Tag Archives: Butt

Glenrothes 2007/2021 (64.3%, Berry Brothers & Rudd, Sherry Butt #1120, for Kirsch Import Germany, 646 bottles)

Glenrothes, I always liked the look of those bulky cannon ball bottles. Many of the highly reduced vintage offerings weren’t really all that interesting. Earlier written reviews of Glenrothes prove this. Just have a look at these vintages: 1979 (85 points), 1987 (83 points), 1989 (84 points) and 1992 (79 points), not to mention this Select Reserve (81 points), a NAS, not even a vintage. Where is the world coming to? Nope, I still somehow believe in the distilled spirit of Glenrothes, so I sometimes buy one at auction. I do prefer Independent bottlings at cask strength (and officially released cask strength versions as well). Until now, all independent offerings on these pages scored higher than their official counterparts. Although I have to admit that I tasted quite a few older vintages in my beloved cannon ball bottlings that were actually quite good (even after reduction), maybe that’s why I still believe? This time around we’re going to have a look at a Glenrothes bottled by indie bottler Berry Brothers and Rudd.

Those of you with a talent for reading every letter on labels, front and back, especially those that have one of those official cannonball bottlings at home, will have noticed that Berry Brothers and Rudd are also mentioned on the front label in fine print. In 1999 the Edrington Group (mainly known today for The Macallan and Highland Park) acquired Glenrothes. I have to specifically mention right now, that I mean the distillery ánd the brand by this. Since the main Single Malt focus was on the two aforementioned distilleries (and brands), and times were different back then, Edrington sold the Glenrothes brand to Berry Brothers and Rudd in 2010, yet retaining the distillery and the cooperage. Edrington acquired Cutty Sark (The Blended Whisky) from Berry Brothers in return. In 2017 Edrington bought the brand back and thus acquired a well known Speyside brand they could give the Macallan and Highland Park ultra premium treatment to. Funny then (or sad), that their old business-partner couldn’t even use the Glenrothes name (or should I say, brand) on the label…

Color: Copper Gold.

Nose: Initially milky, very a-typical and definitely not what you would expect. Vegetal and big raisins next. Modern, slightly sharp oak. Tea and old, worn down vanilla powder. The initial “strangeness” wears off quite quickly, making room for a more herbal feel. By now I would have expected more red fruits, but still not the case. This is more dusty, tobacco like with old sawdust. More black tea notes emerge. I’m quite happy with this nose, because it develops a lot in the glass, and it shows traits you don’t smell all that often. The longer you have it in your glass, the drier it gets. Cold Cuban tobacco and standing on the edge of a forest in the mist. After a while a more creamy nose emerges and dissipates again. Well I’m sure you all now feel this is a complex piece of work. Old books, dust. Very distinguished. Hints of cocktail cherries in the distance, followed by a fantastic mix of cold tobacco and herbs. Sometimes a dry smell of orange whiffs by, almost artificial orange. Definitely not from the freshly peeled fruit. Like a dried out tangerine. The dust now moves into the territory of dry grass and hay, and some more elegant wood. A truly wonderful and layered nose. A warm indoor fire in the back of the room.

Taste: Hot, yes, who would have thought at almost 65% ABV, nudge, nudge, wink, wink. Initially this reminds me a bit of Damoiseau Millesime 2009, and not only because of the ABV. Next comes the wood and I’m happy to report, it is again the lovely elegant wood from the nose. I’m already really liking this one, now that I have tasted it. Here some more red fruits. Combining quite nicely with the wood. Second sip very similar. Here it doesn’t have the complexity of the nose, nope, it’s simpler than that. However, this is still a Whisky with a high fun factor. Nothing off, and the taste in combination with the high ABV turns out to be a pleaser (for me), but not everybody copes well with Whiskies with a high ABV. The color gave it away, this is not a Sherry monster, but it did come from Sherry and it is a bit of a monster. A friendly giant. Warm (sea) sand, well I have never tasted that, but it does remind me of that. I lived near the beach once, so maybe I did taste sand, one’s subconscious works in mysterious ways. It surely reminds me of it. Next some fruity sweetness becomes noticeable. Great balance to this. Puts some color on your cheeks.

Yet another good example of a Whisky that is not an easy one. The ABV is high and you need some experience and patience to get all out of it. Come to think of it, I even never tried this one with water. Novices would be put off by the initial aromas from the nose. This is not for casual sipping, but you need to work it and give it a lot of time. I bought this at auction and probably forgot about it, because I got myself second one at auction again (both were quite affordable). Definitely not regretting it, but then again, I also hardly ever open a bottle for the second time, always more interested in the next thing than going back. But it does happen, and sometimes one gets into this melancholy mode many years later, and than it is nice to have the possibility to get back to this one.

Overall a great deal. The bottle and the label look nice. The nose is very special, the taste is very well balanced and the high ABV works well. I should get me another one, ah, yes, I already got one, nudging and winking again. On my lectern I have a Macduff of similar ABV. The Macduff is closed as I’ve never encountered before, and this Glenrothes definitely is not. Final remark. Work this one, casually sipping you will never get everything out of all that it has to offer. Final remark, a disclaimer of sorts, nowhere on the bottle of the packaging is it ever mentioned this is a Glenrothes. The label states: “A Secret Speyside Distillery”, I’ve been assured this is a Glenrothes, and it surely does taste like Glenrothes, however there is always this small chance it is not, which would surprise me a lot.

