Tag Archives: 2008

Mortlach 12yo 2008/2020 (56.8%, Signatory Vintage, Cask Strength Collection, Bourbon Barrels #800110, #800126 & #800127, 710 bottles)

After the wonderful and very interesting Loch Lomond, let’s try another Whisky fully matured in ex-Bourbon casks. This time one that was distilled at Mortlach. Mortlach has quite the reputation with Whisky Aficionado’s and rightly so. For instance, Mortlach 16yo was arguably the best offering in Diageo’s once extensive Flora and Fauna Range. Having this niche popularity, Diageo decided to do something more with the brand that is Mortlach and discontinued the 16yo around 2012 in favour of a Rare Old (NAS, not rare nor old, 80 points), an 18yo and a 25yo (84 points). All in 500 ml bottles! These three were released in 2014 and replaced in 2018 by more common age statement versions: 12yo, 16yo (a magic age statement for Mortlach) and 20yo. All three now in 700 ml/750 ml bottles. Mortlach is known for its Whiskies matured in Sherry casks. The 16yo Flora and Fauna is an example of this, and I thought an offering by Wilson & Morgan was even better than that. No surprise then, this has matured in a Sherry cask as well. I also reviewed a Provenance Mortlach earlier, I suppose was matured in Ex-Bourbon wood, which was not so interesting, so let’s see if this Signatory Mortlach is any good, or we should stick to Sherried versions of Mortlach altogether.

Color: Light gold.

Nose: Winey, clear glue, creamy and slightly acidic. Not your usual creamy vanillin kind of smell though. A moment later some more fruits emerge, as well as the creamy vanilla powder notes. Dusty and slightly smoky (probably from toasted oak, not peat). Hints of gravy and cold dishwater, and some soft sugared fruit notes. This is a big Malt, which already shows amazing complexity. Not a cloying smell, since a nice fruity acidity keeps playing its part. This is a Mortlach and Mortlach is a special distillate, and boy, does this smell special. For some this may be a simple kind of Whisky, just pour new make into Bourbon Barrels, mind you, they didn’t even turn those into hogsheads, lazy buggers, and job done, easy, simple, no hassle. Yet Mortlach in a Bourbon Barrel, comes out slightly different from Whiskies from other distilleries matured like this, there is always something different about Mortlach, richer, beefier, meatier, just bigger, special. It’s almost like the fatty acid chains are just longer with Mortlach (without becoming soapy). Hints of raspberry hard candy, next to the half-ripe yellow fruits. Just not as exotic as it can be in well matured Tomatin’s. However, keep in mind that this is only 12yo, and not 30yo like the Tomatin’s I just mentioned. I don’t even know why I brought that up, since Mortlach and Tomatin are very different from each other. So fruity it is, just not all that tropical.

Taste: Sweet and very, very nutty and fruity at the same time, much more fruity than expected actually. Some wood, more akin to pencil shavings than oak, to be honest. Including a slight harmless bitter note. Again, not cloying since the big body also has enough fruity acidity to help it along. Nice. What a wonderful start. Signatory have recently issued some Mortlach Sherry Monsters from the 2010 vintage, which are more or less the same age, but I can’t imagine those ones beating something like this. Licorice powder, some paper and some spices as well as a peppery backbone. Sometimes a sweet minty note pops up. Mocha, milk chocolate. Tastes like a dessert Malt now. Hints of hay, more paper and overall still quite complex. Nice finish and a long warm aftertaste, including the glue again, which you pick up on initially when smelling a freshly poured dram of this.

This is an excellent Mortlach that was not matured in a Sherry cask. Very big and tasty, with complexity and length. The quality is unmistakeable and this will please a lot of Whisky aficionado’s. Its a good example of the spirit of Mortlach and a good example of what “simple” American oak can do. The quality is right upfront, and easy to see for everyone. I scored the Loch Lomond from the previous review slightly higher than this Mortlach, but I also believe, that one might not be for everyone, and you can only find the true beauty of the Loch Lomond when you work it a bit. The Mortlach is more suitable for casual drinking, its always good. the Loch Lomond needs your full attention, otherwise it can be a grumpy old git and will Will-slap you across the face.

