Glenmorangie Signet (46%, OB, White Oak, Oloroso Sherry Finish, Circa 2012)

I never was a big fan of Glenmorangie. Early on in my explorations of Single Malt Whisky I came across the litre bottle of the 10yo. Good value, looked great. Wow a litre bottle even. I didn’t like it. I had bought some other expressions but when I had the chance to taste them elsewhere I was quick to sell them off. Never regretted it since and in fact never came across a Glenmorangie I really liked. Well one I did like, a 30yo 1972/2004. Rare stuff. Ten years I didn’t look back and never got interested in Glenmorangie again. Just one of those malts that didn’t suit my tastes I thought. Recently I got a sample of the extremely rare 18yo and yes, that one was so nice and drinkable that I got myself a bottle of that. Great golden box too. If you ever going to bury a small pet, look no further than Glenmorangie 18yo. After that I accidentally had a blind tasting of the new 10yo and again didn’t like it. Back to the Whisky. Glenmorangie’s Dr. Bill (Not Dr. Phil) was experimenting a lot at Glen Moray, and when all lessons were learned, Glen Moray got obsolete (and sold off). Maybe not entirely for that reason. Glenmorangie started to churn out great designer Malts. Maybe not the 18yo, which still has an age statement and is more old school I guess, but probably true for this Signet. Just look at the design of the packaging here! Signet is a NAS Whisky and besides the white oak and the Oloroso finish, is known for the usage of heavily roasted chocolate malt. Glenmorangie SignetColor: Light copper gold. Nose: Malty and fresh. Citrus lemonade with a burnt caramel twist. Fruity and very likeable. Am I going to be surprised with another decent Glenmorangie? The white oak is discernible, but not very up front. Also some toasted wood, or maybe the toast comes from the chocolate malt? The white oak is masked just like the peat in good old Laphroaig 10yo was masking the heavy sweetness of the Malt. The masking agent in this Glenmorangie being sweet-smelling Oloroso Sherry. I have to say it is what you would expect considering “the ingredients”. Well crafted stuff. I hope this is what it is by design then and not trial and error at Glen Moray. Wink, wink, nudge, nudge. Taste: Sweet Sherry, petrol and nice warming wood. Fresh untreated oak (not the toasted oak from the nose). Vanilla creaminess grows stronger in the finish and has great staying power, where the body seemed to be light at first. Silky burnt notes or silky tannins, are accumulating in my cheeks and are a pretty nice complement to the creaminess. Better finish even as the 18yo, which should have been bottled at 46% too. Both the nose and the taste are nice and both are about aroma. However if you are looking for development and/or complexity, not the case. You quickly understand how this Malt tastes and that’s where it stays. probably the reason this is a NAS bottling. Don’t get me wrong, Dr. Bill did a great job making this, designing this Whisky. It is really good and a must try if you get the chance. Its different from the 18yo and twice the price. I hope one day a Signet with more age will see the light of day. A version with more complexity and foremost more development in the glass.

Points: 88

Jura 30yo 1984/2014 (44%, OB, American White Oak, Amoroso & Apostoles Casks, 1984 bottles)

Well, this should prove to be an interesting review. First of all, not a lot of Jura’s are around with this kind of age behind its belt. Second, I do know what Amoroso is (Sweetened Oloroso Sherry, most definitely not the highest quality Sherry around), but Apostoles? George OrwellThird, unbelievable what this Malt costs. It has been reduced to 44% (I think) and for sure is colored, why? Is this typical caramel colour so much better than the colour of the original Whisky? Fourth, This malt has been “created to celebrate the famous George Orwell” what’s next, a 2011 Isle of Jura bottled at 50% ABV to celebrate E.L. James? She probably put up a tent of her own on the Island too some point in time. Fifth, in 2003 Jura already released a 1984 commemorative bottling for George Orwell. This time with a Palo Cortado Oloroso finish (I understand that one wasn’t so great). Sometimes I just don’t love marketing. Let’s concentrate on the Whisky then.

But first a word about Apostoles. Apostoles is a Palo Cortado Sherry, a 30yo from González Byass. From Wikipedia: “Palo Cortado is a rare variety of Sherry that is initially aged under flor to become a Fino or Amontillado, but inexplicably loses its veil of flor and begins aging oxidatively as an Oloroso. The result is a wine with some of the richness of Oloroso and some of the crispness of Amontillado”.