Points: 88

Deanston 24yo 1996/2020 (50%, Hunter Laing, Old Malt Cask, Sherry Butt HL 17661, 452 bottles)

Deanston is not a Whisky or distillery I was interested in for a long time, no Deanston came much later. I obviously knew Deanston existed, but I felt it didn’t get much love, and you hardly read about Deanston back in the day, so I didn’t bother even to buy it and others didn’t bring it to tastings I attended. So it flew a long time under everybody’s radar until… In 2015 Deanston released their 20yo matured in Oloroso casks. All of a sudden Deanston found itself on the Whisky map, and people started to like it. Today Deanston is seen as distillery that puts out great honest stuff, a bit of a go-to Malt if your local watering hole hasn’t much stock of Springbank, a distillery with a similar “feel”. I liked the 20yo as well (someone brought it to a tasting), but never got to buy one, instead I went for several expressions of their Organic Whiskies. I suspected these might be maybe a bit of their take on a similar series from Bruichladdich, only those are much younger, or even the recent Springbank Local Barley’s. However the first bottle I opened and reviewed here was a Bordeaux Finish I probably got a great deal on, since I am usually very careful with Wine finished Whiskies. This Independently bottled Deanston is only the second review of a Deanston on these pages, but certainly not the last, since Deanston turned on their transponder and Deanston is now on everybody’s radar.

Color: Orange Gold.

Nose: Elegant with nice clean oak notes. Fresh smelling, almost floral even, but at the same time also old and distinguished. A deep fruity, partly waxy and well aged smell (that’s the old style). This also might have to do with the glass and the Whisky warming up when holding the glass in my hand. Creamy vanilla dust with sweet barley. Excellent balance. The Sherry adds some red fruit, but not a lot, also a fresh sense of acidity pops up, next to a paper-note (paper without ink). Bigger role than expected is played by a sweet and minty aroma. I may have mentioned Menthos before. But it’s like eating those. Hints of citrussy dishwater liquid cut through the waxy fruitiness. Next more freshly shaven American oak, mixed in with some toffee and/or caramel. On occasion it smells slightly too dry, because of the fresh oak notes, to be a true dessert Whisky. Now it’s closer to an aperitif because of the lack of “bigness”, or is it? Remarkable nose, it seems like it phases in and out of different aromas and notes, phasing out and phasing back in again over time. It smells complex, but also like it won’t be big on the palate. We’ll see. Nice smell of red fruits like a good old Sherry cask would impair back in the day. Herbal and vegetal as well. Licorice with horseradish. Can’t really put my finger on it now, what this herbal bit precisely is, although there is some lavas in there, but wait there is more. Cumin with gravy, yet still more. I remember the smell of this wood from casks that held Red Wines. Creamy, so American oak ones. This Deanston has a lovely depth to it. Smell it with a low flow of air, but smell it for a longer while (in one go, without passing out that is) to unlock all the underlying beauty this nose has. More of this minty acidity, which seems to be not fully integrated. Its definitely there, this slight unbalance, but on the nose its a minor gripe. The back of the smell feels like rain on earth on a dull day.

Taste: On entry, fruity, less sweet than I thought. Nutty toffee with hints of cannabis, and yes a bit thin, but also very tasty, well balanced stuff. Quite waxy and fruity, again old style and warming. Watered down toffee. Good balance, especially if you let it breathe for a while. Definitely let it breathe! The start is very tasty indeed. It matches the nose. Wood has a soft, yet big presence, but not only. There is a sense of fresh oak as well. Somewhat prickly and spicy, wet wood yet also toasted cask, giving it structure. More than in other Whiskies, the wood plays quite a big role in this one. A lot of shades of wood are passing by, and most surprisingly, woody bitterness isn’t one of them. A lot of great stuff is going on. Pecan ice cream, with a tad of warm honey and the taste of perfumed wood. This Whisky would make for a fantastic ice cream flavour. A kind of wet bitterness to the wood. Toffee here as well. This is a very, very interesting Whisky, tasty as well, not for novices though, since you need to be somewhat experienced and open minded to fully “get” it and it would be a waste of money if you’re not there yet. It’s not cheap, nor is it an easy Whisky as well. Again one that works well now when analyzing, yet somewhat less so when casually sipping. I like it better now than when I try it when watching a movie.

This one you have to work a bit, most of the nice bits aren’t well noticed when casually sipped. This really needs your full attention. A few years back I tried a wonderful 25yo Deanston from Hunter Laing that was much easier (Thanks Paul!), Bigger, right out of the gate, and one that did not need work from the taster at all. I might have expected more of the same buying this one, but its different, is it worse? No probably not, this one is beautiful as well, maybe even more complex, it only needs your attention some more. To sum this one up: toffee, (red) fruit, and wood. By the way, this one definitely needs a lot of air, the second half of the bottle was most definitely better than the first.

Points: 89.

Edradour 9yo 2010/2020 (58.6%, Van Wees, The Ultimate, 1st Fill Sherry Butt #393, 614 bottles)

Seems to be some sort of a recurring theme on these pages to review a Whisky from a distillery I haven’t reviewed for a looooong time. This time around a Whisky from Edradour, which was last featured here in 2015. Edradour is a bit of a difficult Whisky. You don’t hear very often that someone calls it their favorite Whisky. Edradour is a picturesque distillery. As mentioned before, Edradour is owned by Andrew Symington, of Signatory Vintage Fame, since 2002. The distillery itself was founded by farmers in 1825 and who called it Glenforres. In 1837 the name Edradour is used for the first time. The distillery changed hands quite a few times. In a more recent history, 1982, the distillery is bought by Campbell Distilleries (Pernod Ricard), before being bought by Mr. Symington. Since Andrew is used to bottle quite a lot of Whiskies, quite a lot of Edradour Single Malts have been released since.

