Tag Archives: American Oak

Macallan “The Harmony Collection – Rich Cacao” (44%, OB, Sherry Seasoned European and American Oak, 2021)

When visiting the Whisky show last year (2022), my biggest disappointment came at the huge and wonderful looking Macallan stand. The Edrington group really knows how to market their stuff. I tried two different 12yo’s and the 2022 rare cask. All quite underwhelming for me. I might be spoiled, since I have tasted a lot of Macallans from the glorious days of “Science can’t wholly explain…” I can’t even remember when I bought my last Macallan, I only remember is was probably a Sherried Wilson and Morgan bottling (not the fantastic the 12yo though), yet still an independent bottling of “The Mac”. Good and affordable (for a Macallan). Now this modern “Rich Cacao” found its way onto my lectern… a free sample with a bottle of Cognac. I don’t expect much to be honest, after the aforementioned London experience, but I do hope this will be a good one. Probably sold out already, no surprise there, and I see it already costs a pretty penny in the secondary market, yet not as much as the Macallan from the glorious days, even the pretty standard ones.

Color: Copper gold.

Nose: Clean, fresh, woody Sherry, mocha with hints of latex paint, toast and some over-ripe almost rotting fruit (a good thing here). Better than expected actually, way better. I’m not smelling it blind, but I would say that it is recognizable as a (modern) Macallan Spirit. Nice dry and soft oak nose. Elegant, yet also somewhat robust even since this has been reduced to 44% ABV. Sweet caramel and toffee. Give it some time (but not much) to breathe and the aroma coming out of my glass is big. Dry cocoa powder, cookies and clean, dry, Oloroso Sherry. Dry vanilla powder and cold custard come next. Dark chocolate mousse, slightly sugared. Perfumy and complex. After all those weak Macallans I have tried recently, finally an interesting expression again. At least in the smell. Let’s try it now for real.

Taste: Sweet, waxy and Sherried, likeable and fun. Soft sweet (not acidic) red fruit compote (warm). Yes, a bit thin, tastes like a 40% ABV bottling. Tasty, but this has nothing to do with the Macallans from the glorious Sherry bomb days. Not the same quality and definitely not the same ooomphhh. This is soft, refined, elegant and designed and still manages to pack a small punch of the white pepper kind and some spicy dry oak. Cute. Some sweet licorice and Sherry notes come next. Dark yet sweet chocolate. Otherwise fruity and likeable, with a dry finish.

Well this was a nice surprise, a decent Macallan. Tasty and fun, yet also not all that special. Nice and highly drinkable, but not good enough to warrant the amount of hard-earned cash you have to shell out for this particular bottling (if you plan to drink it). If you are collector, then please do. Nevertheless, with a name so big as The Macallan, I expected a bit more. Good yet not a must try Malt for me. I’ll will continue to keep oogling the Macallan from a distance for the time being.

Points: 85

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Kingsbarns “Balcomie” (46%, OB, 100% ex-Oloroso American Oak Sherry Butts, 2020)

Since this isn’t the first Kingsbarns on these pages, the distillery doesn’t need any further introduction. If you want to know more about Kingsbarns, please have a look at my earlier review about the Kingsbarns “Dream to Dram”. “Dream to Dram” was a very young expression that showed some potential. “Dream to Dram” was also the first bottling of Kingsbarns meant for the general public (released in 2018). It’s reduced to 46% ABV and it’s a bigger batch. The rest being mostly Single Cask offerings. The second general release is this “Balcomie” from 2020 and this year (2021), the third one just saw the light of day called “Bell Rock” which is made with ex-Oloroso Sherry Butts & ex-Bourbon Barrels. Let’s focus on the Balcomie now shall we?

Color: Medium gold.

Nose: Extremely malty and biscuity. Initially this Whisky is about the hints of milky new make, which come to think of it, is a very similar experience to that of Tomatin. Grassy and floral. Cereals, oatmeal and biscuits. Hints of smoke, like standing on a field in summer, where someone in the distance is burning off garden waste. After this green and young start, some of the Sherry provenance of this Whisky kicks in (somewhat), giving the nose something more body to it. Diluted red fruit lemonade and dish water. Light notes of citrus and toffee, without bringing the toffee sweetness actually. Quite some fresh air and some crushed wet mint leaves that already were used one time before for infusion. Citrus fruit with paper and cardboard. Spicy wood sometimes whiffs by. After a while the nose turns more towards the direction of sweet fruit. If you let this sit in your glass for a while, and it doesn’t need a lot of time, the Whisky reaches a more balanced state, without really losing these young components mentioned earlier. I still get this distant smoky note and now it has a more flinty edge to it as well. Not bad, the potential I saw in the previous offer of Kingsbarns is here as well, even though it most definitely smells like a work in progress. Some sort of soapiness comes to the front after you sip it, as well as some honey.