I told you it would be interesting.

Isle of Jura 30yo 1984/2014 (44%, OB, American White Oak, Amoroso & Apostoles Casks)Color: Copper gold.

Nose: Extremely pleasant nose. Thick Sherry, but not your normal run-of-the-mill Sherry, but special Sherry coming from the black coal age. Thick but also fruity. Cherry syrup. Antiques, with a small hint of smoke and toast. Unusual but well crafted. The nose shows great balance. I don’t know how they crafted this, but is really smells awesome. To me it smells like something from the fifties or sixties. It has oldness, a backbone and nice fruits. So job well done.

Taste: Fruity again, but somehow not the same fruitiness as the nose promised. The coal returns but in a more creamy way. Vanilla pudding and orange skins. Again well-balanced. Great stuff, but. It’s a bit weak, it has been reduced too much. Why? Money? It’s already colored, and now it’s also reduced too much to fetch more? Ok forget about that for a minute. This is a wonderful malt, that probably was stellar before reduction. Now it’s still great, however it starts to go off a bit, halfway through the body. Although it breaks down in the middle of the body, the yielded parts are still nice and balanced. John Lennon and Paul McCartney did make good solo albums by themselves, but… The only flaw is the weakness of the finish and the shortness of it. I would have liked the creamy fruitiness to stay on a little while longer.

Reading through the intro, I may not be too happy with Jura’s marketing department, ok the packaging looks pretty nifty though. I am impressed with the people involved in crafting this Whisky, and that’s where it’s all about. I’m just a bit sad this great Whisky got reduced too much, albeit 2% higher than the former Orwellian bottle. If only it were somewhere in between 46 and 50% ABV. Maybe next time in 2024, when the Palo Cortado’s turn 40 we get a version bottled at 46% ABV. Watch the wood people.

Points: 90

Many thanks go out to Dave G. for providing the Whisky.

Glengoyne 21yo 1985/2006 (53%, OB, First Fill Sherry Butt #629, 632 bottles)

Two years ago Master Quill had a week specially dedicated to Glengoyne. In that week I reviewed a Glengoyne from 1985 called “Summer” a Limited Release. There also was a Winter (1984 Vintage), a Spring (1972 Vintage) and an obviously an Autumn (1969 Vintage). Essentially all four are Single Cask releases (SC) like the one I’ll be reviewing shortly. This 1985 should be quite interesting since it was drawn from a sister cask of the “Summer”. Summer was drawn from cask #608, and this SC was drawn from cask #629, so that should be interesting.

Glengoyne 21yo 1985/2006 (53%, OB, First Fill Sherry Butt #629, 632 bottles)Color: Mahogany brown.

Nose: Nice Oloroso Sherry nose, with lots of fruits. Fresh and acidic. Wonderful depth. Earthy and dusty, but never dull or heavy. Creamy with hints of vanilla. A very vibrant fruity nose. This probably was a considered a contender for the “Summer” spot. Small hints of warm asphalt. Dusty with some licorice, mocha and licorice. Meringue. Extremely balanced and likeable.

Taste: Cardboard, almonds and quite some licorice again. Warming. Spicy and soft old wood. Creamy and very nice. Fruity vanilla, pudding with warmed up red fruits on top (part fruit, part sauce). Spicy sharpness (hot) because of the alcohol, without that, quite soft and creamy. Slight acidic touch towards the finish, and enough wood. Again, just like the nose. Extremely balanced. Wonderful Oloroso Sherried bottling.

Although a very good Glengoyne Single Cask, I thought the “Summer” was even better. More complexity and even better integrated aroma’s. A bigger body and an even better finish. However, make no mistake. This Butt #629 is no dud, far from it. Hardly any Sherry bottling these days is a good as this is. You know the lonesome tropical Island question, and what to take? If I had to take this one instead of the “Summer” I still would go in a heartbeat!