In 2018 Andrew commissioned a second distillery on site, So essentially Edradour isn’t just one distillery anymore. Interesting, interesting indeed. The Independent bottling at hand has been released by Van Wees of the Netherlands in their Ultimate range. Han van Wees himself has been a Whisky-icon since the sixties. The Ultimate range consists of Whiskies sourced from…yes you might have guessed it, from Signatory Vintage. The ultimate is bottled with almost always the same label, almost never in a box to keep prices reasonable. Because of this, (and the quality obviously), The Ultimate is a very popular range in The Netherlands. What did they always say about the Dutch, and the Scottish as well for that matter?…

Color: Orange brown.

Nose: Lets start by saying that initially this smells a bit metallic, a somewhat similar feel you get when tasting blood. Lots of warm, herbal and sometimes soapy wood. Dusty, dry dead leaves in the sun. Definitely somewhat vegetal, with sawdust and leather. Some raisins, honey and some indistinct red fruit aromas. Sometimes some whiffs of berry-like acidity are apparent. Coffee candy and mocha. Hints of water-based paint with some dish water, complete with some lemon-aroma. Sawdust again. Overall not really fruity, or it is masked by other stronger aromas. Some smoke and some rubber (orange air hose). Lots of fresh oak. Not really complex and not a lot of development over time, not in the bottle, nor in my glass. Overall pretty nice smelling though. For some maybe a bit to harsh, but the balance is unmistakably good.

Taste: Lots of wood, shrinking my oral cavity (a drying sensation). Right from the start, unbalanced and quite harsh. Sawdust from plywood. The nose left a way better first impression. Wood first and foremost, getting spicy and waxy with some licorice and tar next. It’s a bit punishing, but some of us like that. It’s like a Yorkie biting you in the ankles. It still hurts but you love it anyway, unless it’s not yours. Every sip starts very nice, but than the muscle comes in. A bit of a Jekyll and Hyde affair. The middle of the body fits the nose better, which is probably its true identity, yet the finish can be strangely acidic. Strange stuff this sometimes is. I’m actually amazed that for the amount of wood this shows, it isn’t bitter. The aftertaste is not the best part of the experience, yet acceptable and at times depending on the taster, it can be quite nice. Could have fooled me this is not molasses based, which obviously it isn’t.

Another difficult Edradour, which is definitely not for everybody. Works really well though right after robusto coffee. After a strong black coffee, the start is sweeter (toffee, caramel), more fruity (ripe red fruits), more tarry. Still an emphasis on wood, fresh oak, making for a very dry Whisky, somewhat peculiar after the initial sweetness.

Points: 84

The bottle was gifted to me by Auke, who thought it was just too much and is not a coffee drinker.

Mortlach 10yo 2011/2021 (57.3%, Signatory Vintage, Finished in 2nd fill Sherry Butt #3, A Farewell Dram bottled for Walter Schoberts Final Tastings, 527 bottles)

What can I say, Mortlach is a special distillate with a special profile. First of all, Mortlach is known for its unique distilling regime where the spirit has been distilled 2.6 times. Mortlach is also known for its big and meaty Sherry profile, like the 16yo Flora & Fauna bottling or this 10yo Wilson & Morgan bottling. But even the lighter (ex-Bourbon) versions of Mortlach always bring something special to the table, like this 11yo Provenance bottling, not a high scorer, yet very interesting indeed, or this small batch 12yo Signatory bottling from 3 Bourbon Barrels. This time around however, we’ll have a look at a Mortlach that has its initial maturation in, most likely, American oak Bourbon casks and a finish in a second fill Sherry butt. As usual, no info about the type of Sherry, and we all know there are a lot of different types of Sherry around. Oloroso is no Palo Cortado, ain’t it! Nevertheless, this Whisky seems to be more on the light side, so at this point I don’t expect a meaty Sherry expression.

Color: Light gold.

Nose: Nice entry. This immediately reminds me of good Whiskies I tried in the early noughties (if you let it breathe for a minute or so), definitely brings back memories. A slightly mineral and somewhat Sherried barley note. Wow, really old-skool nose. Quite organic at first with hints of sugary sweetness, cardboard and white bread. Slightly biscuity. Fresh and vibrant nevertheless, since bread is not a vibrant aroma. Very classy and well balanced for a 10 year old dram. Some fruity notes emerge next. Initially some unripe cherries. More fruits in general, more syrupy yellow fruits actually. Peach syrup and candied pineapple. Sweet peachy yoghurt. Together with this a fresh and warm barley wind bringing a Gin-like freshness. Warm old wood in the sun. Slightly dusty and powdery. Not floral at all although it is slightly perfumy. It has quite a lot of different aroma’s going for it. For me personally Mortlach often has this meaty quality to it (especially when aged in a Sherry cask), but I’m struggling to find that here. It is definitely more fruity than meaty. Don’t think the fruit is masking it, I feel the meatiness just isn’t here. The longer this breathes, the fruitier and sweeter it becomes. Very appetizing fruity fresh and vibrant Mortlach this time. After some time a more soapy note emerges as well as some more freshness. Not in a bad way though. Definitely a quality nose. Maybe a little bit light, and this might have been ruined (a bit) if it would have been reduced. All in all definitely a quality and classy nose.

