Ledaig 11yo 2005/2017 (61.8%, Cadenhead, Authentic Collection, Butt, 450 bottles)

As already mentioned in the last review of a Ledaig; Springbank is one of my favourite distilleries. I love the output of it, Springbank, Longrow and Hazelburn, all very good. However, the last few years Springbank has become excessively popular, and apart from the 10yo expression, I can’t really buy any of the other expressions normally in my country. Some shops also mark up according to demand, and thus are asking silly money, so my only chance is the secondary market, which is also a pretty expensive these days. When looking at alternatives, Ledaig comes to mind. In the previous review of Ledaig, a 12yo G&M bottling, which was finished for three years in a Wine cask, so may not hove been the best of expressions to check out if this would be a contender to reach out for when Springbank is not available. Ledaig is not really more of the same, it is quite different, however, when you have a craving for something Springbank-y and you don’t have it, or can’t have it, this might come in handy. Tobermory (the distillery that produces a peated expression calling it Ledaig) used to have quite a wonky reputation, and I do have tasted some dodgy Tobermory’s and Ledaigs in the past. But the last two decades or so, they seem to have bumped into their muse and are making some pretty good stuff. Just have a look this official 18yo or the G&M Reserve and G&M Cask Strength I reviewed earlier.

In 2017 Cadenhead had it’s 175th Anniversary, and I believe, Mark W. bottled some of their best stock at the time, recognizable by the extra added copper plate hanging from the neck of the bottle. A thing to look out for IMHO. Just like the 10th Anniversary Port Askaig, this is an almost empty bottle. Low level, because it is just so damn good, and drams like these just don’t stay around on my lectern for all too long…

Color: Gold.

Nose: Ashy peat yet more smoky and sooty than peaty alone. Distant smoked fruits and medicinal, lots of iodine, just perfect. Nice sweet spicy and chewy warm wood note, as well as a faint industrial rubbery and oily note. It’s like the smell of an old steam locomotive, or any other old well-oiled (steam) machine, standing around for ages in a museum. Paint (sometimes borderline polyester), old Martinique Rhum, perfumy (at times fresh and soapy, in a good way) and floral as well. Salty? Dry garden waste, including grass (dry as well) so not the wet or moist rotting stuff. December bonfire and crushed beetle, nutty and milk chocolate. A blend of dried kitchen spices and pencil shavings. No way to contain this. I just put the glass far away from me and still this reaches my nose easily. A nice fruity acidity combines with bold fruity notes. Hints of ripe and sweet black berries. Bassett’s Liquorice Allsorts. Clean, chewy and big. After some breathing, hints of oak emerge, as well as some hot oil emanating from a sowing machine. A much cleaner smelling oil than the oil coming from old machines. This one has it all. One of the best balanced noses I’ve come to smell in a long time. This is special stuff with seemingly endless layers of aroma’s. As said earlier, just perfect if you are into this kind of stuff. And this one also works very well smelling it outside in clean fresh air. Amazing stuff.

Taste: Prickly smoke and peat upfront. Dry. Wow. Sweet nutty wax, crushed beetle again, with a rather strange red fruit acidity bubbling up, in part artificial, yet soon to be overpowered by the soot and ashes. Some plastics and polyester pop up, aiding the artificial red fruit feel, or maybe causing it? Medium red fruits and again quite some soot and ashes. Hints of latex paint. Toffee sweetness and chewy as well. The peat and smoke combo remain omnipresent throughout this dram. Simpler than the amazing nose, yet with a nice long and lingering finish and warm bonfiery aftertaste. Wonderful dram. Amazing 11yo. Tobermory distillery is killing it with Ledaig recently.

Yup, here we have an another Ledaig-belter on our hands. The nose is perfect, and the palate, and even though this is somewhat simpler, it is most definitely “not bad” as well, just not in the same league, close though, don’t you worry. In the end, this is pure joy (especially when combined with some great avant-garde live performances of Frank Zappa and the Mothers from the sixties). Big and busy band, big and busy Whisky.

Points: 91

Kavalan Solist Ex-Bourbon Cask (58.6%, OB, B111209041A, 2017.07.11, 184 bottles)

After the minion-Solist I reviewed last week, here is the first true Solist on these pages. I guess that any journey into the world of a particular Single Malt should actually start with the result from maturation in a cask that previously held Bourbon, because casks like these, especially refill casks, show the distillery character best, not overpowering the true nature of the spirit. So here we have a Solist, an ex-Bourbon single cask bottling bottled at cask strength. Beforehand I was quite excited to find out if this Malt would be closer to an Indian Malt or more like an aged Scottish Malt. As said in the previous review, Kavalan is mostly made with Scottish imported barley, but matured in the hot Taiwanese climate, whereas Indian Malts are predominantly made with Indian Six-row Barley, but also matured in a similarly hot climate. By the way, another fun fact, the Indian distilleries do import something else from Scotland though: Peat, and maybe Kavalan does so as well. I’ll look into this when reviewing a peated Kavalan. But first back to basics…

Color: Gold.