Points: 89

Tamdhu 23yo 1987/2010 (46%, Mo Òr, Oloroso Sherry Butt #3649, 656 bottles, 500ml)

Earlier I reviewed two young Tamdhu’s, a 2004 and a 2005 bottled by dutch indie bottlers The Ultimate (Van Wees) and both turned out to be pretty good. This time we’ll have a look at a much older 1987 bottling by another dutch outfit, this time Mo Òr (The Whisky Talker). Tamdhu’s are usually pretty good when matured in Oloroso, so I’m guessing this also wil not be too wonky.

Tamdhu 23yo 19872010 (46%, Mo Òr, Oloroso Sherry Butt #3649, 656 bottles, 500ml)Color: Orange gold.

Nose: Lovely creamy Sherry. Nice alcoholic nuttiness. Clay and cask toast. Not too cloying and can be even called fresh, like in a breath of fresh air (carrying a little bit of dust). Licorice mixed with a hint of burnt leaves. Very aromatic, just move it around in your glass and lots of aroma leaps out of the glass. Creamy vanilla and some good oak. Nice balance and highly aromatic. Medium complexity but very appetizing.

Taste: Creamy with licorice and cask toast. Warming, and half-sweet. Clotted cream. However, already from the start this has a “thin” quality to it, which is remarkable since the nose was so aromatic and full. In stead of the creamy and honeyed sweetness, it starts with a sharpish burnt note. Charcoal and in the background a tiny hint of sulphur. The vanilla cream comes later. Smoky toffee. Warming with good creamy sherry and although the start was thin, the finish does linger on a bit.

I’m guessing this was better at cask strength. Very appetizing. good stuff and the kind of Whisky you’ll want to have first when this is in your collection, so easily drinkable. A bottle that will be empty soon, also because it’s only 500ml. Yup, not wonky at all.

Points: 88

Glenrothes 1990/2002 (46%, Wilson & Morgan, Barrel Selection, Sherry Wood)

Time for an “oldie” Wow, I’m now calling a Whisky from 1990 an “oldie”, unbelievable how time flies. Here we have another Glenrothes. For one reason or another I seem to like independently released Glenrothes better than the official bottlings. Maybe the independents release their versions at a higher strength than the 43% ABV the owners themselves do. One thing is sure, besides that it needs to be at a higher strength, it is a distillate that need maturation in a Sherry cask, just like Macallan did. Do you still remember Sherried Macallans? Anyone?

Glenrothes 1990/2002 (46%, Wilson & Morgan, Barrel Selection, Sherry Wood)Color: Copper orange.

Nose: Lots of raisins. Soft creamy wood. Floral and slightly acidic Wine-attack. Linen. Nicely Sherried, waxy with dry powder. Earwax, coal and slightly tarry. Hint of dried out orange skin. Dusty attic (old home) and even a tiny hint of a dry rotting sensation, motor oil and vanilla. Whiffs of old woody Rum.

Taste: Creamy and rounded out. Big Sherried nose, but taste-wise not so heavy. Wood and a fruity acidity I sometimes get from PX-Sherry somehow don’t match perfectly. Does have a burning alcohol and warming sensation and a finish that lingers on for a while (raisins, honey and cask toast), but has no big staying power, medium I would say. It’s nice but it also seems to be telling it didn’t want the water. Maybe this would have been better without reduction, who knows? Nice, not very complex and not the heavy hitter I expected.

Well, this is bottled quite some time ago and in its day this was pretty affordable. Today Sherried bottlings that have no mayor flaws, like sulphur which many aficionado’s do not like, cost a pretty penny. This Glenrothes is big and small at the same time. Yes its heavily Sherried, but no it’s not a heavy hitter. It’s not brown, but orange. I really like the melancholy of it all. It reminds me of summer, dry and dusty, with aroma’s of old wood and furniture. In an attic isolated from sound with whiffs of flowers from outside. It may not be perfect nor very complex, but is it nice and highly drinkable. Has an old feel to it, as opposed to todays (sometimes sulphury) Sherry bottlings. “Lovely” would sum it up nicely.

