Author Archives: Master Quill

Strathisla 30yo (40%, Gordon & MacPhail, Pinerolo Torino, 75 cl, Circa 1980)

Happy new year! I wish all my readers a great year full of fulfillment, health and great drams. please don’t settle for mediocrity. Try to broaden your horizons for true beauty that can be put in your mouth, but do it in moderation, we don’t want to create modern drunks.

Well what would be a better start, than with an old Strathisla! In the past I tried some nice old Gordon & MacPhail Strathisla’s from this series. The review for the 25yo can be found here, but together with this 25yo I tried the 21yo and that was similarly spectacular. Mind you these are the old 80’s bottlings for the italian market, and whiskies with these labels were issued for a couple of decades, so every batch will differ (massively). The 21yo and the 25yo were quite dark, and hopefully not colored, and being from the early eighties, the distillate is early sixties or maybe even late fifties.

On the menu this time is the 30yo, which is certainly a fifties distillate (glass code SC999). Gordon & MacPhail have some vintage fifties bottlings and they all are lighter in color than the bottlings with distillate from the sixties, as is this one. There is a later version with glass code 4699 (75cl), that probably contains distillate from the early sixties again, since that one is definitely darker than the version reviewed here.

Color: Golden Honey.

Nose: Steam and a hint of coal. Definitively old style whisky. Yes just nosing it briefly already gives me goose bumps. Shure, no thick cloying first fill Oloroso Sherry here, but something that is just as good, just more elegant and stylish. It’s like comparing James Bond to Usain Bolt. Honey sweet combined with steam. Old apple compote with grandma’s toffee. Together with the steam there is a hint of smoke and a little bit of lemon curd. Thick and fresh at the same time. Wow.

Taste: The taste isn’t as thick as the nose suggested, nor is it as sweet as I expected, and the first sip is quickly gone. A short attack of very elegant wood. It’s wood as wood is supposed to be. Old books. Hardly oaky and hardly bitter. Waxy and some old candied yellow fruits, apricots, but not as heavy and thick as Caperdonich 72’s. Short finish. The 21yo and the 25yo performed better in that respect. Treat this elderly Whisky with respect, but be bold and take bigger gulps. The whisky itself, maybe is a tad fragile and subdued, but hey, the stuff was made some 55 years ago and along the way was reduced to a mere 40%, so give it a break will you?

Having tasted the 21yo and the 25yo earlier, as several other sixties versions too, this one (being lighter, and less heavy sherried), was actually a little disappointing. The disappointment however, lasted for 20 minutes at the most. I learned to look at this Strathisla differently, being a lighter fifties version, and I have to say that the second glass already showed me some heaven again that is so abundant in the 21yo and the 25yo versions. Wow again, but definitely different from its brothers or sisters from this series.

Points: 91

Heim Riesling Grand Cru Praelatenberg 2006

Christmas time is here again, and I needed a decent bottle of wine for Christmas dinner as a companion to sauerkraut and fish. I do like Alsace, so this time I pulled out a Grand Cru Riesling from Praelatenberg. Praelatenberg is one of 51 Alsatian Grand Crus, that got this status in the big expansion of 17 December 1992. It is located between Kintzheim and Orschwiller, and is the most southerly of the Grand Cru sites of the Bas-Rhin.

PraelatenbergAbove Praeatenberg towers the Koenigsbourg castle, built in the 12th century. The altitude of Praelatenberg slopes ranges from 250 to 350 metres and has an east-south-east orientation with a size of 18.7 Ha. The granite bedrock that underlies all Alsace vineyards is very close to the surface. The soil is heavy, covered with loose schist, and is rich with silicium. Dotted with stones rich with iron, quartz and other minerals. This helps the warming of the ground and lets water through easily.

Heim is now owned by Bestheim, a cooperation that was founded in 2000 by the merger of two smaller cooperations from the villages of Bennwihr & Westhalten, together with the house of Heim.

Color: Straw Yellow.

Nose: Very clean and citrussy. Lemon. Through the freshness and the acidity there is another layer, that at first seems sweet, but also has a creamy peachy element to it. A sort of light non-fat whipped cream of lemon and peach. Very nice. Sweet as in coffee-caramel sweets we know over here as Haagsche Hopjes. Also a slightly meaty sensation.

