Paul John 2011/2015 (60%, Malts of Scotland, Bourbon Barrel MoS 15066, 210 bottles)

In the previous post I mentioned that I always have two Paul John Malts open, as well as two offerings from Amrut. I’ve grown quite a fondness for Single Malt Whiskies from India. I’m sure that when more room comes available for open bottles, India will be the first to get more room on my lectern. The previous post was about the peated official Paul John single cask #745 I currently have open, and it’s a stunner again, after #777, and now we’ll have a go at another unpeated one. This time I chose one, bottled by German independent outfit Malts of Scotland (and in this case: Malts of India, really, it says so on the label). This is not the first Malts of Scotland’s Paul John on these pages though, in 2018, I reviewed a different cask, MoS 15068, that matured longer and contained peated Whisky, and again yet another stunner. Both Malts of Scotland and Paul John need no further introduction, so lets move on to the tasting.

Color: Full gold.

Nose: Malty and biscuity. Cookie dough with fresh citrus notes, occasionally sweet mint, and quickly taken over by more woody and dusty notes. This one smells a bit younger and simpler than #745 and #777, lacking some age maybe and the added bonus of peat. This is a back to basics kind of a smell. Since the peat is not here, there is more room for this Malt, or the Paul John distillate in particular, to show its more floral side (borderline men’s cologne). The wood is, well woody and waxy, and somewhat spicy, but not your typical Indian or exotic spiciness though, but a kind of spiciness that can be had in a Scottish Malt as well. Let’s say spices coming from the wood. So, kind of heavy, but the rest is fresh, floral and friendly. The sun is shining in this one even though the “heavy” bit can dominate at times. This is definitely a less complex Paul John, but a Paul John nevertheless, very recognizable. At first I thought this was maybe a closed Malt and given time it would develop some more, but no this is more or less it. Not bad, but simpler.

Taste: Initially sweet and fruity. Wax and ear wax. The sweetness is quite quickly pushed aside. A little sting from wood, some woody acidity as well. This must have been quite an active cask and maybe it aged right under the roof in hot surroundings. Quite some woody bitterness now. Big and hidden sweetness now, with a lot of wood spices. Barley (sugar) and biscuity. Soapy feel on my tongue. But even for this quite young Paul John, this is still remarkably balanced and very tasty. Again dangerously easy to drink, even though it is wood driven and bottled at 60% ABV. Quite hot going down, this sure is a 60% Malt. The finish is more of the same, wood, wax and to a lesser extent, some fruit in the aftertaste. Quite some bitterness stays behind in the middle of my tongue. I’ve spent some time with this Malt, again thinking it might be somewhat closed, but no, again it is what it is and for me it is quite a simple expression dominated by a few big aroma’s mentioned above.

So there you have it, all in all a simpler take on a Paul John single cask, quite young and dominated by wood. The wood gave off quite some bitterness, that I believe they couldn’t even leave it ageing for longer even if they wanted to, before the bitterness would be taking over, and dominating this Malt. As it is now, the bitterness is still acceptable, but definitely present. Luckily there are some other dominating factors in the Malt as well, not to let the bitterness rule. So still, a good, rather young and simple Malt. I say young, but coming from India this has nothing to do with the aroma’s of new make spirit, so don’t you worry ’bout a thing! This is still a good Malt and I’ve spent many happy moments with it, especially when it’s sunny.

Points: 86

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Cragganmore 1999-2019 (51.2%, Malts of Scotland, Bourbon Hogshead, MoS 19038, 312 bottles)

Finally a chance to review a sample of Whisky, instead of one of my own bottles I have to hurry to review before it is gone. Cragganmore it is then, which has been probably a long time since I had one. Sure, I did already do a few reviews already, but since those works of art, I probably haven’t touched a Cragganmore at all, even outside of reviewing. I do have two or three bottles at home, but never got around to opening one of those. It isn’t also one of the favourite distilleries amongst my friends. I’ll have to check with them. Somehow it also never got rid of the “under the radar” status I mentioned earlier and yet it isn’t one of the worst Whiskies either. So, what is it with Cragganmore, that makes it so invisible? Maybe it should deserve this onder-the-radar-but-very-nice status or is it a hidden gem? Time to have another go.