Nose: Spicy, sweetish, fresh and modern. Buttery and creamy. Microwave popcorn (the buttery/salty one, definitely not the sweet one) and latex paint for walls. (Not talking about solvents here, although maybe the tiniest hint of some acetone is noticeable, like you get from fermenting over-ripe yellow fruits). Pretty fruity from multiple yellow fruits, as well as a nice Asian florality. After a while the fruit turns slightly syrupy or jam-like. Medium spicy wood. Fresh and herbal. White pepper and pencil shavings. Slightly dry and dusty as well. Mocha and light milk chocolate with distant ice-cream. Some vanilla and wood spices, suggesting of course, American oak. After some breathing the more dusty and cardboard-like notes emerge, adding to the complexity. This is a very good example for a well aged Bourbon cask Whisky, only well aged in Taiwan has thus a different meaning than it does in Scotland. It takes much less time there than a similar example of Whisky aged in Scotland. This particular Kavalan reminds me a bit of Bourbon cask matured Glen Keiths from Signatory, but it could be similar to many other well aged ex-Bourbon cask matured Scottish Single Malt Whiskies as well. The point being, that the aforementioned Glen Keith’s are some 20 years old and I don’t think this Kavalan is a lot more than 5 or 6 years of age. So quite the result for a young Whisky. All in all, a clean smelling Kavalan, this is. Thank you, Mr. Yoda for that.

Taste: Very nutty and prickly, right from the start, fresh almonds. Nice sweetness but also a wonderful fruity acidity complements the sweetness very well, making it fresher and “lighter” than a similar Scottish counterpart. Didn’t pick up on a lot of this nuttiness on the nose though. Cocoa powder, wax and clay and with just the right amount of sweetness counter-parted by spiciness. Fresh and citrussy as well. Very fruity, very tasty. On the body, since a lot is already happening, not a lot of wood is discernible, but in the finish a bitter edge is there. Warming going down. Sure it has quite a high ABV, but it really doesn’t come across as one. Well balanced stuff this, just slightly less complex than the nose was.

This, (ex-Bourbon), is one of the more nicely priced Solists available, and if the price stays as it is, it most definitely is a good alternative for an older Bourbon cask matured Single Malt. It is also closer to a Scottish Single Malt than an Indian Whisky is, and with this, Kavalan seems to be not really carving out its own niche…but rather fishes in exactly the same pond as the Scots do. In that light some of the Solists have some pretty hefty prices. Nevertheless, this “basic one” is very well made, and it takes a lot less ageing time to match the quality of a Scottish Single Malt. Recommended.

Points: 87

Entirely by chance, I found out this malt works extremely well outside on a sunny day in spring (so when it’s still a bit chilly outside), combines very well with (cold) fresh air.

Kavalan Sherry Oak Matured (46%, OB, Oloroso Sherry Casks, 2017.08.07)

Kavalan has been founded in 2005, built in 8 months and thus in 2006 the first spirit already started to run off the still. Fun fact, most of the Barley that goes into the Whisky is imported from…Scotland. Kavalan is a big distillery (very big actually, and they keep expanding it), and lies an hours’ drive away from Taipei (the capital of Taiwan). Kavalan makes and bottles a lot of Whisky in lots of expressions. In 2009 the first Solist saw the light of day. Solists are single cask expressions, although officially released in batches, so maybe not every batch is from a single cask? Solists are bottled at cask strength, and not only coming from ex-Bourbon and ex-Sherry casks, there are a lot of other variants as well, some of which are quite expensive, for a NAS-Whisky. Me, already being a fan of Indian single cask Whiskies, the Solists are the ones I was most keen on trying, buying and reviewing.

Indian Malts, made from Indian six-row Barley (which makes a difference), as well as the Whisky made in Taiwan “suffer” from a lot of evaporation (a similarity). In these countries with their hot climates, numbers between 10% and 15% evaporation from the cask, per annum, are quite normal. So, Kavalan is made with Scottish barley and put in casks that also could have wound up in Scotland, the water is obviously different, but the biggest difference is thus the climate ensuring a more speedy maturation. Before I get to reviewing a true Solist, here is first a sort of lighter version of a Solist bottling called, Kavalan Sherry oak, bottled at 46% ABV. Presentation looks quite similar to a Solist, surely these must have been made in (small) batches rather than a reduced single cask.

Color: Deep dark brown, slightly orange/red.

Nose: Cherries, Oloroso Sherry and maybe a wee hint of PX for good measure. Figs, light black coal, herbal licorice and spicy wood. Very aromatic. Fresh oak and toasted oak, and no tarry notes to be smelled. Sometimes very clean and modern (at first), yet at other times almost old skool in style, but also just damn nice smelling, very appetizing. No tar, but it does have this classic fatty black coal note. Quite some American oak vanilla. Slightly nutty and cardboardy with vanilla pods. Hints of dust, more licorice, horseradish, lavas, clay and meat. Fresh air and an even fresher minty bit. Thick syrupy fruit, red fruit jam. Dust from a bookshelf and stinging sawdust. Milk chocolate. Even though this is quite dark, this isn’t a big, heavy, black coal and tarry, old style Sherry monster, no, it does have lots of those aroma’s, but they are fresh and fruity, and considering this has been reduced, the total package is more of a Sherry Whisky suitable for a lukewarm sunny day, whereas the monsters are more for an cold yet calm, and not entirely unpleasant evening in autumn. Having said all that, after some more breathing, the Whisky gets deeper. Honey, even more licorice, raisins and more syrupy. Maybe I spoke to soon. The nose moves more towards a dark, sweet Sherry, more towards the profile of a PX, even though this has been solely made with Ex-Oloroso casks. The vanilla note stays throughout, so most casks used, if not all, were probably made with American oak. The darker tone evaporates again like it was blown out with a whiff of fresh air. More of the milk chocolate now combined with a toffee note and a hint of creamy latex paint, and a more dry and warm summer wind. It also retains its modern feel as well as the older style notes. Well balanced, and yet another example of a Malt that really gets better with some extensive breathing, at least the nose did.