Points: 86

The Balvenie 21yo “Portwood” (40%, OB, Circa 2013)

A long time ago, as I got interested in Single Malt Whisky I always wanted to really like Balvenie. There was some nice variations of Balvenies around, even from independent bottlers like Cadenheads, and the bottles looked so nice. Uniform and beautiful. 10yo Founders Reserve, 12yo Double Wood, 15yo Single Cask, 17yo Islay Cask, 21yo Port Wood and the 25yo Single Cask. I bought the 12yo, the 15yo and the 21yo As often is the case the 12yo “Doublewood” was the first one I opened. I have to admit I never bought any more than those three…

The Balvenie 21yo Port WoodColor: Orange gold.

Nose: Malty, vanilla powder and definitely some winey notes. Lots of cream and vanilla. Next to come through are some vegetable or plant like notes, but also some new wood and tree sap. Elegant wood, in no way overpowering, even at this age. Very organic. Hints of (saw) dust and very light chocolate (milk). Tiniest hints of cask toast and…wait for it…chlorine. Yet over all a nice nose. Balanced but light by reduction?.

Taste: Cardboard and wine. Malty and quite sweet. Very likeable. I like the fact that the Port is definitely there, but again, not overpowering. Mocha, licorice (Port related this time) and Tiramisu. Not bad, but the taste is really to weak. Definitely reduction!

Yes I will get on my horse now. This one is very nice, but almost reduced to death. It is too mild and especially the finish is almost ruined. You’ve probably had the experience of dabbling with water, and one of those times you slipped, and added a little too much. Remember how that tasted like? Remember how the finish got weak? Well that is what happened here. I can’t help but feel this is a money decision and not because they believe this Malt would be at it’s best @40% ABV. In 2002 I bought myself a bottle of this and remember it to be very, very good, also reduced to 40% but way more aroma in that one. This newer 21yo Port Wood doesn’t cut it (as much) for me. I’m planning to open that older version soon and I’ll get back to you on that subject a.s.a.p. Fun fact: I bought this 21yo, ten years ago for 58 Euro’s and I was recently informed, that very soon, the 21yo will cost almost 200 Euro’s. So If you like it, don’t hesitate, get it while you can for around 125 Euro’s.

Points: 85

The New Zealand Whisky Collection The 25yo (46%, The New Zealand Whisky Company, 2013 Pré Release)

In October 2013 I met Greg Ramsay (a.k.a. The Tasmanian Devil) and his Master Distiller Cyril Yates.  Three years earlier he bought the New Zealand Malt Whisky Company and all of its remaining stock of 450 casks. Under the new regime several new releases saw the light of day. Some reduced to 40% and some at cask strength. When Greg and Cyril came to London (where I met them), they also had a pré release version of their 25yo with them. They brought some sample bottles bottled at 46% ABV and asked a few people what they thought of it. Yours truly got on his high “reduction” horse and opted that all future releases should be 46% ABV as probably many others did. Yes I understand that reduction to 40% means lower tax and more output, but the Whisky tasted so much better. Earlier I reviewed The South Island 18yo and the South Island 21yo, which both are pretty good, but which I thought, suffered a bit by reduction to 40% ABV.  By now the 25yo has been released at 46%, but here I’ll review the sample I got of the pré release version. It should be the same Whisky.

The New Zealand Whisky Collection The 25yo (46%, The New Zealand Whisky Company, 2014)Color: Almost full gold.

Nose: Highly aromatic and super fruity. This brings back memories, because in London I liked this so much I couldn’t help myself and try it several times. Tropical fruits abundant. Sugared pineapple, mango and passion fruit. Old bottle waxiness. This leaps out of your glass with a big smile. Hints of bourbon vanilla and elegant wood. The wood here is just lightly present in no way does it interfere with the fruit, nor giving a big backbone, although it adds a little spice. No, this is another kind of Whisky.

Taste: Fruit and cream, Whipped cream and vanilla pudding. All of the fruits above but also maracuja. So much better at this strength. Warming and obviously a bit hotter. Slight hints of sawdust, slightly bitter oak and soapy florality. This one has it all. Slight nuttiness from the wood. Towards the finish a new kind of fruit enters the fold: citrus fruit. I get the smallest hints of red oranges and grapefruit (not the bitterness especially, that is still more woody). In the finish there are also hints of banana and banana foam candy, yes both. How is that for a fruit basket. Get me this when I ever wind up in hospital. This Malt has excellent balance and just tastes fabulous.