Points: 88

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Kilchoman 5yo 2008/2013 (60.7%, OB, Bourbon Cask #146/2008, for The World Single Malt Germany, 252 bottles)

Although not bad, I don’t really have a fond memory of the early blue labelled Spring 2010 and Summer 2010 bottlings, both are decent but not there yet. Both are showing their youth, and I’m not particularly a fan of Whiskies that still show their new make side. Aren’t all beginnings hard? However, I do have a fond memory of the previously red labelled Single cask bottling for Belgium. All three distillates are more or less from the same period of time, but this red labelled one is just a bit older, not reduced and from a single cask. In my mind, after tasting such Kilchoman’s, the red ones were the ones to go for. I like single casks especially at cask strength, warts and all. In the case of Kilchoman, usually there are no warts. Not a lot anyway. Pretty amazing considering the aforementioned single cask expression isn’t even 5yo and already very, very good and mature for its age, and remember this was matured in Scotland, not the tropical shores of Goa (India, in case you failed geography). So no surprise then, that the next Kilchoman I opened was another red labelled one. Yes, another ex-Bourbon single cask expression, why not. This time a red labelled one bottled for Germany. Let’s see if the Germans got an even better deal than the Belgians did. For starters, the German one is older, it is just over 5yo.

Color: Pale gold.

Nose: Soft warming peat, glowing embers, fine bonfire smoke, flinty, with citrus fruit upfront. A combination of lemon, lime, unripe pear, sweet spearmint and menthol. Just sniff it, put it away, wait a minute and start breathing through your nose. Are you getting the menthol now? Soft wood, creamy, toffee and clay. Slightly perfumy and slightly meaty as well. All combined with smoke. Paper and dust. Fresh and spicy. Cedar wood, vegetal. Christmassy smoke emanating from a chimney, that’s it, with more fresh acidic fruit notes. A dram for a silent, snowy evening. Mocha, vanilla powder and maybe even a hint of an unlit Cuban cigar. Next, the promise of sweet, jam-like fruit, as well as a breath of fresh air, significantly different from acidic fruit, although both bring freshness to the Whisky. Smells appetizing and lively, yet also mature. No signs of new make spirit to be found. When snorted most vigorously, a more deeper and brooding animalesk kind of note emerges. I think this smells amazing for a 5yo Malt. Very mature. This must be quality, achieving this, in so little time and in a cold climate. It also has an unexpected depth to it, like Alice’s rabbit hole, the deeper you go, the more mesmerizing are its aroma’s. Take your time with it, it’s really, really good.

Taste: Wood and paper. Sweet red fruits. (Menthol) cigarette smoke in the wind, and more sweetness than expected. Milk chocolate and liquid bonfire smoke, with maybe some plastic in the back? All elements well balanced. It’s even slightly syrupy. Soft white pepper attack combined with fresh, green and sappy oak. Waxy, with a tiny hint of rubber in the back, and a short bitter note that is soon joined by sweet yellow fruits, candied fruits and some more of this peppery attack. Lemonade. The bitter and the sweet go together well. A lot is happening at once, so I’m almost struggling to keep up and write it all down. Speaking of down, this is quite warming going down. Pencil shavings, licorice and slightly tarry. The wood note comes late and when they occur in the taste, it starts to play a bigger part in the nose as well. Slightly less complex than the nose (or is it?). This one shows most of what its got, right from the start, but doesn’t lack in the evolution department either. Towards the aftertaste, the lemon and lime returns, wonderful. Really good stuff this.

This is a really good Whisky which makes me happy. Amazing result after some 62 months from a relatively new Islay distillery. Instant favourite. The bottle is half empty, and I’m not entirely sure, it was already this good when freshly opened, so this seems to be another example of a Whisky that needs to breathe a lot.

Points: 89

P.S. The empty glass smells of black coal, peat, smoke and some plastics, more than the day before, (when the glass wasn’t empty).

Ledaig 12yo 2008/2020 (45%, Gordon & MacPhail, Connoisseurs Choice, Wood Finished, Refill Sherry Hogsheads, 3 year finish in Hermitage Casks, 4440 bottles, 20/074)

The previous reviews have shown that the industry is getting the hang of how to successfully incorporate Red Wine Casks into the production of decent Whisky. The three Longrow Red’s reviewed last, were all pretty good. So maybe it’s time to have a look at a different example of this practice. But first this: for one reason or another, the interest in Springbank (and, Hazelburn and Longrow, but to a lesser extent as well), has skyrocketed in the past year of two. Maybe the best example is the latest rendition of the Springbank Local Barley over which people really went ape-shit, and really, there is no other way to put it, ape-shit indeed! Why is that, one might wonder, the colour, more money to spend because of the pandemic? In many markets this latest Local Barley was near impossible to get, and just have a look what people are willing to pay today for one of these at auction. It’s a 10yo! Even when Springbank Society is releasing a bottle these days, you have to enter a ballot! Even though costs have risen considerably across the world, due to Brexit, people are going ape-shit after those as well. Not only aficionado’s and fan’s but many bottle flippers as well, since most of these releases are readily available, in great numbers, I might add, at the next action. A few years back, Springbank Society didn’t even sell everything and you could get a second bottle without any problem. Times are a-changing.

