And here is another Master of Malt bottling. Earlier I reviewed a reduced Tomatin, that was a true disappointment. I didn’t even know it’s possible to ruin a Tomatin, since usually I like Tomatins. So with this one I do worry a bit. This also is a Bowmore of the eighties, which quite often turn out to be your better hand-soap (lavender and violets come to mind). I once tried a 1989 Berry Bros. & Rudd bottling that made me physically ill. That was a first for me, so I tried that one half a year later and it happened again.
Color: Gold
Nose: Powdery and sweet. Not very Islay to be frank, hardly any peat or smoke. Lots of flowers though, soap, also some clay and thick, so it seems to have body. When freshly poured it is very closed. After a while some smoke trickles trough. Hey, waiting even longer there is peat too. All in minute quantities. Again not very Islay-ish. Is this really a Bowmore? Wet paper and a small hint of licorice. It’s not bad, but not very balanced either. Now we have sour oak. It’s fresh, fruity and floral, luckily not over the top lavender-soap eighties Bowmore.
Taste: Sweet and syrup, with ash and some wood. It actually attacks you in the beginning. The sweetness disintegrates quickly into something acidic. It’s like a syrup that shows, when stripped from your throat, some lemon. The attack is nice, and the middle is also quite nice, but bold tastes fade and leave you with a fairly dull and anonymous finish. What can this be, a strange and unusual Bowmore distillate in a Fino Sherry cask? Well, let’s leave it at that.
In the end it’s not a FWP-Bowmore from the eighties, but it also isn’t recognizable as a Bowmore either. It’s ok on the nose and when it enters your mouth is shows some promise. Halfway through though and especially the finish are a bit weak, which is a surprise after the bold body. But the most remarkable achievement is making and finding a Bowmore that has nothing to do with…Bowmore!
Points: 84
Color: Light Gold.
Let’s continue with Glenfiddich. Known for their big out turn and fairly priced Whiskies. No cheap entry-level Glenfiddich this time, like the
Color: Full and dull gold.
Color: White wine.
In this day and age of battles, battles for oil, battles in politics, and even dance battles, now there are also battles in Whisky. The guys in the picture are Jan Beek (right) and Dennis Mulder (left). They do tastings/battles to see who bottles the best Whisky, the distilleries themselves or the Independent bottlers. Jan represents the independent bottlers and Dennis the official bottlers. Time for my own battle. Well not a battle with axes and swords. Earlier I reviewed an official
Color: Lively orange brown.
And here is another Cadenhead’s, from the same kind of cask, from the same year 1987, with three years more ageing. Cadenheads call this Distilled at Dumbarton, made with Inverleven stills. Everybody else calls this whisky just Inverleven. To clear things up. The Single malt whisky that was made this way, was called Inverleven. Inverleven was made untill 1991. This was made with the ‘normal’ type stills. In the same building was also a Lomond type still that was installed in 1959 at the Dumbarton distillery and ran untill 1985 (With the malt being called “Lomond”, not Loch Lomond). Loch Lomond lies close by to the north. Only a few kilometres away, still Loch Lomond is a Highland Whisky, and Inverleven a Lowlander. To wrap things up. The Dumbarton Distillery was the spiritual home of the Ballantine’s Blend.
Color: Light gold. (Darker than the 15yo Cadenhead).
I ended the last post about Gordon & MacPhail’s Inverleven with the hope that they wouldn’t reduce the next issue (so much). Frolicking around in my stash of samples I unearthed this unreduced Inverleven bottled by Cadenhead’s. It’s from another year, so this may have a different profile, but still worth checking out. Dumbarton was foremost a Grain Distillery. The distillery was built in 1938. In 2002 the distillery was closed and demolition commenced in 2005. I’ve added a picture here, because I have always liked the big red brick industrial complex on the river. By the way, after stopping the production of the Inverleven malt, the Stills went on to Islay to produce Port Charlotte at Bruichladdich.
Color: White wine.
Color: Gold.
Here we have one of the many 1991 Lochsides, and one of the many that were issued as a Gordon & MacPhail Reserve. This one was picked by Dutch retailer Van Wees. Gordon & MacPhail code for this one is AJ/JBEC. The spirit was distilled on September 18th, 1991 and eventually bottled on March 8th, 2010. Alas we don’t know exactly the date when Han van Wees tasted it and picked this ;-). Kudos to Gordon & MacPhail for all the information on the bottle and back label.
Color: Gold
Color: Orange brown.