Taste: Thin. Paper-like maltiness, with late sweetness and some smoke (toasted oak probably). Rain water, slightly bitter wood and cardboard. The wood made the Whisky, or so it seems. Tastes like it’s not ready yet, but closer to a Whisky than it is to new make, although notes of new make are here. Some wood, some spicy wood, some paper and some indistinct sweetness. Bees wax and ear wax. Something just had to be bottled I guess. Very young with some oaky notes. Almost like it is almost a different distillate than Whisky. To be Frank, I expected more after the “Dream to Dram” expression. It’s all very young but also a bit boring and predictable, like nobody dared to be more bold, for instance by giving it a more meaningful finish. Maybe there is some conservative thinking behind the Malt? The Oloroso casks themselves hardly impaired a lot of Sherriedness. Tired casks maybe, or not enough time? Maybe some fear creapt in all this could have overpowered the light Lowland style of the distillate. This taste bit of the review might seem a bit short, but there isn’t a lot happening actually, so there isn’t much more to pick up on. Even the American oak impaired some of its bitterness, but non of the vanillin I expected.

To be honest, after the other Kingsbarns, I saw some potential, but this one isn’t better at all, alas. The nose seems to show the potential, but taste-wise this is lacking a fair bit after the other release. You might think, give it some slack, they are new, just started up and so forth. However, I’m writing this review having just been at the London Whisky Show, and actually this year (2021), a lot of new distilleries were present, and I can report to you that I tasted a lot of fairly new distilleries that have come a long way further with their young Whiskies than Kingsbarns have at this moment. So it can be done. Ardnamurchan and Copenhagen Distillery to name but a few, both from a colder climate, but also Milk and Honey (M&H) from Israel, but they have the advantage of climate which ages the Whisky faster. Still, these are all young distilleries making great Whisky. A lot of work to do for Kingsbarns, just keep at it!

Points: 74

Thanks go out to Nico again, for this second Kingsbarns sample.

Dalmore 2001/2015 (46%, Gordon & MacPhail, Connoisseurs Choice, Refill American Hogsheads, AE/JBAC, 05/03/2015)

So here’s Dalmore. Dalmore isn’t a Whisky I have many bottles of, if any. It was also a long time ago Dalmore’s were featured on these pages. This is now the third review, after the two reviews I did back in 2014. Obviously one from the distillery itself, the 12yo from around 2004 (so also a while back) and one 11yo independent offering from Kintra Whisky from The Netherlands. Both a bit under my radar to be honest, not spurring a lot of interest in buying more Dalmore’s, (which I didn’t). Dalmore also seems known for some affordable middle-of-the-road bottles, as well as quite some super rare, super premium, super old bottlings, giving Macallan a run for its money. How odd. After all those years, yet another Dalmore managed to emerged on top of the heap of samples. After many of my own bottles, here is sample for a change. As often happens with distilleries and their owners, they tend to change hands more often than they used to back in the day. In the year of both other Dalmore reviews, namely 2014, the company that holds Dalmore, Whyte and Mackay, was bought by Philippines’ largest liquor company called Emperador. Just to refresh your memory, Whyte and Mackay doesn’t only operate Dalmore distillery, but also in their portfolio are: Fettercairn, Tamnavulin, Jura and Invergordon (grain).

Color: White Wine.

Nose: Fruity and Malty, with a tiny hint of smoke in the back. When freshly poured this is big on fruit, candied fruit, but a lot of this is just blown away rather quickly. Smells of toffee, caramel and apple, caramelized apple to be precise, but also fresh apple flesh and hints of apple skin. Warm cookie dough. Apple pie, but most definitely without the cinnamon, no cinnamon in this apple pie whatsoever. Fresh air and an even sharper breath of air, probably because of the smoky note this Whisky has. Maybe this comes from the toasted oak. Not sure right now. The Malty notes are getting more of a say and seem to introduce some more waxy notes, like the wax from the skin a red apple. With this waxy note comes the promise of some bitterness in the taste, we’ll see if that is the case here. By now, more wood as well. Sawdust from plywood. Dusty altogether. Hints of lemon peel and some remarkable horseradish notes, I didn’t expect here. Smells like a modern Whisky, although tasted blind, I wouldn’t have been surprised if this was coming from some sort of refill Sherry cask (as well). For me this doesn’t have (only) the classic refill Bourbon notes we all know so well by now. No, this one has something else as well, something I also picked up on in the Dalmore 12yo, being different from others.

