Bimber “France Edition” 2021 (58.9%, OB, Port Cask #30, for La Maison Du Whisky, 290 bottles)

This is the fifth review of Bimber on these pages, After cask #194 (Rye cask), cask #224 (Bourbon cask), cask #94 (virgin oak cask) and cask #41 (Pedro Ximénez cask), we now turn our attention to cask #30, which was a cask that previously held Port. This is another chance to see yet another side of Bimber. Until now the scores ranged between 86 and 88, which is quite a narrow range of scores, well see if this Port expression will broaden this narrow range somewhat, although I suspect it might not, and is so, not by a lot anyway, since the quality has been there all the time. A score lower than 86 is probably unlikely, especially since, for the time being, the Spirit seems to work well in any cask, and on the other hand, the Whisky might be just too young to propel the score way past 88 Points, but hey, you never know and if the Whisky turns out stellar, it will definitely score higher than 88, and if the Whisky is (badly) flawed it will definitely score lower than 86.

Color: Orange Brown, no red hue.

Nose: Warming, elegant. Spicy, one of the markers that many Bimbers have is cinnamon. It’s a signature aroma. Vanillin, raisins, licorice, leather, dust and old mahogany. Lots happening right from the beginning. The wood especially smells really good, very classy. Hints of Rhum Agricole and an old hardened out floral bar of soap. I said: hints, so this nose is not particularly soapy. No, cinnamon, licorice and wood are the main markers, other than that, this smells quite fresh and lively. It has some fruity acidity to it, as well as a breath of fresh air. Apple pie and cookie dough. This one ticks a lot of nice boxes. Toffee. Not very red-fruity though. In the Whisky business Port is Port, they really don’t seem to care a lot that there are a lot of different kinds of Port in existence. So I wonder what kind of Port was in the cask before the Bimber spirit, assuming it is a first fill. Again a very pleasant nose. The Bourbon, Rye, Virgin, Pedro Ximénez and now this Port are all very good on the nose, yet this one especially. This Port version smells really really good, it might not be the most complex of the ones I have smelled and tasted until now, but very good nevertheless. The aged spirit already smells nice, but the Port definitely adds another layer.

Taste: Definitely leather first this time. Hints of black coal and old style red fruits, initially like a Whisky from the seventies in a good Sherry cask. This old-style effect only shows itself now that the Whisky had some time to breathe in the bottle as well as in my glass. The freshly opened bottle didn’t have this. Some toffee and sweet fruity Wine notes at first. Cinnamon propels it forward. Again a very elegant taste. Wood, cinnamon and leather. Slightly burnt sugar and hits of tarry licorice. A tad of woody bitterness as well now. Sweetish with again the hints of red fruit we know from Old Bowmores and good old Redbreasts. Sweet and fruity not unlike strawberry jam. Next some vanilla powder seems to be mixed into the cinnamon. More typical fresh oak, with a neat little bitter edge, giving it some more backbone. Pencil shavings adds another wood-note. This is also the moment, the initial sweetness wears off. On the palate it even has more traits of Rhum Agricole than the nose had. I even pick up on some cola now. Tasty. This is a very balanced Bimber. Initially I thought Bimber works best with Bourbon, Rye and Virgin oak casks, and I might have mentioned that earlier, in hindsight, I guess it will work in almost everything, since the Pedro Ximénez turned out better than I thought and this Port also works very, very well for me. With 86 Points, the Pedro Ximénez version is the lowest scoring Bimber, and my least favorite of the lot. But come on, 86 points, that’s quite impressive for the worst Bimber on these pages. Taste-wise this Port version might not be the most complex of the lot, yet comes close though. It does have a better drinkability than the Pedro Ximénez version I just reviewed, still not one for casual sipping though, but if you do, you’ll be alright nevertheless. I totally get why La Maison Du Whisky (LMDW) picked this particular cask, excellent choice!

This one has a lot to offer. After all the Bimbers I’ve tasted, not all have been reviewed though, I’m sure the beauty lies in the details and therefore Bimber still needs to have my full attention. This one is not a casual sipper. If you give it the time it rightfully deserves, you’ll definitely will get rewarded big time. Personally, Bimber is maybe my favorite of all the new distilleries. High quality and very mature for the age of the liquid.

Points: 89

The window of scores did become a little bit wider now with 89 Points. Very good Bimber once again. If the Sweetness would have more staying power towards the finish and into the aftertaste, this would have scored 90 points.

Glen Keith 38yo 1967/2006 (53%, Gordon & MacPhail, Reserve, for La Maison Du Whisky, Refill Sherry Butt #3876, 215 bottles)

And then there is Glen Keith. Glen Keith lies a stone’s throw away from Strathisla. The spirit from Strathisla was pumped to Glen Keith for filling into casks, but also the boiler at Glen Keith warms water for Glen Keith’s production. Glen Keith’s production started in 1958 with three stills (triple distillation). In 1970 the first two stills in Scotland that are heated by gas were installed. Soon after that, the distillery stopped the triple distillation. In 1983 a sixth still is installed. The distillery is mothballed since 1999, but plans are to restart the distillery next month (April 2013).

Chivas Brothers (owned by Pernod Ricard) already opened two of their mothballed distilleries. Allt a-Bhainne in May 2005 and Braeval (a.k.a. Braes of Glenlivet) in July 2008. If memory serves me well, Chivas Brothers also have Imperial. Alas, Imperial was considered not economically viable for reopening. (It was “old” and had the ‘wrong’ capacity, to small for a company like Chivas), so Chivas presented plans in 2012 for a new distillery to be built at the site of the old Imperial distillery. So the demolition of Imperial started around december 2012 and is now also gone for good.