So now that Springbank is often impossible to get (in a normal way), I tried to figure out what would be a nice alternative to Springbank. Well, that is a rather personal question, and the answer might differ from person to person. However I did come to some sort of a conclusion for myself, and figured out it is the peated distillate of Tobermory, we all know better as Ledaig. There are probably more alternatives one can think of, but let’s stick with Ledaig for now. First of all, Ledaig is getting better by the year, (they used to have a rather wonky reputation), it’s readily available, especially through independent bottlers, and it’s damn tasty stuff, even at a young age. I have bought quite a few Ledaig’s in the past year, so I could have, and probably will have it permanently represented on my lectern. So, Ledaig it is for now, and after three Longrow Red’s, here is a Hermitage Wine finished Ledaig. Hermitage is a French Red Wine from the northern Rhône region, made with Syrah grapes. Let’s see if this is really a worthy alternative for the Longrow Red’s. A final remark before digging in, this Gordon & MacPhail offering has been reduced to 45%, where the Longrow Red’s are bottled at cask strength, we’ll see if that matters much.

Color: Vibrant orange brown, like a bourbon. No pink Red Wine hue.

Nose: The bottle I’m reviewing now is less than half full, and this really needed to breathe a lot to get where it is now. When freshly opened, I was really disappointed, asking myself, is this it? Quite unbalanced. Yet today, it is another story altogether. Bonfire smoke and the fur of a wet dog, or maybe an animal with a more coarse fur, lets say wet bear then. Dried out cow dung in the middle of summer. Ledaig always has these “animalesk” notes to it. Fresh air with a whiff of paper and chlorine, this is not a bad thing, because it fits the whole. Smoke, nutty, winey, funky and sweet smelling fatty peat. Also licorice is present in this peat. There is a lot going on in this peat-bit alone. Some wood, nice laid back oak. Hints of fireworks (sulphur). The whole is dark and brooding based around great peat and smoke. Motor oil, coffee flavoured candy, and some vanilla. Creamy. Smallest hint of red fruits only, so the influence of the Red Wine casks is somewhat different to other Red Wine finished Whiskies. Partly floral. Yes after the big aroma’s played their part, a more floral note comes popping up from below. There is definitely a lot happening here. Many entirely different aroma’s come together in harmony. Nevertheless, this seems to me to be dirtier than your average Islay Malt, however I’m not entirely sure right now, if this dirtiness hails from Mull or Southern France, my guess would be the former. Good Ledaig again. Smoke, floral, soap and fresh fruit notes now. I can get used to this. So let people get ape-shit some more on the output of Campbeltown, we’ll join in occasionally, and apart from that, we’ll have Mull as our (dirty) little secret. Amazing how this managed to get from this unbalanced state when freshly opened to this harmonious and balanced Whisky it is now.

Taste: On entry, somewhat sweet (red fruit syrup, in part artificial), toffee, animalesk-peat, crushed beetle, ginger bread, caramel and nutty. With a slightly soapy slippery feel to it and woody bitterness for good measure. Amazingly this also has a little red pepper sting to it. Here, it is all slightly less big and powerful and it tastes somewhat diluted compared to the Red’s. I know there are a lot, and I really mean a lot, of cask strength Ledaig’s out there, but this one would benefit from some more ooomph as well. Still, it is what it is and it is a good Ledaig again. Way less complex here than it was on the nose. Hence less words are needed to describe the taste than the nose. Warming bonfire and cigarette ashtray in the finish and warming meaty aftertaste with coffee candy and surprisingly some mint. Very warming indeed.

First of all, this one definitely needs a long time to breathe and if you allow it to, you’ll be rewarded. Just leave the cork off for a day or two after opening, and repeat this process if necessary. Second, just like the Red’s, here we have another successful Red Wine cask finish. By the way, remember this Deanston? The reputation of Mull is growing and before you know it, (it might take a few years), it just might catch up with Campbeltown altogether. It’s a worthy alternative, and it is not more of the same. Luckily, even though the output of Springbank Distillery is very, very good. But we aficionado’s do like the differences that can be had. One minor gripe. Even though this is yet another good Whisky, the reduction to 45% ABV is very well noticeable. Historically these finishes were bottled by Gordon & MacPhail @ 45% ABV, but with the revamp of the different series they had, towards the “new” Connoisseurs Choice, maybe there should be some Cask Strength Wood Finishes as well?

