A long time ago I reviewed a 12yo from Appleton Estate and liked that very much. Not so hard since I love the Jamaican style of Rum making. Time now to try out the super premium 21yo. Besides the 12yo and the 21yo there are several other expressions in the Appleton Portfolio. In fact the 21yo is the super premium Rum from the portfolio and it doesn’t come cheap, ok, not really expensive either, but I see huge differences between one market and the other. On top of the 21yo comes a 50yo “Independence Reserve”, well that costs as much as a small car, but for that amount of money you do get one of the best Rums money can buy. The 12yo I reviewed earlier is the best of the rest and before that one comes a 8yo and an entry-level Rum called “VX”. Apart from that there are a special gold and special white colored Rums for ya cocktails.
Color: orange Brown.
Nose: Thick and woody and dusty. Right from the start it is showing its age. Over aged old high ester rum. Jamaican and delicious. Hints of tar and dry. Over time becoming even drier. I have to say already, this is an excellent nose. Paint stripped old wood, dusty and worthy of restoration. Red apple skin and latex paint. Fresh creamy butter. Custard. Christmas pudding, without the Christmas. Dried old orange skins. Hints of very old Demerara Rum.
Taste: Quite woody. Mahogany, old furniture. Hints of old dry Demerara. Burn furniture. That slightly burnt note is very typical for Rums that have aged for a long time. I like that, but it may be an acquired taste. Decent sweetness balanced by old dark wood. Chocolate powder and hard coffee flavoured candy. Quite fruity and gives off some dry heat. Despite all this I have to inform you it’s only delicious, but lacks a bit of complexity I would have though and Jamaican Rum of this age would have. Quite a long finish though with some burnt wood and…wait for it…cow manure. Coming with the complexity, maybe even a wee bit too short aftertaste. The whole is utterly delicious though.
I tried this long ago and found it too woody then. Now it and I have aged some more, I truly like it. It’s not overly woody, but it may be a wee bit too simple, soft and a wee bit too easy-going. Nevertheless, lovely stuff, maybe a bit to expensive compared tot the complexity, but very nice and drinkable. Dare I say, again, that it has been reduced too much?
points: 88
Color: Light orange gold. No typical Port pinkishness.
Color: Full gold.
Already the last day of the Master Quill Grappa Week, and we’ll close this off with a Grappa of one of the oldest and most important Grappa Distilleries around today. Nardini has a market share of 25% and produces 4 million bottles per annum.
Color: White wine
Color: Full gold with a slight green tint.
Color: Gold.
Color: Copper gold. Not extremely dark.
Color: Light copper gold. Nose: Malty and fresh. Citrus lemonade with a burnt caramel twist. Fruity and very likeable. Am I going to be surprised with another decent Glenmorangie? The white oak is discernible, but not very up front. Also some toasted wood, or maybe the toast comes from the chocolate malt? The white oak is masked just like the peat in good old Laphroaig 10yo was masking the heavy sweetness of the Malt. The masking agent in this Glenmorangie being sweet-smelling Oloroso Sherry. I have to say it is what you would expect considering “the ingredients”. Well crafted stuff. I hope this is what it is by design then and not trial and error at Glen Moray. Wink, wink, nudge, nudge. Taste: Sweet Sherry, petrol and nice warming wood. Fresh untreated oak (not the toasted oak from the nose). Vanilla creaminess grows stronger in the finish and has great staying power, where the body seemed to be light at first. Silky burnt notes or silky tannins, are accumulating in my cheeks and are a pretty nice complement to the creaminess. Better finish even as the 18yo, which should have been bottled at 46% too. Both the nose and the taste are nice and both are about aroma. However if you are looking for development and/or complexity, not the case. You quickly understand how this Malt tastes and that’s where it stays. probably the reason this is a NAS bottling. Don’t get me wrong, Dr. Bill did a great job making this, designing this Whisky. It is really good and a must try if you get the chance. Its different from the 18yo and twice the price. I hope one day a Signet with more age will see the light of day. A version with more complexity and foremost more development in the glass.
Color: Orange gold.
The dark side of the moon. We are now most definitely on the other side of our Laphroaig Week. It started with the highly visible and upfront official bottlings, pivoted around yesterday’s Kintra Laphroaig (sunset Sherry) and now the final stretch home. This final trio starts with this more obscure Whisky, hiding in green glass aswell, but not released by its maker, but sold of for blending purposes, I guess, but rescued from mediocrity by focussing on its single cask traits. Today we’ll be looking at a Laphroaig bottled by Independent bottler Douglas Laing. Douglas Laing started bottling two Laphroaigs under the alias ‘Laudable’ in 2000. Both were 15yo and 1985 distillates. Using the Laphroaig name three further 1985 distillates saw the light of day as 17 year olds. Next up were a large amount of bottles distilled in 1987 and our DL REF 814 is one of them.
Color: Light gold, almost white wine.