Again rummaging through my box with trophies collected on my travels, I found another Port Ellen. I like Port Ellen, so please forgive me, for yet another review. Port Ellen is the closed distillery from the immensely popular island of Islay, known for its peated whiskies. Always around in abundance, prices were ‘moderate’ for a closed distillery from Islay. Today stocks are depleting, and prices tend to rise sky-high, and it won’t be long untill there’s nothing left. Even if casks still lie around, Port Ellen isn’t getting better by ageing even longer. Maybe casks will be transferred into stainless steel holding tanks to stop ageing and fetching a lot of money when bottled is a few years’ time. Who knows. Since 2001 Diageo releases Port Ellen annually in their special release series. The first release fetching at least a 1000 Euro’s at auctions…
Port Ellen was founded in 1825, and was sadly closed like many others in 1983. Although the distillery is dismantled, the site is still there. Today it’s home to Port Ellen Maltings. Where barley is malted and all the other distilleries of the island are customers…
Color: Gold (with black cask sediments, floating around).
Nose: Thick and elegant or is it? Dry Fino Sherry and crushed beetle. Peat and kumquats. It smells like a bush, very vegetal. Black tea and flowery perfume. The citrussy wood is great in this one. When left to breathe for a while it’s wonderful altogether, and a mixture of hot tea, with dry black tea leaves comes even more to the fore. Stunning!
Taste: Thick, spicy, sweaty and sweet. Black and white powder. Very balanced. Alas no Port Ellen rubber. Again Fino Sherry. Bold, round body with distant peat and milk chocolate. Clean at first, and dry,with a very nice gritty and dirty bonfire finish that tends to be sweet and sour (green apples), but not bitter. Every sip is like a chameleon, different every time.
Ahhh, the Raw Cask series, a series where filtration got a new meaning. This is a series where the whisky is certainly not chill-filtered. It is probably filtered through a chicken wire fence. Some people even suggest, the stuff floating in these whiskies have sediment thrown in from anywhere and is not even from the original cask. Well I’d like to believe… It looks original and rustic and I don’t have a clue what it does for the taste. If you drink it all, you can imagine what it does for the mouthfeel, well not much really, the flakes just tend to cling to your palate and tickle. This is a very good Port Ellen and it deserves a well-earned…
Points: 91
Earlier I reviewed a very old independent
Color: Orange Gold.
Cardhu is a very special distillery in the portfolio of Diageo, since it is their biggest selling malt (Spain and France mainly), but when talking to other enthusiasts the response isn’t all that…well enthousiastic. There is only talk of old bottles of Cardhu. Since 2006 a special cask reserve is issued, which isn’t welcomed with open arms, but since it sells so well, it must be the ultimate entry-level whisky. Personally I don’t like it.
Founded in 1811 by the illicit distiller John Cumming, who became legal in 1824. In 1884 the old distillery is replaced. Purchased by John Walker & Sons in 1893. Then in 2002 a small revolution took place. Cardhu, the whisky was silently changed into a vatted malt. (Several single malts blended together). The bottle and the label stayed the same, just the word ‘single’ changed into ‘pure’. Well this didn’t last long, in 2004 the ‘pure malt’ was withdrawn. Luckily in 2005 this 22yo was issued.
Time for another Lowlander. Rosebank this time. I reviewed a
hoping for a resurrection. Who knows. For the time being, lets see if this Rosebank is any better than the Glenkinchie reviewed earlier.
…and here is my second entry for our Genietschap gathering. Yesterday I reviewed an older expression of the ‘standard’
Color: Copper Brown.
One of the other gems he found there, was a very old 20yo Sestante Mortlach, so the theme for this year soon became Mortlach. I have to admit, I really love a tasting with a single distillery theme, especially when a lot of bottles are brought in. Strange enough that was not the case with Strathisla, but with Mortlach we had 14 of them, and an extensive aftertasting with some other gems. (Laphroaig 10yo unblended bottled in the mid 70’s!).
Teaninich isn’t amongst those superstars of Single Malt Whiskies around, but it has a fanatical following with certain enthusiasts. Well I’m one of them. Almost every time I taste a Teaninich, blind or not, this always tickles my fancy. I connect with it. It suits my palate. Dare we say: “For reasons not even science can wholly explain…”
Teaninich was founded in 1817. In 1970, yes a small jump in time, a whole new six still ‘distillery’ was built alongside the current one, consisting of four stills. The new one was called the A-side (The old stuff was therefore called the B-Side). They worked together as one distillery. In 1984 the old distillery was mothballed, and 15 years later, demolished.
Time for a nice old Laphroaig. The 
The Old Train Line series is probably the series with the most beautiful labels I know. The series is bottled by German bottler Jack Wieber based in Berlin.
Founded in 1843 by William Mathesen, but whisky was distilled on site as early as 1703 (or 1738). Glenmorangie is now known for their stills with very tall necks that ensure a very light and clean spirit that had to reach incredible heights. Glenmorangie are also known for their Dr. Bill Lumsden, a man who doesn’t fear innovation and experimentation with his grains and woods.
The whole is pretty balanced. It’s easy noticeable that this is from light spirit. The nose is great, and the taste is very nice. The only two things that let this down is its lightness. And a Glenmorangie should be light, that’s one of their pillars. Personally I like a bit of body to it, like yesterdays