Color: White Wine.

Nose: Biscuity. Clean and fruity. Strong aroma. This leaps out of my glass like a happy puppy when I come home. Tail wagging! Latex paint and very soft wood throughout. Fresh and quiet now (you know the introvert type). Not a puppy any more. Vanilla and caramel, but no signs of toasted oak. Thus no heavy cask influence. The color is also witness of this. The Malt is sweet and accessible. Slight hint of rotting grass, well rotting is maybe a bit of a strong word, let’s say cut grass that has been lying around for a while. Ice cream with more floral and plant-like aroma’s. Dried autumn leaves. Also a fruity note in the back, like dried apricots and fresh hazelnuts. Do I detect a hint of smoke there in the back as well? More vanilla ice-cream, lemon sherbet and smoked and sugared lime peel. Excellent. However, the beauty lies in the details, as is often the case with Malts like this. So if you are a fan of Sherry monsters only, this is not for you. Refill Bourbon hoggie fans will know what to do with this one.

Taste: Very sweet on entry. Yes, vanilla ice-cream and lemon sherbet. Mocha, hard coffee candy (hopjes) and chocolate custard. Dare I say a hint of cannabis, or does that make me Dutch? Very tasty and very friendly. Fruity and not too sweet. Some wood in the background, like a wooden frame around the vanilla and lemon dessert notes. It’s not really bitter, but the bitter notes are quite interesting in this Malt. You have the obvious bitterness you get from oak, but here there is also this bitterness you get from lemon peel, or lets say, the white fluffy bit from the inside of the peel. This doesn’t seem very complex, especially for a 19yo or 20yo Malt. It also doesn’t show a lot of evolution, but what is there is balanced and just tastes very good. This Cragganmore is from the same class as a Signatory Vintage Glen Keith. The finish is similar to the body and than slowly fades away. Medium finish, maybe some vanilla and cannabis in the aftertaste and a woody sensation on the sides of my tongue.

Well a light colored Cragganmore, from a single not so active cask, well if this isn’t aficionado territory then what is? But here we have a perfect example of a quiet Whisky at cask strength from a good distillate with time as an ingredient. Maybe not entirely a surprise how this older refill Bourbon Hoggie performs. If the distillate is good and the cask isn’t worn out or has a bad vibe, what could go wrong? This combination always seems to give us decent Whiskies.

Points: 87

Thanks go out to Rik for the sample!

Paul John 2009/2015 (58.4%, Malts of Scotland, Peated, Bourbon Barrel, MoS 15068, 156 bottles)

Paul John already had some Whiskies reviewed on these pages, but up ’till now they all have been the official deal, and making up the standard range. Brilliance, Edited and Bold, are the trinity of entry-level Malts from Paul John, where the peat level rises gradually from left to right.

Sometimes a malt is so good, I finish it before I even get the chance to review it, or sometimes I think I reviewed it, remembering the words, and it turns out that I haven’t. This is a bottle I got because the owner wasn’t all that fond of it, even though it was half empty (or half full, depends how you look at it), and thought the stuff he got in return was better. Right now I can’t remember with what I traded it. This bottle is soon to be empty, meaning it’s good! I give you that already. Before moving on to more of the official stuff, here is the first independently bottled Paul John on these pages. This is one of four casks bottled by Malts of Scotland. Three casks from 2009 (#15065, #15067, peated and #15068, also peated) and one from 2011 (#15066).

The officially released Single Cask bottlings of Paul John, were all very nicely priced, and people picked up on them, as well as the more available bottlings. When the independent bottlers started to release Single Cask bottlings of Paul John, they upped the game asking a (much) higher price than Paul John did themselves. Luckily the casks that went to the independents all turned out to be very good casks as well, so they are worth your money. Having said that, all the official Single Casks released were pretty good as well.

When independents started asking higher prices, Paul John followed suit and new releases are more expensive than they were before. I understand Paul John asks a bit more from independents as well, so if my information is right, Malts of Scotland won’t be releasing more Single Cask bottlings of Paul John for a while. Never say never again ‘eh.

Color: Orange gold.