Taste: Nutty first, almonds, hazelnuts and fruity second yet not far behind. Big, sweetish and balanced. Did I mention that its nutty? Notes of burnt or toasted oak, and some cold dishwater to be honest. Big aroma initially which quickly becomes somewhat thinner. Definitely a fruity Whisky with lots of ripe yellow fruits and some red berry acidity. After the layered and complex nose, the taste is simpler and more straightforward. Notes of a yellow fruity beer and ever so slightly soapy. Even though the nose is way more complex, the nose and the taste of this Whisky are well balanced and suit each other well. Since this was finished in a Sherry butt, I guess this initially aged in probably two or three ex-Bourbon casks (barrels and/or hogsheads), and where I struggled to pick up on the Mortlach meatiness, I also struggle to pick up on vanillin from the American oak, so, probably not first fill. A vanilla note or ice-cream note, yeah, maybe, gets lost a bit in the slight thin-ness of the body. And maybe somewhat overpowered by the fruity acidity. Let’s say this is a summer expression of Mortlach. The aroma’s are transported well, so 57.3% ABV, yes indeed, but it doesn’t really show this much alcohol. More woody towards the finish, warming, with a bonfire like toastiness, as well as some paper and cardboard notes. Dirty and fruity, yet not meaty.

A Good summery Mortlach. The nose is really good. Sometimes the taste seems thin, but that also depends a bit on you yourself. For this review I tasted it twice on different days, and the second time around it wasn’t as thin as the first time. Very good Mortlach again, and this particular expression has some similarities to Bimber that has matured in Bourbon casks, Like this cask #194.

Points: 87

P.S:(I). This one is very nice after a cup of coffee…

P.S:(II). In case you are not German and you want to know who Walter Schobert is:

Walter Schobert (* 1943 in Erlangen) is a German museum director and author. Schobert studied Protestant theology and theatre studies. He then worked as a priest and as a film speaker for three years each. From 1974 to 1985 he was chairman of the working group for community film work. From 1979 to 2003 he was the founding director of the German Film Museum in Frankfurt am Main. He is the author and editor of numerous writings on film and film history and has taught film history at various universities. Since 1994 he has been an honorary professor at the Institute for European Art History at the University of Heidelberg. In 1995 he was awarded an honorary doctorate from the University of Edinburgh. In addition to his work on film history, he has published numerous publications on the subject of Scottish whiskey and regularly conducts tastings. He is a member of the “Keepers of the Quaich”, an association that looks after the whisky culture in Scotland [Source: Wikipedia].

Ledaig 9yo 2005/2015 (56.8%, Signatory Vintage, Cask Strength Collection, 1st Fill Sherry Butt #900146, 664 bottles)

After Caol Ila and two cask strength Laphroaig’s, lets stay with peat for a while (winter is coming) and check out this peated offering from Ledaig. Yes I know, Ledaig isn’t from Islay. Why should it? You can distil with peat anywhere on the planet, or in this case, Scotland. There is already a lot happening on Islay, lots of distilleries, and isn’t Mull more unique? Not a lot of distilleries on Mull. Ledaig as we all know by now, is the peated Whisky made at Tobermory Distillery. You did read all my previous reviews on Ledaig, in preparation to this one, now did you? So you should know by now, yes? Tobermory distillery also releases unpeated Whisky, calling it…well…Tobermory, how did they come up with that! You could fool me sometimes with this statement though. Seems to me some Tobermory’s are peated as well, maybe less so than Ledaig, yet peated. Maybe they’re just not as good at line clearance as they are in making Whisky? Who knows, and who cares if the output can be this good. By the way, not even that long ago Tobermory did have some sort of a wonky reputation concerning the quality of their Whisky.

Earlier I reviewed a fantastic 11yo Cadenheads offering distilled in 2005 which has matured in a Sherry Butt. This time around I went for this 9yo 2005 Signatory Vintage offering, that also matured in a Sherry Butt, expecting and hoping for more of the same and wanting that all 2005’s are somewhat created equal. I just wonder why Cadenheads only managed to draw 450 bottles at cask strength from a Butt and Signatory 664 bottles. That’s quite a considerable difference. By the way, Cadenheads bottled two other casks from 2005, yielding 510 and 516 bottles. Still no 664 bottles though. Different oak with more evaporation or different warehousing conditions? Who knows.

Color: Orange gold.

Nose: Fatty, fragrant and delicious peat. Slightly Sherry sweetness. Full on sweet smoke with some toffee. A little dirty yet sexy. Licorice smoke. Salty and smoked licorice candy. Prickly smoke, with a minty side to it. Smoked menthos. Nom, nom, nom. I have to say, a peated spirit like this, aged in a Sherry butt, what a combination. The start was peat which morphs slowly into smoke. Hints of anise seeds and cumin. In the background dried beef, gravy and salty smoked fish. This has also an underlying fruity side to it, but again, just as in the Caol Ila I just reviewed, this is masked by the usual suspects of peat and smoke. What a wonderful smelling Ledaig again. Utterly amazing smelling Malt and it’s only 9 years old. Glowing embers, warm glowing charred wood. Hot barbecue before anything is put on it, burning off the last spots of fat left behind from the previous session, right before putting something on it again. Or imagine sipping this near the fireplace high up in the mountains. This nose never stops giving. Warm oil emanating from a steam locomotive (a fresh experience from two months ago in Quedlinburg, Germany).

Taste: Starts sweet and peaty, yet also somewhat unbalanced. The peat and the smoke have a bitter edge here right from the start, but also something fresh like a cola has. Nutty and some burnt fat from the barbecue. This note smells better than it tastes, by the way. Very warming and hot going down. Now I do notice quite some dry wood underneath, tucked away neatly between the peat and the smoke. So it might be a bit hidden, but the cask is quite active as well. More towards burning plastic now and again the minty note. The peat note is more bitter and together with the smoke, also less dominant. The Sherry comes trough some more. Dried salty fish. This one needs some time to breathe, but not too much. When standing around in my glass for a long time, the taste deteriorates a bit (the bottle is also nearly empty by the way, so I notice the air did play its part). This will be of no concern with a freshly opened bottle, because then, this Malt still does need a lot of air. Crushed beetle in the finish, and overall still warming. Also some caramel comes forth.