Taste: Well, dare I say it, It’s tarry now, diluted red fruit lemonade, with an light to medium oaky bitterness. Less sweet than expected, yet more acidic. This feels like it’s sweet, but it got somewhat masked by the wood. Very drinkable and sometimes a bit thin on entry. It’s big on aroma, if you give it some time. The sweetness is a bit odd though, it has this cloying taste, even though the texture remains thin. It tastes a bit like overly sugared food does, or even better, come to think of it, Rum with too much added sugar. Like A.H. Riise or Plantation. Now I can even smell the Plantation Grenada Rum. Wood, dosed Rum and licorice, also hindering the balance. Now that it somehow tastes like a Rum, the point of no return (to Whisky) has been reached. These must have been very active, first fill Oloroso casks, overpowering the distillate an turning it into an Oloroso finished Rum. Tastes good though, it really does, but it’s not what I’m looking for when I’m buying a Sherried Single Malt Whisky. So, wonderful nose, Rum-like on the palate. Big bodied aroma, with some thin moments, but a rather short finish and hardly any aftertaste to speak of.

Up ’till this point I haven’t had the opportunity to taste a lot of Kavalan’s. But with this Sherry Oak edition and some others that I did taste, I have to say that the distillate is quite good, although in this one, exactly that has been completely masked. I will try to get my hands on some more expressions, most likely some Solists, since I just love cask strength. In the introduction of this review I mentioned Indian Malts, but I feel now, for the time being, that Kavalan, as a whole, has more similarities with Scottish Malts, than Indian Malts, so the six-row Barley (and maybe some other regional factors present in India) does its job, creating a little bit of uniqueness…

Points: 86

Empty glass (the next day) smells of wood, red fruit jam and surprisingly, horseradish.

Tamnavulin 8yo 2009/2017 (59%, A.D. Rattray, Cask Collection, Bourbon Barrel #700628, Finished in a First Fill Bourbon Barrel for 16 months, 229 bottles)

This will be an interesting bottle. After the Dalmore I reviewed last, here is another example from a distillery from the portfolio of Whyte and Mackay, and yet another independent bottling. This is the first review of a Tamnavulin on these pages and to be honest, I never ran out of the house to fetch me a Tamnavulin. Tamnavulin just doesn’t have such a reputation. I did buy a nice, and very old, example from Duncan Taylor once, in the USA many years ago, but that’s about it. A few years back I visited the stand of A.D. Rattray at the Whisky Show in London, and tasted this Tamnavulin, I though it was rather nice and being a Tamnavulin, I bought it at the show shop. I couldn’t have been very expensive then.

Apart from the taste, I really liked the idea of maturing a Whisky in a Bourbon Barrel and then finishing it in another first fill Bourbon Barrel. This may imply the first cask it matured in wasn’t a first fill, but I might be wrong. The other thing that grabbed me was the mention of the number of the first cask it matured in (#700628), yet not the number of the cask it was finished in. But wait, there is even more. The label claims this was first matured for “over” 7 years and then received a finish of 16 months, so 100 months or more. Distilled on 10.05.2009 and bottled on 31.08.2017 equals less than 100 months. Being a Tamnavulin and all this wonky information on the label, and having tasted it, I just needed to have it, especially since Tamnavulin is rather a scarcity on my lectern.

Color: Medium gold (and seemingly not filtered to death).

Nose: Vanilla and soft oak. Malty and biscuity. Pleasant and fruity. Quite floral and perfumy. Classy. Underneath a more sweetish and fruity bit. Big and bold, with lots of aroma’s and an open character. Even though it is quite a young Whisky, there are no traces of new make and it smells quite mature. The oak gives off some spicy notes, but not much. Seems to me the initial cask wasn’t all that active and the second maturation wasn’t long enough for that cask to dominate the strong oaky notes. Interesting finish this is. Notes of yellow fruits are a bit overshadowed by this perfumy and soap-like aroma. The more I nose this, the more spices are noticeable, but all under this floral cloak. Smelling harder pulls out the yellow fruity bits, as well as some mint and a wee hint of horseradish and rainwater. The fruit turns slightly acidic. Maybe this makes the balance department suffer a bit, but it’s not a big problem though. After a while it turns a bit dusty and the mint vapor has some staying power in my nose. The sweetness picks up some licorice as well. This is an autumn Whisky (based on the nose alone at his point). Given more time, notes of cold dish water, bad breath and honey, these are adding to the complexity, but again making the balance suffer some more. Still this is still not a big issue though. I know “interesting” often has a negative ring to it, but without implying any negativity, this one just is interesting, due to the complexity and the oddness of the aroma’s this Whisky gives off.