Taste: It starts with a nice fresh and not overly acidic lemon and chalk. Do you know those little vitamin C pills by Roter? Well, that too. Again a tiny hint of peach. Really subdued and elegant. The finish comes quick and is soon gone, what really is a shame. Always there, is that little bit of acidity that makes your mouth water, and lest not forget that added creaminess. Not very complex.

The taste maybe a bit too simple, in the nose maybe a little bit too. Still it’s a nice wine. It does have a nice balance, but overall it could have done with some added depth and complexity. Easy to drink, and should hold well when aged. ABV is 12%.

Points: 82

Picture is for the Riesling Reserve. Our Grand Cru looks similar (brown glass).

Säntis Malt Säntis Edition (40%, OB, Old Oak Beer Casks)

Well we all know the Scots have a lot of success with Whisky. Just like the Irish, the Americans, the Canadians and the Japanese. Today a lot more countries try to figure out how to make a good Single Malt. As far as I know, Switzerland already has 5 reasonable distilleries, or maybe even more. This Säntis Malt comes from the Locher Brewery from Appenzell. Locher has a long history in brewing beer and distilling spirits. It’s in the family already for five generations. Locher started with its malt in 1999, before that it was illegal to distill grain spirits in Switzerland.

Säntis Malt Edition SäntisQuite hard to figure out how to call this malt. On the label is stated: Säntis Malt, Swiss Highlander, Appenzeller Single Malt, Matured in Old Oak Beer Casks. On their website, this is called the Säntis Edition.

Color: Full Gold.

Nose: Malty and sweet. Very appetizing actually. Very fresh and clean. No off notes. A small hint of minty wood. A room that was painted a week before. Something fruity, maybe apples? Quite young. Hay and caramelized toast. It was aged in old beer barrels. In the nose there is hardly any wood, and certainly no beer, so I gather the casks don’t do a lot for the nose, so it’s all the aged spirit. Not bad!

Taste: Very mellow. Apple sauce. Syrupy sweet. Short attack from the wood, a sort of liquorice note, but vanishes very quickly. Very easy drinkable and again no off notes. Very short finish. The whole is too simple and too mild.

The nose was quite up to par, so I expected something with more oomph and complexity. Still I didn’t expect much from this, but it’s not all bad, not bad at all. It’s quite reasonable actually. A more aged spirit in a more active cask and at higher strength, has a potential to become a very good malt. Well worth to check out the rest of the range. Especially the distillery only Cask 1130 (Pinot Noir) at 64% ABV (less than 20 left).

Points: 70

Thanks go out to Erik for this sample.

Dufftown 17yo 1979/1997 (58%, Cadenhead, Sherrywood)

Belgium’s own, Bert B. came into the Cadenhead’s shop in Amsterdam (The Netherlands), with a tale of buying the ‘Winkeldochters’ in an old liquor store in a long forgotten town, near the coast. Howling wind and rolling bushes through the streets. Winkeldochters translates into shop’s daughters. It’s a great Flemish word for those items that are around for a long time in a shop which in fact never get sold.

Well one of these bottles he bought was this Dufftown from Cadenheads. He opened it in the shop and we tried this. He didn’t like it then and exchanged it with Andries (The Cadenhead’s Shop owner) for a wedge of cheese, a cup of coffee and a wooden clothes pin. Andries was kind enough to pour me a nice sample of this (100ml) to take home with me. Cleaning out the closet, I stumbled across this sample, so here it is…

Color: On the edge between copper gold and copper brown.

Nose: Very musty Sherry. Boiling vegetables with great spices like nutmeg immersed in the nicest oak. This is no plan oak you get on the nose, but this has the finest oak smell I’ve come across in a long time. Tarred toffee and a lot of dust. Dry with liquorice. Sawdust and gravy. The nose is actually pretty fabulous!

Taste: Thick musty Sherry. Tarry and again quite a bit of wood, but very nice. Lots of red and black berries followed by a nutty flavor. Very nice warming and very fruity finish with some stale toffee and quite a lit of tar, with a little complement of bitterness. Oxidation did wonders for this Whisky. Let it breathe. Wow.

First time around I scored this a measly 87 points, but that was from the freshly opened bottle. This time around, where the whisky was allowed to breathe, it definitely a lot better. I’ll have to revise my score…

Points: 92

Bert, aka Mr. BenRiach is also the man behind Asta Morris. Probably no coincidence Asta Morris never bottled a Dufftown. Bad call though, Bert, to leave this behind, but thanks a million bro! Thanks also to Andries for providing me with such a large sample. I will enjoy finishing this. Cheers!