Are all Sherry Butt matured Ledaig’s from 2005 created equal? Nope they aren’t. The Cadenheads rose to the occasion much more than this Signatory initially, but, oh boy, when this got enough time to breathe in an open bottle, yeah man! The nose is up to par with the Cadenheads, alas on the palate, the Signatory falls apart a bit and the Cadenhead is the clear winner. Sure it’s different from the Cadenheads offering as well. That one was tasty from the first poured dram until the last, and this Signatory one did need some time to find its place, which luckily it did, although it never reached those highs of the Cadenheads, and deteriorated a bit when nearly empty. Nevertheless two big peated hits in a row from Tobermory. I’m suspecting an album of greatest hits now, so for the time being, I will be replacing every emptied Ledaig with another one. Can’t wait to open up the next one now. I have to look in my stash for one matured in a Bourbon cask after these two Sherried ones.

Points: 86

Pulteney 15yo 2004/2020 (63.3% Gordon & MacPhail, Connoisseurs Choice, Cask Strength, Refill Sherry Butt No. 629, 20/092, 507 bottles)

Pulteney is the most northerly Distillery on the mainland of Scotland, just 30km shy of John O’ Groats. The distillery is situated in Wick and lies in a part of Wick that used to be called Pultney Town named after its founder Sir William Pultney. The distillery itself was built by James Henderson in 1826 and was initially called Pultney Town. I don’t think James built the entire distillery with his own two hands though. The distillery was owned by the family of James for nearly a decade, but the family had to sell off the distillery in 1920 due to financial hardship caused by WW I. The distillery was sold to James Watson & Co, owners of Ord and Parkmore. In 1923 James Watson & Co. dissolved into John Dewar & Sons (D.C.L.), which closed the distillery in 1925. The distillery in its closed state changed hands several times, and several owners were busy rebuilding the distillery. In 1951 production resumed and in 1959 new stills were installed. In 1995 Pulteney, together with Balblair (part of the same portfolio by then) were sold to Inver House Distillers, the current owners. The last review of an official (Old) Pulteney on these pages, was distilled in 1982, and must have been one of the early releases by said owner. This time however, we are going to have a look at a 2004 distillate bottled by good old Gordon & MacPhail in their new Connoisseurs Choice Cask Strength range.

Color: Light orange gold.

Nose: Very malty and lightly Sherried. Slightly sweet smelling, soapy and dull (and I don’t mean boring). Right from the start a classic smell. I would have never guessed this was distilled in the 21st century. Slightly off-balanced acidic fruity smell. (This is the Sherry influence). Old paper, hints of pencil shavings and spices (part of the “classic” smell). It doesn’t have perfect balance, but still I do like the nose of this dram a lot. Who cares about perfection? Old, dusty, at times waxy, yet fresh and vibrant. It has been a while, analysing something like this. I have to say, based on the nose alone, this was a very welcome buy. Just lay back and sip it, clear your mind and let everything go away for a while. No children, no work, just you, Norah Jones, and your dram with its classic feeling. Wonderful wood spices. Fruity and some distant meaty notes as well. Aromas of an old court yard, of old buildings. An usually busy place, but now quiet on a Sunday. More nice wood spices, yet now helped along with some old honey (which has some nice staying power), soft mocha and whipped cream. Soft licorice added to the spices already present. The balance regains itself after some breathing, and it doesn’t need a lot of time to get there. Occasionally more whiffs of old paper, toasted cask and breaths of fresh air. Yes very special, what this is able to bring up from my memory of old places I visited and classic drams I had before. Keep it moving around in your glass. Keep Matilda waltzing so to speak. After some more extensive breathing the (sweet) licorice note gains in strength. Yes, this has a wonderful nose. A fresh pour is definitely more closed, so there is quite some nice evolution going on in my glass.

Taste: Prickly and again initially somewhat unbalanced (or is it?), yet so tasty. Quite sweet now, perfectly balanced by the woody notes and cigarette ashes, so it doesn’t feel sweet overall. After the first sip, the nose of this Whisky is really excellent more. Right out of the gate, a lot of different things are happening. Different tastes shoot off in many different directions. Pepper, Peppermint, bamboo, cold dishwater, licorice and fruit to name but a few I just caught in the moment. I’m sure I’ll catch some more going forward. Second sip starts again somewhat sweet, yet less so than the first sip. It shows almonds and more creamy notes, as well as more dry wood. A medium Talisker-like white pepper attack, paired with the licorice and cigarette ashes I mentioned earlier, and some sweetness. All of this also paired with the almonds, wood and its medium bitterness, which is hidden well by the medium sweetness. I guess all these paired notes constitute a very good balance. The fruits here seem somewhat different, more acidic and lemony than the nose showed. The balance is good and the palette of tastes and aroma’s is just great. Give it enough time to breathe. I’m stopping writing notes now, but rest assured, this still has even more to give, it just keeps evolving like mad. Wonderful tasty and fruity finish, with some nice oak, just not a lot of it. Aftertaste is perfectly balanced and friendly. Amazing drinkablity at this ABV. This never needed any water.

