Potter Distilling Company 15yo 1985/2000 (54.9%, Cadenhead, Indian Corn, Bourbon Barrel, 360 bottles)

For the first time on these pages we’ll have a look at a Canadian Whisky, sorry Davin, I hope you can forgive me. This is some sort of oddity considering the place this was distilled as well as the grain used. Let’s start with the latter. It’s easier. For this Whisky, Indian Corn was used. Indian Corn is better known as flint corn, with a hard (as flint) outer layer, making it also suitable for use as popcorn. It has a very low water content, so it is more resistant to freezing than other vegetables and thus pretty resilient under harsh conditions. This is actually one of the three types of corn cultivated by Native Americans hence the name Indian Corn. Most Indian Corn is multi-colored.

Information about The Potter Distilling Company was a bit harder to find. Potter’s Distillers was founded in 1958 by Ernie Potter in Langley B.C. The company first operated as a bottler of Liqueurs but after a few years expanded into spirits. Sometimes the distillery is also known as the Cascadia distillery. In 1962 Captain Harold John Cameron Terry (Born in Australia) bought Potter’s Distillers and headed the business for more than two decades. According to the website of the current owners Highwood Distillers, production was moved in 1990 from Langley B.C. to Kelowna B.C. where it remained until 2006, after which it moved to its roomier current location at High River, Alberta. Does this mean the label of all those Cadenhead’s bottlings are wrong? The Whisky in those bottles was distilled in 1985 (a 14yo, 15yo, 31yo and a 32yo) and 1989 (a 10yo, 11yo, 24yo and a 26yo), but state Kelowna B.C. and not Langley B.C. Oops!

The picture below is from the 11yo, 1989 bottle, but the 15yo I’m about to review, looks exactly the same. Both Whiskies were bottled in 2000. I tried both before buying and I ended up with the 15yo…

Color: Pale gold.

Nose: Sweet and fatty, yet very fresh with a nice touch of wood and Bourbon Whiskey. Very big nose. It has two sides to it. One big on creamy notes with vanilla, fudge, caramel, toffee, butter and pudding, you know where this goes. The other side is sharper, like a breath of fresh, very cold air. Nice defined wood, sharp and spicy. Toasted oak and licorice. The alcohol is quite pronounced as well. Notes of mocha. This is a big strong Whisky, which has been open for a long time and these are literally the last few drops from the bottle. Time and air can’t hurt it. Well balanced and slightly dusty now. A wonderful nose, that you need to add to your library of Whisky smells.

Taste: Sweet and tasted blind I might have said Demerara Rum, or Rhum Agricole even. Somewhere in between both. Definitely closer to a Rum, than a Single Malt Whisky. Just like the nose the alcohol is pronounced in the taste as well. Yup, sweet vanilla, warm butter and notes of a liqueur. Hints of toasted oak, tar and caramel and some slightly burnt sugar. Beyond the sweetness, there is more. It does have a certain depth to it. In a way it has something of a Rum, a Bourbon Whisky and the added freshness of a Gin. This is a Chameleon of a drink. The finish is not as long as expected, and a nice warming creamy, buttery and toffee note stays behind for the aftertaste, which is of medium length.

Another bottle finished as I’m writing a review. I’ve had this a for long time (I opened it in 2006). You can’t drink this sweet stuff very quickly. This needs its moments, and if you pick them wisely, you’ll have this around for a while, but every time you’ll get it, it’s great. I’m actually sad its empty, and for old times sake I’ll try to get another one of those Potters by Cadenhead’s. I can be a very sentimental guy sometimes.

Points: 84

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The Benriach 18yo “Albariza” (46%, OB, Limited Production, Peated, Pedro Ximénez Finish. 3886 bottles, 2015)

2015 saw the release of the first of a trio of a brand new limited production series, “Albariza”, which was finished in Pedro Ximénez casks. I missed out on that one at first, so I started with the second one called “Dunder“, a Dark Rum Finish, which I got upon its release. After buying the final release of the trio, “Latada”, finished in Madeira casks, Master Quill got busy and bought himself Albariza at a well-known German Whisky-auction, to complete the trio. So after the second one, it is now time to get back to the beginning and try this Albariza before finishing off this series with the Latada in the near future. I still have the Dunder around for comparison, but sadly there is not much left. What to do when the time comes to review Latada?

Color: Dark copper brown.