Glen Moray 13yo 1996/2009 (43%, Ian MacLeod, Dun Bheagan, Sauternes Barrel Finish, Cask #91981/91984, 1419 bottles)

Second Dun Bhaegan on these pages, after the Brora 1981. But the first Glen Moray. For a while Glen Moray was owned by the people behind Glenmorangie, you know the distillery with the long-necked stills and the 16 men of Tain? In that period Glenmorangie saw the shortage is good casks and started to experiment a lot with wine-finishes. The ones they did not dare to use, they bestowed onto Glen Moray. So there are quite a lot of official Wine finishes by Glen Moray themselves. Now Ian MacLeod decided to add their wine finish of their own, or maybe bought it straight from the distillery.

Color: Light Gold.

Nose: Malty and sweet. Vanilla and quite spirity. A slightly winy smell comes in, along with some glue, cardboard and sawdust. Toffee adds to the vanilla. Gypsum. I cannot say this is very balanced. The longer you keep this the more is smells of a combination of solvents. Wait, now some plants come into the mix, just hard to say which ones. Given even some more time, the nose keeps developing. I like that in a malt, just the things you smell aren’t so special in this one. Clean wood and lavas now, and an overpowering kind of toffee.

Taste: Wood, paper, cardboard, but mostly wood. Spicy wood with some detached sweetness. (so not very balanced again). Quite hard and a bit bitter. Urine? After this straight into a finish of almost stale beer, cream and wood again. Sour.

Very simple, not a lot going on, and what is going on is not great for a whisky. It would have a lot of character if it were a Wodka. Still this very nice Wodka scores into the seventies. In a few words: Bitter-sweet wood toffee.

Points: 76

Fontanafredda Torremora Langhe Dolcetto 2006

Langhe is a hilly area to the south-east of the Tanaro river in the Cuneo province in Piedmont, northern Italy. The black grapes used for this wine is the Dolcetto grape that is widely used in this region, where wineries favour Nebbiolo or Barbera. These wines need a long time ripening. Dolcetto on the other hand is one that doesn’t require a long time ageing, two years will suffice.

Fontanafredda was founded in 1878. The total size of the domain 250 ha. which is spread over several areas located in the villages Serralunga d’Alba, Barolo and Diano d’Alba at a height of 200 to 400 metres. Not all wines are made with grapes from their own vineyards. Fontanafredda also buy grapes from other wine makers. For generations, it cooperates with some 500 smaller wine makers in Piedmont. The origin and the quality of these bought grapes is strictly monitored. The Torremora tasted here has an ABV of 13%.

Color: Dark ruby-red.

Nose: Meaty, mouldy, fresh plum and warm plum confiture. Boiling potatoes and wet earth. A hint of glue and something fishy. Bicycle inner tube tyre. This all may seem strange but I can assure you, it is very nice.

Taste: Fruity, but not super fruity and light in a sence that it doesn’t have a lot of tannins, enough for an easy wine. Cherries and prunes with a slight bitter edge. Just the right amount of acidity. It finishes a little bit bitter, nutty and dry. Almonds, or maybe better, the skins that you can find in walnuts.

Based on the nose and the color I expected a more heavy wine (in taste), but it’s not. It’s quite young too. I aged this a little longer than was advised (three years extra), but this didn’t do the wine no harm. On the other hand, it didn’t help the wine forward either. Still it has a great balance. The strange composition of the palate fortunately goes great together. Easy drinkable and very nice. It has a dry or woody edge to it and it has some tannins. Great with lots of typical (not to heavy) Italian foods. I wouldn’t match this up with meat though, for this it is too light. Obviously spaghetti and pizza will do quite nicely. Not overly complex and very agreeable. Nice.

Points: 84

Tomatin 19yo 1989/2008 (40%, Master of Malt, Refill Sherry Hogshead, 399 bottles)

I caught a cold last week, which is very unfortunate when you try to write tasting notes. Fortunately my nose is back in business now, and in the process ‘got a rest’. Let’s start whisky reviewing again, with an example of a whisky that should be light and is ‘low’ in ABV.