Nose: Soft peat and meaty. A little bit of barley and a tiny hint of dry orange skin and varnished wood. We’re talking luxury department here. Already this smells like near perfection. This is bottle is empty so soon, because I have fallen in love with how this smells. Luckily I was able to replace it another bottle from the same cask. Deep fruits and spicy warm air. A slightly sweet edge. Big nose altogether. Hints of black fruits from old Islay bottlings, salty. Fresh mint and unlit tobacco. Licorice and warm butter. The wood adds notes of pencil shavings and smoke now, adding to the spiciness of the Whisky. Stunning nose. Not a lot of development though, so maybe even in India (almost) six years is (almost) six years. Reluctantly I have to move on, but to be Frank (Not John) I can’t stop smelling this, and have a hard time moving on to taste it. (If I would score noses by itself this would get 95 Points, maybe more, utterly wonderful stuff).

Taste: Sweetish, syrupy and woody. Slightly waxy even. Not even the peat comes first, but rather the big and bold body. Wood, pencil shavings but not exclusively, and various yellow fruit marmalades, bitter orange marmalade first, followed by dried apricots. Several different bitters coming from wood and smoke. That’s about it first time around. The end of the body well into the finish seems a bit thin, but the aftertaste gets the big body back and has a lot of length, keeping you warm and giving you subliminal images of warmer places. Give it time and air to breathe folks. It doesn’t taste like 58.4% ABV. Again, this might not be the most complex stuff around, but what’s there is very good, albeit not as good as the nose though. But when you’ve swallowed this, and enjoying the long lingering aftertaste and thén smell the glass, Ahhhhh, bliss. This hits the right spots with me.

This was the deal breaker, after this one, I had to make more room for Indian Malts on my lectern. What an experience! A word of caution. I have ready and spoken to enough people to know that this might not be for everybody. Indian Malts are not Scottish, Six-row barley gives a lot of exotic spiciness compared to the barley’s used in Scotland, as well as the conditions of maturation on this continent. As I said before, the previous owner of this bottles wasn’t such a big fan of this as I am, so proceed with caution, but keep an open mind.

Points: 91

This one is finished now, and took a while to write, since I couldn’t stop smelling this. I replaced this stunning MoS bottling with another independent bottling of Paul John, a 6yo Cadenheads bottling released this year. Can’t wait to open that one.

Don José 12yo 2003/2015 (53.6%, Isla del Ron, IdR 012, 252 bottles, Panama)

Don José you might ask? “I know only of Panamanian Rums called Abuelo”. Well, Don José is the distillery owned by Varela Hermanos. Abuelo is a Panamanian Rum brand owned by…Varela Hermanos. You do the math. Earlier I reviewed a very nice Rhum from Guadeloupe bottled by Isla del Ron, The Rum outlet of Thomas Euers, Whisky people know better from his independently bottled Whiskies under his Malts of Scotland label. Both the Rums from Abuelo, and the Isla del Ron label, need no further introduction, so why waste any more words on this introduction when both need no introduction? In case you’re wondering, the introduction is now over.

Don José 12yo 2003/2015 (53.6%, Isla del Ron, IdR 012, 252 bottles, Panama)Color: Gold.

Nose: Thick and cloying. Extremely creamy. Cream, vanilla pudding. Vanilla ic-cream and butterscotch. Yes this is an Abuelo all right, but it’s also different. Next come some hints of old, dried out leather and even Whisky. Dust and a pronounced woody backbone, add some balance to the overly creamy nose. I also get an edge of paper, right next to the wood. Oak, paper and powdered aspirin. Had I nosed this blind, and after some breathing, I might not have guessed this was an Abuelo though, because it reminds me now even more of Foursquare. Doorly’s 12yo for example. (…so I pulled up the Doorly’s 12yo and had a sniff. Yep quite similar at first, although the Doorly’s has an additional winey note, and is less creamy. The similarities are becoming less obvious, when the Doorly’s gets some time to breathe and develops in the glass. It develops even more of the acidity mentioned earlier than the “Abuelo”, go figure).