Points: 86

This one is for Luke Todd-Wood, who recommended it to me, without even knowing. Cheers Luke, I guess you already finished your bottle by now!

Macallan 9yo 1999/2008 (46%, Gordon & MacPhail, Speymalt, for Van Wees, First Fill Sherry Hogshead #12378)

Wow, look at his colour! I’ll explain shortly what I mean. Also, unusually dark for a Speymalt from this vintage. For those of you who don’t know, here we have an independently bottled Macallan. Maybe this is the way to go for the non-millionaires amongst us, since the owners of Macallan seem to have gone completely over-the-top bonkers with the “brand”, super premiumizing it, crystallizing the bottles, teletubbying the distillery and… well you know what I mean. Let’s shy away from the marketing and focus on quality then. The quality of Macallan’s distillate, the quality of what we’re getting, putting this quality distillate in a quality Sherry cask the good people of Gordon & MacPhail provided for this distillate and reviewing this drinkers’ Macallan…

Color: Vibrant mahogany! No it’s not just orange-brown, it’s mahogany, and it’s only mahogany when it has this redness to it, a red flame if you wish.

Nose: Restrained for a short while. Wonderful Sherry and woody notes. Ever so slightly waxy and also fresh and airy. Milk chocolate, with a tiny hint of smoke, which most likely came into the mix from the burnt insides of the cask. Next, some pencil shavings. Smells fantastic. Quality Sherry cask. Classic Macallan. Not a lot of vanilla, so, I’m hardly guessing, this was matured in european oak, although I do pick up on a slightly creamy note as well. Hard to explain why, but this smells luxurious, elegant and perfumy. Reminiscent of the great Macallans from earlier decades. Remember the times before Fine Oak, and all the stuff that came after that. Remember the days of, “…which science can’t wholly explain…”? Elegant and fruity and in no way, harsh nor overpowered by the first fill Sherry. Not cloying nor heavy. Excellent cask.

Taste: Smoky and slightly tarry. Black coal. Thin honey, yet not a lot of vanilla sweetness. Initially very, very nice. Reminds me of the Macallans, Strathisla’s and Longmorn’s, when Gordon & MacPhail bottles still had screw caps and were bottled @ 40% ABV. (…and still had enough power)! The body is about Sherry and wood, beautiful spicy, and perfumy, wood, and shows a little bit of nice woody bitterness as well. Soft and silky bitterness, which adds to the overall flavour of the Whisky. Quite fruity and almost drinks like red fruit lemonade. Nice notes of mocha and coffee with milk. Rather short finish though. This is where the relative youth comes in, but I don’t think this should have stayed in cask longer. First fill Sherry can be a brutal thing! Short bursts of warming and red fruity notes. And the aftertaste lingers longer than the finish was. Again classic style.

On the other hand, maybe, this could have stayed in cask longer, since in no way it is overoaked. The flavours could have been more powerful, and the cask itself seems very elegant and good. Or maybe it should have been bottled at cask strength, who knows. This might have had some more to it in the end. For me the best bit of this Whisky is the start, when you take a sip and keep it in your mouth for a while before swallowing. Nice woody and licorice notes start emerging that way. Tar and coal. Wonderful stuff. Tiny hint of the typical acidity from rather new oak, which is a different note from fruity acidity, mind you.

The ABV, is slightly higher than the regular expression of the Speymalt from 1999/2008 which was bottled @43% ABV. Darker as well. Still it manages to come across a bit thin. Would it be too harsh at cask strength or is it an economical move by Van Wees? As in, if you dilute it with water you get more bottles from the hoggie? Probably not since it’s a Speymalt. All things considered, this is a classic Macallan. Wonderful stuff. Sure, maybe more could have come from this, maybe not, but I’d still get it as it is. Most definitely I would. Much better than many, and I mean, many modern Macallans, bottled by the (owners of the) distillery themselves. Highly drinkable, so a bottle of this wouldn’t last long…

Points: 89

Ardmore 13yo 1994/2008 (56.8%, Specialty Drinks, The Single Malts of Scotland, Hogshead #65, 303 bottles)

Ardmore, my poor-man’s Brora. Since coming across several Ardmore’s over the time, I see huge potential in this Whisky. Very good spirit, and if it is filled into a cask of equal quality, activity, this stuff can really shine. Just have a look at the three I reviewed earlier. Whiskyman’s 1992 (89 Points), Gordon & MacPhail’s 1993 (87 Points), and finally Mo Ór’s 1992 (84 Points), where the last one was reduced to 46%, Why would one do that? All three were bottled some time ago and the reviews were written a few years back as well, so let’s continue with another one from the past. We move up only one year, since this was distilled in 1994, and bottled some ten years ago.

