After one blend and three reduced bottlings from their standard range, here is finally the first example of an “untouched” New Zealand Whisky. A 1993 expression bottled at cask strength and from single cask #21. That’s more like it. This way we can finally find out what the distiller intended. How did the spirit interact with the wood from the cask. No information about the cask itself has been given so we aren’t handicapped with information this time, and can just dig in…
Color: Light gold.
Nose: Fruity and dusty, carried with an undertone of fresh wood. I would say this came from a Bourbon cask. Not hard to tell since the wood impaired quite a lot of vanilla-flavours. One with green fingers too, since it has more traits from the kingdom of plants, than the wood alone. It’s easy to admit, this one is driven by wood. Even the spices are wood related, and what about the whiff of pencil-shavings and the aroma of freshly broken off twig? Does this mean this one is dominated by wood? Not at all. The wood gave of various elements of itself, without overpowering it. All in good measure. It has a promise of sweetness (toffee) and the big wood-vanilla synergy makes this a fruity and creamy nose with some backbone and character given by the wood. Slightly oriental (Indian) and floral. Restrained, elegant and wonderful.
Taste: Nice spicy, prickly and woody entry. It starts out with fresh oak and a quite big, nice vegetal sweetness. Tiny hint of bitterness. Right from the start it is obvious this one is carried by the cask strength. Good this wasn’t reduced. It doesn’t seem to have as many woody traits as the nose. Definitely simpler in design than the nose. The fruity bit I taste is a bit peculiar. To me it seems, the mixture of yellow and red fruits don’t combine perfectly here. More cereals and bread tones towards the end. The finish is shorter than expected and it’s the grainy, bread-like and slightly bitter bit that has the biggest influence on the finish.
The strength of this malt is the wonderful nose, as well as well on entry in the mouth. From there it goes a bit downhill. The body sort of disintegrated in my mouth and although the cask strength is noticeable, it doesn’t carry the aroma’s into the finish in a big way. This is a Malt that needs to be tasted, taking big sips. Good stuff nevertheless, easy drinking Whisky, but probably not the best single cask bottled by the NZWC. We’ll see because I have two more hidden away somewhere.
Points: 85
Color: Light gold.
Color: Light gold.
Color: Dark gold, slightly orange.
From 1955 through 1956, the distillery is again completely rebuilt, this time because of economics, not disaster. In 1966 the distillery is equipped with six stills, but are not configured in the expected three pairs which a normal double distilling distillery would have. Benrinnes have two groups of three stills which makes for a partial triple distilling configuration (sounds a bit like Springbank doesn’t it?).
Color: Golden nectar with the slightest red hue.
Color: White wine.
Color: Gold
Caol Ila. This was recognizable blind. This has a nice full body with a perfect sweetness (slightly acidic) that matches the toned down peat a lot, combined with the smoke…a winner. Macaroons (made with almonds) and a slightly bitter finish (from the wood) and overall a tad too simple for a score into the 90’s.
oday I have the chance to give this another go. First of all, I can look at this by daylight and I can’t see the red lemonade anymore. It has this orange brown color most Bourbons have.
Let’s do another Ardmore and compare it to the day before yesterday’s offering by The Whiskyman. We all know that 1992 is somewhat of a good vintage for Ardmore. So let’s see what happened in the distillery a year later. This 1993 was bottled by Gordon & MacPhail and they were so kind to do that for Van Wees of The Netherlands.