Nose: Nice clean peat. Different from fatty Islay peated Whiskies, but very nice aromatics nevertheless. Breaths of fresh air and warm glue, with peat, peat and peat. Where is the PX? Just like Dunder this seems to be a bottling that has heaps of peat. It’s more about the peat than the particular finish. Maybe this has to breathe a bit more in my glass. Easy does it, be patient. After cleaning MQ’s lectern, and reorganizing the bottles a bit, I came back after some breathing. Well, it changed. Christmas spices, red fruits and black coal fire. More deep and brooding. Hints of sweetness and syrup have been added. So, fruit seems to wiggle its way in, how cute. Very strong aromatics, with sharp (peat) smoke right up my nose, opening it up for easier breathing. Nice fatty, big and dirty. Nice complexity, with a borderline classic peat-smell. Nice syrupy sweetness en fruitiness, but like Dunder this is primarily a Peated Whisky, yet, finished with taste. More than excellent nose if you ask me. Let it breathe.

Taste: I can feel the (sweet) PX when I sip this, the (thin) syrupy texture is there, but before you can taste it, the tarry peat slams it down with a vengeance. Well, almost. Maybe the words are a bit strong. This is definitely a Peated Whisky for sure! Second sip, again PX tries, but more like an engine that won’t start. For these three Whiskies I feel the focus of the naming and the labels, and the text written on it, is wrongly on the cask the Whisky was finished in, but should have been on the peat. Never mind that. Sure its peaty, but the finishes do add something to the whole, and good for us, they merely add, not overpower it. As I said before, finishing done with taste. If you let it breathe for a while, the Whisky gains more balance and the finish shows itself a bit more. Less peat, more smoke that way. More coal, licorice and a taste that brings images to my mind of crushed beetle. This is finishing done right. Excellent stuff and an example that it doesn’t have to be Oloroso alone, considering dark Sherries. PX has something to bring to the tabel as well. Just don’t over do it! Finish is great and of medium length. Aftertaste is short, and a bit too sweet, seems dissonant from the whole experience. If this sweetness would have been replaced by black fruits, this could have been one of the best bottlings from this decade.

Albariza is a very chalky soil, so how to taste this terroir, when the peat overpowers it all? Even in the taste it’s hard to find the PX directly. Again some more breathing is necessary. Dark chocolate and after a while a more sweeter note comes around, together with some ashes. Flint and a slightly burnt Sherry cask note with a hint of christmas again. liquorice in the finish and the sweetness manages to stay around for longer. Here the PX finally emerges.

When entering a shop, I never had a lot of interest in “newer” Benriachs. Some of the standard bottlings were ok, but not more than that and the rest were almost all finishes of some kind with labels in strange colours, looking like a bunch of skittles. However peated Benriach tastefully finished seemed something different, so this series sold very well, and sold out quickly as well. This year (2018) saw the release of the 22yo versions of “Albariza”, “Dunder” and “Latada” at what looks at first quite a hefty price, but then again, not a terrible lot more than these three 18yo’s fetch at auction today. I was already quite impressed with “Dunder” and this “Albariza” is in the same league as well, so I’m sure the 22yo’s will be pretty good as well. If only they would be higher in ABV and less expensive…

Points: 89

“Albariza” is darker and warmer and definitely different from “Dunder”, which is nutty, sweetish and funky. Where the peat subdued, making it more elegant, and the smoke is now more prevailing. I’m assuming since all three Benriachs matured in Bourbon casks first that they were pretty similar before entering the casks they were finished in. What’s similar as well is the peat part. The peat smells the same in both, so that corroborates my assumption. “Albariza” is bigger as well  “Dunder” is lighter and easily recognizable as a Rum cask finish. Rum casks gives off very specific aroma’s, both in the nose and on the palate. “Dunder” is now finished, so it tells you the bottle had plenty of time to breathe. Oxygen did bring out the aroma’s over time, so I’m guessing “Albariza” will change over time as well.

If you’re interested, here is some background on what Albariza actually is by Whisky’s (and Sherry’s) own, Ruben.

Paul John 2009/2015 (58.4%, Malts of Scotland, Peated, Bourbon Barrel, MoS 15068, 156 bottles)

Paul John already had some Whiskies reviewed on these pages, but up ’till now they all have been the official deal, and making up the standard range. Brilliance, Edited and Bold, are the trinity of entry-level Malts from Paul John, where the peat level rises gradually from left to right.