This is a again a step up from the 21yo. Although that one was very good, when you compare that one to this 25yo, wow what a fabulous Malt this turned out to be. This Whisky needs the higher strength. Guys 46% is the way to go. Wonderful.

Points: 89

Laphroaig Week – Day 6: Laphroaig 21yo 1987/2009 (50%, Douglas Laing, Old Malt Cask, Refill Hogshead, DL REF 4855, 439 bottles)

Laphroaig SignPenultimate day of Master Quill’s Laphroaig week and just as yesterday, another Douglas Laing Laphroaig. Seeing a pattern here? So which one will finish this series off tomorrow?

As luck would have it, we have another 1987 Douglas Laing today. Judging by the looks of it, probably a very different one. Yesterday’s Laphroaig was pretty pale at best, but this one boasts a nice and healthy colour. It’s like summer and winter, Jekyll and Hyde, night and day, Sherry and Bourbon. Still something strikes me as odd here. The label states this is from a Hogshead, but even with the slightest of reductions to 50%, this still yielded 439 bottles. Surely this was a Butt or a Puncheon, or was is a big hoggie?

Laphroaig 21yo 1987/2009 (50%, Douglas Laing, Old Malt Cask, Refill Hogshead, DL REF 4855, 439 bottles)Color: Copper brown

Nose: Nice chocolaty Sherry. Sea wind at night, but in summer, so a chilly night after a warm Sunny day. Clay and very toned down peat. Sugared onion. Not very expressive. This one is a bit shy, even considering it’s heritage. It doesn’t leap out of the glass at you. Sherry influence is quite obvious, but it’s not very peaty just like yesterdays 1987. Smoke? Hardly. Cold black tea and some meaty notes, dried meat and almost cold gravy. Nice and restrained. All the aroma’s do fit well together. Not fruity.

Taste: Sweet with burnt sugar. Definitely a more bonfire aroma. Powdered sugar and some wood. Late licorice, just as yesterdays 1987 Laphroaig. Wood stripped of old paint, of which the dust is still flying in the air. The slightly burned note stays on throughout and makes it into the finish. When working on it, it does show some fruit, but not much. No fresh fruits, but something dried like dates and raisins. PX-Sherry? All in all elegant stuff, but with dirt under its fingernails. Not without flaws in its character too.

This is the second 1987 Douglas Laing Laphroaig and there are similarities and there are differences. Both expressions aren’t very expressive and are toned down. No heavy hitting peat and not much smoke (if any) a Laphroaig light so to speak. This 2009 bottling has the added Sherry, and by the taste of it, this wasn’t a top (PX) Sherry cask or it may have been a treated cask. I somehow can’t imagine this to have aged its whole life in the same cask. Having said that the combination of the two does work somehow.

Points: 87

Laphroaig Week – Day 5: Laphroaig 16yo 1987/2003 (50%, Douglas Laing, Old Malt Cask, DL REF 814, 276 bottles)

Laphroaig SignThe dark side of the moon. We are now most definitely on the other side of our Laphroaig Week. It started with the highly visible and upfront official bottlings, pivoted around yesterday’s Kintra Laphroaig (sunset Sherry) and now the final stretch home. This final trio starts with this more obscure Whisky, hiding in green glass aswell, but not released by its maker, but sold of for blending purposes, I guess, but rescued from mediocrity by focussing on its single cask traits. Today we’ll be looking at a Laphroaig bottled by Independent bottler Douglas Laing. Douglas Laing started bottling two Laphroaigs under the alias ‘Laudable’ in 2000. Both were 15yo and 1985 distillates. Using the Laphroaig name three further 1985 distillates saw the light of day as 17 year olds. Next up were a large amount of bottles distilled in 1987 and our DL REF 814 is one of them.

By the way, the picture here depicts sister bottling DL REF 745, bottled 4 months later. The reviewed bottle should look similar.

Laphroaig 1987 Douglas LaingColor: Light gold, almost white wine.