Taste: Ahhh, nice. Spicy, slightly bitter and sweetish. Vanilla, nutty and some nice wood, that seemed not to be there in the nose. Warming and highly drinkable. Meaty as well. The vanilla bit grows slightly stronger when you hold this in your mouth. The first sip sort of repairs the nose, focusing it on the more lovely floral bit. Very appetizing and much better balanced than the nose was. Sweet and nutty, honeyed nuts. However the wood gave off plenty of spiciness to counterbalance the sweetness, which is definitely here, yet masked by the wood. Tasty example this is, and seems definitely more mature than the 8 years it (only) has. Apart from the sweetish yellow fruits on the palate, this Tamnavulin also has some zesty citrussy notes. Here it works well, in the nose the acidity isn’t helping the balance of it, however, on the palate this Tamnavulin is well balanced and the slightly bitter notes, this shows towards the finish, can put off some tasters, who don’t like bitterness altogether, but it does add to the balance. The dishwater and soapy bit in the nose, does play an unexpected role here in the aftertaste as well. Unexpected because it arrives late and I didn’t expect it at all to be honest. Along with this bitter note the nose shows us some licorice to go with it, changing the Whisky a bit. Nice complexity thus. Still an autumn Whisky I would say.

I like this Tamnavulin. The two casks worked quite well together. It’s mature and tastes great. The first cask must have been a refill cask, not giving off too much woody and bitter notes from the cask for the stated 7 years. The second cask, a more active one, did have enough time to impair its creamy and vanilla notes, but after 16 months, it didn’t have enough time to give off a lot of woody aroma’s, making for a reasonable well balanced young Whisky without the wood dominating the palate, nope the wood is just about right.

Points: 85

Tomatin “Metal” (46%, OB, Five Virtues #4, First Fill Bourbon Barrels, 6.000 bottles, 2017)

The five virtues are coming along quite nicely. Metal is already the fourth out of the five virtues. Earlier I reviewed the first three: Wood (85 points), Fire (85 points) and Earth (86 points), the last one a rare peated Tomatin. On Paper, Metal is a fairly simple Whisky compared to Wood (which was made with three different kinds of wood), Fire (made with de-charred and re-charred wood) and Earth (three different kinds of casks and also made with peated barley to boot). Metal is made solely with first fill Bourbon barrels, filled with distillate from 2003 thus making it also the oldest expression of all the five virtues. It should be 13 or 14 years old. In earlier reviews I mentioned, that my journey with the Tomatin five virtues series actually started with this Metal (and Water) expressions in London 2018. I liked both and this made me backtrack a bit, buying the first three of the series. All three earlier versions didn’t disappoint, so let’s see if the last two are the best of the bunch, as I currently believe from memory. As said before, I did buy the whole set eventually, but the last two reviews will be based on samples I brought back from London.

Color: White Wine.

Nose: Fruity and very likeable. This brings back memories! Sweet barley and cardboard. Perfumy soft wood (and paper), with mocha notes and dusty. Ever so slightly meaty with a tiny hint of lavas and an indistinct melange of dry herbs. Definitely well aged and this oozes style and class. Its very refined, but lacks a bit in the complexity department, (maybe this is the reduction to 46% ABV). I’m already smelling this for a while now, and not a lot of evolution is happening to be honest. Nevertheless all that is there is very fine and balanced and easily recognizable as a Whisky from ex-Bourbon casks. Vanilla notes and slightly creamy. Faint flinty note as well as a faint menthol note. I have to say that what is here does go together rather well together. Based on the nose alone, easily the best of the five virtues (’till now).

Taste: Sweet and fruity, something that is present in all good Tomatin’s from ex-Bourbon. Just have a look at the 30yo, which offers this in spades, tropical style. Here there are yellow fruits like maracuja and dried pineapple mixed with vanilla pudding or custard. Right next to this, or behind it, if you like, quite a firm backbone of oak, pencil shavings and a little bit of smoke (probably from toasted oak, which matches the flinty note from the nose). There is most definitely quite some influence of wood to be noticed in the back. Strong and spicy and even some bitterness, not too much though, the bitterness is adding to the whole, not taking it over. Sweet mint. The whole is pretty straight forward and comes as no surprise to those who know their Tomatins. Just don’t make the error believing this is simple, because it’s not. Very nice expression this one, and also after tasting it, still the best of the five virtues. I wonder how this compares to a recent, regular 15yo also solely from American oak casks, which is slightly older and slightly cheaper.

When pouring this, I was quite surprised, the colour being only White Wine, or straw as some people call it. This is said to be from first fill Bourbon casks, and especially first fills can impair quite some colour onto the Whisky, especially after some odd 13 years. Also, I wonder why this was called “Metal”. If I would pick a Whisky to show off the Metal from the still, I would have picked (third) refill hogsheads. These casks would certainly not overpower the distillate thus showing off the most distillery character. But then again, these first fill barrels aren’t overpowering anything as well. Considering the colour of this Whisky I still have a hard time believing this came from first fill casks. Based on the nose as well, I would still not believe this is from first fill Bourbon casks. Tasting it, however, there might just be a possibility this has seen some first fill Bourbon casks, since there seems to be quite some influence from wood, yet it is different from the “Wood” expression. Lets just forget about all this and conclude that this “Metal” is a very good Whisky. Tomatin does well in American oak, especially when it gets the time to mature for a prolonged amount of time.