Color: White Wine.

Nose: Well, this most definitely doesn’t smell like White Wine. Slightly buttery, with vanilla, some soft oak, and a slightly acidic side-note. Typical Hogshead remade with American oak staves. Green, grassy and even slightly meaty. Gravy? Not very peaty and hardly any smoke at all. When searching for peat I’m welcomed by a more fruity and lemony note as well as a leafy and green note. Hmmmm, it is the lemon you get from detergents. Nice oaky note taking over from this little faux-pas though. Pencil shavings even. Yes some peat seems to be coupled with the oak, soon to be followed by the return of the creamy and buttery notes from the start as well as some cold dish water. Remember you washed the dishes yesterday and forgot to pull the plug? This may not be one of those complex Ardmores, since it is clearly from a cask that has been filled several times before. Its friendly and fruity, almost summery in demeanor. Some notes seem a bit off, but pull together just in time. Interesting feat.

Taste: Oak and sawdust first. Hints of pepper. Yeah. Right after the characterful statement, the more fruity, citrussy, notes appear. Almost with a carbonated quality to it. Although very tasty, friendly it is not. Too much alcohol for that. I love the oomph which you can sense does great things to balance this Whisky. Ashtray and nice peat mixed in with the citrus fruit. It switches effortlessly between the (fatty) creamy & woody/cardboardy part and the more fruity acidity. Although not very complex, what it does, it does it good. Quite a long finish, although it maybe better to describe it as a prolonged body, since you get all the aroma’s, all the time. Aftertaste is bitter (wood) and again all of the above. This one fools you into thinking its simple, and fruity, it is, but it is not an easy one, and that’s not only because of the high ABV.

Definitely not your typical Ardmore. Where in the past I called a particular Ardmore a potential Brora, this one most definitely isn’t. This bottling is an interesting Whisky, made form excellent spirit, but not good enough to be a Brora to be. I feel Ardmore is somewhat overlooked and underestimated by its owner Beam Suntory in favour of the other distilleries in their portfolio. Ardmore has to compete with Auchentoshan, (one of the last Lowland distilleries), Laphroaig and Bowmore (big, big Islay brands) and Glen Garioch (Highland), which seems to get a lot more love and attention than Ardmore (also Highland). So Ardmore seems to be the ugly duckling in the portfolio. Maybe Ardmore isn’t getting the best casks the company owns, since the Mo Ór example and this The Single Malts of Scotland offering seem to come from somewhat less active casks, yet still manage to turn out quite good. Apart from this, the official output doesn’t seem to be hurling at the consumer as well. Still, I have a lot of faith in Ardmore, it holds a place on my favourites list. It can be a truly amazing Whisky. As long as it stays under the radar, we have to hunt for examples from the independent bottlers world, that were ‘accidentally’ filled into good casks.

To the people of Ardmore Distillery. Keep doing the excellent work, your moment to shine will come!

Points: 86

Lagavulin 12yo 1995/2008 (48%, OB, European Oak, for the Friends of the Classic Malts)

So with the longest day of the year at hand, some would say that this isn’t the time for Peat. Peat needs rugged shores, strong gale force winds and driving rain to be thoroughly enjoyed, doesn’t it? Why not take a light, grassy and lemony Lowlander instead, or even some tropical stuff? Well what can I say, I just felt like it, that’s all.

A week ago I hosted a Whisky-tasting centered around the indie bottler, Signatory Vintage. I opened some bottlings of them, which will feature on these pages soon. Of course a good tasting needs an even better after-tasting, like a good party needs an even better after-party. The after-tasting, yes you’ve guessed it: Lagavulin. The distillery that’s celebrating its 200th anniversary this year, with the release of a 8yo, which will also feature on these pages shortly.