Nose: Extremely closed. Quite light and friendly in the nose. Citrus fruits and smoked cold citrus flavored tea, yes Lapsang Souchong comes to mind. Also a promise of sweetness. Not your heavy hitting peat and smoke emitting monster. Nope, nothing like that at all! Very light end vegetal. Pot plants and warm dried out flowerpot dirt. Slightly meaty and quite a buttery smell which occasionally emits a fruity acidic smell. Pear is added to the citrus. Vanilla with a tiny hint of cigarette smoke. Sweaty and even some tropical fruits like pineapple. Didn’t see this coming! Given some air, a slight dab of smoke emerges as well as some peat. It’s almost like the liquid is holding back the aroma’s from emanating. Nice to see how well all these aroma’s fit together.

Taste: Half sweet and slightly buttery again. Lightly smoked almonds. Fruit syrup. Lots and lots of licorice, ashes and a bitterness that seems to come from smoke. Lightly toasted almonds now with hints of lemon. The acidic citrus note is a great counterpart to the smoke, butter and vanilla. The almond taste stays on for a long time. Altogether half-sweet with toffee throughout. Little hint of mocha-coffee and milk chocolate and even some whipped cream enters the fold occasionally. How is that for complexity? No heavy peat nor a nice garden bonfire so get that out of your system before tasting. Warming.

Quite a strange Laphroaig this is. At first hand it’s not very open and invites you to work it out of the glass. In the end it ís willing to show itself and slowly it emerges out of the glass. Forget for a while this is a Laphroaig, just imagine an old Islay Whisky. The beauty here lies in the details, in the frail and brittle aroma’s, in the great balance and nice complexity. Granted not an easy malt, but if you have the right mind-set it will reward you big-time. So very, very different from regular releases and the profile Laphroaig normally is known for.

Points: 88

Laphroaig Week – Day 4: Laphroaig 13yo 1998/2011 (53.4%, Kintra, Refill Sherry Butt #700047, 96 bottles)

Laphroaig SignDay four, a.k.a. the middle, or the pivotal point in a week. We’re halfway through. We started out with three distillery bottlings of Laphroaig. An older 15yo, it’s replacement the 18yo, although not in its latest guise, and yesterday we had a look at a travel retail only bottling from last year: An Cuan Mòr. Up untill now Laphroaig hasn’t failed me yet. Today we’ll venture into more unknown territory. The territory of the independent bottler. Today we’ll have a look at a Laphroaig, Erik Molenaar got into his hands a while back. The market is rapidly changing. In 2011 Erik could get (part of a Sherry Butt) for a reasonable price. Today he probably would still be able to source such a Whisky, but unfortunately only at an unreasonable price. So even when this is from 2011, it can still be considered…well you catch my drift. So without further ado…

Color: Gold.

Nose: Funky Sherry. Has someone just farted over here? My word, lots of the S-element is filling the room. Sulphur that is, and it comes from my glass into which I have not farted, nor has anyone else. Fruity and half sweet underneath “the fart”. Enough with the fart already, will ya? Ok, lets move the Sulphur into the realm of fireworks then. Toasted wood, but also toasted bread. Meaty big aroma.

Taste: Sweet and Sherried. Fruity with loads of ashes. Short shock of fruity acidity. Creamy but with a wave of a bitter sulphury edge. The bitterness also could come from the oak. Nevertheless, the bitterness is also kept in check, so it doesn’t hurt the overall taste. The ashes transform into a sweeter form with and acidic edge, and both do not overpower the palate. The sweetness and acidity show themselves and go under again, like the Loch Ness monster. Warming and full body. Cozy. Nice mix of peat and funky Sherry. Sure, it may be flawed but the whole still (fire)works for me. Hints of black fruits and some smoke late in the finish.

Lots of my Whisky-loving friends don’t like sulphury notes too much. Some seem to be even overly sensitive to the stuff, if not allergic. They can go on and on about it and I sure do understand why. We know from the olden days how Sherried malts should taste like. Some of you know the golden days of The Macallan, old heavily Sherried Longmorns from the sixties and seventies, Glen Grants and Strathisla from the sixties. Fruity, full of aroma’s, with steam and coal, the lot! Today that quality can’t be reached anymore, and I don’t have the room here to discuss why. More modern Sherried malts are prone to have sulphury notes, and it’s up to you, if you can stand that or not. If you can (like I do), this is a big and nice, yet sulphury, Laphroaig.

Points:87