I had a craving for a nice fruit bomb, so I pulled this Tomatin by indie bottlers Mo Òr out of its hidingplace. As many of you might know. 1976 is a pretty famous year for Tomatin. Lots of (Independent) bottlings from this year are considered amongst the best around. Bottles from this year by The Whisky Agency or by Duncan Taylor fetch amazing prices when sold at auctions. Just not a lot of Tomatin 1976 around at shops anymore…
Color: Copper Gold.
Nose: Yeah! is the first word that comes to mind, nosing this. Waxy and fruity, but also a nice kind of old dustiness. Chocolate, mocha and old laid back Sherry, more of the Fino kind if you ask me. Very structured and refined. Probably a refill cask. A little bit creamy. Distinguished, but not the famous 70’s (exotic) fruits in this, like we know from the 30yo. Very elegant wood, combined with an acidic kind of smell. Mocha again and a little hint of vanilla.
Taste: Nice peppery and woody attack at first and then yes, a mouth coating layer of tropical fruit cocktail, that pushes everything aside for a while. The pepper stays, but the wood vanishes for a moment, but returns. Great effect! Papaya, pineapple and passionfruit. Maybe some mango (maybe not). What a nice cloying finish of fruits, wood, paper and chocolate. The pepper is gone by now, but an added note of Gewürztraminer finishes the whole off. Nice.
This is again a perfect example of how great Tomatin’s from 1976 are. It may not be the most over-complex distillate around, but the way the fruits shines through is truly amazing. This is sooo nice. I love this!
Points: 91
Thanks go out to Henk for the Sample.
oday I have the chance to give this another go. First of all, I can look at this by daylight and I can’t see the red lemonade anymore. It has this orange brown color most Bourbons have.
Happy new year! I wish all my readers a great year full of fulfillment, health and great drams. please don’t settle for mediocrity. Try to broaden your horizons for true beauty that can be put in your mouth, but do it in moderation, we don’t want to create modern drunks.
Well what would be a better start, than with an old Strathisla! In the past I tried some nice old Gordon & MacPhail Strathisla’s from this series. The review for the 25yo can be found here, but together with this 25yo I tried the 21yo and that was similarly spectacular. Mind you these are the old 80’s bottlings for the italian market, and whiskies with these labels were issued for a couple of decades, so every batch will differ (massively). The 21yo and the 25yo were quite dark, and hopefully not colored, and being from the early eighties, the distillate is early sixties or maybe even late fifties.
Short finish. The 21yo and the 25yo performed better in that respect. Treat this elderly Whisky with respect, but be bold and take bigger gulps. The whisky itself, maybe is a tad fragile and subdued, but hey, the stuff was made some 55 years ago and along the way was reduced to a mere 40%, so give it a break will you?
Quite hard to figure out how to call this malt. On the label is stated: Säntis Malt, Swiss Highlander, Appenzeller Single Malt, Matured in Old Oak Beer Casks. On their
Belgium’s own, Bert B. came into the Cadenhead’s shop in Amsterdam (The Netherlands), with a tale of buying the ‘Winkeldochters’ in an old liquor store in a long forgotten town, near the coast. Howling wind and rolling bushes through the streets. Winkeldochters translates into shop’s daughters. It’s a great Flemish word for those items that are around for a long time in a shop which in fact never get sold.
Well one of these bottles he bought was this Dufftown from Cadenheads. He opened it in the shop and we tried this. He didn’t like it then and exchanged it with Andries (The Cadenhead’s Shop owner) for a wedge of cheese, a cup of coffee and a wooden clothes pin. Andries was kind enough to pour me a nice sample of this (100ml) to take home with me. Cleaning out the closet, I stumbled across this sample, so here it is…
Color: On the edge between copper gold and copper brown.
Points: 92
So there are quite a lot of official Wine finishes by Glen Moray themselves. Now Ian MacLeod decided to add their wine finish of their own, or maybe bought it straight from the distillery.
