Gouden Carolus, once, only one beer, but since then a lot more versions of Gouden Caroli hit the market. Actually there was an emperor’s beer before 1960, but this is the year the name Gouden Carolus was given to it.
The brewery is called “Het Anker” (The Anchor), and was originally founded in 1471, but it was called Het Anker since 1904. There are also document that showed there was a brewery on site as early as 1369. Het Anker brews several different beers, of which Gouden Carolus is probably the best known.
This review will be of the ‘original’ Gouden Carolus now named “classic”. A Gouden Carolus was a coin with the head of
emperor Charles V on it, who spent his childhood in Mechelen. This beer is also from Mechelen, what a coincidence! It is even a protected regional product from Mechelen.
Color: Reddish brown with cream foam.
Nose: Meaty and musty a bit like a ditch, not very dirty ditch, let’s say: clean ditch. Seems aged in oak.
Taste: Sweet, sugar, candy sugar (the hard brown stuff). Fruity also: Oranges and some banana. Although it has a lot of notes that suggest sweetness, it’s not thát sweet, as you might think right now. It has a depth like you get with roasted malt, although I don’t think this has any. It has a slightly bitter and spicy finish with some dark chocolate, and a hint of burn caramel.
This is definitively a speciality that fits in no Belgian beer group. The brewery itself calls it a brown beer to enjoy. (‘Degustatiebier’ doesn’t translate that well). Also “Dubbel” is sometimes used. It uses one pale and two dark malts. 10 to 15% corn is used nowadays, which made the body lighter, and probably sweeter. This beer can be stored for three years, or maybe more.
Points: 81
Springbank, the strongest survivor of Campbeltown, and one of the few family owned distilleries. Once a great center for whisky, and once a region of its own, it still is, but barely.
The people behind Springbank do their utmost best to let Campbeltown survive as a region. Glen Scotia is intermittently operated by the crew of Springbank, and of course Springbank themselves are responsible for Longrow, Hazelburn and Kilkerran (Glengyle Distillery). All names from a distant Campbeltown past. Founded in 1828 by the Reid family, who were married into the Mitchells. In 1837 the Mitchell’s bought the distillery. In 1897 J. & A. Mitchell Company Ltd. is founded, the company that is still on the label today. Since 1969 J. & A. Mitchell is also owner of Cadenhead’s. Between 1979 and 1987, Springbank was closed. And since 1989, production is again as it should be. Almost nobody malts themselves these days, but Springbank take the remarkable step to reopen the maltings in 1992. Springbank is a cult malt has a great following, and is by far the most popular malt on Wall Street.
Yes it’s “Snickers” in a bottle. Slightly unbalanced by the soury woody, and peaty, finish. The finish also leaves a minty sensation on the tongue. Sweet mint as in “After Eight”.
It’s Islay time! oops, maybe that was from Ardbeg. Well Bowmore is also from Islay and both are in the same time-zone. I see it’s the first Bowmore here, so I choose a potentially good one. Obviously not from a single cask, since no Bourbon Cask (Barrel or Hogshead) can yield 708 bottles.
Clynelish is a very popular dram. There are several reasons why. First of all it’s a sister of Brora, which maybe the best malt of all. Second. Clynelish has a unique waxy personality and it’s spirit is always of high quality. It’s very hard to find one that is not up to par.
Taste: Spicy and definitively from a sherry cask. Wood, beer and spice again. Sweet and tarry. Shortbread and gingerlike. Turkish delight and has some traits of a Riesling wine. Full bodied. Slight sour wood and licorice on the finish.
Kuentz-Bas Pinot Gris Tradition 2007, ABV 13%, Husseren Les Châteaux, Alsace
Glengoyne then. Glengoyne got my interest because they were one of the first to specifically state, ‘unpeated malt’ on their labels. Also, I like the looks of the bottle ánd for still using Golden Promise amongst other barley’s of course. Golden Promise is somewhat of the holy grail of grains, because it is supposed to be very flavoursome. But the yield is not so good, compared to the favorites of today (which make all whiskies taste the same, to come out bluntly). So lets see if this one, and remember this is a fairly priced bottle, makes a golden promise.