But first this oldie (but goldie). Relatively speaking of course. This Lagavulin was released in 2008 and it took well into 2015 to sell out. It was available in shops for a whopping 7 years! Now that its gone, prices are soaring. It was available for such a long time, because there may have been a lot of bottlings around, but it also gained a bit of a reputation. A lot of people, including fans of Lagavulin weren’t very fond of this particular bottling. I consider myself a fan of Lagavulin, so I just has to open it, and try for myself! But first a thought…

Bottlings like this, baffle me to the max. All this time we hear the industry explaining to us, that colouring is done to ensure consistency in colour from batch to batch. Also, the public, when buying Whisky, or any other brown spirit, may be put off when the aforementioned spirit is too light in colour. So why then is this one-off Lagavulin, bottled in a brown glass bottle, coloured with E150, when we, the public can’t even see the colour of the spirit untill after the purchase? Boggles the mind, and mind you, don’t go around thinking that caramel colouring doesn’t affect the taste, because it does, just read Michel’s article back from the day I used to be in the “Coloured Gang”. Sure, it may be a bit lengthy, but it definitely worth it.

Lagavulin 12yo 1995/2008 FFOTCMColour: Orange brown, just like a Bourbon.

Nose: Excellent smoky nose. It starts with more smoke than peat. Sure peat is next. Earthy, sweet and fatty clay. Ashes. Nice wood, accompanied by red fruity notes and some Italian laurel licorice as well. The fruity bit smells more yellow than red. Funky chewy sweetness. Cream Sherry. Mocha cream, cookie dough and light chocolate powder. Leather. Milk chocolate shavings on vanilla ice-cream held up by the wood. Again a lovely smelling Lagavulin, which always works well when it’s matured in Sherry casks. Hints of tar and also some spices. The creamy Sherry notes overpower the spices a bit, so its hard to tell them apart. If you have read the article I mentioned above, you might remember my comments about mellowing out the aroma’s by E150. I feel that is the case here also. This Lagavulin has a nice, very nice actually, but rounded out smell.

Taste: Quite sweet and creamy on entry, quickly followed by peat and toasted cask. Small vegetal bitter note. Very nice. Lots of sweet licorice, almonds and black and white powder. Pepper & salt and definitely some smoke and nuts. Smoked nuts? Smoked sweet almonds (not the salty ones). Red cocktail cherry and a whiff of artificiality in the fruit department. The sweetness is of the typical sugar-water kind. Its fantastic on entry, but the body is losing it at bit already. Falling apart and being quite simple. In no way, has the finish the length of other Lagavulins, but the one big taste lingers on for a while in the aftertaste. However, it’s more the sweet and fruity bit, with only a hint of smoke, than the peat.

This Lagavulin has matured in first fill Sherry casks, not made with American oak. There was a time when (probably) all Sherry matured in European oak butts and puncheons, which are quite large casks. Today a lot of Sherry casks are made from American oak, impairing vanilla and giving off a more creamy feel. Also the casks made today (hogsheads) are smaller than the butts and puncheons, thus allowing for some quicker maturation.

Let me start by saying this is a good Lagavulin. It drinks easily and there is more than enough happening. I like it a lot. However, if I compare this to other Lagavulins, it isn’t the best one out there. I believe the colouring did its part in mellowing out the aroma’s and blending them together into one big (nice) taste. Nothing sticks out really. Apart from the E150, the casks themselves probably weren’t the best money could buy as well, as well as its previous contents. So for a Lagavulin its good, but nothing more than that, but it’s also a Whisky most others can only dream of producing. Lagavulin has stiff competition from… itself.

Points: 88

 

Rhosdhu 12yo 1996/2008 (46%, Murray McDavid, Bourbon Cask, 2.000 bottles)

Murray McDavidNext we are going to have a look at three bottlings by Murray McDavid. Murray McDavid was founded in 1996 by Mark Reynier, Simon Coughlin, and Gordon Wright, naming it after Mark’s grandparents, Harriet Murray and Jock McDavid. The motto “Clachan a Choin” translates as “the bollocks of the dog”, so yes, the logo has a dog in it. Besides being an independent bottler, maybe their biggest claim to fame was acquiring Bruichladdich Distillery in the year 2k. In 2000 the distillery was still mothballed, but Mark and his mates quickly turned it into a working distillery. Less than 12 years later in the summer of 2012, Bruichladdich was sold to Rémy Cointreau UK Limited, as well as the independent bottler Murray McDavid. Rémy Cointreau didn’t know what to do with the bottler, so less than a year later they sold it to Aceo Ltd, a supplier of casked whisky and distillery services like cask storage, bottling and labelling.