I caught a cold last week, which is very unfortunate when you try to write tasting notes. Fortunately my nose is back in business now, and in the process ‘got a rest’. Let’s start whisky reviewing again, with an example of a whisky that should be light and is ‘low’ in ABV.
Lou Reed’s Transformer on the record player and the new Tomatin 30yo OB in my glass, what can go wrong? As I already mentioned
The new 30yo was introduced in 2011, replacing the 25yo that still can be found. It’s reduced to 46% ABV, to fit neatly in the ‘standard’ range which now comprises of the 12yo, the 15yo, the 18yo and now the 30yo. The 21yo I reviewed earlier is a limited release and higher in ABV (52%), so it’s not part of the standard range. Still it looks like a huge gap to me between the 18yo and the 30yo. And a new 21yo or 25yo would be nice. For now, mind the gap…
Can’t imagine this was colored. It’s so light in color. That would be great, since we don’t like people messing with our drams, don’t we? Both the nose and the palate are neatly balanced. I really love these kinds of whiskies. One I thoroughly enjoyed. Imagine a great 30yo whisky and what they ask you to dish out these days. Considering this, this one is a steal (in some markets) and deserves a following. It’s 46% ABV and very nice, this makes it almost too easily drinkable and there is a possibility that this bottle will be empty in no time, so beware. The 2011 batch was also very good, still this one from 2012 scores one point higher, since it’s even more fruity.
Next up Glen Scotia, also a first on these pages. Glen Scotia hails from Campbeltown, once a big place for whisky with regional status (again). Try to imagine a place that has almost 30 distilleries working at one time in the 19th Century. Not so long ago this Glen Scotia was the ‘other one’ from Campbeltown after the well-known Springbank. Today Springbank makes also Longrow and Hazelburn. And from the same owners the recent ‘addition’ that is Glengyle Distillery (Kilkerran). Let’s say that Glen Scotia is the only Campbeltown distillery not owned by the people of Springbank. Owner today is Loch Lomond Distillery Co. and the place is fairly run down. When the distillery was mothballed in 1994, the staff of Springbank restarted intermittent production in 1999, not to lose the regional status of Campbeltown. A status lost eventually, but eventually reinstated.
The distillery was founded in 1832 by the Galbraith family. For one reason or another the label on the bottles state 1835. Lots of changes of ownership during the years and even some closures in 1928 and 1984. Since 2000 Loch Lomond has taken over Glen Scotia and runs the distillery with its own staff.
I was asked to keep an eye out for sulphur in this one. It’s there slightly on the nose (as a burning match). But it is more pronounced on the palate (the bite here comes not only from the wood, but also from the sulphur. Usually there is some sulphur in Sherried Glen Scotia’s. Lots of it in a 1991 Cadenheads offering if I remember correctly. It’s there on the palate and even more so in the finish (late). Is it ruining the balance or the palate? Does it disturb me? No, it’s some kind of good sulphur. it’s somewhat hidden. It’s there but not in the usual obvious way. That happens sometime, that’s why I called it good sulphur. Still, overall there isn’t a lot of sulphur in this one, so don’t worry. And hey, sulphur is good for the skin!
I just found out that Longmorn isn’t on Master Quill yet! Longmorn is one of my absolute favorites. Just have a go at a sixties or seventies fruitbomb or heavily sherried expressions from the days the stills were heated with coal. Sometimes it almost tastes like the coal went into the whisky too. A liquified locomotive. But no use crying over spilt whisky and let’s start-up with this old 15yo. This 15yo is no more and was replaced in 2007 by the current 16yo. So it’s off the market for five years now, but bottles are found in some shops and are still fairly cheap at auctions. Also the packaging has dramatically changed. The 16yo new bottle has metal and leather glued to it, and has an intricate box. This 15yo looks fairly simple. Surely Longmorn are capable of making a pretty good standard whisky? Lets find out how this eighties distillate behaves, and maybe we get a chance in the future to compare this to the new 16yo expression. I tasted the 16yo once in 2009, and scored it a measly 81. I hope it got better in the mean time.