We took the peat road last time and when I look outside I can understand why. let’s get off that beaten path and tread not to Islay, but this time to the Isle of Mull. Being Dutch myself, let’s have a look at another indie Dutch bottler Kintra.
Erik Molenaar is the boss of this outfit. Did Erik source a tiny Hogshead of Ledaig? “Honey. I shrunk the Hogshead” maybe? Nope, Erik shared a cask with a shop in Maastricht. Slijterij Bams. The share of the shop was 218 bottles, Erik’s share was only 36. Funny enough the label of ‘the other’ bottle states 50.6%. The humor doesn’t stop here. Bams don’t have it on their list anymore. Sold out? But The Kintra version is still available! So I can’t wait to try this. I hear that modern Ledaigs can be pretty good…
Color: White wine.
Nose: Warming. Light peat and grassy. Citrussy (fresh) and muddy. Great combination. Non-offensive. Cold wet black tea leaves. Oily old machine. Very nice nose. Perfumy, smoky and quite elegant for a heavily peated whisky. Almost burnt out fireplace on a freezing cold day or evening. Beauty and beast in one. Sour sweat and I do smell a stew in here.
Taste: Sweet with licorice. Soap. Black and white powder. Succulent grass, but also some hay. Burnt cables and lemon. Alas this isn’t as balanced as the nose, nor is it as likeable. It’s sweet at first with a sort of acidic licorice attack.
Lot’s of ash in the finish. The lack of balance is a bit disturbing. There is also a bitterness like earwax and a hint of crushed bugs.
It seems simple, but especially the nose shows great balance. The youth shines through on the palate and seems to me to be less balanced. Here the sweetness and the laid back acidity do not match. The more air the whisky gets, the more the balance loses out on both the nose and the palate. Very strange to get this from, what should be a powerful heavily peated Whisky, at this age. What can I say. Maybe Erik made a wise decision to have such a small cask share? Well, totally bad this is not, it just deteriorates rather quickly with air (I used no water to achieve this).
Points: 82
Color: Gold
Caol Ila. This was recognizable blind. This has a nice full body with a perfect sweetness (slightly acidic) that matches the toned down peat a lot, combined with the smoke…a winner. Macaroons (made with almonds) and a slightly bitter finish (from the wood) and overall a tad too simple for a score into the 90’s.
A few days ago my whisky club had a tasting of Aberlours. Quite a unique one to boot since these were almost all exclusively official bottlings. We only had one independent Aberlour. It was from a Bourbon Cask and did show the distillery profile for a while, but that was quickly gone. We had a few out of the standard range and a few from the standard ranges from the past. A few bottles stood out. We liked one old 12yo double cask matured for its high dark Oloroso Sherry content (and costing next to nothing). An old 21yo from 2000 was very good and this odd one out. The 1988 Distillers Selection, that was released exclusively in Spain. After this one 1988 came only one other Distillers Selection, the 1989. Again for Spain only. For Aberlour this is quite special. It is said that instead of the usual Oloroso, for this bottling Fino and/or Manzanilla is used!
Color: Full Gold
Color: Copper Gold.
oday I have the chance to give this another go. First of all, I can look at this by daylight and I can’t see the red lemonade anymore. It has this orange brown color most Bourbons have.
Happy new year! I wish all my readers a great year full of fulfillment, health and great drams. please don’t settle for mediocrity. Try to broaden your horizons for true beauty that can be put in your mouth, but do it in moderation, we don’t want to create modern drunks.
Well what would be a better start, than with an old Strathisla! In the past I tried some nice old Gordon & MacPhail Strathisla’s from this series. The review for the 25yo can be found here, but together with this 25yo I tried the 21yo and that was similarly spectacular. Mind you these are the old 80’s bottlings for the italian market, and whiskies with these labels were issued for a couple of decades, so every batch will differ (massively). The 21yo and the 25yo were quite dark, and hopefully not colored, and being from the early eighties, the distillate is early sixties or maybe even late fifties.
Short finish. The 21yo and the 25yo performed better in that respect. Treat this elderly Whisky with respect, but be bold and take bigger gulps. The whisky itself, maybe is a tad fragile and subdued, but hey, the stuff was made some 55 years ago and along the way was reduced to a mere 40%, so give it a break will you?
Above Praeatenberg towers the Koenigsbourg castle, built in the 12th century. The altitude of Praelatenberg slopes ranges from 250 to 350 metres and has an east-south-east orientation with a size of 18.7 Ha. The granite bedrock that underlies all Alsace vineyards is very close to the surface. The soil is heavy, covered with loose schist, and is rich with silicium. Dotted with stones rich with iron, quartz and other minerals. This helps the warming of the ground and lets water through easily.
Color: Straw Yellow.
Quite hard to figure out how to call this malt. On the label is stated: Säntis Malt, Swiss Highlander, Appenzeller Single Malt, Matured in Old Oak Beer Casks. On their
Belgium’s own, Bert B. came into the Cadenhead’s shop in Amsterdam (The Netherlands), with a tale of buying the ‘Winkeldochters’ in an old liquor store in a long forgotten town, near the coast. Howling wind and rolling bushes through the streets. Winkeldochters translates into shop’s daughters. It’s a great Flemish word for those items that are around for a long time in a shop which in fact never get sold.
Well one of these bottles he bought was this Dufftown from Cadenheads. He opened it in the shop and we tried this. He didn’t like it then and exchanged it with Andries (The Cadenhead’s Shop owner) for a wedge of cheese, a cup of coffee and a wooden clothes pin. Andries was kind enough to pour me a nice sample of this (100ml) to take home with me. Cleaning out the closet, I stumbled across this sample, so here it is…
Color: On the edge between copper gold and copper brown.
Points: 92
So there are quite a lot of official Wine finishes by Glen Moray themselves. Now Ian MacLeod decided to add their wine finish of their own, or maybe bought it straight from the distillery.