Taste: Soft, spicy, slightly woody and creamy. Sugar water. Wood, paper and a nice sweet chewiness. Waxy and indeed slightly bitter. Having this in your mouth makes the nose expand a bit. Not really fruity though, but it is vegetal. Highly drinkable, but not easily drinkable, it seems to have a taste profile more cut out for aficionado’s or connoisseurs. It has too much fresh oak notes and it might be a bit too bitter for the general public I guess. It’s also rather simple and thin, although it does have good balance. However, after tasting this, the nose expands, more and more is showed there. I’m wondering if this effect of the nose evolving and the taste being rather simple, comes from too much reduction of this particular example. Medium finish at best, disintegrating a bit, but the aftertaste is nice and warming, shows some of the sweetness and paper-like bitterness this Whisky possesses.

Definitely different from both other reviewed Dalmore’s, and it is not as bad as it seems. It has to be worked a bit and personally, I wouldn’t like to try this as a novice. I like the vegetal notes it shows, but it needed a very long time in my glass to show this. More than 30 minutes for sure…

Points: 85

Talisker 15yo (57.3%, OB, Special Release, Freshly Charred American Oak Hogsheads, 2019)

We have already seen quite a few special releases from Talisker, probably the most popular distillery in the Diageo portfolio. For instance, there have been two releases of 20 yo’s in 2002 and 2003, an annual release of a 25yo. Between 2004 and 2009 the 25yo was bottled at cask strength, and since 2011 it was reduced to the “Talisker strength” of 45.8% ABV. There have been several 30yo, again, between 2006 and 2010 bottled at cask strength, and since 2011 reduced to “Talisker strength” as well. There have been some other special releases as well. Since 2018 Talisker showed up in the annual special releases with a 8yo, in 2019 with this 15yo and in 2020 another 8yo was released, this time finished in Caribbean Rum casks. I expect Talisker to be a main stay in the forthcoming years of annual releases. Let’s have a look at one of those three new annual releases. The one I have open in my glass right now is this 15yo from 2019, an expression matured in freshly charred American oak hogsheads. Usually these are refill casks that have been used multiple times, and have grown a little bit tired. A long time ago these casks would have been scrapped, but these days theses cask are rejuvenated, their lease of life extended by re-charring them and opening up another layer of wood, giving an aroma closer to virgin oak than a refill cask would. So lets have a look at this tired old oak release, to see if it’s any good…

Color: Light gold.

Nose: Very aromatic. Hints of Rhum Agricole and sweet funky organics. Dry, big and fatty. A promise of sweetness, but it’s not only this, it also has a sharper and very fresh side as well, like a windy seaside view complete with sea spray. Nutty, sweet and creamy with some ground coffee, not freshly grounded mind you, a bit faded, maybe old ground coffee. Paper and a bit of cardboard, but also very old, soft spicy wood. Kitchen spices. Lovely and fruity sweet organics. Peppery attack with a big alcoholic, well, attack as well. Hints of peat combined with different funky organics. The initial, almost ozonic, layer makes up the first series of aroma’s, but when these pass, more fruity notes emerge. Some of the fruity notes are quite acidic and it seems there are several acidic notes, not all of which seems to be well integrated initially. A razor sharp Malt. When this gets more time to breathe, and especially when the bottle becomes emptier and emptier, it shows a more woody note mixed in with something very nice. Still fresh and very oxygenated, and also more balanced. I get lots of notes I don’t encounter all that much. A special release indeed. Fresh pineapple, sweet apple meat, mixed with a wee bit of cream. Tiniest hint of smoke and tar, but different from Islay smoke and tar, here it is more refined and combines with creamy wood and American oak vanilla. Sometimes, I swear, I even get a note of rotting wood and cold water left over after washing the dishes the evening before. All of this is partly masked by the fruity bits on the nose. Salty meat is next. Polish dried sausage. Complex it is!

Taste: Big, very big, with a short sweet and vanilla sensation and an equally short slightly bitter attack. Clay, sharp smoke, burnt wood, warm peat and lots of nuts. Industrial and it differs quite a bit from the nose. Salty and dried fish. The sweetness evolves after the initial attack. Salty and dried meat come next, with later on, after the first sip, a nice nutty and wonderfully creamy body with the classic Talisker pepper attack. The smell of clean steamy bodies in a sauna, how is that for funky organics? It has been a long time since I had a Malt this salty. The feeling of salt on my lips. When this opens up a bit, some nice yellow fruit notes emerge. Nice fruity acidity better integrated than it was in the nose. More peat and smoke (and clay again). A really good Talisker yet not perfectly balanced though. There is this difference between the nose and the taste, but also not everything I can taste seems to be in it’s right place. Don’t worry, this is only a minor grievance. Quite hot going down. But this is also why we like Talisker. Fruity and also some winey notes. Lips still salty. Long finish (with less balance than the body has) with a very warm aftertaste in which the wood, the dried yellow fruit and the toasted oak resonate. Personally, I find this to be another very good OB like the 8yo from 2018. Both welcoming releases after all those lesser and less inspired NAS bottlings. I hope Diageo will continue to release good and interesting Talisker’s in the annual special releases.