Even though this might have some minor flaws across the board, it is also a very good and tasty Malt. I don’t even know why I’m pointing out these minor flaws all the time, because by now we also know this is an excellent malt. Both the nose and the taste of this Pulteney are complex, the layering (the evolution over time in my glass) is impressive. We’re definitely in the in the “you-should-have-bought-a-second-bottle” territory with this one. But as is always the case on these pages, this is only my personal opinion, and as we all know, tastes can differ a lot. Keep in mind that ones taste can shift over time and are highly dependent of the moment as well. Tasting is a subjective science. So for me this is really great stuff, and it might, it just might not be entirely true for you. It is for me!

Points: 90

Glenrothes 19yo 1997/2017 (58.7%, Cadenhead’s, Sherry Butt, 528 bottles)

Glenrothes is not an unknown on these pages. I come across a lot and on occasion I do buy some. However, somehow it never really became one of my favourite Whiskies. Sure, its good and I do by them and it does the job very well and so on, but it never passed that particular epic status for me. As I said, it’s very good, but it never pops up in any top 10. This Cadenheads expression, I have tasted before at a Whisky Festival, and by accident I bought two at auction in stead of the planned one. The second time around I forgot I already had one from the previous auction. Believe it or not, this happened to me twice recently, with yet another Glenrothes, strange enough. Go figure. I will probably replace this Cadenhead’s bottling, when its empty, with the other “doubly-bought” Glenrothes. I hope both are pretty decent though since I got two of both. This particular Cadenhead’s bottling, was picked by Mark to commemorate Cadenhead’s 175th anniversary, and if Whiskybase is anything to go by (very wonky scoring there), these 175th anniversary picks are usually better than the sister casks bottled by Cadenhead.

Color: Orange gold.

Nose: Soft Sherry notes. Creamy, slightly tarry and meaty. Nice soft wood, almost a bit paper-like. Quite fruity. A very well balanced dram without any flaws. Soft and smooth smelling, yet also a bit boring? Apple skins, warm apple compote. Red berry syrup with sugared lemon. Warm dishwater (a soft note), mocha and milk chocolate. Boring, because nothing really sticks out. All aroma’s flatlined, like a sleepy afternoon in warm wind. After some extensive breathing, some wood pops up. Not a lot, but just enough to make it slightly more interesting. However, this is a 19yo fully Sherry butt matured Whisky and it’s so soft, that it is in no way a Sherry bomb, it is not even a Sherry grenade. It has more colour than oomph, yet, as I stated above, it is flawless. It smells like an easily drinkable Whisky. It doesn’t even smell alcoholic, even though this has more than 58% ABV. A freshly poured dram smells better than one that sat in my glass for a while. A freshly poured dram has more notes like a Rhum Agricole, which dissipates with time.

Taste: Fruity with a white pepper kick, well, the latter came a bit as surprise. In a way it is syrupy, yet a somewhat thin syrup. The kick still lasts and stays a while to manhandle the back of my tongue. Black fruits as in very good Sherried bottlings from yesteryear. Apart from fresh fruit, also (again) the syrupy black fruits are here. If you give it more time and you keep the dram in your mouth for a while, the classic black fruit note becomes even more pronounced. I guess this is why it was picked for the 175th anniversary, because this is the note that makes this Whisky tick. On top of this, a slightly more acidic, fresh and fruity note, reminding me of sugared lemons again. Towards the finish a more tarry note, with its slight bitterness. Still not a lot of wood notes or any of its derivatives, so seemingly this wasn’t a very active cask. Hints of warm solid licorice. The chewy candy type licorice if left in the sun for a while. Vanilla powder. Just like the nose, on the palate a very well balanced Whisky. Since on my palate the Whisky is less soft and dares to show some spices, I do like the taste better than the nose, which is pretty good as well in its own right.

So, pretty good it is, with a nice, yet slightly boring nose. Tastes better than it smells, which is a big plus. Other than that, I still do like it. it’s good. ’nuff said. Moving on…

Points: 87

MacDuff 10yo 2000/2010 (56.5%, The Creative Whisky Co, The Exclusive Malts, First Fill Sherry Butt #3525)

Just like the Dailuaine from the previous review, Macduff is featured quite some times on Master Quill already, twice in 2012 and twice in 2014. That’s certainly a while back. What also isn’t new on these pages is a Whisky featured from David Stirk’s old company: The Creative Whisky Company. Earlier I tried a 20yo Bunnahabhain and much later a quite quaffable 10 yo Girvan and not so long ago a very good 14yo Highland Park, I had to work hard for to get the most out if it. The Bunnahabhain was bottled in 2011, the last two mentioned offerings bottled somewhere around 2017.

This time we’ll have a look at a 10 yo Macduff distilled in 2000, and bottled in 2010, in a different style bottle than the Girvan and Highland Park yet the same as the Bunnahabhain. The bottle I bought is an example with an over-glued back label. The original back label mentions that the Whisky was selected by our Belgian friends of The Bonding Dram (200 bottles for them) and that this Whisky shows what can happen when a great Malt Spirit is put in an excellent Sherry cask. The rest of the cask was bottled probably at the same time, with some of them (or the rest of them) with the over-glued label. The label also learns us that the bird on the label is a Eurasian Jay (Vlaamse Gaai, a bird common to Belgium). See the bottle on the right here. The over-glued label that’s on the bottle I have, mentions non of this all, not even what kind of bird is on its label, yet it does mention that Macduff produces a strong Spirit used in major Blends. From my label we can also find out that the Sherry Butt is a First Fill, hardly a surprise looking at the colour of this Whisky. David would never tamper with his Whisky, so the colour does say something in this case. The label promised that the Whisky will have rich stewed fruits, raisins and plums and sweet syrupy-flavours. Knowing The Bonding Dram (a very knowledgeable bunch) as well as David (an even more knowledgeable man), I’m sure I will be in for a treat with this one! (I know I am, I’ve had this one several times before…).