Sometimes a malt is so good, I finish it before I even get the chance to review it, or sometimes I think I reviewed it, remembering the words, and it turns out that I haven’t. This is a bottle I got because the owner wasn’t all that fond of it, even though it was half empty (or half full, depends how you look at it), and thought the stuff he got in return was better. Right now I can’t remember with what I traded it. This bottle is soon to be empty, meaning it’s good! I give you that already. Before moving on to more of the official stuff, here is the first independently bottled Paul John on these pages. This is one of four casks bottled by Malts of Scotland. Three casks from 2009 (#15065, #15067, peated and #15068, also peated) and one from 2011 (#15066).

The officially released Single Cask bottlings of Paul John, were all very nicely priced, and people picked up on them, as well as the more available bottlings. When the independent bottlers started to release Single Cask bottlings of Paul John, they upped the game asking a (much) higher price than Paul John did themselves. Luckily the casks that went to the independents all turned out to be very good casks as well, so they are worth your money. Having said that, all the official Single Casks released were pretty good as well.

When independents started asking higher prices, Paul John followed suit and new releases are more expensive than they were before. I understand Paul John asks a bit more from independents as well, so if my information is right, Malts of Scotland won’t be releasing more Single Cask bottlings of Paul John for a while. Never say never again ‘eh.

Color: Orange gold.

Nose: Soft peat and meaty. A little bit of barley and a tiny hint of dry orange skin and varnished wood. We’re talking luxury department here. Already this smells like near perfection. This is bottle is empty so soon, because I have fallen in love with how this smells. Luckily I was able to replace it another bottle from the same cask. Deep fruits and spicy warm air. A slightly sweet edge. Big nose altogether. Hints of black fruits from old Islay bottlings, salty. Fresh mint and unlit tobacco. Licorice and warm butter. The wood adds notes of pencil shavings and smoke now, adding to the spiciness of the Whisky. Stunning nose. Not a lot of development though, so maybe even in India (almost) six years is (almost) six years. Reluctantly I have to move on, but to be Frank (Not John) I can’t stop smelling this, and have a hard time moving on to taste it. (If I would score noses by itself this would get 95 Points, maybe more, utterly wonderful stuff).

Taste: Sweetish, syrupy and woody. Slightly waxy even. Not even the peat comes first, but rather the big and bold body. Wood, pencil shavings but not exclusively, and various yellow fruit marmalades, bitter orange marmalade first, followed by dried apricots. Several different bitters coming from wood and smoke. That’s about it first time around. The end of the body well into the finish seems a bit thin, but the aftertaste gets the big body back and has a lot of length, keeping you warm and giving you subliminal images of warmer places. Give it time and air to breathe folks. It doesn’t taste like 58.4% ABV. Again, this might not be the most complex stuff around, but what’s there is very good, albeit not as good as the nose though. But when you’ve swallowed this, and enjoying the long lingering aftertaste and thén smell the glass, Ahhhhh, bliss. This hits the right spots with me.

This was the deal breaker, after this one, I had to make more room for Indian Malts on my lectern. What an experience! A word of caution. I have ready and spoken to enough people to know that this might not be for everybody. Indian Malts are not Scottish, Six-row barley gives a lot of exotic spiciness compared to the barley’s used in Scotland, as well as the conditions of maturation on this continent. As I said before, the previous owner of this bottles wasn’t such a big fan of this as I am, so proceed with caution, but keep an open mind.

Points: 91

This one is finished now, and took a while to write, since I couldn’t stop smelling this. I replaced this stunning MoS bottling with another independent bottling of Paul John, a 6yo Cadenheads bottling released this year. Can’t wait to open that one.

Girvan 10yo 2006/2017 (50%, Creative Whisky Company, Single Cask Exclusives, GV005)

Five years ago I wrote about a North British Single Grain Whisky. There, I briefly explained what a Single Grain is. Most of you will know their Blended Whisky (Blends as we anoraks call them) and Single Malts. But lesser known are probably the Blended Malt Whiskies (Vatted Malts to us), and Grain Whiskies. The latter is used as the basis for Blended Whisky with some Single Malt added.

The North British, I reviewed earlier, was a decent example of a well aged Grain Whisky from yesteryear, since It was distilled way back in 1964. Now we have the chance to look at a very modern Grain Whisky distilled at Girvan. Girvan is a grain Whisky you will find, for example, in Grant’s Blended Whisky. Yes Girvan has the same owners as Glenfiddich, Balvenie, Kininvie (closed) and Ailsa Bay (new). Another fun fact is that Hendrick’s Gin is also made at Girvan, although I doubt I will find any cucumber in this 10yo Girvan.