Points: 87

Tomatin “Earth” (46%, OB, Five Virtues #3, Peated, Refill Hogsheads, Sherry Hogsheads and First Fill Bourbon Casks, 6.000 bottles, 2017

After “Wood” and “Fire” here is #3 in the Five Virtues series. Wood was named wood because of three different kinds of oak used for that Whisky: American, French and Hungarian oak. Fire was named fire because of the de-char and re-char treatment of the casks, so these casks were set on fire twice. Earth is named earth because it’s made with peated malt, and peat, as we all know, comes from the earth. So until now, “the logic makes sense”. If I’m not mistaken, this may very well be the first and only peated Whisky bottled under Tomatin’s own brand name. (The peated Cù Bòcan, although made by Tomatin, is a different brand). Earth was distilled in 2006 and made from 50% refill hogsheads, 25% Sherry hogsheads, most likely from American oak, and 25% first fill Bourbon casks, so it must be 10 or 11 years old.

In a way “Earth” has quite some similarities to An Cnoc’s “Rascan”. Both are peated Whiskies from distilleries that aren’t known for their peated Whiskies. Both Whiskies are NAS and quite light in colour. Both claim they’re highland Whiskies even though many Whisky writers place Knockdhu in Speyside. Knockdhu is the distillery, An Cnoc the brand name, by the way. So it came natural to me to start a flight of Whiskies with said “Rascan” and to follow it up with this “Earth” or vice versa. Well, these two are both decent Whiskies, but they absolutely don’t work with one after the other. Both are able to bring out the worst of each other. No matter which one was tasted first. How odd, I wonder why. Rest assured, for this earthy review there was no Rascan in sight.

Color: White Wine.

Nose: Sweet, soft and dusty peat with citrus notes on top. Hint of glue (only when the Whisky is freshly poured). Smells more mature than “Rascan”, lacking the milky new make note Rascan initially has. Very nice spicy wood notes, American oak vanilla notes with sweet citrus on top. Warming peat and only slightly smoky. Rain water, Gin-like. Very aromatic. Smells quite tasty. Hints of sweet coffee with milk, and some added runny toffee. Dust and paper. Old damp wood in a cellar. There isn’t a lot of peat to begin with, but it also dissipates a bit, or is it my nose that gets used to it? Fruity, typical tropical yellow fruits, typical for the best Tomatin’s. Sweet yoghurt with white peach? Slightly peaty and well balanced. After you set you garden waste on fire, it smells like the glowing remnants of the biggest branches in the pile, just before it dies out. I’m sure some of you will share such an experience with me. Coffee candy comes back, together with a whiff of perfume, old almonds and some pencil shavings. When smelled in the morning, the fruits have more to say than it does in the evening. So for me this is more of a day-time dram than it is an after-dinner dram. It maybe is too delicate for after dinner or to pair it up with a cigar. It’s soft peat and sweetish fruit, but it isn’t smoky. It’s not a bonfire dram. This is a lovely peated Whisky, that’s more fruity than it is peaty (or smoky). Fruit comes from the earth as well, so the name is still valid.

Taste: On entry, the sweet and the fruit come first, as well as the almonds from the nose. After this, some prickly smoke and another sweet touch. Only after sipping the smoke comes forth in the nose with some pencil shavings. Creamy and fruity with a tiny hint of bitterness for good measure. Fruit, biscuits and cookie dough. The sweetness is just right, the peat is hardly detectable, yet present. This is a bowl of ripe fruits in a kitchen where preparations are made for baking a apple pie (just no apples in this nose, or are they…), no it’s about the dough. Even though this is peated (can’t be much), this is still easily recognizable as a Tomatin (when you know your Tomatin’s of course). Not super complex, but actually this is a very nice and interesting Tomatin. Sure we have Cù Bòcan, but I’m really interested how another peated Tomatin would turn out, hopefully bottled at cask strength this time, if they care to repeat the experience.

I have to say, that after the first three Five Virtues, this series is quite likeable. All three turned out to be decent Whiskies with interesting differences, and I believe the best is yet to come.

Points: 86

One point above Wood and Fire. All three are good and different, but this one is even more tasty and slightly more special.

Bruichladdich 8yo The Organic 2009 (50%, OB, Bourbon and Tennessee Whisky casks, Mid Coul Farms, Dalcross, 18.000 bottles, 17/333, 2017)

The last Bruichladdich on these pages was the 2007 Islay Barley, and I suspect this Organic 2009 should be somewhat comparable to it. These two (Islay Barley and Organic), together with the Bere Barley expressions, seem to be Bruichladdich’s answer to Springbank’s Local Barley series. Both distilleries are sure that terroir matters, and you lovers of good food already know to use local, seasonal and fresh products. Where on every Local Barley bottle there is a statement of the Barley variety used, in this case Bruichladdich only mentions the use of 100% organically grown Scottish Barley. The Barley was sourced from Mid Coul Farms, Dalcross which is just to the north of Inverness and has Inverness airport as its closest neighbour, quite an odd place to grow organically. So no pesticides, but jet exhaust instead? Odd. As we already know, distillation took place in 2009 and the Barley used was from the 2008 Harvest.