Let it breathe for a while, this needs quite a lot of time and air to find more balance.

Points: 88

Last year I reviewed the Talisker 57° North and since that has an almost identical ABV, let’s do a H2H between North and this new 15yo. First of all, the North is ever so slightly darker, most likely from caramel colouring. On the nose North is much softer and definitely a lot younger. Much closer to new make spirit. That’s exactly the difference between a NAS and a 15yo. The 15 has more wood, and is more mature. North has more cream, like creamy sweet yoghurt. On the palate the North is way simpler, sweeter, rounder and again much younger as well. The North by itself is a nice high ABV Talisker. However, if you compare it to a Talisker with some proper ageing, the differences couldn’t have been greater. Different puppies altogether.

This is review #800.

Cragganmore 12yo (58.4%, OB, Special Release 2019, Refill American Oak, 18.000 bottles)

Why not? Yeah, why not make it a pair again and write about another Cragganmore and yes, this one is from another sample bottle. This time we’ll go for last years official special release 12yo. As mentioned in the previous review. Cragganmore can be the under the radar malt, but somehow people caught on up pretty quick with this one. Maybe not a lot was made, wait a minute! 18.000! That’s not very limited, and still it sold as hot cakes, holy mackerel, this must have been good then!

So maybe Cragganmore isn’t all that very well known, yet Diageo has released already quite a few expressions as a special release: It started in 2003 with a 29yo from 1973 (scored that one 87 back in the day). Probably one of the Cragganmore’s in my collection. They weren’t extremely expensive back then, and didn’t sell very well. These early special releases were quite often very affordable when on sale, and that happened a lot in the early days of these series. I remember I got both 36yo Glenury Royals and Quite a few Talisker 25yo’s for a very nice price. The special releases replaced the Rare Malts, remember those? 2004 saw the release of a 10yo from 1993 (scored that one 86). In 2006 a 17yo from 1988 was released. In 2010 a 21yo from 1989 was released. In 2014 a 25yo from 1988 (again) was released. In 2016 a quite expensive NAS was released. In 2019 this 12yo (year not stated) and finally (for now) this year, a year that everybody will remember (2020) a 20yo from 1999 was released. I guess we’ll see some more Cragganmore’s down the Special Release line. But first, lets have a go with last years model…

Color: Pale White Wine.

Nose: Big, sharp and alcoholic, initially not that great. Funky organic start, bad breath and somewhat unbalanced. Malty and biscuity with some metal and menthol. Unlit cigar and sandalwood. Dough and a bit bread-like. Clean (but not too much) and fresh. The wonky start clears up. Fresh ice-cold milk with a snuff of chilli powder. Quite some upfront citrus notes. Sea spray and ozonic, keeps prickling my nose. Hint of smoke? Oak, partly toasted. Fresh and likeable. Something old skool underneath, hard to put my finger on right now. Hints of sweet licorice and soft wood. Next, it is dusty and the citrus returns. The fresh ozonic/menthol smell doesn’t ware off completely, it stays behind. Weakens a bit, but is holding the fort. Complex. The longer this breathes, the better and more balanced it gets. Showing more and more complexity. Tea and farmy. Somewhat nutty. Latex paint and some rainwater. This needs a while to really open up. Amazing how this keeps developing over time. By now I’m really enthusiastic about this one. Is it too late to still get a full bottle? Truly wonderful nose.

Taste: Very big on fruit and candy, but also a bit hot. Wonderful prickly spices. Fruity, with the right amount of sweetness and after going down, it turns a bit creamy. Nice wood for balance. This is a hot malt, the high ABV exerts itself. Much sweeter and very nutty as well. Dare I say there is some heather in here (like there is in Highland Park?). Stays hot for a while. Medium finish and also the aftertaste leaves the building in a hurry. Definitely some woody bitterness and still this uncatchable note. Old skool in the taste as well. Intriguing. Lemon fresh, but also toffee thick. It has a decent sweetness and a hint of dark chocolate with a balsamic twist. Cherry liqueur and a drying, almost smoky, note. Not that sharp, prickly, smoke, but a bit more, yes, peaty, yes really, and a fatter sort of smoke with burned plastic thrown in for good measure. Wonderful spiciness and dry black tea. Toasted almonds with a woody and peaty bitterness. Quite unexpected… The plastic bit carries well into the finish, as does this bitter note. Let it breathe, it needs air!

Well what can I say, very well done Cragganmore. Nice pick Diageo. Smoky and slightly peaty, and combined with the fruity character of Cragganmore, makes for a very interesting Malt, and a very good one as well!

Points: 89

Thanks go out to Nico again, source for many samples! Cheers mate!

