Here we have one of the many 1991 Lochsides, and one of the many that were issued as a Gordon & MacPhail Reserve. This one was picked by Dutch retailer Van Wees. Gordon & MacPhail code for this one is AJ/JBEC. The spirit was distilled on September 18th, 1991 and eventually bottled on March 8th, 2010. Alas we don’t know exactly the date when Han van Wees tasted it and picked this ;-). Kudos to Gordon & MacPhail for all the information on the bottle and back label.
Color: Gold
Nose: Clean and farmy or organic. The wood is upfront too. Slightly yeasty and estery, which makes it a bit fruity. But the fruit isn’t here in abundance. Actually it is pretty dusty and comes across as dry. Do I detect some fatty peat in here? Small hints of rubber and smoke. This definitively is one to work with, and then the best things are in the details. There are some hidden treasures in this. Some vanilla, cream and petrol. Complex and nicely balanced. The longer I nose this the better it gets. Definitively peat and clay in here. Salty too. I’ve got to stop nosing this, otherwise this will never end…
Taste: Sweet and woody. On the precipice of bitterness. Still the bitterness is controlled by the sweetness. Nice big body, and the ABV helps with this. Creamy vanilla again, but with a bite from the wood. In the depth there is some sugared dried yellow fruits, Apricots are the most recognizable. The sweetness is also aided by some late acidity, that transports the hint of yellow fruit. It seems to me as if someone squeezed some lemon into this. peppery, woody attack. The finish is slightly off-balance, but overall this is a very good malt.
It seems to me you can’t go wrong with these kinds of Lochsides. There are a lot of 1991 bottles around, but they are all different. sure the family resemblance is there, but I’ve tasted more of the 1991 G&M Reserve, and they all are variations of a theme. Even the reduced Connoisseurs Choice are very drinkable summer whiskies. If that is the case I would say that these 1991 Reserve’s are more of your winter dram. Recommended.
Points: 86
Thanks go out to Erik for providing yet another sample.
Erik Molenaar is the boss of this outfit. Did Erik source a tiny Hogshead of Ledaig? “Honey. I shrunk the Hogshead” maybe? Nope, Erik shared a cask with a shop in Maastricht. Slijterij Bams. The share of the shop was 218 bottles, Erik’s share was only 36. Funny enough the label of ‘the other’ bottle states 50.6%. The humor doesn’t stop here. Bams don’t have it on their list anymore. Sold out? But The Kintra version is still available! So I can’t wait to try this. I hear that modern Ledaigs can be pretty good…
Color: White wine.
Lot’s of ash in the finish. The lack of balance is a bit disturbing. There is also a bitterness like earwax and a hint of crushed bugs.
Color: Gold
Caol Ila. This was recognizable blind. This has a nice full body with a perfect sweetness (slightly acidic) that matches the toned down peat a lot, combined with the smoke…a winner. Macaroons (made with almonds) and a slightly bitter finish (from the wood) and overall a tad too simple for a score into the 90’s.
Color: Copper Gold.
Quite hard to figure out how to call this malt. On the label is stated: Säntis Malt, Swiss Highlander, Appenzeller Single Malt, Matured in Old Oak Beer Casks. On their
Belgium’s own, Bert B. came into the Cadenhead’s shop in Amsterdam (The Netherlands), with a tale of buying the ‘Winkeldochters’ in an old liquor store in a long forgotten town, near the coast. Howling wind and rolling bushes through the streets. Winkeldochters translates into shop’s daughters. It’s a great Flemish word for those items that are around for a long time in a shop which in fact never get sold.
Well one of these bottles he bought was this Dufftown from Cadenheads. He opened it in the shop and we tried this. He didn’t like it then and exchanged it with Andries (The Cadenhead’s Shop owner) for a wedge of cheese, a cup of coffee and a wooden clothes pin. Andries was kind enough to pour me a nice sample of this (100ml) to take home with me. Cleaning out the closet, I stumbled across this sample, so here it is…
Color: On the edge between copper gold and copper brown.
Points: 92
So there are quite a lot of official Wine finishes by Glen Moray themselves. Now Ian MacLeod decided to add their wine finish of their own, or maybe bought it straight from the distillery.
I caught a cold last week, which is very unfortunate when you try to write tasting notes. Fortunately my nose is back in business now, and in the process ‘got a rest’. Let’s start whisky reviewing again, with an example of a whisky that should be light and is ‘low’ in ABV.
Lou Reed’s Transformer on the record player and the new Tomatin 30yo OB in my glass, what can go wrong? As I already mentioned
The new 30yo was introduced in 2011, replacing the 25yo that still can be found. It’s reduced to 46% ABV, to fit neatly in the ‘standard’ range which now comprises of the 12yo, the 15yo, the 18yo and now the 30yo. The 21yo I reviewed earlier is a limited release and higher in ABV (52%), so it’s not part of the standard range. Still it looks like a huge gap to me between the 18yo and the 30yo. And a new 21yo or 25yo would be nice. For now, mind the gap…
Can’t imagine this was colored. It’s so light in color. That would be great, since we don’t like people messing with our drams, don’t we? Both the nose and the palate are neatly balanced. I really love these kinds of whiskies. One I thoroughly enjoyed. Imagine a great 30yo whisky and what they ask you to dish out these days. Considering this, this one is a steal (in some markets) and deserves a following. It’s 46% ABV and very nice, this makes it almost too easily drinkable and there is a possibility that this bottle will be empty in no time, so beware. The 2011 batch was also very good, still this one from 2012 scores one point higher, since it’s even more fruity.
Next up Glen Scotia, also a first on these pages. Glen Scotia hails from Campbeltown, once a big place for whisky with regional status (again). Try to imagine a place that has almost 30 distilleries working at one time in the 19th Century. Not so long ago this Glen Scotia was the ‘other one’ from Campbeltown after the well-known Springbank. Today Springbank makes also Longrow and Hazelburn. And from the same owners the recent ‘addition’ that is Glengyle Distillery (Kilkerran). Let’s say that Glen Scotia is the only Campbeltown distillery not owned by the people of Springbank. Owner today is Loch Lomond Distillery Co. and the place is fairly run down. When the distillery was mothballed in 1994, the staff of Springbank restarted intermittent production in 1999, not to lose the regional status of Campbeltown. A status lost eventually, but eventually reinstated.
The distillery was founded in 1832 by the Galbraith family. For one reason or another the label on the bottles state 1835. Lots of changes of ownership during the years and even some closures in 1928 and 1984. Since 2000 Loch Lomond has taken over Glen Scotia and runs the distillery with its own staff.
I was asked to keep an eye out for sulphur in this one. It’s there slightly on the nose (as a burning match). But it is more pronounced on the palate (the bite here comes not only from the wood, but also from the sulphur. Usually there is some sulphur in Sherried Glen Scotia’s. Lots of it in a 1991 Cadenheads offering if I remember correctly. It’s there on the palate and even more so in the finish (late). Is it ruining the balance or the palate? Does it disturb me? No, it’s some kind of good sulphur. it’s somewhat hidden. It’s there but not in the usual obvious way. That happens sometime, that’s why I called it good sulphur. Still, overall there isn’t a lot of sulphur in this one, so don’t worry. And hey, sulphur is good for the skin!