So the first of three bottlings from Murray McDavid will be a rendition of a Loch Lomond Whisky: Rhosdhu.

Rhosdhu 12yo 1996/2008 (46%, Murray McDavid, Bourbon Cask, 2.000 bottles)Color: Gold.

Nose: Spicy and briny. Funky, with some prickling cigarette smoke. Lots of grain, but also some traits I get from Rhum (of the Agricole kind) and Bourbon itself. Actually more like a Rye Whiskey. A dry and sweet fruitiness mostly. Definite cask toast. Vanilla and tangerine. Lots of saw dust and dare I say it (again), cardboard. It smells like an old (sweet) Single Grain, at the fraction of the cost. Dry powdery and again (citrus) fruity. Give it some air, and boy, does this need some air, and it’s even tarry sometimes.

Taste: Again quite grainy and fruity. A bit raw but therefore it needs the fruity sweetness it has. Vanilla powder and smelling like an old vanilla pod. Noticeable paper and cardboard again, but in no way is this disturbing in this one. Slightly weak in the finish, but otherwise a decent Whisky, helped by quite an active cask. Some acidity enters the fold when it’s time for the finale. The finale has great depth, with a toffee and caramel sweetness. Part of this caramel is even slightly burnt. The sweetness is just right, helped along by the leafy and spicy backbone.

I remember this when freshly opened and it didn’t do too much for me then (79 Points). This time around, with some more oxidation, this turned out nicely. This is a Whisky that needs a lot of air and really benefits from the heat of your hand. Keep it in the palm of your hand, don’t hold it by the stem. Knowing its secret, and if it was available today I would most certainly buy it. If you have it, remember how to treat it. Heat and air will do the trick.

Points: 83

Glenfarclas 29yo 1979/2008 (50.6%, OB, The Family Casks III, Plain Hogshead #2216, 171 bottles)

In 2006 Glenfarclas started with an ongoing series containing lots and lots of single cask bottlings called the Family Casks. From the beginning, almost every vintage thinkable was released in very nice looking wooden boxes including a nice booklet. After a while, some vintages were not available anymore in the warehouses, and the wooden boxes were replaced by something a lot simpler. For the time being 2014 was the last year any Family cask was released, since 2015 saw no release of a Family Cask bottling (yet). Although Glenfarclas has a name to uphold with heavily sherried malts, just like The Macallan once did, and Glendronach does today, what was nice about the Family Casks was that any type of cask was released. This 1979 expression from the third run of Family Casks is from a Plain Hogshead and was bottled on the 17th of July 2008. Plain Hogshead could mean a rebuilt cask from staves that once formed a Bourbon barrel.

Glenfarclas 29yo 1979/2008 Family Casks IIIColor: Copper

Nose: Lots of creamy vanilla and coconut, what immediately makes me think about American oak. Very creamy and firm. Extremely fruity. Apricots, pears and ripe green plums. Hints of not yet ripe banana-skin and sweet ripe apples. It does have notes of a high quality Calvados. Almonds with dry powdered coffee creamer. Amazing how strong the aroma’s are, this is in no way a closed Whisky, no, no, no! Spicy, the wood kicks in a bit. Hint of latex paint. Lurking in the depth is a strange note, which is hard to describe. Old dried out cucumber with a tiny speck of acetone. You know how a cucumber smells, tone that down a few notches, and that’s whats in here too, underneath all those heavy hitting aroma’s from the highly active cask. I wonder what Bourbon it came in contact with. Wonderful old Whisky, with a perfect and endless nose. A true gem to smell!

Taste: Again extremely creamy and full of aroma. The power. Wonderful. Perfect stuff. Quite sweet upon entry. Creamy sweet and following quickly is a much drier woody sensation with just the right amount of bitterness. More wood than the nose had, but when the wood takes a step aside, wonderful aroma’s of ginger with jam made with red and black forest fruits present themselves, but not a lot of the fruit I mentioned in the nose. Amazing! Small hints of cask toast, slightly burned bread and candied cinnamon. Cloves and Christmas cake. Of course not a perfect Whisky, that does not exist, but this does come close. Wow! Warming and luckily a super long finish.

Here we have another super fruity old Bourbon Hogshead Whisky from the seventies. Reminding us of the stellar Caperdonichs from 1972, to name but one. I can only hope I’ll find me one of these sometimes.

