A long time ago, between 2000 and 2004, The Balvenie issued a series of single barrel bottlings similar to the 15yo, these bottlings however were much older, these were matured a further 10 years to become the 25yo single casks. All from 1974 (most of them) or 1978. And all at the convenient strength of 46.9% ABV. Who came up with this number anyway? By the way, I couldn’t find a picture of a Balvenie 25yo Cask #13282, so here is a picture of the similar looking cask #10141, that was bottled two years earlier. Most of these 25yo’s were bottled in 2000.
Color: Gold
Nose: Light, buttery, and very accessible. A little old bottle waxiness, but not a lot. Let’s say it’s not a 1972 Caperdonich. Some sugared yellow fruits and hints of banana. Still it does smell like something they don’t make anymore. Also some seaside freshness to this. After some breathing, it does come around a bit, it opens up. More fruit and more dusty ol’ wood. Almost an old Alsatian Gewürztraminer. Nope, this doesn’t lack complexity. Some hints of vanilla (ice-cream). Quite good, but very restraint. This one would have been great to nose at a higher strength. I have to say, that the longer you wait, the better the nose develops and gets more and more character.
Taste: Fruity and old wood again. It has a small initial bite that comes mostly from the oak. Finish is medium body with enough saying power. Vanilla and creamy texture.
The fattiness dissipates quickly and the whisky breaks down in towards the finish. Wood attack! put this in your mouth and you think is pretty good (not great alas), but the vanilla fat is stripped, and you get hit by more bitterness than expected. The palate does lack complexity and balance. Aiii.
This starts out pretty good, great nose (eventually) and a great initial taste, but it all turns on you a bit, when the bitterness hits you, and leaves you with an unbalanced finish. To be frank, let this slip and try to locate an old 15yo (50.4% ABV, you’ll get a better deal).
Points: 84
First of all, the picture below is a picture of a similar bottle that was bottled at Cask Strength for Switzerland a year later. The picture is for cask #4726. Glenfarclas is great, it’s family run and most of the make is going into Single Malts, so no room for error, everything must be good. Second, it’s at its best as a Sherried Whisky and even in these times the Grants are able to make a very good Sherried Whisky. The self-proclaimed kings of the Sherried Whisky, namely The Macallan, gave up on this practice. For reasons only the marketing department will know. Good luck to them, Glenfarclas may very well be Speyside’s finest!
Color: Lively orange brown (like a Bourbon)
Color: Light Gold.
Solera is an ageing system for Sherry (and other fortified wines), in which younger wines in upper rows of casks are used to top up casks of older wines stored below. Every time a batch is bottled, the wine is taken from the bottom row. Not everything though, usually up to 30% of the cask is bottled. After this, the casks in the bottom row are topped up with the wines from the casks in the row directly above, and that row is topped up with wines from the row directly above that, and so on. After a startup period this system gives wines of a consistent age and quality, even if one particular vintage is weaker than the others.
Color: Light copper gold.
This is number three in Tomatin’s true affordable core range. If you’re new to Tomatin and don’t want to break the bank, Tomatin offers you the 12yo, 15yo and this 18yo. This 18yo is matured in Refill Bourbon Barrels and finished in Oloroso Butts (and maybe even some Puncheons and/or Hogsheads, who knows). A Oloroso Sherry cask used to be thé cask to age your whisky in, but here the whisky was only finished in Oloroso casks.
Color: Gold with a slight pinkish hue.
And then there is Glen Keith. Glen Keith lies a stone’s throw away from Strathisla. The spirit from Strathisla was pumped to Glen Keith for filling into casks, but also the boiler at Glen Keith warms water for Glen Keith’s production. Glen Keith’s production started in 1958 with three stills (triple distillation). In 1970 the first two stills in Scotland that are heated by gas were installed. Soon after that, the distillery stopped the triple distillation. In 1983 a sixth still is installed. The distillery is mothballed since 1999, but plans are to restart the distillery next month (April 2013).
Color: Copper, cloudy.
This is now my favorite Christmas malt. Just smell that dried Orange in combination with the cloves. It’s not a perfect old bottle though, but it’s so clearly a time capsule. It’s impossible to not love this. I was always a big fan of Strathisla of the sixties and seventies and this Glen Keith is therefore really no surprise at all. Merry Christmas everybody!
Color: White wine.
Color: Light Copper Gold.
So it’s time to celebrate the first anniversary of Master Quill and I’ve picked this bottle of 1979 Scapa, bottled in 2002. Well, things got off really good! Like I said, I would rip open this bottle and so I did accidentally. I broke off the cork! Bugger!
Color: Copper
it’s not completely balanced, but it will get there in the end. Complex, well, not exactly. It shows some sourness from the oak, but after half an hour it is pulling together, and it has a great and long finish. This again is a stunner!
Master Quill is already one year old, well, the web version anyway. This first year of blogging passed very quickly and doesn’t feel as a whole year to me. It started out with the first “Hello Whisky World” post, that saw the light of day on the 4th of march 2012. Immediately followed by two reviews of Miltonduff and Macduff Mo Ór bottlings on the same day and a Lagavulin 12yo a day later. These first four posts were merely a test, to see how it would look.