There are two versions of this, one reduced to 40% ABV (this version) and one at cask strength, that was 57.6% ABV. This example was bottled by Master of Malt, maybe the biggest competition for The Whisky Exchange. Just have a look at their website for quite a nice collection, just don’t be fooled, a lot is sold out and stated as such. Looking around the net a bit, I already got a sense that the cask strength version should be much better. Those of you that are used to my reviews, know already that I don’t like reduction a lot, but I do admit that it sometimes cán work, let’s see if that is the case with this Tomatin.

Color:  White wine.

Nose: Toffee with some acidity. Seems sweet at first, but quickly turns into something dry. Cardboard like woodiness. Fern with a hint of licorice, toast and ash. Quite floral later on, but the cardboard doesn’t give way. Not bad, but atypical Tomatin, for this lacks the (tropical) fruityness, we all know. Apart from the cardboard it is powdery and slightly mouldy.

Taste: Again dry, woody and mouldy. Ear wax. Wood spice and slightly bitter. Watery. Nothing more to it really. I hope the cask strength version is (a lot) better, because this is nothing special. Maybe this was reduced to death? Very atypical for a Tomatin, since it lacks all forms of fruityness…

For me a completely uninteresting Tomatin. This must be a cask that was sold off for blending. Would be interesting to try the cask strength version though, because at 40% ABV… well you get the picture…

Points: 80

Gonzalez Byass Cristina Oloroso Abocado

Some casks of Gonzalez Byass lying around...

Gonzalez Byass is an often seen cask in Scottish warehouses. These casks already find their way into making some excellent whisky. As we all know, the best results come from Oloroso casks, so here we have the opportunity to try a nice Oloroso from Gonzalez Byass.

This Oloroso is made of Palomino Fino and Pedro Ximénez (both white grapes!). Up to 95% of all grapes used for sherry is Palomino. Since this Sherry is sweetened with the PX-grape, this is essentially is a cream sherry. Usually three types of Palomino are grown: Palomino Fino, Palomino Basto, and Palomino de Jerez. Of which the first one is considered the best for making Sherry and especially today the latter two are grown less and less. Besides these Palomino’s, only Pedro Ximénez and Moscatel grapes are used for Sherry.

Gonzalez Byass Cristina Oloroso AbocadoEssentially, there are three types of Sherry:

1. Fino (including Amontillado and Manzanilla)
2. Oloroso
3. Palo Cortado

Fino Sherries arise under flor. This means that when the must is fermented a ‘flower’ of yeast (flor) grows on the surface, and no oxygen can pass through. This also causes the finished wine to have that fresh yeasty taste.

In Oloroso (‘Scented’) Sherries the flor is suppressed by fortification at an earlier stage. Since the lack of this layer of flor, the Sherry comes in contact with air through the porous walls of oak casks, and undergoes oxidative aging. Due to the ageing, the wine becomes darker and stronger.

Palo Cortado is a rare kind of Sherry and is placed between Fino and Oloroso. Palo Cortado resembles Oloroso in color and taste and has the aromatics of Amontillado (sort of long aged Fino), and it doesn’t arise under flor.

Color: Golden Brown. Amber.

Nose: Nutty and fragrant. Diluted PX, so notes of raisins. Very floral and maybe some fresh wood and vanilla. Toffee. Baked banana. Actually quite nice.

Taste: Sweet and sour, with lots of depth. Clean lemony acidity. Not cloying, thin compared to PX. So I guess not a lot of PX was used, nor should it have been used, to me this seems just right. Actually I quite like this. Easily drinkable and for me a thirst quenching Sherry. Recommended.

I’m quite new to Oloroso’s. I just had only one before and that was a bone dry one. This one, at 17% ABV, has some PX thrown into the mix and therefore is more palatable than the dry one I remember. Time to expand more into Oloroso Sherry, since a new world has just opened itself to me.

By the way, I found out that good bottles of Sherry are far less costly than the most recent offerings of whisky, which seem outrageous. Today a new 21yo Lagavulin (yes Oloroso Casks) costs almost 700 Euro’s. I think I’ll buy some more Sherries tomorrow.

Points: 87

PX Sherry: Valdivia Pedro Ximénez Dulce

Some casks of Valdivia lying around...Valdivia was founded by a supplier of building materials in 2003. He bought an old property in Jerez and completely renovated it. Next was locating some old stock to be able to release a series of old Sherries. This Series is called Sacromonte and are made up of 15 year old Sherries. Here we will try a PX from the ‘standard’ series. The modern look is aimed at the new trend-conscious generation. In its young history, Bodegas Valdivia already has its third owner.

