Convalmore is one of those distilleries that is no more. Thinking of closed distilleries I alway think about Monty Pythons dead parrot sketch: It’s not pinin’! It’s passed on! This distillery is no more! It has ceased to be! It’s expired and gone to meet ‘its maker! It’s a stiff! Bereft of life, it rests in peace! If you hadn’t nailed it to the perch it’d be pushing up the daisies! ‘Its chemical processes are now ‘istory! It’s off the twig! It’s kicked the bucket, it’s shuffled off its mortal coil, run down the curtain and joined the bleedin’ choir invisibile!! THIS IS AN EX-DISTILLERY! Or something down those lines.
Convalmore was founded in 1893. A large part of the distillery was destroyed in a fire in 1909. It was rebuilt with an added continuous still to make whisky at a lower cost. This didn’t work so the stills were discontinued in 1916. In 1962 the stills were heated indirectly with steam. Convalmore was mothballed in 1985 and the buildings were sold to William Grant & Sons in 1990, who use them for storing their own malts.
Color: Full Gold
Nose: Sweet caramels, more brown sugar and leafy. Promises a full body, gravy. Fresh. Tea with spicy wood, calcium (a sort of powdery dryness) and sea-spray. Definitively meaty at first. Unbelievable, but this has hints of raspberry. Sawdust, Mocha with milk chocolate and orange juice. Vanilla and a touch of banana. Based on the nose alone, a very classy distillate. Great balance. Maybe not the most complex of malts at first, but give this nose some time and you’ll be rewarded. I like this a lot.
Taste: Spicy and sugary, fruity sweet with a turning point into wood and beer. Also some Worcester sauce and almonds. The transition from the toffee sweetness that turns quickly into the dry wood is quite interesting. Again some orange-juice.
The beer returns, with the wood, in the finish. Well its safe to say that this one is all about the wood. you don’t hear me say that it’s too much of overpowering. No. it is a woody whisky, but it is one of those that really should be woody. Wood is its strength. The rest of the body is firm enough to counterpart the wood. Again very interesting, but no easy dram. I hate the word, but this may be for connoisseurs only.
I don’t hear this a lot, but I ám very intrigued by the special releases of Diageo (and the rare Malts of course). I’d really want to meet the people who make these releases. To know what they have in mind, what they use from their warehouses, and why. Intrigued. And give it some time to breathe. By the way, it worked well with water too.
Points: 87
Instead of expanding into unchartered territory, let’s do something oppositional and do yet another Port Ellen, and another bottle by Douglas Laing. This time from the old series in the normal scotch whisky bottle and not from the new tall bottle. People tend to think this older look contains better whisky. Let’s see if that’s true. By the way ,I read somewhere that in the few months Port Ellen operated during 1983, there weren’t a lot of good casks around, and they filled almost anything they could get their hands on. This Port Ellen looks quite light in color. Is this from a tired butt or a normal refill Fino butt?
Taste: Peat and rhubarb. Sweet, big, leafy and chewy. Black tea with clean refined sugar. No rubber here and it’s no monster either. The peat is very mild here and the finish is quite simple. Still it seems to be very balanced, just not very complex. It has the dryness and a bit of the spiciness of the oak, but not the bitterness, and that’s a big plus (not a Chevrolet). It has citrus with cardboard in the finish. If tasted blind, I would have thought it to be some odd ten years younger.
It’s an end of an era, even if it was a tired cask, this is still very typical and good. Really a shame this got closed. In a way it resembles Talisker in it always being decent. This may be no high flyer, but is has a lot of fine moments to give. No I’m not sentimental, this is good in itself. A very nice Islay Whisky. As I’m sipping the last few drops: “Here’s looking at you kid…”
This Port Ellen is from Dutch retailers 
Don’t smoke or eat. Just you with this Port Ellen. It has balance and complexity, but seems so fragile.