Color: dark orange, almost brown.

Nose: Soft and sometimes a bit harsh at the same time. Soft fruits with vanilla and some harsh fresh oak. Harsh might be a slightly too big of a word to describe what I am smelling here. Smells very tasty and red fruity. Dusty and chilly fruits still in the cold shop. Cold cooked vegetables, cold dishwater, Rhum Agricole (closest to J.M from Martinique). In a way also a bit floral, like a nice floral perfume in a fine detergent. Well kept in check, so not a problem (I know, it may sound horrible, but believe me it isn’t). It’s not soapy. Sometimes even hints of honey, pine, horseradish and cola. Well masked wood spice. Sometimes animalesk and sometimes farmy. How’s that for complexity. What a wonderful combination. The wood smells like pencil shavings and after a while more green and leafy. After this, whiffs of fresh air. Starts to smell somewhat elegant after breathing. A rich and wonderful nose. Definitely more special than a hard hitting all-overpowering Sherry monster. Quality stuff this one, with amazing complexity.

Taste: Big, sweet and sour. Tasty! Big, yet also lively and fresh. Fruity cherries, black coal and some tar (woody bitterness). Chewy (not always though, it seemed thinner when tasted late in the evening) and some late, mouthwatering, spicy and prickly bits with just enough oaky bitterness. A good kind of bitterness. Tarry and toasted oak. Unlit cigarette tobacco. Slightly minty feel. Ever so slightly soapy, masked well by dark syrupy fruit. This is a big one, but not a monster. This is, as well as the nose is, and the whole of the Whisky, very well balanced. Very nice spirit and a very nice cask did come together in this one. This is better than many 10yo Whiskies from first fill Oloroso Sherry casks that see the light of day these days. Whiskies that taste like they only are used to season the cask for use as a refill, where the refill is more important than the first fill. This one tastes fantastic. It just stays on the right side of being over the top. With some notes it hints at the past, yet in an entirely different way than the old skoolness of Dailuaine 16yo and Strathisla 25yo mentioned in the previous review.

By the way, I mentioned the knowledge of David in the intro. He has a new book out, and if you are interested in independent bottlers please check it out, since it is about… well… independent bottlers (he should know, he is one). Here is a link, but there are many others that are selling his crowdfunded book as well.

I originally planned to compare this one to the Flora and Fauna Dailuaine 16yo of the previous review, still some drops left in that one, but this wouldn’t work, both are so different and actually incomparable. The difference in ABV’s also wouldn’t help. As a whole, both Whiskies are entirely different. Yet again the Macduff is a whisky that smells really good but tasted even better. Dirt cheap when it came out, now worth looking for at an auction.

Points: 89

Aberlour 13yo (58%, OB, First Fill Sherry Butt #34595, 2017)

So what do you do after a few reviews of mostly Ex-Bourbon cask matured Whiskies? Yep, you’ve got it, you try to find a Sherry bomb to review, and as luck would have it, I just have such a thing still waiting on my lectern to be reviewed. Back in the day when one wanted a very good Sherried Whisky, one would turn to the likes of Longmorn, Strathisla and Macallan. After that, I remember Glendronach 15yo, (not the Revival one, no the one before that), was a nice alternative to Macallan 18yo (and the 15yo when it existed in some years). In more recent years, Macallan changed direction somewhat, so, Glendronach, Tamdhu and even more recently Glenallachie seem to be the, more affordable, go to Sherry bombs these days. Glenallachie 15yo seems to be rather popular, although it didn’t really convince me (yet).

Many independent bottlers are coming out with a lot of young first fill Sherry bottlings as well. Parallel to all this Sherry Bomb activity, there has always been Aberlour, especially with their A’Bunadh bottlings, and to a somewhat lesser extent with some single cask bottlings, which are less available and more expensive. Simply because they aren’t flooding the market with those, it’s giving me the feeling that if they do release a single cask bottling, it must be something of an exceptional single cask, a stunner so to speak. So when this was sold locally, I just couldn’t resist the looks of it, and bought it. I’m a sucker for those dumpy bottles, I just had to have it. Now the time has come to find out if this is an exceptional single cask or not, and if #13330 and #4934 are anything to go by, both are first fills as well by the way,…well you’ll understand that expectations run high by now.

Color: Orange-red-brown.

Nose: Sherry alright. Dusty oak and meaty. Cold gravy and animal fat. Quite heavy Sherry and a cellar type smell, yet also vibrant and fresh. Dull dishwater and fresh air, here a wonderful combination. Rhum Agricole from Martinique, not funky enough for Réunion. Very aromatic and again a well balanced nose. The stars seem aligned a bit in my house, since a lot of the previously reviewed Whiskies showed some really good balance as well. Seems a bit syrupy and muddy at times, but not all the time. Quite clean otherwise, due to its freshness and lemony aroma’s. Old dry nuts still in their shell, lying in a bowl on the table, not touched for a while since the nutcracker broke. Still fresh with sometimes a more organic (slightly farty) whiff flying by. Almonds and Sinaspril (an artificial smell of old orange powder). This is a Whisky that needs the warmth of your hand to unlock all the fine aroma’s. So don’t hold your glass by the stem of foot, but just keep it in your hand, moving it around a bit. If anything, this lacks the promise of a wee bit of sweetness or creaminess, although some of this is emerging, (honey notes now), if you keep the glass around for half an hour or so. Only after sipping a tiny hint of spicy sulphur comes forth, mixed in with licorice (Bassett’s, which emerges even later). It’s a bit strict, like teachers used to be. In comes Pink Floyd now…

