Back to some wonderfully Sherried Bunnahabhain. Most of the last few bottles of Bunnahabhain I reviewed were younger and much paler (and peatier) than the bottle I’m about to review. Here we have an independently bottled Bunnahabhain from a highly active European oak Sherry butt. Even though this has aged for a respectable 30yo, and was bottled 10 years ago, I still feel 1979 is not that long ago. If you try this particular expression, it seems to come from another century, or another dimension altogether. I’ll keep it short here, because I feel a lot of words will be needed th describe the complexity of this Malt.
Color: Dark Brown.
Nose: Fresh sea air. We didn’t see that one coming now didn’t we? Remarkably fresh, mint, yup mint. The mint you get from those hard mint sweets, not freshly cut mint, you make tea of. I did think it would be a cloying heavily Sherried Malt, but it’s not. Hints of toasted oak, charcoal and tar. Creamy vanilla powder, milk-chocolate, or better, plums in chocolate and a little bit of honey as well. Old distinguished wood. Wood polish without the petroleum smell, although very far back this does seem to have some petrol fumes going on. Caramel, tar, and some bits from an ashtray. Lots of Sherried notes obviously. Soft burnt sugar and a whiff of french cheese. Sherry and tobacco. It smells like it’s from another century altogether. Doesn’t really smell like a Whisky anymore. This must have been a very active cask. Still, nicely balanced and very chic. Fruity and coal, reminding me of early seventies Longmorn mixed with well aged calvados, since it has this apply feel to it as well. Just this bit though, not the whole experience, reminds me of Longmorn. Lots and lots of aroma’s and quite complex. Log fire and hints of fatty soft smoke. You can smell this one for hours before even thinking of taking a sip. You need to be alone for this one, and certainly not rushing it. If you smell it vigorously, it becomes meaty (gravy) for a brief moment, and some unexpected citrussy notes emerge as well. Beautiful wood notes re-emerge. Hints of old warehouse with old cardboard boxes in it. Dusty, quickly masked by the toffeed fruit. Although it doesn’t seem like it at first, this is a very high quality nose, which is immensely complex and has a lot to give. Wonderful.
Taste: Quite dry and woody, but also very tasty. Slightly soapy on entry. With lots of spices and borderline bitterness. Again you’re in for a treat. I have smelled this for quite a bit now, and doing so, I warmed the glass up in my hand. Fruity, but not much. I couldn’t even tell you what kind of fruit it would be. This has been a long time in cask. Tar and tobacco and maybe some leather. Not very heavy due to the relatively low ABV. Dusty and deep. So definitely a Malt that shows the Whisky can be about the wood it matured in. The creamy vanilla from the nose is lacking here, but definitely here, is the dry tannic wood and slight bitterness. Definitely not a chewy Whisky. Old and distinguished. Like an old mens club. Phileas Fogg style. The body falls back a bit. Finishes great, which makes up for the dry start, with a nice warming aftertaste. I like it. It’s a choice. Sure this could have been bottled (much) earlier. I don’t know if it was chance or choice, this has been allowed to age further, drying out considerably, yet picking up in “style”. It will be remembered for its great finish and the fabulous nose.
If you just pick this up and drink it, and don’t give it the attention it needs, you won’t pick up half of what its got to offer. If you do give it attention and time, wow! The more air it gets though, makes this Whisky less fruity and more about the wood, so know what you’re in for when allowing it to breathe for a while. Still, this is a wonderful malt either way, that develops enormously in the glass, so I can forgive its dryness with ease.
Points: 91
Color: Full gold, and only slightly lighter than the 15yo.
Just like I promised yesterday, Today we’ll return to Château Montifaud, and this time we will have a look at their XO expression. (Extra Old). By law an XO should be at least 6yo, but again we see that Montifaud age their Cognacs longer than necessary. This XO is 30yo! In 2016 however law will be changed, and an XO should be 10yo, but I don’t think Montifaud will age their 30yo XO Cognac even longer, now the law will change. Just like the VS, this is made with grapes from the Petite Champagne region. It maybe a “lesser” region than the Grande Champagne Region, but Montifaud will know what to do with these “inferior” grapes, if the VS is anything to go by.
Color: Orange copper gold (ever so slightly lighter than the VS.)
Color: Gold.
Color: Vibrant full gold.
Color: Light orange gold.
Third, unbelievable what this Malt costs. It has been reduced to 44% (I think) and for sure is colored, why? Is this typical caramel colour so much better than the colour of the original Whisky? Fourth, This malt has been “created to celebrate the famous George Orwell” what’s next, a 2011 Isle of Jura bottled at 50% ABV to celebrate E.L. James? She probably put up a tent of her own on the Island too some point in time. Fifth, in 2003 Jura already released a 1984 commemorative bottling for George Orwell. This time with a Palo Cortado Oloroso finish (I understand that one wasn’t so great). Sometimes I just don’t love marketing. Let’s concentrate on the Whisky then.
Color: Copper gold.
Color: Light gold with a pinkish hue. Sherry all right.
Happy new year! I wish all my readers a great year full of fulfillment, health and great drams. please don’t settle for mediocrity. Try to broaden your horizons for true beauty that can be put in your mouth, but do it in moderation, we don’t want to create modern drunks.
Well what would be a better start, than with an old Strathisla! In the past I tried some nice old Gordon & MacPhail Strathisla’s from this series. The review for the 25yo can be found here, but together with this 25yo I tried the 21yo and that was similarly spectacular. Mind you these are the old 80’s bottlings for the italian market, and whiskies with these labels were issued for a couple of decades, so every batch will differ (massively). The 21yo and the 25yo were quite dark, and hopefully not colored, and being from the early eighties, the distillate is early sixties or maybe even late fifties.
Short finish. The 21yo and the 25yo performed better in that respect. Treat this elderly Whisky with respect, but be bold and take bigger gulps. The whisky itself, maybe is a tad fragile and subdued, but hey, the stuff was made some 55 years ago and along the way was reduced to a mere 40%, so give it a break will you?
Lou Reed’s Transformer on the record player and the new Tomatin 30yo OB in my glass, what can go wrong? As I already mentioned
The new 30yo was introduced in 2011, replacing the 25yo that still can be found. It’s reduced to 46% ABV, to fit neatly in the ‘standard’ range which now comprises of the 12yo, the 15yo, the 18yo and now the 30yo. The 21yo I reviewed earlier is a limited release and higher in ABV (52%), so it’s not part of the standard range. Still it looks like a huge gap to me between the 18yo and the 30yo. And a new 21yo or 25yo would be nice. For now, mind the gap…
Can’t imagine this was colored. It’s so light in color. That would be great, since we don’t like people messing with our drams, don’t we? Both the nose and the palate are neatly balanced. I really love these kinds of whiskies. One I thoroughly enjoyed. Imagine a great 30yo whisky and what they ask you to dish out these days. Considering this, this one is a steal (in some markets) and deserves a following. It’s 46% ABV and very nice, this makes it almost too easily drinkable and there is a possibility that this bottle will be empty in no time, so beware. The 2011 batch was also very good, still this one from 2012 scores one point higher, since it’s even more fruity.