Lets make it ourselves easy this time and finish off this introduction with the official introduction to the organic 2009 by Bruichladdich themselves: “The whisky we distil from the organic barley of Mid Coul reflects the complex natural flavours of the landscape. Just as our stillmen refuse to abandon the traditional crafts of distillation in favour of automation or industrialisation, so farmer William Rose rejects the use of herbicides, pesticides and artificial fertilisers. Crop rotation is key. Our barley must take its turn in a seven year farm cycle that also produces organic cattle, sheep, oats, beans, grass, carrots, market gardening and a megawatt of green electricity. Respecting the land, the soil and the climate nourishes a genuine and thorough understanding of terroir and the results are pure Bruichladdich”.

Color: White Wine

Nose: Initially cereal and biscuits, very clean. Briefly the aroma of cherries on syrup and almonds, but when air hits this Malt, this is soon gone, never to return again. Powdery and some vanilla, yet still fresh and clean. Warming mocha, creamy latex paint and a hint of light chocolate powder. No sign of new make spirit though, even though this is a pretty young Malt. Sure, I’m probably somewhat biassed by the organic name, but this smells like a honest Malt an “integrity” Malt and I’m happy to report no jet-exhaust at all! Next, some development letting a citrussy and more fruity bit through. Sweeter and slightly more floral now, whiffs of perfume whizz by. Soft wood, very soft wood. A breath of fresh air and this brings me back to the days in the noughties of many Cadenhead hogsheads, bottled in their Authentic Collection. Ahhh, memories… More milk chocolate, wood, also some fresh mud now. Instant coffee powder and also these half-sweet yellow fruits. After a long while the woody bit gets some more room and smells a bit like pencil shavings (and a wee bit of ear-wax) and a wee-er bit of Spanish cedar as well. Sometimes I even get the original Nivea cream. It may be young, but it smells impressively balanced already, sure it lacks the depth of a well aged Malt, but you already knew what to expect, when buying this didn’t you? (I did).

Taste: Sweet, just the right amount, and not really the oomph of 50% ABV. I did let it sit in a glass for a while, maybe the oomph evaporated? Just kidding, or aren’t I? It’s most definitely not harsh now and actually quite soft. Sweet barley and more wood than initially showed up in the nose, and after a while, some bitterness emerges. Vanilla and the wee bit of ear-wax from the nose is present on the palate as well. Quite nutty. Sweet floral lemon balm on my lips. Runny caramel which fits perfectly with the fruity acidic notes. This may not be a very complex Malt, but I wouldn’t make the mistake of calling this simple. This is a well made Whisky, with a lot on offer.

I’m writing this review from a bottle that has about one third left, and the Whisky is more mellow now and better balanced than it was when freshly opened. It might have even been a bit harsh on opening. Many of you know the difference between tasting a malt in an controlled environment, (no I don’t mean a laboratory), like your living room or man cave for instance, a place you know well. Tasting a Malt outside, with it’s constant flow of fresh air, I often don’t pick up on certain markers from a Malt, I most definitely do pick up on inside. The tasting experience outside, therefore differs for me, from inside. Having said all that, this Organic 2009 actually works wonderfully well outside. This malt just needs some more fresh air, and with this, it shows you more, as if amplified. At least today it does, and it is quite a grey and windy day. Not a dull day, mind you, hard wind and rolling clouds are fun to watch, as well as the stuff blowing by my window. Circumstances not unknown to Bruichladdich. Just pour it and leave it there for a while, again a Malt that needs your attention (like the Ben Nevis I just reviewed). This may very well be an anoraky Whisky. Personally I like it a lot and have a lot of fun with. Somewhat of a hidden gem if you let it. Good stuff, just like Islay Barley 2007, scoring the same.

Points: 86

P.S. I found this Whisky works best in a larger Whisky glass, my favourite glass for this Whisky was the Holmegaard Perfection Spirit Glass.

Amrut Kadhambam (50%, OB, Batch No. 6, Bourbon matured, Rum, Sherry & Brandy Finish, 2017)

If you read my reviews back about Indian Malts, you know they are quite to my liking. However, the last review I did was way back in 2019, remember those pre-Corona days? How different life was back then? So it is about time to review a few more. Today I’m having a look at another Amrut. This time Kadhambam, which is the Tamil word for mixture. Well, what they have concocted here is a mixture of different finishes. The Amrut standard Single Malt (Bourbon matured) has been further matured in casks that previously held Rum, Sherry and Brandy. Those casks are then married together to form this Single Malt.

Color: Orange gold.

Nose: Malty, somewhat less Indian spices than expected but there is still a lot here, in part masked by a lot of other aroma’s. Dusty and sweet. Toffee with nice organics. Fruity, jam-like sweetness and almonds. Vanilla and powdered orange candy. The base Bourbon matured Malt is easily discernable, so the finishes didn’t overpower the Malt. It is also definitely noticeable, that a lot of different casks were used. The Brandy bit is recognizable from my earlier experiences with Port Charlotte CC:01 which was Cognac cask matured. When I smell this with a low flow rate, let’s say 5 seconds worth of snorting (which is quite long, just try if for yourself), lots aroma’s pass by. It is soft and spicy at the same time, very fruity and appetizing. Quite late in the mix the woody bits come forward. Licorice, pencil shavings and the familiar toasted oak. Cold sweet black tea, more licorice and a slight hint of tar. This might seem like a Whisky where just a lot was thrown together, yet still it manages to reach such a high level of balance. Amazing. This turned out very nicely.