Taste: Yeah now we’re talking. Always wanted to know how an Abuelo would taste at a higher strength, well, here is your chance. Definitely less creamy than the official outings. And guess what, and you might want to read my other reviews of Abuelo, this one doesn’t have the discrepant fruity acidity on top. Again notes of paper, cardboard and quite some wood and burned wood. Those notes add some bitterness to the whole. Almonds. By the way, it is slightly soapy as well, and has a slightly (bitter) Beer-like finish. Now you don’t get that in a regular Abuelo now, don’t you. The bitterness does however dominate the aftertaste. Surprising.

Again, like with many Abuelo’s, something seems to be not quite right, and I mean it suffers a bit in the “balance” department. Usually it is the fruity acidity that doesn’t reach the synergy needed, but this time it is a less fruity and a more waxy note that seems to be a bit off and unwilling to cooperate. Nevertheless this is a minor fault compared to the acidity-problem in other Abuelo’s. This particular expression is all about the wood. You can say it its wood driven and has this quite unusual bitterness. Is that bad? Well, it’s not overpowering, so it doesn’t ruin the Rum, it is quite upfront, so if you like your woods, you are going prefer this one over the regular Abuelo’s, that’s for sure. It has a higher ABV, and you do notice that, but not as much as expected. I don’t find it hot or too high in alcohol. Nope, it’s still quite easily drinkable.

Points: 83

De nuevo muchas gracias señor Rik!

Bellevue 15yo 1998/2014 (52.6%, Isla del Ron, IdR 011, 169 bottles, Guadeloupe)

The market for good Rum is on the rise, especially in markets where Single Malt Whisky is king. In the last couple of years the run on good Whisky was bigger than life, depleting the stocks considerably. Today we face not a shortage as such, but a shortage in older matured Whiskies. In part because there isn’t any, in part because it is simply not bottled because one can fetch a better price later on down the road. Hence we see an ever-growing number of Whiskies without an age statement and with a funky little name. Nothing bad here, but putting two and two together, the Whiskies must be younger and younger to be able to keep the new bottlings coming for a hungry (read: thirsty) public.

Whisky people in general are not happy with the youth of their Whiskies, nor are they happy with the development of prices of their beloved aged Whiskies. Just look at Highland Park 18yo, Talisker 18yo and Laphroaig 18yo, producers simply don’t have the time anymore to wait that long and subsequently sell it for a not so super-premium price. It’s not all romance you know, it still is a business. Happy times for Whisky producers in warm climate countries such as Taiwan and India, where very good Whisky is made today in much less time than in Scotland and the other traditional Whisky countries.

In comes Rum. Whisky people are open to trying other distillates that are nice and/or aged, and/or affordable. One of those alternatives for Whisky is Rum. Guadeloupe Sainte Anne Grande-TerreThe old Rum community is enriched with Whisky people fishing in the pond of Rum and getting to know the product and a different kind of romanticism. Where Scotland is beautiful, but also cold and wet, Rum predominantly comes for the Caribbean and especially the image of paradise islands comes to mind. Older Rums are becoming scarce very quickly and just like Whisky, will become almost extinct, Prices are on the rise as well. Where have we seen this before?

Lots of independent bottlers of fine Single Malt Whisky are turning to Rum. Some did that many, many years ago, Like Cadenhead and Berry Brothers & Rudd, and some more recently like Wilson & Morgan (Rum Nation), Kintra and David Stirks outfit Exclusive Malts, but there are many more. Today we’ll have a look at another one. Isla del Ron is the Rum brand of Thomas Ewers’ outfit, Malts of Scotland.

Thomas EwersThomas bottled a Rum from Guadeloupe from a distillery nobody has heard of, South Pacific (as stated on the label), not to be confused with the South Pacific distillery of Fiji, which is entirely different place altogether. Thomas explained to me he was offered a cask of South Pacific, which turned out to be Bellevue instead, so in this case the label is wrong. Casks like this are sold to bottlers through brokers, so it’s not a surprise there are a lot more Bellevue casks from 1998 bottled by different parties. And with brokers there lies a problem. Brokers only want to sell on casks, not really caring informing the buying party what really is in the cask if they have the information at all.

Thomas believes this to be from the Bellevue distillery on Marie Galante Island, but looking at information of many other “Bellevue’s” from 1998, it can also be Damoiseau’s Bellevue Distillery (Le Moule, Grande-Terre), which would be even more probable, since it is a larger producer. So we’re not sure about the exact distillery, nor can we be about the ingredients. It can be either distilled from molasses or from sugar cane juice. It can even be a blend of both, since some distilleries produce both. Sugar cane when it is harvested, and molasses the rest of the year. Questions, questions.