Taste: Medium syrupy and hot, woody, spicy start. Tarry vanilla powder, somewhat soapy and some artificial cherries, making it less exceptional on entry, but still quite good, don’t get me wrong here. Let’s say right of the bat, that this is not recommended for novices. Next, fruity syrup, some spices and some good old wood. Cinnamon, cola, star anise and a light to medium, (depends on the moment), and soft, woody bitterness, in this case maybe taking away even some more from the exceptionalness (if that’s a word). Still, I have to mention this doesn’t bother me all that much every time around and on some days my perception of this differs from other days. Some hidden sweetness. On entry this might be a bit strange, not exactly perfectly balanced, the body is good though, but the finish shows a sort of fruity acidity which doesn’t fit the Whisky all that much, hurting the balance some more. Maybe the Sherry that was previously in this Butt wasn’t the best? I notice a slight soapy edge (again) on the sides of my tongue some time after swallowing. Medium length finish with some soap to it and this lingers on even longer in a long warming aftertaste. Seems older than 13yo.

This is a bit of a chameleon Malt, on some days I like it more and get something else out of it than on other days, yet another point why this might not be for novices. I wouldn’t even recommend an A’Bunadh for novices though, all of the batches, especially with these kinds of ABV. It definitely has quite a few good sides, but to be honest, when looking at the wonky bits, I’m not entirely sure why this cask was picked out for a single cask bottling, not for the general public I guess. It’s just not exceptional, although it is most definitely a very interesting bottling for anoraks. Sure it has its strange bits, but in a way I do like it, it is another take on Aberlour. Case closed.

Points: 86

Ledaig 11yo 2005/2017 (61.8%, Cadenhead, Authentic Collection, Butt, 450 bottles)

As already mentioned in the last review of a Ledaig; Springbank is one of my favourite distilleries. I love the output of it, Springbank, Longrow and Hazelburn, all very good. However, the last few years Springbank has become excessively popular, and apart from the 10yo expression, I can’t really buy any of the other expressions normally in my country. Some shops also mark up according to demand, and thus are asking silly money, so my only chance is the secondary market, which is also a pretty expensive these days. When looking at alternatives, Ledaig comes to mind. In the previous review of Ledaig, a 12yo G&M bottling, which was finished for three years in a Wine cask, so may not hove been the best of expressions to check out if this would be a contender to reach out for when Springbank is not available. Ledaig is not really more of the same, it is quite different, however, when you have a craving for something Springbank-y and you don’t have it, or can’t have it, this might come in handy. Tobermory (the distillery that produces a peated expression calling it Ledaig) used to have quite a wonky reputation, and I do have tasted some dodgy Tobermory’s and Ledaigs in the past. But the last two decades or so, they seem to have bumped into their muse and are making some pretty good stuff. Just have a look this official 18yo or the G&M Reserve and G&M Cask Strength I reviewed earlier.

In 2017 Cadenhead had it’s 175th Anniversary, and I believe, Mark W. bottled some of their best stock at the time, recognizable by the extra added copper plate hanging from the neck of the bottle. A thing to look out for IMHO. Just like the 10th Anniversary Port Askaig, this is an almost empty bottle. Low level, because it is just so damn good, and drams like these just don’t stay around on my lectern for all too long…

Color: Gold.

Nose: Ashy peat yet more smoky and sooty than peaty alone. Distant smoked fruits and medicinal, lots of iodine, just perfect. Nice sweet spicy and chewy warm wood note, as well as a faint industrial rubbery and oily note. It’s like the smell of an old steam locomotive, or any other old well-oiled (steam) machine, standing around for ages in a museum. Paint (sometimes borderline polyester), old Martinique Rhum, perfumy (at times fresh and soapy, in a good way) and floral as well. Salty? Dry garden waste, including grass (dry as well) so not the wet or moist rotting stuff. December bonfire and crushed beetle, nutty and milk chocolate. A blend of dried kitchen spices and pencil shavings. No way to contain this. I just put the glass far away from me and still this reaches my nose easily. A nice fruity acidity combines with bold fruity notes. Hints of ripe and sweet black berries. Bassett’s Liquorice Allsorts. Clean, chewy and big. After some breathing, hints of oak emerge, as well as some hot oil emanating from a sowing machine. A much cleaner smelling oil than the oil coming from old machines. This one has it all. One of the best balanced noses I’ve come to smell in a long time. This is special stuff with seemingly endless layers of aroma’s. As said earlier, just perfect if you are into this kind of stuff. And this one also works very well smelling it outside in clean fresh air. Amazing stuff.

Taste: Prickly smoke and peat upfront. Dry. Wow. Sweet nutty wax, crushed beetle again, with a rather strange red fruit acidity bubbling up, in part artificial, yet soon to be overpowered by the soot and ashes. Some plastics and polyester pop up, aiding the artificial red fruit feel, or maybe causing it? Medium red fruits and again quite some soot and ashes. Hints of latex paint. Toffee sweetness and chewy as well. The peat and smoke combo remain omnipresent throughout this dram. Simpler than the amazing nose, yet with a nice long and lingering finish and warm bonfiery aftertaste. Wonderful dram. Amazing 11yo. Tobermory distillery is killing it with Ledaig recently.

Yup, here we have an another Ledaig-belter on our hands. The nose is perfect, and the palate, and even though this is somewhat simpler, it is most definitely “not bad” as well, just not in the same league, close though, don’t you worry. In the end, this is pure joy (especially when combined with some great avant-garde live performances of Frank Zappa and the Mothers from the sixties). Big and busy band, big and busy Whisky.

Points: 91