I’m pretty amazed this Sherry Butt #72319 is still available. Here in the low countries there is a lot of discussion about these Sherry Butts released by Dutch indie bottlers The Ultimate (Van Wees). This Sherry Butt Sherry Butt #72319 is the third one in a row and earlier I already reviewed Sherry Butt #72315, which was the first one of the series. The second one was Sherry Butt #72318.
As I said, lots of discussion, since all casks are good, didn’t cost a lot and have some differences. So nice whisky to compare to each other. I still have some Sherry Butt #72315 left, so I can compare it to this Sherry Butt #72319. Word in the grapevine is that the first one (Sherry Butt #72315) is the “worst” of the three, all are very clear about that. Some consider Sherry Butt #72318 to be the best and some Sherry Butt #72319.
By the way I hosted a Cadenhead’s tasting recently and after the tasting, I passed a glass with Sherry Butt #72315 around, without telling people what it was, and it sure got a lot of thumbs up. So maybe some prejudice going around? Earlier I scored Sherry Butt #72315, 88 points, so let’s have a look at this “better one”…
Color: Copper Brown (less red/orange in color than Sherry Butt #72315)
Nose: Sherry and polished wood, smallest hint of creamy acetone, soap and some mint. Definitely less raw and dirty than Sherry Butt #72315. Extremely balanced and “soft”. It does have its power, but it’s more laid back. Woody raisins are in here too, but here they show themselves quite late in the mix and more toned down and in balance with sour wood, (milk) chocolate and honey. Very thick.
Taste: Great! The first encounter in the mouth is very nice. Sherry with more than a hint of licorice and sweetness. After that the wood, albeit in a mild way, shows itself. Also some toasted cask and a wee bit of paint. These were some very good Sherry Butt’s. The finish itself seems to me to be a bit less balanced, it seems to be a bit disjointed. Probably the wood gives the finish an acidic (and ashy) touch that somehow doesn’t seem to be a perfect fit. A sourness and taste akin to oranges, (the flesh and the juice), not the oily bits out of the skin. On the plus for a lot of tasters: this one has no sulphur in the finish.
If I had to sum things up, I would say that Sherry Butt #72315 is more of a true Sherry nose, more raw and honest. Maybe also less complex. Sherry Butt #72319 is more elegant and more complex, wint small hints of all sorts of things. Both are worth the same amount of points, but are different, but is I had to pick only one I would say Sherry Butt #72315 would be my choice, since it compensates it slightly simpler profile and it’s rawness with a better finish. But I have the luxury of tasting these two head to head, which makes it a lot easier to pick up on small differences, without that possibility, both are an equally good choice (as if one still has a choice).
I don’t know Sherry Butt #72318, but the two I’ve been comparing here are definitely worth having both. They maybe examples of the same kind of Whisky (heavy Sherry), but both show enough difference to show you a bit more of the possibilities within this profile. Both demand a different mood of the taster, meaning you! Well, now I’m very interested in Sherry Butt #72318. I hope Erik (a.k.a. Master Quills apprentice), opens his bottle soon 😉
Points: 88
Color: Copper
Here we go again. Another monstrously long title, again a Single Malt of which the distillery name is not on the label, but we know it’s a Bunnahabhain. So three in a row, this being the third Bastard Malt in a row, reviewed here on these pages. The Creative Whisky Co. Ltd. is non other than David Stirk. Fellow Rush lover and Whisky bottler par excellence, or should I say Exclusive Whisky bottler?
This Bunna is pretty dark in color so my guess would be a Sherry cask. Since David didn’t specify what (kind of Sherry) the cask previously held, we can only speculate what this is. Maybe a Sherry Hogshead, or maybe a Butt that was shared with others, or only half the Butt was bottled? My guess would be the former (a Hoggie). It looks like a Oloroso or PX Sherry Hogshead to me, so we’ll have to try, to make another guess at it…
Color: Copper Brown.
Well hello Blairfindy! Wait a minute, Blairfindy isn’t a real distillery is it? As far as I know, there isn’t a Blairfindy distillery, and there never was one too. No, Blairfindy turns out to be “another” name for Glenfarclas, used, when the bottlers weren’t allowed to use the real distillery name on their labels. Something like Tactical for Talisker, Leapfrog or Laudable for Laphroaig and so on. Blairfindy, amongst others, was the name of the farm, the Grant family (of Glenfarclas fame) originated from. Although the Glenfarclas name isn’t on the label, it most definitely is a Glenfarclas, and an old one to boot…
Color: Copper gold.
Color: Light Gold
and is said to be even better than cask #72315. Alas Cask #72318 sold out rather quickly too, so Van Wees bottled a third one: #72319. That one should still be available, but already I heard a fourth cask is being bottled. If my information is correct there still are two casks left from this series, to make six in total. Let’s have a look at the series first one, cask #72315.
Color: Orange copper gold.
Color: Orange gold
This is my last review of a Whisky from the standard range of Tomatins released by the distiller. The standard range comprises of Legacy, a 12yo, a 15yo, and last but not least, the 18yo. The age statement (or lack of it) not being the only difference. All are different in usage of casks:
Color: Light gold.
if you’re somewhat more seasoned and able to appreciate the added notes of the Oloroso finish , I would recommend the 18yo. Legacy and the 12yo are both alright, and dirt cheap to boot, but not my personal first choice. So for me the 18yo and the 15yo are the ones to buy, and differ strongly enough from each other to get both 🙂