Isla del Ron GuadeloupeColor: Orange brown.

Nose: Big aroma, lots of different spices. It’s like a spice mix from Indian Whisky. Vanilla, chewy. Dry, spicy and fatty but not sweet. Hint of sweet peppermint. Butter and coffee with milk. Mocha and hot butter as well. Cinnamon, cocoa powder, leather and hints of soft wood. Damp earth and after that rather dusty. Hints of licorice mixed with a nice dry and clean woody note and slightly burned sugar, molten plastic (don’t worry) and creamy banana. Very well-balanced and a nose of great complexity. Especially when the heavier elements are snorted out of the glass, the fun starts. Wow!

Taste: Starts out with a short, sweet and aromatic burst, but quickly becomes dry and very aromatic, with again the Indian spice-mix so predominant in the nose. Nutmeg and lavas, but there is a whole lot more. When it goes down the hatch it becomes even drier. The lighter elements start to evaporate in my mouth and engulfs it with lots of beautiful aroma’s. Milk chocolate, dry leather and a slight bitter edge of wood. Hints of licorice, tar and charred oak. Hot chocolate. After getting used to the spicy dryness, it becomes creamy hot chocolate style. Lovely development as well, especially since the aftertaste is stronger than the finish. Wow, what an amazing Rum!

I like the bottle used for Isla del Ron, it’s the same bottle used for Pusser’s 15yo, HSE from Martinique and last but not least, for Bruichladdich and Port Charlotte. I only have a beef with the label, its dark, dull and depressing. Rum comes from places where life is colorful. I hope Thomas will continue to bottle a lot more Rum’s, but I hope he’ll spice up the looks a bit!

In the end, after I tasted this in the shop, I needed a whole 10 seconds to snatch one up. This stuff makes me happy!

Points: 88

Thanks go out to Rik for the sample.

Bruichladdich 10yo 2003/2013 (56.3%, Malts of Scotland, First Fill Sherry Hogshead, MoS 13051, 285 bottles)

Almost two years ago I reviewed a Glen Keith bottled by Paderborner outfit Malts of Scotland. Being an indie with quite a reputation it took me quite a while to review another bottling of theirs. A sample of this very Bruichladdich was bestowed upon me by the former owner of this very cask. MoS renames the cask numbers so we do not know the original cask number. I hate it when Thomas does that, just like Bert does with his Asta Morris bottlings. Something to hide guys? Well nothing more to say really, (I’m a bit distracted by some nice live music by Primus), so let get on with it…

Bruichladdich 10yo 2003/2013 (56.3%, Malts of Scotland, Sherry Hogshead, MoS 13051, 285 bottles)Color: Orange brown.

Nose: Mellow Sherry of the Oloroso kind. Soft wood, dry forest plants like fern and slightly sulphury. Freshly baked bread. Chocolate, brown sugar, honey and fruity acidity from red fruits and berries. Vanillin and a distant bonfire in the woods. Wet earth and mocha. Raisins. Nice and pretty laid back. Mint in the finish (when warm).

Taste: The fruity acidity from the nose. Waxed chocolate sprinkles, cola and some wood. Again some sulphur, but not a lot. Extremely warming. The acidity stays on well into the finish and deep into the finish the sulphur gets more room to play, but still it is not a lot and never overpowering. It’s in the background carrying the aroma along with black tea leaves and a hint of woody bitterness. Not a very long finish though. Reminds me a (more than a) bit of the Bunnahabhain and to a lesser extent of a Bruichladdich I reviewed earlier. A quieter version of both I guess.

I have to say this one needed warming up. Even at room temperature I found it pretty closed, but when I held it in my hand for a while it showed a lot more of itself. Honey in the body and mint in the finish for instance. When I finished it, I poured myself a fresh dram, and again, very closed. This is an example of a closed and dry heavily Sherried expression as opposed to a fruity one. Bottled at the right time. Ready for another strange remark? The empty glass smells better than the full glass…

Points: 85

Thanx Andy!