Well, actually the Balvenie 25yo I reviewed earlier, was quite a disappointment. I have another single barrel here, so let’s see if this one is any better… By the way, again I couldn’t find a picture of a Balvenie 25yo Cask #13285, so here is a picture of the similar looking cask #10139
Color: Gold.
Nose: Waxy, sweet white sherry. A nice old, dried leaves and wood combination in the nose. Again you sense this is an old bottle. Vanilla and lemon freshness. This nose is less complex than cask #13282. The vanilla that’s in here is similar to the vanilla notes I got from Angostura rum 1919. I guess cask #13282 has a more refined nose, but this is equally exciting. More raw and different from the other one. I think this one is better, it is less complex, but has more to it. Wood and almonds come out when you sniff this vigorously, still it is not bad wood. Hot butter and some funky farminess, how’s that for a Balvenie! Lovely oldness to it all.
Taste: Sweet and even slightly acidic, and no heavy wood attack like cask #13282, hurrah. Fatty and mouth coating wax. This one is immediately a lot better. The wood is here and very noticeable. The dry leaves are here too, but this doesn’t attack you with that unrelenting bitterness. This cask has also a lot of wood to it, but the bitterness is held in check. It does lack a bit of complexity though. There isn’t a lot more to it than this. Nice old Balvenie.
Great to try these Balvenies so close together. These are sister casks, but do show quite some difference.
It’s not only the bitterness that is obvious. Comparing these two there is infinitely more. That goes to show, how big the differences can be between two similar bottles, and how buying without tasting is so tricky. I would also like to point out that the reduction that obviously took place here isn’t a problem, this Whisky holds the fort. Actually it’s the best Balvenie I had in a very long time. Still no 90’s score though…
Points: 88
Color: Gold
The fattiness dissipates quickly and the whisky breaks down in towards the finish. Wood attack! put this in your mouth and you think is pretty good (not great alas), but the vanilla fat is stripped, and you get hit by more bitterness than expected. The palate does lack complexity and balance. Aiii.
Color: Light Gold.
Solera is an ageing system for Sherry (and other fortified wines), in which younger wines in upper rows of casks are used to top up casks of older wines stored below. Every time a batch is bottled, the wine is taken from the bottom row. Not everything though, usually up to 30% of the cask is bottled. After this, the casks in the bottom row are topped up with the wines from the casks in the row directly above, and that row is topped up with wines from the row directly above that, and so on. After a startup period this system gives wines of a consistent age and quality, even if one particular vintage is weaker than the others.
Color: Light copper gold.
This is number three in Tomatin’s true affordable core range. If you’re new to Tomatin and don’t want to break the bank, Tomatin offers you the 12yo, 15yo and this 18yo. This 18yo is matured in Refill Bourbon Barrels and finished in Oloroso Butts (and maybe even some Puncheons and/or Hogsheads, who knows). A Oloroso Sherry cask used to be thé cask to age your whisky in, but here the whisky was only finished in Oloroso casks.
Color: Gold with a slight pinkish hue.
And then there is Glen Keith. Glen Keith lies a stone’s throw away from Strathisla. The spirit from Strathisla was pumped to Glen Keith for filling into casks, but also the boiler at Glen Keith warms water for Glen Keith’s production. Glen Keith’s production started in 1958 with three stills (triple distillation). In 1970 the first two stills in Scotland that are heated by gas were installed. Soon after that, the distillery stopped the triple distillation. In 1983 a sixth still is installed. The distillery is mothballed since 1999, but plans are to restart the distillery next month (April 2013).
Color: Copper, cloudy.
This is now my favorite Christmas malt. Just smell that dried Orange in combination with the cloves. It’s not a perfect old bottle though, but it’s so clearly a time capsule. It’s impossible to not love this. I was always a big fan of Strathisla of the sixties and seventies and this Glen Keith is therefore really no surprise at all. Merry Christmas everybody!
Color: White wine.
Color: Light Copper Gold.
And here is another Master of Malt bottling. Earlier I reviewed a reduced
Color: Gold
Color: Light Gold.