As can be read on these pages, Tomatin rarely disappoints. There is always room on my lectern for a tropical Tomatin. Especially older Tomatins quite hit the mark with fabulous aroma’s of tropical and citrus fruits for which it is known. Tomatin has a high reputation with bourbon cask only bottlings like the 15yo that has been discontinued to be replaced with the 14yo port finish. The 25yo has been discontinued too, which also was made with Bourbon casks only. Now, here we have a 40yo Tomatin formed from seven Bourbon Hogsheads with distillate from 1967. You may have heard of The Beatles and Sgt. Pepper? Yes 1967. And this is still available. How is that possible? Is this bottling a dud of some sorts? Time to find out…
Color: Copper brown gold.
Nose: Sweet and fruity, quite typical for older Tomatins. Lots of vanilla and quite thick. Highly aromatic. Quite syrupy too. Hints of mint and black coal and even some tar and sweets. Complex with lots of development. Give it time. Almonds are coming through after a while. Great nuttiness, rarely seen in Tomatin. Fruity, dusty and dirty at times. Great.
Taste: Fruity again, but also some bitter hops, waxy bitter wood. Elegant. Sweet and brittle at the same time. Lovely waxy stewed and candied fruits towards the finish. Lovely vanilla, with memories of old wood in the back. Apricot and vanilla pudding with fresh and acidic red berry sauce on top. Hints of mint are here in the taste as well. Fabulous development built up in layers and a lovely finish to boot. At the end of the finish the expected woody bitterness (and pencil shavings with almonds) appear or stay behind when the momentarily overpowering waxy fruitiness dissipates. Sweet almond cookies are all over this Malt. The taste is less complex than the nose and shows a surprising fruity freshness and youthfulness.
Malts like this were reasonably expensive when they came out and prices have been rising ever since. However, modern malts can never be like this anymore. So why dish out 300 euro’s for a modern 12yo generic special edition when you can pay a measly 100 more and get yourself a museum-piece still readily available on the market today. This is history in a bottle. Isn’t that worth something?
Points: 89
In 2004 Macallan officially released two Sherried 18yo’s. The one on the right, we know very well, that was the one with the old labels that have been used for decades. (For reasons science cannot wholly explain…). Around 2004 Macallan also started to release a new bottle design we all know from the Fine Oak series and later bottlings. Here we’ll review the 2004 18yo with the new design. The label states that this is Whisky distilled in 1986 and earlier years. We know the “other 18yo” to be very good, now lets see if this is any better or maybe it’s the same stuff…
Color: Orange gold.
Color: Copper gold. Not extremely dark.
Color: Orange brown.
Color: Light gold. The color of this one is ever so slightly lighter than cask #467.
Color: Light copper gold. Nose: Malty and fresh. Citrus lemonade with a burnt caramel twist. Fruity and very likeable. Am I going to be surprised with another decent Glenmorangie? The white oak is discernible, but not very up front. Also some toasted wood, or maybe the toast comes from the chocolate malt? The white oak is masked just like the peat in good old Laphroaig 10yo was masking the heavy sweetness of the Malt. The masking agent in this Glenmorangie being sweet-smelling Oloroso Sherry. I have to say it is what you would expect considering “the ingredients”. Well crafted stuff. I hope this is what it is by design then and not trial and error at Glen Moray. Wink, wink, nudge, nudge. Taste: Sweet Sherry, petrol and nice warming wood. Fresh untreated oak (not the toasted oak from the nose). Vanilla creaminess grows stronger in the finish and has great staying power, where the body seemed to be light at first. Silky burnt notes or silky tannins, are accumulating in my cheeks and are a pretty nice complement to the creaminess. Better finish even as the 18yo, which should have been bottled at 46% too. Both the nose and the taste are nice and both are about aroma. However if you are looking for development and/or complexity, not the case. You quickly understand how this Malt tastes and that’s where it stays. probably the reason this is a NAS bottling. Don’t get me wrong, Dr. Bill did a great job making this, designing this Whisky. It is really good and a must try if you get the chance. Its different from the 18yo and twice the price. I hope one day a Signet with more age will see the light of day. A version with more complexity and foremost more development in the glass.
Third, unbelievable what this Malt costs. It has been reduced to 44% (I think) and for sure is colored, why? Is this typical caramel colour so much better than the colour of the original Whisky? Fourth, This malt has been “created to celebrate the famous George Orwell” what’s next, a 2011 Isle of Jura bottled at 50% ABV to celebrate E.L. James? She probably put up a tent of her own on the Island too some point in time. Fifth, in 2003 Jura already released a 1984 commemorative bottling for George Orwell. This time with a Palo Cortado Oloroso finish (I understand that one wasn’t so great). Sometimes I just don’t love marketing. Let’s concentrate on the Whisky then.
Color: Copper gold.
Color: Mahogany brown.
Color: Orange gold.
Color: Copper orange.