Color: Straw

Nose: Sweet and bread-like, cookie dough. Very friendly and lively. Floral, perfumy, soft, laid-back and restrained. Toffee, caramel and slightly grassy. Some whiffs don’t even smell like Whisky to me, but closer to an aged Wodka, Gin, Calvados or even better: Jenever or Korenwijn. No evolution in the glass whatsoever, it stays the same through several minutes of breathing. Smells nice though, appetizing and sweet, but a Single Malt it is most definitely not. We have landed on a different planet altogether, folks.

Taste: Sweet on entry, with nice soft wood notes. Lots of caramel and toffee, and again, aged Gin notes. Slightly burnt edge from toasted oak. The texture isn’t cloying nor syrupy and isn’t sugary sweet as well, so if I would like something sweet(er), yet not really sweet, this would do the trick. If I would like something really sweet I still wouldn’t reach for a Liqueur but rather go for a PX-Sherry, but that’s me. Apart from that, I really don’t have a sweet tooth to boot.

So, this is sweet and creamy on entry, helped by the slightly higher than normal ABV. For me the 50% works very well. in fact, this isn’t for Liqueur or PX-drinkers at all, it shows too much spicy, and fresh, wood for that. It’s a Whisky after all. After the full-on entry, the body itself is already less big, creamy or sweet, yet somewhat hotter and drier. Reminds me a bit of a Brazilian Rum, something like Epris maybe. Hints of fruit emerge, candied ones obviously. Amazingly, since the entry is rather big and creamy, the body still holds its own. The finish itself is a bit hot and quite “small”. All seems gone for a moment, but it comes back in the aftertaste of which still has medium length.

Quite a surprise if you are expecting a Whisky. It’s still a Whisky made by the wood it was aged in. This was, again like the North British, a learning experience as well. Better, but also different, than expected and not very expensive, so try it if you dare, it won’t break the bank.

Points: 82

Linlithgow 18yo 1982/2001 (43%, Signatory Vintage, Vintage Collection, Cask #3002, 472 bottles)

Here we have a rather “young” Linlithgow, a.k.a. St. Magdalene. I really, really loved the extremely layered St. Magdalene 19yo, that was released three years prior to this one, so when this came out in 2001, I snapped up a few, expecting a similar experience to the one year older and cask strength expression mentioned above. Hey it was reduced a bit, and only one year older, so it could happen, and it was half the price of the 19yo! At the time, Whiskies from the Vintage Collection were never expensive, as was the case with this one. They sold this at the price of what a Springbank 10yo sells for today. Remember, even in 2001 this was already a closed distillery, so go figure. It was a different Whisky world back then. If I look around the net today retail price for this one is £699,-, and if you read this in 2025 it will probably be even higher, or have we all moved on to something else? If that is the case, why are you even reading about an old Whisky nobody cares for anymore?

Color: Pale gold, straw.

Nose: Extremely malty. hints of sugar-water and ear wax. Fruity and grassy. A Lowlander alright. A breath of fresh air. Toned down, almost shy, but don’t think this is light, because it’s not. It shows quite some aroma. The quiet (big) guy in your class, but you already know there is more to it than meets the nose. Yellow fruits and whiffs of American oak, It is definitely something from the past. Somehow Whiskies today aren’t like this anymore. Its like sitting alone in a field, middle of summer, nothing more than crickets and almost inaudible distant sounds of the rest of the world. Life is beautiful. Hints of cold butter and hay. Warm wood and a bit of old vanilla. Definitely not as multi-layered as the Rare Malts bottling mentioned above, and it hasn’t its evolution either. This is more straightforward and shy (again). Perfectly balanced nose. It got plenty of time to breathe and it can handle the air. No worries then of oxidation. By the nose alone another great example of the variety of St. Magdalene. Closing this distillery is a real loss, and this one is not coming back, so what you are holding in your glass is a piece of history, hence the hefty price-tag.

