This is number three in Tomatin’s true affordable core range. If you’re new to Tomatin and don’t want to break the bank, Tomatin offers you the 12yo, 15yo and this 18yo. This 18yo is matured in Refill Bourbon Barrels and finished in Oloroso Butts (and maybe even some Puncheons and/or Hogsheads, who knows). A Oloroso Sherry cask used to be thé cask to age your whisky in, but here the whisky was only finished in Oloroso casks.
Color: Gold with a slight pinkish hue.
Nose: Full, creamy and fruity. Immediately very likeable. New oak, and the typical tropical fruit is here again! Forget about tomatoes, Tomatin is all about tropical fruits! After some breathing, notes of licorice whiff by, a little bit of toast and maybe even a slight hint of tar. Hard powdered candy is in there too.
Taste: Fruity and creamy, with mocha or milk chocolate even. The wood is in here, and it is a little bit sour. Powdered coffee creamer. A little bite from the Oloroso cask. Sweet. The Oloroso is pretty up front and reminds me a bit of A’bunadh. Long finish that tends to be dry, so maybe some hidden wood influence in there.
Again Tomatin have made a quality Whisky that is balanced and dangerously drinkable. The influence from the Oloroso Butts keep you from drinking the whole bottle when playing cards. For me, going up the range from the 12yo to the 15yo and the 18yo, it gradually gets better. Although we know the 15yo has big fans too. I’ll have to wait untill I get my hand on some of the 15yo. When I did a head to head between this 18yo and the deleted 25yo, the 18yo has some harsh tones, which isn’t the case when I taste the 18yo on its own. Again the 25yo is great and very smooth, and will be missed. Get one as long as they are still around, because soon only the 15yo will be a true Bourbon matured Tomatin. Obviously there are a lot of single Bourbon Cask Tomatin’s around. From independents, but also from the distillery itself. On its own this 18yo is a great Whisky, especially considering it’s price. Well done (again).
Points: 87
Thanks go out (again) to Erik for the sample.
And then there is Glen Keith. Glen Keith lies a stone’s throw away from Strathisla. The spirit from Strathisla was pumped to Glen Keith for filling into casks, but also the boiler at Glen Keith warms water for Glen Keith’s production. Glen Keith’s production started in 1958 with three stills (triple distillation). In 1970 the first two stills in Scotland that are heated by gas were installed. Soon after that, the distillery stopped the triple distillation. In 1983 a sixth still is installed. The distillery is mothballed since 1999, but plans are to restart the distillery next month (April 2013).
Color: Copper, cloudy.
This is now my favorite Christmas malt. Just smell that dried Orange in combination with the cloves. It’s not a perfect old bottle though, but it’s so clearly a time capsule. It’s impossible to not love this. I was always a big fan of Strathisla of the sixties and seventies and this Glen Keith is therefore really no surprise at all. Merry Christmas everybody!
Color: White wine.
Color: Light Copper Gold.
So it’s time to celebrate the first anniversary of Master Quill and I’ve picked this bottle of 1979 Scapa, bottled in 2002. Well, things got off really good! Like I said, I would rip open this bottle and so I did accidentally. I broke off the cork! Bugger!
Color: Copper
it’s not completely balanced, but it will get there in the end. Complex, well, not exactly. It shows some sourness from the oak, but after half an hour it is pulling together, and it has a great and long finish. This again is a stunner!
And here is another Master of Malt bottling. Earlier I reviewed a reduced
Color: Gold
Let’s continue with Glenfiddich. Known for their big out turn and fairly priced Whiskies. No cheap entry-level Glenfiddich this time, like the
Color: Full and dull gold.
Color: White wine.
In this day and age of battles, battles for oil, battles in politics, and even dance battles, now there are also battles in Whisky. The guys in the picture are Jan Beek (right) and Dennis Mulder (left). They do tastings/battles to see who bottles the best Whisky, the distilleries themselves or the Independent bottlers. Jan represents the independent bottlers and Dennis the official bottlers. Time for my own battle. Well not a battle with axes and swords. Earlier I reviewed an official
Color: Lively orange brown.
And here is another Cadenhead’s, from the same kind of cask, from the same year 1987, with three years more ageing. Cadenheads call this Distilled at Dumbarton, made with Inverleven stills. Everybody else calls this whisky just Inverleven. To clear things up. The Single malt whisky that was made this way, was called Inverleven. Inverleven was made untill 1991. This was made with the ‘normal’ type stills. In the same building was also a Lomond type still that was installed in 1959 at the Dumbarton distillery and ran untill 1985 (With the malt being called “Lomond”, not Loch Lomond). Loch Lomond lies close by to the north. Only a few kilometres away, still Loch Lomond is a Highland Whisky, and Inverleven a Lowlander. To wrap things up. The Dumbarton Distillery was the spiritual home of the Ballantine’s Blend.
Color: Light gold. (Darker than the 15yo Cadenhead).