Valdivia Pedro Ximénez (Muy Dulce version)Color: Mahogany. Dark brown with a fabulous red hue.

Nose: Wood, leather, raisins and figs, Lavas. Old books and syrup (not as strange as it seems). Hint of smoke and tar. Smells sugary sweet with a promise of nice acidity. Greenish. Fresh cut shrubs (a smell of working in the garden trimming various plants). Fabulous balance. It doesn’t smell only thick, as some PX do, nor has it a kind of mustiness, still it does smell elegant and ‘fresh’.

Color: Mahogany. It’s essentially dark brown with a fabulous red hue.

Nose: Wood and leather. Raisins and figs. This has even some lavas notes. Old books in syrup (what?). A hint of smoke and tar. Smells sugary sweet with the promise of nice acidity. Green. Fresh cut shrubs (a smell of working in the garden trimming various plants). Fabulous balance. It doesn’t only smell thick, as some other PX do, nor has it only a kind of freshness, but it does smell like a modern and elegant,’fresh’ PX.

Taste: Wow what a texture. Modern tasting. Sweet, but not raisiny as most others are. Some asphalt in the mix, but mostly clean sugar syrup and cough syrup. This should go over pancakes. Definitely a Sherry to accompany (sweet) foods, not only after dinner or as a dessert. The body is quite mild and the finish is short. Not what I’ve expected.

It’s good. Compared to the Lustau reviewed earlier, this is a less typical PX, less old skool and thus more modern. Even though it’s quite thick It lacks a bit in the taste department if you sip it like I’m used to. This one should be taken in big gulps en then, and only then, does this Valdivia show what it’s made of. Even the Elite I’ve tasted earlier has more going on in the taste department, what is a surprise considering the Elite had an ultra thin, velvety, texture.

Valdivia PX Dulce LabelFor me the nose is fabulous, and the taste a bit thin and short. Lacks a bit of complexity. When I finish this bottle, I will try the 15yo Valdivia.

Points: 83

PX Sherry: Lustau Pedro Ximénez “San Emilio”

Lustau LogoEarly November I started a series to support the drinking of sherry to get more good sherry casks for the whisky industry. For reasons not even science can wholly explain, I picked PX Sherries as a starting point. As mentioned before, PX or Pedro Ximénez is the most syrupy and sweet Sherry around, and is considered an after dinner Sherry or one to accompany a nice (sweet) dessert. Goes well with ice-cream.

Lustau PX San EmilioEmilio Lustau was founded in 1896 by Don José Ruiz-Berdejo who was an Almacenista himself. He made Sherries and stored them for a while, after which he sold them off to larger companies, thus adding value. In 1940, his son-in-law and name-giver for the company, Don Emilio Lustau Ortega moved the Bodega to the old quarter of Jerez. Since then the company wanted to be the best and expanded by offering high quality Sherries.

This “San Emilio” PX (17% ABV) is from the Solera Reserva range which has it’s heritage in the original Stocks of Don José Ruiz-Berdejo. His stocks were combined with special Sherries from different “Almacenistas”,  small independent wine-producers. Besides this Solera Reserva range, where casks of the same type of Sherries are blended, there is also a very interesting Almacenista range. In this series, Lustau selects small batches of high quality sherries which have been made and matured by small independent producers, or “Almacenistas”, who often make Sherries as a hobby.

Color: Almost black mahogany.

Nose: Very elegant syrupy Sherry which has a nice dry whiff of paper over it. Grassy with cloves. Dried apricot and raisins, also a more spicy element which you get when putting parsley in broth. A hint of yeast and/or flor (Marmite), so not only syrupy and sweet. For me also hints of lavas.

Taste: Sweet (sometimes sugary), but accompanied by a nice acidic touch, which is a great effect on the palate. The acidity reminds me a bit of the lemon part of cola. I Love SherryYes the apricots are there and some vibrant freshly made raisins and maybe some dates. Very lively and never dull, heavy or dusty.Very well balanced. Actually, this is blended so well to a nice harmony, that it’s almost hard and not even fair to look for separate markers or hints of it. The sum is so great.

Easily a favourite of mine when looking at PX Sherries. Excellent and an easy recommendation. Oops, another “San Emilio” finished…Next bottle!

Points: 89