Tomatin “Wood” (46%, OB, Five Virtues #1, French, American & Hungarian Oak Casks, 6.000 bottles, 2017)

I like my Tomatin’s. Good Whisky. Good people work there and represent it, with wit, honesty, intelligence and humor, no funny business. Lots of releases too. From 2017 onwards, they started with this five part series, showing what the five virtues of Whisky are. Wood (2017), Fire (2017), Earth (2017), Metal (2017) and last but not least, Water (2018). Although all five are NAS Whiskies, I was told, that no young Whiskies were used throughout the range, and all would have some proper numbers comprising of two digits if they would have been bottled with age statements. Thank God, because I feel Tomatin spirit really does need it’s time in oak. Young Tomatin’s can be milky, somewhat sour and heavy on new make characteristics.

When I visited the Tomatin stand at a show in 2018, I tried the “Metal” and “Water” expressions, which I liked very much. I bought both of them, and looking at the two bottles, yes, I’m human too, I just couldn’t resist to find the previous three releases of this series. I have this series complete, and will open them one after the other, in stead of opening them all at once, due to a lack of room for too many open bottles. Well, actually there is never really a lack of room, but I do have to restrict myself a bit, Whisky madness and all. “Wood” here, is the first of the Five Virtues, and this one was matured in a combination of different oak casks, French oak (70%) and American oak (20%) we know, but this time also some Hungarian oak (10%) found its way into the mix. Am I already expecting Tokay now? The spirit used for “Wood” was distilled between 1999 and 2006.

Color: Light Orange Gold

Nose: Barley sugar and lots of cereal notes with late woody notes. Sweet, soft and fresh. Deep and accessible. Appealing. there is a lot happening in a furthermore very balanced nose. Quiet and distinguished. A sort of Steely Dan Whisky. American oak vanilla. Creamy, with vanilla pudding, custard, that kind of thing. Sweet fruity (peach) yoghurt. Some nice slightly acidic White Wine notes, again well balanced. It all works well on the nose. I don’t care for young Tomatin’s and luckily there is non of that here, so even when this is a NAS, it also tastes like there is quite some age to this. Quiet creamy and slightly funky. Nutty as well. In the distance a nice edge of toasted, and again, creamy and sweetish oak. The toasted oak also brings a slightly smoky note, which works very well for this fragrant expression.

Taste: Less creamy, (but still enough), than the nose promised and definitely some more of the acidic White Wine notes mentioned above. Fresher and lighter. Still not overly woody, but enough wood notes to warrant the name and thank god, not young tasting as well. Warming. A little bit of creamy wood and quite unexpectedly, some cocktail cherries. Sweetened fruit yoghurt. Sweet and acidic at the same time. After a while the more sweet notes from the nose come to the front. The body of this Malt is not as big and thick as one might think by now. It has more toasted oak (and wee licorice) than the nose had. Overall somewhat simpler than the nose was and even that wasn’t nuclear science to be honest. Still a very nice, somewhat sweet easy drinker. Both the nose and the taste show a lot of balance, yet the balance suffers a bit towards the finish. The fruity acidity seems to unhinge from the main, creamy, body, to hover above it and some woody bitterness emerges (finally). Still, in this case, the fruity acidity still has a positive effect on the whole. For an expression which was called “Wood”, it may have been blended from the various mentioned woods. French, American and Hungarian Oak that is, but it is not really a wood driven Malt. Although on some occasions, when trying this, I do pick up on some woody bitterness. Today a lot of over-oaked, new or virgin oak, bottlings emerge, but this isn’t one of them, even when carrying the “Wood” name. This has a nice nutty and warming aftertaste. Tasty too, but not as big as the nose promised. Final thought: this maybe more of a wood-Malt than I initially thought, because, this Tomatin lacks the typical tropical Tomatin fruitiness, so maybe this really is a wood-expression after all…

For a lot of people Tomatin is not the most well known Malt, which is a shame really, because over time, I’ve come across many well made and well blended Tomatin Single Malts. When I tried “Wood” for the first time, I was more than pleasantly surprised by this expression. I’m a bit afraid I may have not given this malt the attention it deserves. This is an easy drinking Malt and I carelessly reached for it many times. Now when it’s almost gone, and I’m analysing it more carefully when writing this review, before its all gone, I do come across very nice balance and some nice aroma’s. Yes I do regret not giving this Malt enough attention, since, this really is one that deserves it. Its a great example of a malt that is nice to analyse and contemplate a bit about the woods used for this Malt. Very nice indeed.

Points: 85

Thank you Alistair, Stan, Krish and Scott. This one’s for you!