Color: Copper, cloudy.

Nose: Musty Sherry with a lot of wood. Dried oranges, and sugared orange skin. Crushed dead insects, well they really don’t make them like this anymore! Cloves which fits the orange skin perfectly. Mocha with orange cordial. A forest in the rain. Oak planks. A Whisky with character.

Taste: Old bottle effect. Very spicy oak but not over oaked. It’s heavy on the wood but that not a bad thing here. A lot of wood and paper. Along comes wood spice and some bitterness. It is so clearly a Whisky from another time, that this one needs it. Luckily the rest of the body is quite ‘heavy’ too, but not in your face. It’s a rather quiet malt. Hot butter, sugared oranges and some coal. It actually is pretty sweet, but the sweetness is hidden well behind the wood and oranges. A bottled antiques shop with a long warming finish.

This is now my favorite Christmas malt. Just smell that dried Orange in combination with the cloves. It’s not a perfect old bottle though, but it’s so clearly a time capsule. It’s impossible to not love this. I was always a big fan of Strathisla of the sixties and seventies and this Glen Keith is therefore really no surprise at all. Merry Christmas everybody!

Points: 92

Glenfiddich 32yo 1974/2006 (47.3%, OB, Private Vintage, for La Maison Du Whisky, Cask #10260, 198 bottles)

Let’s continue with Glenfiddich. Known for their big out turn and fairly priced Whiskies. No cheap entry-level Glenfiddich this time, like the 12yo “Special Reserve” I reviewed earlier, but a super-duper premium Glenfiddich that costs a fortune these days. Cask number 10260 was bottled for the 50th anniversary of La Maison du Whisky. Who hasn’t visited one of their fabulous shops in Paris & Saint-Denis (France) or Singapore? There are a few pretty great 1974 Glenfiddich bottled, even one for Playboy (Cask #10245) and H.M. Queen Elizabeth II (of U.K. fame). So not a bad club to belong to. Here Majesty’s Cask was #2336 (not quite a sister cask of the Playboy one, I would say). Or maybe Glenfiddich filled a lot of casks in 1974. Who knows?

Color: Full and dull gold.

Nose: Old bottle. Oceanic and creamy. Wow. Musky and organic, with fatty old wood (not dry wood) mixed with newer plywood. Clay. Absolutely stunning wood smell. Smelling this you know you have something special on your hands. When smelling this for a prolonged time, you get in the territory of cardboard that has been added to the wood that is more upfront. Through the wood and the cardboard is also something clean, fresh and lively like lemongrass, cola, mint and old lemon skins, but also the more heavy shoe polish and clean wax. Great complexity and balance.

Taste: Again old bottle. Spicy toffee with clay. It’s sweet and has hardly any wood at first! Full mouth. Chewy and waxy. Fantastic. Slightly sour, somewhat thin and papery finish, and the wood came in late, but it is there. It’s more the spice from wood, than the wood itself. Clean and elegant.

Well, obviously you can’t really compare the über-standard 12yo to this, can you? Because all the time when I was trying this, you can clearly see where this is coming from, and it does have a big family resemblance. This definitely is the father of the 12yo.

Points: 91

Glen Grant 49yo 1956/2005 (46%, Gordon & MacPhail for La Maison du Whisky, Refill Sherry Butt, 459 bottles)

I just had to write another one about Glen Grant. Do I really have to revert to Gordon & MacPhail to find me a good Glen Grant? There are a lot of great Glen Grants around, but are they bottles of the past maybe? Here I have another Glen Grant that as it turns out ís from Gordon & MacPhail. Will it be good or do Gordon & MacPhail also have some mediocre casks? This one is bottled for La Maison du Whisky who usually pick good casks, so no need to worry, this probably will turn out all right. Besides, this is no 70’s Glen Grant, but a 1956. The year Alfred Hitchcock became American and made “The man who knew too much”.

Color: Copper Brown

Nose: Wow, this I like. This is the old sherry, with tar, licorice, clay and coal nose that I like so much! It’s farmy (which is not elegant) and has elegant wood. Spicy and winey-sweet. Dark fruits lemonade all over this. Raisins in the finish after leaving it to breathe a little. It’s a nose like this that make me live up to my blues-name: Fat Killer Jenkins, because I wouldn’t mind having a few cases of whisky that smell like this.

Taste: Very balanced because it’s the nose in diluted form. Sherry, tar and asphalt, Black fruits with a lot of wood and a hint of cardboard. Luckily the main character is so powerful, that it is capable of masking a lot of the wood. You just know it’s there on your tongue and you’ll notice it in the finish. But then again, it’s so old, that it should be there and it fits the profile. It has a lot of wood but it doesn’t make the finish overly bitter nor harsh. Not overly complex though, like a nice old cognac.

The not so sound statistical and scientific conclusion might be that you’ll have to get yourself a Gordon & MacPhail bottling of Glen Grant if you want a good one. Well as I said there are a lot of other good Glen Grants around. We’ll have to keep searchin’ to find us one, but for the time being we’ll have this Gordon & MacPhail 1956, and that’s no punishment! The nose is to die for, that alone is worth almost a 100 points. But the whole I will score…

Points: 91

There is also a second one for LMdW. Also a 1956/2005, only this one is from a First Fill Sherry Hogshead that yielded 105 bottles.

Many thanks also go to Christian Lauper of World of Whisky who sent me the picture of the back-label. As far as I know, this shop is the only one in Europe who still has this bottle on stock (CHF 509.00).