Taste: Sweet on entry. Malty, barley sugar. Slightly warming. Paper and cardboard. Creamy, with toffee on entry but it gets thinner towards the finish. Lots of fruits emerging at different moment when you keep it in your mouth, making for a sweetish, fruity, friendly Whisky. Only a slight bitterness reminiscent of toasted wood emerges. Less “big” than the nose suggested. In comparison to other Whiskies from this distillery, this might be a rather simple expression, (is it?), but still it oozes something special. Memories of black coal, and motor oil. If so, this can only have trace amounts noticeable, because in essence it is a sweet fruity Whisky. Simple, maybe, but it rewards you with aroma’s from the past, coming from a distillery like no other. Near the end of the body a somewhat burnt note emerges, burnt wood, hot machine (oil). Very nice industrial edge after the friendly fruitiness.

I spent a lot of time with this Whisky over the years, and I remember, when freshly opened, it showed a lot more of the waxy notes and even quite some bitterness. So don’t be afraid of oxidation, even when this is a reduced Whisky, because it will only get better. In the end it turns out much better than I have always thought it was…

Points: 86

Talisker “Port Ruighe” (45.8%, OB, 2017)

This is another recent “NAS” Talisker, released in 2013, right after “Storm“. The bottle reviewed here is a newer batch from 2017 (L7317CM015). Back in 2013 when all these NAS Taliskers arrived on the market, a lot of people feared for the classic 10yo to be discontinued or moved to a market different from ours (This happened to the JW Green label), but it didn’t happen. In 2015 the same exercise happened again with the release of “Sky”. We’re in 2018 now and there is still no sign of the 10yo being discontinued or even an “update” of the price. The 10yo is still going strong and usually is still well priced below all these NAS bottlings. And I believe it is also still better than all these new NAS-sers.

Port Ruighe was matured in refill casks (of both American and European oak). It was then transferred to deeply charred casks and yet again transferred to receive a finish from Port Wine (infused) casks. That seems like a lot of ado, to give this, probably young Talisker, its own aroma. Is it an experiment of sorts? Let’s see…

Color: Copper gold, but not the pinkish hue you tend to see with Port finishes.

Nose: Starts with peat. Nice fatty peat. Toned down obviously, since this is not a heavily peated Malt. I mention peat a lot right now, because since this is a NAS bottling, this could also have smelled “young” and it doesn’t. “Storm” had that, but this doesn’t. Thus, nice peat, a little bit of smoke and butter, so a bit of youth is there nevertheless. Since it is a Port finish, it could have smelled winey and sweet, but it doesn’t at first. It starts simply with peat. No storm, just a calm sea. Easy and quiet. The protection of a harbour, or port maybe? Could it be thát designed? Next some soft notes, reminiscent of a claret matured Jenever I have, (the acidity). Nope, still bobbing in the harbour with our soft peat. No dark storm, no storm even, just me and this peaty breeze. Hints of vanilla and honey emerge and some sort of sweet cloaking perfume, yup, we have our Port here. Turns sharper and a bit more warming as well. Hints of Malt and vanilla powder. This is spicy as well. Nice soft wood and the slightly burned cask. It may be NAS, but it shows complexity and I feel everything works well in the nose-department of this Malt. Still no really true Port notes, and maybe that is a good thing, since Ruby Port casks can easily overpower a Whisky. Wonderful nose, I kid you not.

Taste: Already sweet, creamy and quite fruity when it touches my lips. Peated Whisky with some smoke and a big fruity follow-up. Sweet, buttery, yet also young, and strange enough, right beside the sweetness, also a brief watery edge. Where the youth was absent from the nose, it is definitely here, but to a lesser extent than in “Storm”. It is also less complex than the nose. Bolder and more simple with a slight burnt-spicy edge to it. Increasing with air are the winey notes, but still well in check, although there is an overall sweetness and waxiness to it, that gets in the way of drinking more than one dram of this at a time. At the same time the complexity, that already wasn’t great to begin with, decreases. This is a shame because the Whisky takes a turn where you don’t want this to go. The road of NAS, simplicity, lack of complexity and the mismatch with the promising nose. The finish is medium at best, and to be honest, falls flat on its face. It disintegrates when hitting the ground. Aiii. Some peat, but very sweet and winey. Too much. It has been overpowered by the Port, which probably says a little about the quality of the Port, or the wood used, but maybe more about the age of the Whisky itself, because one might expect Talisker to be able to handle a little bit of Port now, don’t we?