I
just had to write another one about Glen Grant. Do I really have to revert to Gordon & MacPhail to find me a good Glen Grant? There are a lot of great Glen Grants around, but are they bottles of the past maybe? Here I have another Glen Grant that as it turns out ís from Gordon & MacPhail. Will it be good or do Gordon & MacPhail also have some mediocre casks? This one is bottled for La Maison du Whisky who usually pick good casks, so no need to worry, this probably will turn out all right. Besides, this is no 70’s Glen Grant, but a 1956. The year Alfred Hitchcock became American and made
Glen Grant if you want a good one. Well as I said there are a lot of other good Glen Grants around. We’ll have to keep searchin’ to find us one, but for the time being we’ll have this Gordon & MacPhail 1956, and that’s no punishment! The nose is to die for, that alone is worth almost a 100 points. But the whole I will score…
I did some rummaging in my boxes with samples and found another Glen Grant. Well I actually found several of them, but I just chose this one. You know Glen Grant, the place that was the first distillery that was illuminated without burning fuel by themselves. This time we have a Glen Grant bottled in the Old Malt Cask series by Douglas Laing. Again in the new tall bottle, just like the
Color: (Light) gold.
Color: Copper gold.
Interesting about Benriach is that a lot of experiments were done there during the seventies (and eighties). Tests with peat, new oak etc. Lot’s of those experiments are released today.
Enjoyable, recommendable and very fruity. It could have gained triple A status if it would have some added bits that would counterpart the fruit. It is good/great, but lacks some complexity you would have expected of such an old malt.
We’re on a roll with those Taliskers, so why not continue the saga with another one. Maybe this less recent Distillers Edition? The Distillers Editions are finished expressions of the ‘normal’ Classic Malt line and was introduced in 1997. Then Cragganmore (Ruby Port), Dalwhinnie (Oloroso Sherry), Glenkinchie (Amontillado Sherry), Lagavulin (Pedro Ximinez Sherry), Oban (Montilla Fino Sherry) and Talisker (Amoroso Sherry) got treated to a happy marriage with a Sherry or Port. All said to be complements to the original style of the distillery, not overpowering it. Due to the success of the new range, expansion was to be expected. In 2006 a Distillers Edition of Caol Ila (already in european oak!) finished in Moscatel and Clynelish finished in Oloroso Sherry was issued. And last but not least in 2008 Royal Lochnagar finished in Muscat was issued. We’ll probably see more expressions released in the near future.
It’s not mere months the whisky was finished, but probably longer if not a few years. The oak is in the same spot where normally the pepper attack would be. I for one can’t detect the pepper anymore in this, and that’s a bit of a shame. Thick round body with a floral touch, violets maybe. I know that added caramel rounds out a body, but it seems to me the Amoroso does that trick here. Compared to the 10yo, this is more…ehhh round. All the extremes are toned down. Chewy and sweeter than the usual 10yo. Just a tad less balance in the finish.
For those of you who have read my
This profile is great and if you want this, you’ll have to pay some serious cash to buy yourself an old Islay whisky or even Brora. I know, an older expression of the standard 10yo Talisker is getting more pricey lately, but still nowhere near to the prices asked for the aforementioned bottles. Do yourself a favour and get it while you can, and beware, this is dangerously drinkable. This will be empty before you know it. I left myself a 125 ml sample of this, but I almost drank it all writing this! Stay away, just drink milk instead, its good for you, unless you are lactose intolerant I guess.
When the moment comes these are really sold out, those boycotters will shoot themselves in the foot, especially when looking at whiskies issued today and what you can get these days for 250 Euro’s.
Taste: Sweet and ashy and endless depth. Great latent sweetness. Burnt toast. Very nice peat. Clay and milk chocolate. Cow dung (Yummie). Licorice, black and white powder. Just fantastic. Slightly sour wood in the finish but that fazes out, and the fantastic Brora returns to keep on lingering in your mouth. The taste it leaves in your mouth is very nice. Long finish.