Points: 93

Caroni 1998/2008 (40%, Bristol Classic Rum, Trinidad & Tobago)

The Caroni distillery was founded in 1923 and after 80 years of operation, sadly was closed in 2003. In 2001 the Trinidad government sold its 49% share in Rum Distillers Limited to Angostura for $35 million who were forced to close the distillery two years later, because that same Trinidad Government closed their sugar refinery on the island. In the first half of the 20th century Trinidad had some 50 odd distilleries, but today only one survives, Angostura. The demise of the Trinidadian sugar cane industry means that molasses today are mainly imported from Guyana. Because of its heavy style, Caroni was a favourite with the British Navy and yours truly.

Bristol Spirits Caroni 1998-2008Color: Gold.

Nose: Dry, funky and slightly industrial. Like a crossing between Rhum Agricole and Jamaican Rum, with added motor oil and petrol. High ester heavy style Rum. Different kinds of wood and waxy. Lots and lots of aroma. Hints of oranges and mushrooms. Hot butter. Orange skins at first, but with good nosing a deeper (and sweeter) kind of sugared oranges appear. I’m a big fan of Rums like these. Later on, some oak and earwax. Burnt wood and smoke. Bonfire and a fishy note. Grilled fish (hanging over the bonfire). When my mind wanders off, I will associate the hint of smoke and burnt wood with Islay Whisky. Nice side effect. When all the extremities wear off on the nose, the whole becomes slightly sweeter and friendlier. More salty and smoky vanilla. What a nose!

Taste: Dry oranges with some hidden sweetness underneath. Still a bit industrial, not saying that is bad, on the contrary. Nice hints of oranges again, all of it, the skins, the freshly pressed juice and the candied oranges. All quite dry and smoky, never truly sweet. The wood is trying to get some bitterness across, but that hardy is the case. The Rum itself is highly aromatic, the bitterness is pushed back, there is simply not a lot of room for it. Bitter orange skin and again a burnt note. I can’t help but feel that the orange oil you get with the juice from the skins also gives off a slight acidic note that doesn’t completely integrate with the rest of the taste. Something that also happens in the Abuelo 12yo. Only here it’s not that bad.

This is great stuff from a sadly closed distillery. Not your run of the mill easy-going overly sweet Rum, but something more daring and industrial. Maybe this Rum isn’t for everyone, but if you like the profile this was one of the best.

The 1998 Caroni reviewed here was bottled in 2008. In 2013 exactly the same rum was released, just 5 years older. That one would be nice to review sometimes. The picture on the left is from the 2013 release, but looks exactly the same as the 2008 release.

Points: 86

Benromach 2008/2014 “Organic” (43%, OB, Virgin Oak)

Not really a NASser since this is a vintage 2008 bottling. We also know this was bottled in 2014 so it is a 5yo or 6yo. Benromach doesn’t like hide its Whiskies in a shroud of mystery. Of course I love an aptly named Whisky but I was brought up with age statements so I like to (officially) know what I’m getting. Maybe all those NASsers are for a younger, more hip, generation? We’ll see. This “Organic” was distilled in 2008 and filled into virgin oak casks, just like they do with Bourbon spirit. Don’t worry, this will not turn this Whisky into a bourbon since only malted barley was used, and no corn nor rye. Why not make a rye Whisky then Benromach, wouldn’t that be something different and exiting?

Benromach Organic 2008Color: Gold

Nose: Yes woody. Sawdust, but also vanilla and warm vanilla pudding. Custard. I would say American Oak, wouldn’t you? Sugary sweet. The apparent sweetness is balanced out with some spicy oak, but not all oak is spicy, it also has a sappy oak quality to it. Sweet barley. Given some time, (when the taste becomes waxy), the nose tuns more floral. Floral with sandalwood.

Taste: Sweet at first, then vanilla and a more fruity note. Still all sugared fruits. Behind that the oak comes in again, but it’s not all wood alas, The wood also emits a cardboardy taste. Luckily that is soon exchanged with the sappy oak. That sappy oak turn a bit waxy and that in turn becomes a bitter edge into the finish. The bitterness also has some staying power. The finish is rather austere, so its quite different from the sweet start. The florality and waxiness of the nose, becomes also evident in the aftertaste.

For a Whisky this age and only new wood was used, this has already picked up a lot of color (as do Bourbons). Nosing and tasting this Whisky it really is what you may have expected. A Whisky that is defined by the use of new wood. Otherwise quite sweet and obviously not very complex, but more than expected.

Points: 82