The aroma’s of this Malt are transported well. 50% ABV is a very good strength for this. 40% ABV is rather weak for a Modern Malt and 60% ABV can be quite overpowering for some. Old Malts were made differently from different barley varieties, maybe different yeast strains and the cask may have been different. Old Malt’s could be easily diluted to 40% ABV. Just look at G&M’s Longmorn from 1971. Not everything was working At 40% ABV, but a lot did, and today that percentage would be lower. I don’t think Douglas Laing bottled their Old Malt Cask Whiskies at 50% ABV by accident, although I do suspect some economics were applied as well. If you reduce Whisky (a bit), you end up with more bottles to sell. But hey, Whisky is also a business, even though for some of us it feels like a charity. So nothing wrong with the business of it all. Luckily for us aficionado’s, Douglas Laing stopped diluting at 50% ABV. A heartfelt thanks for that!

Taste: Starts sweet and fruity, but thinking back to Port Charlotte CC:01, I don’t really remember that cask giving off this kind of sweetness. Toffee, runny warm caramel, fruit syrup and jam. The perfect sweetness takes a while to move over. Indian spices, almonds and licorice, toasted oak, sweet ripe red fruits and green banana. Let it breathe, it may be a bit closed at first (especially when you’re dealing with a freshly opened bottle). Wood in the back, as well as some cold ashes from the fireplace. There is a lot happening in this Malt, so all this stuff needs a while to break free. Very well balanced with a fruity and nutty aftertaste. Tasty! The longer this stands the nuttier the taste becomes. Amazing balance. Another cracker!

The price is gradually rising over the past few years, but at today’s price-point it is still very recommended. I guess the score reflects that.

Points: 88

Caol Ila 10yo 2005/2017 (54.0%, Gordon & MacPhail, Reserve, 1st Fill Bourbon Barrel #301553, for Vinotek Massen Luxembourg, 210 bottles, 170927)

Funny how things can go. When I posted the review of Caol Ila #301535 a month ago, I didn’t even have this #301553. I have posted two Tamdhu’s, and I already was well underway with the next tandem of Malts, why not write some reviews in pairs, adding the possibility of comparison one to the other? Nope no spoiler alert needed, you’ll just have to wait and see what comes next. I can only reveal that the next tandem will make for a very interesting comparison. Next, the sound of the doorbell ringing…twice…because the postman always rings twice*, and she brings me my latest auction winnings. One of which is the sister cask of #301535: #301553. So with some further ado, I present you the Caol Ila that went to Luxembourg. Thus, here’s the final ado: Just like the other one, we know the exact distillation date: 21-02-2005 (back label), which is the same day as this one, so the distillate is exactly the same, but, (spoiler alert), the outcome isn’t ! We also know the exact bottling date: 07-08-2017 (printed on the glass), so this Malt is almost 12.5 years old, and aged for almost 25% longer than the previous one. Onwards with the review now Quill, stop your ado-ing!

Color: Light gold.

Nose: Soft peat. Very perfumy, distant hint of coffee and plastics (only when freshly poured, the plastics will be gone soon). Big. Wood, mocha and milk chocolate. Warm. Underneath quite fruity and on top a breath of fresh cold air (after the rain). Moderate fatty peat, crushed beetles and some really nice smoky characteristics, almost not Caol Ila-like and to me this smells like an exceptional cask. Everything is in its right place, and it hits all the right spots. It is really wonderful already, complex and already shows some nice development in my glass. Initially quite sharp. Wood, but not your usual oak, but more like wood lying in a forest. Mild yellow fruits with a promise of fruity sweetness. Apples, mint and meat. In this version of Caol Ila there is this soft layer of smoke that always hangs over it, like smoke or clouds in the sky. Well balanced Malt. Smells more adult than the aforementioned sister cask, and that one already had a stunning nose. Since this is exactly the same distillate, did the 2.5 years more make such a difference or is there more to it? As Gordon & MacPhail already tried to tell us earlier, does the wood make the Whisky? I’m smelling this for a while now, without tasting it, and this really develops in my glass big time! If this is as good to taste as the nose is right now, than we’re in for a real treat. I’m giving this one much time, since this is a freshly opened bottle. What a wonderful, well aged nose this is. One might expected this to be from a similar barrel as its sister cask, but it doesn’t have to be. If so, these must have been some well selected staves then. A cooper with a keen eye, knowing what to pick? This one really smells a lot better, it really is remarkable. More details, better defined and better development. Where #301535 dulled down when smelling for a while, and remember, it was a good one to boot, this #301553 just never stops performing. Amazing!

Taste: Wow, initially very soft on entry (the other one was softer and definitely soapier, here most, not all, of the soapy bit is replaced by a sweet fruity bit). Peppery and spicy smoke and strong going down, and then turning soft again, and again sweet. Sweet cardboard and paper notes. White pepper and yellow fruits. Sweetish and cold ashes from the fireplace come first. Nutty and fruity, but as I said, lots of ashes. I have to give it some more time, but it seems to me to be different from its sister cask, it is also a bit different than I expected considering the nose. Surely this must be from another line of Barrels? The middle part is fruity and accessible, but towards the finish more ashes, paper and a wood-bitter note. Although the finish is of medium length. It is warming, somewhat soapy (at times) and leaves for a nice, nutty and woody aftertaste. Much better balanced than its sister cask if you ask me. Benefits from the warmth of your hand when breathing, but never really lives up to the amazing level of the nose, but it is still better than its aforementioned sister cask. Especially if you warm this one up in your hands.

