We lifted off safely, and now we are on our way with Glengoyne. In 2005 Glengoyne started a series of ‘Choices’. In 2005 the Lucky choices were made by stillmen Ronnie, Ewan and Duncan. In 2006 the mashmen Peter, Jim and Charlie had a go, and finally in 2007 Billie, Deek and Robbie chose their casks to be bottled.
Robbie is the distillery manager and Deek and Billie are warehousemen.
Today’s Butt was chosen by mashman James ‘Jim’ Leslie. This sort of this is always interesting to me. A Sherry Butt made of American oak, instead of Spanish or French oak.
Jim’s said the following about his choice; “I love Glengoyne at this age – the cask and the whisky are perfectly balanced. There is plenty of sweet fruit and rich oak.”
Color: Gold.
Nose: Wow, nice and spicy, apples, waxy with cold toasted wood. Rotting leaves. Not woody at all. Very lively and fresh. Fresh cut grass. Given some time the wood does start to play its part. Wood related vanilla (dry, as opposed to ‘sweet’ ice cream). Barley, mocha and clean, slightly sour oak. Also some varnish.
Taste: Spicy and elegant wood. Fino Sherry. Tobacco and cigar box. Slightly soapy, which also makes it a little bit unbalanced. The initial sweetness is gone quite quickly. Barley and dried grass. Pickle water (sweet/sour). Where the soap affects the balance of this Whisky, the finish does that too. It breaks down rather quick, and the whole palate is too much dominated by wood. No need to tell you that the finish is dry.
Well, for a Glengoyne this is a bit disappointing, and that’s saying a lot! Nosing it, I can imagine Jim to choose this, but on the palate there are so much more beautiful Glengoynes around. Especially the balance of the palate could have been better. Not bad.
Points: 86
Color: Gold
Color: Copper Gold
Color: Gold.
It’s not only the bitterness that is obvious. Comparing these two there is infinitely more. That goes to show, how big the differences can be between two similar bottles, and how buying without tasting is so tricky. I would also like to point out that the reduction that obviously took place here isn’t a problem, this Whisky holds the fort. Actually it’s the best Balvenie I had in a very long time. Still no 90’s score though…
Color: Gold
The fattiness dissipates quickly and the whisky breaks down in towards the finish. Wood attack! put this in your mouth and you think is pretty good (not great alas), but the vanilla fat is stripped, and you get hit by more bitterness than expected. The palate does lack complexity and balance. Aiii.
First of all, the picture below is a picture of a similar bottle that was bottled at Cask Strength for Switzerland a year later. The picture is for cask #4726. Glenfarclas is great, it’s family run and most of the make is going into Single Malts, so no room for error, everything must be good. Second, it’s at its best as a Sherried Whisky and even in these times the Grants are able to make a very good Sherried Whisky. The self-proclaimed kings of the Sherried Whisky, namely The Macallan, gave up on this practice. For reasons only the marketing department will know. Good luck to them, Glenfarclas may very well be Speyside’s finest!
Color: Lively orange brown (like a Bourbon)
Color: Light Gold.
Solera is an ageing system for Sherry (and other fortified wines), in which younger wines in upper rows of casks are used to top up casks of older wines stored below. Every time a batch is bottled, the wine is taken from the bottom row. Not everything though, usually up to 30% of the cask is bottled. After this, the casks in the bottom row are topped up with the wines from the casks in the row directly above, and that row is topped up with wines from the row directly above that, and so on. After a startup period this system gives wines of a consistent age and quality, even if one particular vintage is weaker than the others.
Color: Light copper gold.
This is number three in Tomatin’s true affordable core range. If you’re new to Tomatin and don’t want to break the bank, Tomatin offers you the 12yo, 15yo and this 18yo. This 18yo is matured in Refill Bourbon Barrels and finished in Oloroso Butts (and maybe even some Puncheons and/or Hogsheads, who knows). A Oloroso Sherry cask used to be thé cask to age your whisky in, but here the whisky was only finished in Oloroso casks.
Color: Gold with a slight pinkish hue.
And then there is Glen Keith. Glen Keith lies a stone’s throw away from Strathisla. The spirit from Strathisla was pumped to Glen Keith for filling into casks, but also the boiler at Glen Keith warms water for Glen Keith’s production. Glen Keith’s production started in 1958 with three stills (triple distillation). In 1970 the first two stills in Scotland that are heated by gas were installed. Soon after that, the distillery stopped the triple distillation. In 1983 a sixth still is installed. The distillery is mothballed since 1999, but plans are to restart the distillery next month (April 2013).
Color: Copper, cloudy.
This is now my favorite Christmas malt. Just smell that dried Orange in combination with the cloves. It’s not a perfect old bottle though, but it’s so clearly a time capsule. It’s impossible to not love this. I was always a big fan of Strathisla of the sixties and seventies and this Glen Keith is therefore really no surprise at all. Merry Christmas everybody!