Caol Ila 11yo 2004/2016 (46%, Gordon & MacPhail, Exclusive, for Milano Whisky Festival 2016 & Bar Metro, Refill American Hogshead #306662, 348 bottles)

Once nowhere to be found, now maybe one of the most bottled Islay Malts today. Caol Ila. For me at least, Caol Ila is always a nice Whisky which also ages well. This is a pretty young one, bottled less than four months shy of its 12th birthday. In fact, this Caol Ila has matured for precisely 4.275 days. It was bottled for the Milano Whisky Festival & Bar Metro in 2016, I picked this up at a well-known German auction and didn’t have to pay much, nor did I have a lot of competition for this bottle, so maybe there’s something I should have known? At the same auction I picked up its sister-bottling from Glen Elgin bottled for the same festival in 2016 and didn’t have to pay much for that one either. I bought these two, because I found out I had a lot of cask strength bottlings on my lectern, so I wanted to buy some bottles, to start an evening with. A bit reduced to work up an appetite. Gordon & MacPhail have (or had) lots of casks from the 3066XX-range, bottled in many different series; “Cask Strength”, “Reserve”, “Spirit of Scotland” and more “Exclusive’s” as well, so there is enough around for comparison. For instance, Refill American Hogshead #306664 was bottled for Maison du Whisky @ cask strength in the Exclusive range. By the way, some of the casks from this range are Sherry casks. Let’s find out now if this hoggie is any good.

Color: Straw.

Nose: Quite restrained. No big smoky peaty notes. Fresh, zesty but also a bit tame (at first), as in sweet barley with a wee bit of soft peat only. When the flow rate of air through the nose has been increased, lots more seems to be emerging. A prickly sensation awarded to a smoky note. Burning newspaper, and even more earthy peaty notes, still restrained though. Next more creamy notes of vanilla and pudding. Well balanced although I’m not sure yet about its complexity. Hints of sugared, or sweet, yellow fruits. Warming toffee and more soft barley, marzipan and almonds. Even a little bit of honey. All very restrained without it being closed. Dusty. All aroma’s work together nicely. Good balance. A cold and misty day with hardly any wind. As this Whisky picks up air, the good balance even gets better, definitely the forté of this Whisky, and it gets bigger, bolder and more aromatic as well. Quite a surprise. The longer it stays in my glass and I don’t hurry it, the better it gets. More of the fruity notes emerge and the marzipan, very nice. Some wood and ashes as well. So this needs a bit of air and patience. If you hurry this one, you’ll miss the reward of this Whisky.

Taste: Sweet, fruity and smoky, with a funky red fruit acidity on top (it may could do without). Yes, peat as well. Slightly too watery (at first), but as I wanted a “starting Whisky” this does the job quite well. Very nice fruity sweetness, the sweetness of ripe fruits rather than plain old sugar. Very balanced again. Milk chocolate, chocolate mousse, mocha and a tiny hint of coffee with lots of milk. Mint. Just like the nose, the sweetness moves into the territory of vanilla and pudding retaining the minty note. More toffee, caramel and mocha. Chocolate cake, custard, crème brûlée even, with the added bonus of peat, charcoal and ashes. Finally a green, leafy note. Earthy.

The finish is warming yet falls a bit short and I can’t say the wonderful balance reaches the aftertaste. A slightly acidic note peels of from the rest of the Whisky. Where the finish was somewhat short, the aftertaste recovers winning it a bit back for the team. Nevertheless a very nice Caol Ila again, and this probably its sisters as well, deserve your money. I for one, will try to find a G&M 2004 cask strength version from such a hogshead again.

Points: 86

Lagavulin 8yo (48%, OB, Refill American Oak, Limited Edition, 20.000 bottles, 2016)

Here at Master Quill, we love Lagavulin. In fact if you like your peated Whiskies, then it is really hard to find a bad Lagavulin. It has always been a Single Malt of very high quality and rather rare to encounter as an independent bottling, although there are quite a few out there. Another amazing fact is that the “regular” 16yo is still very, very good, and very, very, affordable. Well done Diageo. For now, because when they start tinkering with Lagavulin 16yo, or delete the Talisker 10yo, well, that wouldn’t be so good now would it.

We all know, the Whisky marked changed quite a bit the last few years, it the demand! It’s therefore harder to put out well aged Malts for a price, older Whisky drinkers are used to. In come the NAS (No Age Statement) bottlings with funny names. Like for instance Talisker Skye (the island it hails from), Talisker (Dark) Storm (it is windy on the Isle of Skye), Talisker Port Ruighe (Pronounced as Port Ree, as in Portree, the largest town on Skye), Talisker 57 North (the location on the map) and Talisker Neist Point (a local lighthouse).

With Lagavulin, Diageo didn’t really venture into NAS territory, instead they released this 8yo. Sure still young like many other NAS bottlings, but this time we, the consumer, get to know its age. For one we now know there isn’t any three year old Whisky in this expression, because all the others must have it. No, this time we are not being conned and we are now more than happy to pay for a relatively young Whisky and feel quite good with it. Yup, put on an age statement, even if its 5yo (Benromach) or this 8yo, and everybody’s happy. I’m sure this Lagavulin got a break from the drinking public, whereas the Taliskers mentioned above were criticized to the bone. I for one like age statements, but do not necesseraly dislike NAS bottlings. However, not knowing whats in it, makes me more hesitant in buying them without tasting it first. With an 8yo, you somehow know what to expect…

Lagavulin 8yoColor: Pale straw. Very light.