When this was sold in Luxembourg it was quite cheap especially considering the quality this Malt possesses. I paid a bit more than the initial price at auction, but still feel I got a good deal. Later I found out that the quality of this particular example is well known in circles of anoraks and aficionado’s and bids can be even (much) higher than my final bid. First of all, this Luxembourg edition surpasses the already good nose of the Belgium edition. It is quite amazing in fact, look how the nose changes and even unlocks another dimension after a few sips. In the taste Luxembourg seems a bit sharper and more complex, less soapy with even more ripe fruits. After #301535, I was not sure about getting a similar bottling, 84 points is good, but not that good. I read somewhere, this one was better and in the end I couldn’t help myself. If given the chance, I bid on two, and that way often securing just one or none even, because one or more of you often overbids me in the last minute, but this time no one did and I got both. In hindsight: Yey!

Amazing how medicinal the empty glass smells the next day. Extreme. The empty glass of the other one smells different. Both seem to have some pine resin, which wasn’t there before. The empty Luxembourg one smells more like a sauna now. How’s that for complexity.

Points: 88 (the nose, if scored by itself, would score well into the 90’s)

* Final ado: I was lying earlier, from where I’m sitting, I can’t even hear the doorbell, the sound is too soft.

Tormore 12yo 2004/2017 (59.6%, Gordon & MacPhail, Cask Strength, First Fill Bourbon Barrels #901 & 902)

Sometimes less obvious Whiskies just hit the right spot with the drinker. No big names, no big marketing ploy. Usually these are workhorse Whiskies originally meant for blends. Just like Inchgower (I just reviewed this 1998 bottled by Gordon & MacPhail as well) is mainly used in three well known blends. White Horse, Bell’s and Johnny Walker. Teaninich is another right-spot Whisky for me, but there are more. Tormore is one of those right-spot Whiskies as well (and used in several blends too). Tormore has a profile I rarely encounter elsewhere. Sometimes funky or even sulphury, sometimes industrial and frequently metallic. It doesn’t seem right, but it is most definitely not wrong either.

So what is it about Tormore? Maybe it is safest just to call it an acquired taste? Sure, I’m the first to admit that the markers I mentioned above don’t sound all that appetizing, but for me the strange profile works wonders. It broadens the horizon a bit, if you will. Entertaining and interesting. Unique and a bit strange. I first had this click with an metallic and industrial Tormore from the hot 13yo Cadenhead’s bottling I reviewed quite a while back. Tormore may not be entirely for novices, I’m sure it isn’t, but I found that people who are “doing” Whisky for a longer time, secretly have a soft spot for this Malt! I’m so curious now, I can hardly wait to take a sip…

Color: Very light gold, White Wine.

Nose: Cereal, barley, wood and strange enough, since this is coming from Bourbon barrels, some sulphur, but a nice light sulphur it is. Warming, funky, almost like a nice smelling fart. Don’t be offended, you’ve been there, admit it. There is another association I have with this smell. When growing up near a rural area I used to poke a stick into the bottom of a pond or stream, and the sulphury bits of this Tormore remind me of the bubbles coming up. Just like previous Tormore’s, it’s also metallic and nicely spicy. Funny when Tormore just seems dead wrong, it still is right (for me). It’s a bit off (or is it just different), but I just like it. Old dusty vanilla and fresh citrus notes. Ginger. Dry vanilla powder. One moment perfumy and chic. Fireworks and striking matches the next. (including the gas-passing, mentioned above). So, when did you have that last in a Whisky? The “off” notes, wear off a bit, showing more of the fruits and ginger underneath. Zesty, fresh and citrussy and still this huge breath of fresh air. When smelled vigorously, a meaty note comes to the fore. After a longer while, old furniture pops up. Dusty old furniture. My minds eye sees this old furniture, lit by a ray of sunlight falling into the attic through a small round window. My god what a nice farty, complex and interesting philosophical Whisky this is!

Taste: Quite sweet on entry. Fatty and creamy. Toffee and vanilla ice cream. All these creamy notes are masking the high ABV, because in no way does this taste like a near 60% ABV Whisky to me. Big and bold. Spicy, stingy, but then this soft, cloaking, toffee layer takes away the pain. Milk chocolate, mocha flavoured cream. You can sense that there is wood and there is most definitely quite some bitterness present, but the big, bold and creamy aroma’s just don’t let it all through, well sometimes it does. Alas, not as complex as the nose, but tasty nevertheless. Sugared mint towards the finish. I’ll even throw in the chocolate again, to make it an after eight type of experience. Hints of ashes, mere hints only. Cow manure (this is the sulphur talking again, showing one of its guises), mint, toffee and caramel, without being overly sweet. What a nice Whisky. The longer you keep this in your glass the more the mint excels. The bitterness turns out to have some longevity to it though. Luckily it is not too much.

In ways even science can’t wholly explain, I manage to have a soft spot for Tormore, and this example is no exception. But buyer beware, this is me and you are you, you might dislike it as much as I like it. Don’t say I didn’t warn you. I think it is wonderful in its uniqueness and for me, one to relax, recline a bit and watch a good looking and good sounding version of the Matrix. This Tormore somehow has the same feel as this movie…

Points: 87