Taste: Toasted wood, but still a lot of yeast. Can’t shake the Sherry here. High proof, so it makes an impression. Although this has bold flavours, the quality of the spirit shines through. Very Ahorn syrupy sweet, and corn sweetness, that’s totally different from the Ahorn. It almost tastes like a wheater! This could be a Weller, with some sherry musty and creamy yeastyness. It’s a picture with thick broad strokes. It is thick.
Convalmore is one of those distilleries that is no more. Thinking of closed distilleries I alway think about Monty Pythons dead parrot sketch: It’s not pinin’! It’s passed on! This distillery is no more! It has ceased to be! It’s expired and gone to meet ‘its maker! It’s a stiff! Bereft of life, it rests in peace! If you hadn’t nailed it to the perch it’d be pushing up the daisies! ‘Its chemical processes are now ‘istory! It’s off the twig! It’s kicked the bucket, it’s shuffled off its mortal coil, run down the curtain and joined the bleedin’ choir invisibile!!
Convalmore was founded in 1893. A large part of the distillery was destroyed in a fire in 1909. It was rebuilt with an added continuous still to make whisky at a lower cost. This didn’t work so the stills were discontinued in 1916. In 1962 the stills were heated indirectly with steam. Convalmore was mothballed in 1985 and the buildings were sold to William Grant & Sons in 1990, who use them for storing their own malts.
The beer returns, with the wood, in the finish. Well its safe to say that this one is all about the wood. you don’t hear me say that it’s too much of overpowering. No. it is a woody whisky, but it is one of those that really should be woody. Wood is its strength. The rest of the body is firm enough to counterpart the wood. Again very interesting, but no easy dram. I hate the word, but this may be for connoisseurs only.
Instead of expanding into unchartered territory, let’s do something oppositional and do yet another Port Ellen, and another bottle by Douglas Laing. This time from the old series in the normal scotch whisky bottle and not from the new tall bottle. People tend to think this older look contains better whisky. Let’s see if that’s true. By the way ,I read somewhere that in the few months Port Ellen operated during 1983, there weren’t a lot of good casks around, and they filled almost anything they could get their hands on. This Port Ellen looks quite light in color. Is this from a tired butt or a normal refill Fino butt?
Taste: Peat and rhubarb. Sweet, big, leafy and chewy. Black tea with clean refined sugar. No rubber here and it’s no monster either. The peat is very mild here and the finish is quite simple. Still it seems to be very balanced, just not very complex. It has the dryness and a bit of the spiciness of the oak, but not the bitterness, and that’s a big plus (not a Chevrolet). It has citrus with cardboard in the finish. If tasted blind, I would have thought it to be some odd ten years younger.
It’s an end of an era, even if it was a tired cask, this is still very typical and good. Really a shame this got closed. In a way it resembles Talisker in it always being decent. This may be no high flyer, but is has a lot of fine moments to give. No I’m not sentimental, this is good in itself. A very nice Islay Whisky. As I’m sipping the last few drops: “Here’s looking at you kid…”
This Port Ellen is from Dutch retailers 
Don’t smoke or eat. Just you with this Port Ellen. It has balance and complexity, but seems so fragile.
I
just had to write another one about Glen Grant. Do I really have to revert to Gordon & MacPhail to find me a good Glen Grant? There are a lot of great Glen Grants around, but are they bottles of the past maybe? Here I have another Glen Grant that as it turns out ís from Gordon & MacPhail. Will it be good or do Gordon & MacPhail also have some mediocre casks? This one is bottled for La Maison du Whisky who usually pick good casks, so no need to worry, this probably will turn out all right. Besides, this is no 70’s Glen Grant, but a 1956. The year Alfred Hitchcock became American and made
Glen Grant if you want a good one. Well as I said there are a lot of other good Glen Grants around. We’ll have to keep searchin’ to find us one, but for the time being we’ll have this Gordon & MacPhail 1956, and that’s no punishment! The nose is to die for, that alone is worth almost a 100 points. But the whole I will score…