Nose: Sweetish laid-back peat. Nice spicy feel to it, in part made up of burnt wood, or even better, burning wood. Usually young peated Whiskies tend to be quite heavy on the phenols, but this one smells quite nice and almost elegant. Ashes and candy. Slow development. Hints of rubber, crushed apples turning brown and some distant cigarette smoke. It also has a slightly acidic fruity note. Unripe pineapple and green apple skins. Fresh wood and fern, with mocha tones. Milk chocolate and . It wants to be warming but hardly is. It is a Lagavulin alright, in many ways a lighter version of the 12yo cask strength expression. Sure some might say it’s lighter in style, maybe slightly under-developed, or less complex, but when you spend some time with it, smelling it, it actually is wonderful stuff. Well balanced. Love it.

Taste: Sweet and fruity. To sweet and fruity? Bubblegum, well didn’t expect that. I didn’t expect it to taste like this after thát nose. Very nutty. Almonds and hazelnuts ground to a pulp. Where is the peat? Ahh there it is. Well definitely not a heavy hitting high phenol young peated Whisky. Nope. We can call this very fruity by Lagavulin standards. With some air I get hints of new make spirit. Not the spirity part, but the barley part of it. This one really doesn’t improve giving it a lot of time to aireate in the glass. It shows more imperfections that way, showing, it isn’t really finished yet or even some exposing flaws in the “design”. The finish is medium at best, but shorter than it should have been. How did it get so light, friendly and simple? High drinkability, but in this case even at 48% ABV isn’t enough. It is a very nice one to drink, but the weakness lets it down a bit, or is it too simple, and maybe that lets it down a bit. Maybe both, the truth often lies in the middle, or were my expectations a bit to high.

Beforehand I wanted to compare this one with the 1995 European oak version, but I think it’s better compared to the Wilson and Morgan Caol Ila, also a young peated Whisky.  Smelling the Caol Ila right after the Lagavulin, it seems to have some exhaust fume notes and clay. Garage, new car. Notes I didn’t pick up on when reviewing it. An unusual and very interesting note, just like the petrol taste in good Rieslings. I now love this Caol Ila even more. Smelling the Lagavulin after the Caol Ila, the Lagavulin shows more barley, bread and cocoa, and definitely more youth. I guess lots of the casks weren’t very active anymore. The Lagavulin is even lighter in colour than the Caol Ila. Although the Lagavulin is slightly higher in ABV the difference is noticeable. The Caol Ila is slightly nuttier with nice fruity notes. It tastes well matured and a bit beyond the 9yo it has under its belt. In this direct comparison, I like the Caol Ila better.

I have bought a few of these Lagavulin 8yo’s on good faith and even though I’m a bit surprised how it turned out, I’m not altogether unhappy with it. It still is pretty decent, but it’s not what I expected it to be, and it may still have to find its place in the bigger scheme of things, but let me say this, the 1995 I mentioned above is way better!

Points: 84

Heartfelt thanks go out to Nico for letting me have a sample.

Dutch Courage Aged Gin 88 (44%, Zuidam, Batch 001, 2013, The Netherlands)

Over here, summer has now seriously started. For the time being anyway, so it would be no use, and somewhat odd to try to review a nice heavy hitting, iodine clad, peated Whisky, now would it. Sure, I could go for a nice Rum, since that is a distillate that loves these kinds of temperatures. However, yesterday, after spending most of the day outside, I suddenly had a craving for a nice Gin & Tonic. Looking back I only reviewed only one Gin on these pages, since I guess, Gin more or less belongs in a good Tonic, and not a lot of people drink Gin neat. By the way, I can’t stress that enough: Tonic must be good if you want a nice experience, without downplaying the role of Gin of course. That would be almost blasphemous now wouldn’t it. The first Gin I reviewed here was the organic Gin of Hven, which is excellent, and worthy of my reviewing method of tasting it neat. If it’s good neat, it must be good with Tonic right? Not the case, but a good start. It all depends how the combination will work. Today we’ll have a look at a Dutch Gin, made by mad professor Patrick van Zuidam. No ordinary Gin, but an aged one. This one has aged in new American oak barrels. Let’s try this one neat as well, so I can familiarize myself with it, and work out which Tonic to pair it up with.

Dutch Courage Aged Gin 88Color: Citrus gold.