It is nice to have had the opportunity of yet another take on Talisker, but this is one I’m not keen on repeating (buying another bottle, that is). “Neist Point” although more expensive in many markets, and too expensive in some, it is definitely a better experiment than this one imho. Neist Points was released right on the heels of “Storm” it is nevertheless different from Storm. This is way more mature. Is it older Whisky (guess not) or did the Port finish hide the “young-Malt experience”? Although criticized by many, I have no real beef with this pair of 2013 NAS-releases from Talisker, but I do understand a lot of the comments made.

So this is young Whisky, in the end overpowered by the Port, however, based on the nose alone, there was a lot of potential, maybe if the Whisky was aged longer and the Port and/or the casks it aged in was slightly better, this might have been a great Whisky, and we may see one like this in the future.

Points: 83

Glenburgie 26yo 1983/2010 (53.7%, Bladnoch Forum, Hogshead #9801, 204 bottles)

Kilnflat was founded, by William Paul in 1810. The distillery was closed between 1870 and 1878. When it was opened again, by Charles Hay, he also renamed the place to Glenburgie, a name are more familiar with. In 1884 Alexander Fraser & Co. takes over only to go bankrupt in 1925. Again the distillery changes hands, and this time to those of James & George Stodart Ltd. In 1927 the distillery was mothballed and stays that way untill 1936, when Hiram Walker buys the distillery. In the mean time in 1930, Hiram Walker also gained a majority of James & George Stodart Ltd.

In 1958 the distillery also gets Lomond Stills to produce another SIngle Malt you might have heard of: Glencraig. This will go on for several years but finally in 1981 the Lomond Stills are removed again and replaced by conventional stills, making Glencraig a “closed distillery” and somewhat of a collector’s item. In 1987 Hiram Walker is bought by Allied Lyons. In 2005 Chivas Brothers (Pernod Ricard) buys Allied Domecq becoming the current owner of Glenburgie.

In 2003 the distillery was demolished entirely and replaced (a bit further down the premises) by a new and highly modern distillery. Only the old customs house remains and the four stills, the boiler and the mill were brought in from the old distillery. By 2006 another pair of stills were added.

Unbelievable, this is only my first review of a Glenburgie. Amazing. That’s why I stared with this brief history “lesson”. Not so long ago I was asked about great, lesser known, Malts (from Scotland) a.k.a. personal favourites off the beaten track. Glenburgie managed to get into that top 10, that’s why I’m so amazed this is just the first review of Glenburgie, should have been much sooner. Glenburgie is a distillate that works extremely well in Sherry casks.

Glenburgie might be lesser known as a Single Malt, but that’s because a lot of it goes into the Ballantine’s Blend. In 2017, Chivas Brothers released three Single Malts under the Ballantine’s name. Huh? Yes Glenburgie 15yo (the heart), Miltonduff 15yo (the foundation) and Glentauchers 15yo (the finish), were released as such, to tell the story how they make up the Ballantine’s Blended Whisky.

Color: Almost copper gold.

Nose: Very big aroma, this leaps, or rather, attacks you, with a soothing friendly voice, from the glass. Nutty and fruity. Meaty and dusty. Some soft old oak right after that. Dusty old oak. Quite big and holding a promise of sweetness, sweet (and meaty) apples rather than the usual Sherry notes. The oak has an aroma reminiscent of tobacco and leather and hints of old Calvados. Very fragrant Glenburgie. Nice and spicy. In fact, this holds it all. Quite balanced, and very big, it’s so big it hides the complexity a bit. Try not to forget, this is a 26yo Malt. It doesn’t show a lot of evolution over time as well, it stays more or less the same when nosing it. But with a Malt so big and nice, who needs complexity and evolution?

Taste: Yes sweet on entry, but with a lot more. Cannabis and toffee. Crushed beetle again and lots of nuts. Yes, let’s throw in some caramel as well. The start is sweet and sticky. Quite hot and the 53.7% ABV printed on the label, seems a bit low. Very fruity but grassy as well, thick fat grass notes, different from fresh-cut grass or dry grass and hay, but as mentioned above, also the grass you smoke. It’s fatty grass and cannabis. Do I detect a nice tarry edge right behind the spicy oak? Hot black tea. Dries out towards the finish. What a wonderful complexity and blend of aroma’s. This bottle is now 1/3 down, and that’s a good thing, because right after opening, this was much tighter and closed. Amazing how the nose lacked complexity and evolution, and when tasting it now, it is all but complex and shows a lot of evolution as well. One has to stop oneself writing notes, since, this keeps emitting more aroma’s from my glass…

Wonderful Glenburgie, extremely drinkable, even at cask strength.

Points: 89