burning notes. Brooding and more woody. However, if I had both bottles open at the same time, the Wemyss would be finished sooner…

Points: 85