Nose: A very appetizing smell. Lot’s of citrus. Sweet orange skins and other citrus fruit skins, with hints of fresh (not sweet) orange juice. Nice soft Juniper comes next. Not overpowering at all, it is used with taste. Spicy, sweet cinnamon and (toasted) oak. It actually smells like spices used for baking cookies. The slightly sweet profile (It’s not an old Tom, mind you), is enhanced by the vanilla-like notes coming from the American oak. Although it is aged, it hasn’t been ageing for a long time I guess, it doesn’t smell like a very old distillate to me. It has kept it youthfulness, but the ageing did give it an extra layer, making it softer and “rounder”.

Taste: Slightly bitter and definitively sweeter than I expected. Still not an Old Tom though. Heaps of nice (sweetish) citrussy notes. Nice Orange notes, but also some more fresher citrus components. As with the nose, the juniper is present, without overpowering, allowing for great balance. Spicy, the cookie spices are here too, but this time with a shift towards licorice. In the background a vanilla pudding note, which adds to the perception of sweetness (or “roundness”). All that is present in the finish which seems to be built around sugared anise seeds. Nice. Again, Gin, for me, is often not meant for sipping, but just like Hven, it is unbelievably drinkable. Maybe it is a sort of hybrid between Gin and Genever (the granddaddy of Gin, which most of the time is consumed neat).

One day I made two G&T’s, for me and my wife to try. I paired up this Dutch Courage 88 with Indi Tonic and for comparison the well-known Hendrick’s with the also well-known Fever Tree. Although the latter makes for a very good G&T, one easy to enjoy, however, the combination of Indi with Dutch Courage was something else. Softer, excellent bitters, with a lot of aroma’s presented in excellent balance. Definitely a must-have Gin. I’ll have a go at this Gin soon, paired up with some more Tonic’s. Recommended!

For the completists, I also did a head to head with Hven Gin. The Zuidam is more accessible, sweeter and benefitted of oak ageing. The Hven is obviously unaged, but also even softer on the nose, more restrained. The taste initially also shows some sweetness, and for a moment nothing happens, but it doesn’t take long for taste-evolution to take place. These two are actually very nice to try one after the other, like they were meant to be together. Both are excellent sippers. Luckily I don’t have to choose between them, because both are worthy in any liquor cabinet. My advise, buy the biggest bottle available, both of them.

Points: 81 (and believe me, that is quite a lot of points for a Gin by itself).

UPDATE (29-6-2016): I did a H2H2H with Hven, Hendrick’s and this Zuidam. First of all the Hendrick’s is the one best behaved. It’s nice and friendly and definitely the subtlest. You can’t go wrong with it and it a worthy sipper. The Hven is sweeter and a bit bolder. Bigger if you want, but also somewhat simpler. Another good sipper. This Zuidam however is something exceptional. It is big and dirty. Tasting the three side-by-side, this one seems to have some goût de pétrole you get in good Rieslings. Less typical Gin I guess, but very special nevertheless. For me a must-have.

Bruichladdich 32yo 1970/2002 (44.2%, OB, First Fill American Oak Casks, 4200 bottles)

Let’s step things up a bit with this legendary Bruichladdich. Bruichladdich was founded in 1881, and the distillery was built by Barnett Harvey with money the family got from an inheritance from his brother. It is not the Barnett family’s first distillery though. In 1881 they also own the well-known distilleries: Yoker and Dundashill. Between 1929 and 1936 the distillery is closed. Much later in 1983 the distillery was closed as many others were, but fortunately it was saved (in the same year) and didn’t get demolished. Next the distillery was again closed between 1995 and 2000. In 2000 the distillery was bought for £6.5 million, by a group of investors. Quite a good investment since this group sold the distillery again for £58 million in 2012. The new owner being Rémy Cointreau.

Color: Full gold.

Nose: Old bottle. Waxy and very full and heaps of character. Vanilla with some nice acidity. There is also a fantastic woody note. Smells a lot like a 1972 Caperdonich (from a Bourbon cask), but fresher, less heavy, but don’t make the mistake thinking this is a light nose. Very drying nose, dusty and powdery and full of fresh air. All written here isn’t released by the Whisky in one go, it is released in layers. This nose alone would score sky-high. Absolutely stunning.

Taste: Fruity vanilla which is transported by a fabulous bed of wood. Sugared yellow fruits, again apricots (I get that a lot lately), but also a nutty part, almonds, but nothing bitter. A hint of toasted cask (sweet wood). Perfect big bold body with a mouthfeel to match. Good finish, it leaves a taste in your mouth that should have gone on forever.

This is a Whisky that fetches a pretty penny at auctions today. I should have bought this when it got out. In today’s market, Whiskies like this would be put in some sort of crystal decanter or another polished over the top packaging and would go for 1000 or 2000  Euro’s easily. Having said that, it’s probably worth the 500 Euro’s it costs today. Go and get it, I’ll vouch for it. I had this at 91 up untill now, but that was a grave error on my part. The new score is…

Points: 92