Instead of expanding into unchartered territory, let’s do something oppositional and do yet another Port Ellen, and another bottle by Douglas Laing. This time from the old series in the normal scotch whisky bottle and not from the new tall bottle. People tend to think this older look contains better whisky. Let’s see if that’s true. By the way ,I read somewhere that in the few months Port Ellen operated during 1983, there weren’t a lot of good casks around, and they filled almost anything they could get their hands on. This Port Ellen looks quite light in color. Is this from a tired butt or a normal refill Fino butt?
Color: Light gold, almost white wine.
Nose: This leaps out of the glass and can be smelled from a mile away. That’s good! Fruity, musty, animalesk and malty. Salty sea spray, fresh air. Apples with elegant peat and cardboard. Nice distant spice and no wood (tired cask?). Milk chocolate. Yes, this has the kind of orange air tube rubber I like so much in Port Ellen. Actually quite good, I like this nose very much. Does this show how the Port Ellen-spirit actually was? (because of the tired cask)
Taste: Peat and rhubarb. Sweet, big, leafy and chewy. Black tea with clean refined sugar. No rubber here and it’s no monster either. The peat is very mild here and the finish is quite simple. Still it seems to be very balanced, just not very complex. It has the dryness and a bit of the spiciness of the oak, but not the bitterness, and that’s a big plus (not a Chevrolet). It has citrus with cardboard in the finish. If tasted blind, I would have thought it to be some odd ten years younger.
It’s an end of an era, even if it was a tired cask, this is still very typical and good. Really a shame this got closed. In a way it resembles Talisker in it always being decent. This may be no high flyer, but is has a lot of fine moments to give. No I’m not sentimental, this is good in itself. A very nice Islay Whisky. As I’m sipping the last few drops: “Here’s looking at you kid…”
Points: 88

This Port Ellen is from Dutch retailers 
Don’t smoke or eat. Just you with this Port Ellen. It has balance and complexity, but seems so fragile.
I
just had to write another one about Glen Grant. Do I really have to revert to Gordon & MacPhail to find me a good Glen Grant? There are a lot of great Glen Grants around, but are they bottles of the past maybe? Here I have another Glen Grant that as it turns out ís from Gordon & MacPhail. Will it be good or do Gordon & MacPhail also have some mediocre casks? This one is bottled for La Maison du Whisky who usually pick good casks, so no need to worry, this probably will turn out all right. Besides, this is no 70’s Glen Grant, but a 1956. The year Alfred Hitchcock became American and made
Glen Grant if you want a good one. Well as I said there are a lot of other good Glen Grants around. We’ll have to keep searchin’ to find us one, but for the time being we’ll have this Gordon & MacPhail 1956, and that’s no punishment! The nose is to die for, that alone is worth almost a 100 points. But the whole I will score…
I did some rummaging in my boxes with samples and found another Glen Grant. Well I actually found several of them, but I just chose this one. You know Glen Grant, the place that was the first distillery that was illuminated without burning fuel by themselves. This time we have a Glen Grant bottled in the Old Malt Cask series by Douglas Laing. Again in the new tall bottle, just like the
Color: (Light) gold.
Color: Copper gold.
Interesting about Benriach is that a lot of experiments were done there during the seventies (and eighties). Tests with peat, new oak etc. Lot’s of those experiments are released today.
Enjoyable, recommendable and very fruity. It could have gained triple A status if it would have some added bits that would counterpart the fruit. It is good/great, but lacks some complexity you would have expected of such an old malt.
We’re on a roll with those Taliskers, so why not continue the saga with another one. Maybe this less recent Distillers Edition? The Distillers Editions are finished expressions of the ‘normal’ Classic Malt line and was introduced in 1997. Then Cragganmore (Ruby Port), Dalwhinnie (Oloroso Sherry), Glenkinchie (Amontillado Sherry), Lagavulin (Pedro Ximinez Sherry), Oban (Montilla Fino Sherry) and Talisker (Amoroso Sherry) got treated to a happy marriage with a Sherry or Port. All said to be complements to the original style of the distillery, not overpowering it. Due to the success of the new range, expansion was to be expected. In 2006 a Distillers Edition of Caol Ila (already in european oak!) finished in Moscatel and Clynelish finished in Oloroso Sherry was issued. And last but not least in 2008 Royal Lochnagar finished in Muscat was issued. We’ll probably see more expressions released in the near future.
It’s not mere months the whisky was finished, but probably longer if not a few years. The oak is in the same spot where normally the pepper attack would be. I for one can’t detect the pepper anymore in this, and that’s a bit of a shame. Thick round body with a floral touch, violets maybe. I know that added caramel rounds out a body, but it seems to me the Amoroso does that trick here. Compared to the 10yo, this is more…ehhh round. All the extremes are toned down. Chewy and sweeter than the usual 10yo. Just a tad less balance in the finish.
For those of you who have read my
This profile is great and if you want this, you’ll have to pay some serious cash to buy yourself an old Islay whisky or even Brora. I know, an older expression of the standard 10yo Talisker is getting more pricey lately, but still nowhere near to the prices asked for the aforementioned bottles. Do yourself a favour and get it while you can, and beware, this is dangerously drinkable. This will be empty before you know it. I left myself a 125 ml sample of this, but I almost drank it all writing this! Stay away, just drink milk instead, its good for you, unless you are lactose intolerant I guess.
Redbreast ia a triple distilled pure pot-still Irish whisky from the New Middleton distillery from County Cork, owned by Pernod Ricard. This bottle is from a 2005 batch when it was still called “pure”. Due to new rules for whisk(e)y, “pure” was deemed to be a very confusing word, so now it is called a single pot still Irish Whiskey instead.
Taste: Red fruit and blueberries, blueberry candy. Unique. It’s something we like in 60’s Bowmores (just a 100 times cheaper). Very smooth. Mocha and a hint of caramel or toffee. Some tree sap, and slightly bitter oak, or maybe bitter chocolate. Again, are there some older casks in here? Besides the dark fruits, I guess I am tasting banana and some coconut too. After some oxidation, the woody part is enhanced and the fruityness is a bit more subdued.
Sadly the Bourbon week is almost over. I had a lot of fun with it and (re)discovered some true gems of American Distilling. I’ll definitively do another Bourbon Week again. So, to close this week off, here is the first edition of the Parker’s Heritage Collection of Heaven Hill. Distilled in 1996 the year of the fire, so we can’t be sure where this is distilled. If it is from before the fire, than it’s from the original distillery in Bardstown. If it is from after the fire it can be sourced from anywhere or even distilled by Heaven Hill distilled in another distillery where they rented time to distill. It’s not from the new plant (the old Bernheim plant in Louisville), since they started to distill there from 2000 onwards.
Color: Brown
smells. Also a food-like sourness that seems to be partnered with the gravy and the Hopjes.
This is one where the word savoring was invented for. Just give this a lot of time, and you’ll thoroughly enjoy this. Just drink this when you have a moment alone for some contemplation. Don’t let it be interrupted by noise or by the feeling you still have to do something. A bedtime dram, when you’re the last one to go to bed. Top, have fun with it!