Millstone 12yo “Sherry Cask” (46%, OB)

Non Scottish Single Malts a.k.a. world Whiskies are taking over the…uhhh…world. Sure, Scottish Single Malts are still in high demand, especially in countries that are fairly new to them. They are embracing them with much love, as long as the local government permits them to. However, there isn’t enough well aged Whisky to go around the world. Thus, opportunity knocks for the rest of the world to step up their game. Add to that the growing interest of local products and you know where this is heading. Some countries already had a prosperous Single Malt culture, but were ahead of their time, and almost didn’t manage to stay afloat for the current boom. Just look at the history of Irish and New Zealand Whisky to name but a few.Luckily most of them have survived and see a bright future ahead. Then there is a second group. Whisky from countries that didn’t have a blooming local Whisky culture, like Sweden and The Netherlands, again to name but a few, because there are many, many others. I already reviewed a Rye Whiskey from Millstone (Zuidam) from the Netherlands and this time we’ll have a look at a proper Single Malt Whisky. I still have an old expression with the cream label. As far as I know there were two small batches of this, one made up from only two casks, and one made up with three. I only don’t know which of the two I have here…

Millstone Sherry Cask 12yoColor: Orange brown.

Nose: Sherried, definitely Oloroso, but quite dry and elegant as well. Spicy with nice wood, but also some honey sweetness. Wonderful fresh (and slightly soapy) fruity acidity. Good spirit in good casks. I also get some licorice, quite surprising for a Dutch malt. Creamy vanilla, maybe from American oak. Towards the end some nice red fruit notes appear as well as some lavas. Nice development.

Taste: Very creamy but less integrated than the nose suggested. Some light raisins and warming. Almonds and a bigger nutty aroma altogether. The Sherry cask bestows even a winey note to the Whisky. On entry, the cream has a sweet edge to it, although the wood and the Sherry quickly overpower it with a nice and spicy dryness, never to let the sweetness take over again. I’m guessing Oloroso again, but probably a high quality one. A two-faced Malt. Towards the finish a medium kind of bitterness emerges, but in a soft way. It like chewing on a pencil. The finish itself is of medium length. In the aftertaste a slight burnt note, with even a hint of tar.

A Whisky which is great already and still shows lots of potential and is definitely something The Netherlands should be proud of. Kudo’s for Patrick and the Van Zuidam family.

Points: 84

Bunnahabhain 8yo (43%, Gordon & MacPhail, The MacPhail’s Collection, Refill Sherry Butts, Heavily Peated)

Let’s continue with a Margadale. You might have never heard of Margadale, but that is how the heavily peated Bunnahabhain spirit is actually called. Margadale has a peating level between 35 and 40 ppm. Bunnahabhain means “mouth of the river”, now guess the name of the river itself… I would have liked it if they really would have called it Margadale, just like Tobermory and Ledaig. Now, the peated spirit Bunnahabhain produces is called Margadale, but when the spirit becomes Whisky, the bottled peated Bunnahabhain is called Moine. That’s probably a name you have encountered before. Only Berry Brothers & Rudd have once bottled a peated Bunnahabhain with a mention of Margadale. Bunnahabhain used to be an (almost) unpeated Islay Whisky, even the water used didn’t ever flow over peated land, but when the going got tough, aided by some changes in ownership, they started to make peated Whisky as well…

Bunnahabhain 8yo The MacPhails CollectionColor: Straw, light gold.

Nose: Fatty and buttery. Nice Islay peat. Sea breeze, salty and warming, but also with a soft quality to it. Peat, smoke, crushed beetle and tar. Burning newspaper. Hidden sweetness and florality. Effective and typical. Everything is there, but nothing is overpowering the rest. I would say elegant, as far as heavily peated Whiskies can be called elegant. Nice citrussy note, giving some freshness on top of the peat, smoke, tar and saltness. The floral and fruity notes are deeper and heavier and lie more on the bottom, or in the depth of the nose. Balanced and fine. With some more air it dumbs down a bit. Hints of (burning) paper (again), and the fruits come more to the fore. Dried apricots and white grape. Here you can see how the Sherry casks worked. It adds fruit and a nice woody spiciness. It somehow lacks the obvious vanilla you get from American oak Bourbon casks, although most Sherry casks these days are made with American oak as well. Sometimes you could guess its relative youth, but on the other hand, this shows enough complexity to be considered and older Whisky. Good ‘un. Nice distillate.

Taste: Right from the start we get some separation. The aroma’s aren’t very well-integrated. Interesting. Starts off with smoked salt and creamy butter and a nice White Wine acidity. Fatty peat, very fatty and buttery indeed. Licorice, sweet wood and honey sweetness. Sweetness there is, but not your regular white sugar sweetness. Yes runny thin honey it is. All the way through it keeps not integrating well. The acidity is displaced and hangs around too long in the back of my mouth, and the sweetness is trying to get too much to say underneath. Not sure this Sherry is a perfect match for the peated spirit. The more it breathes, the more it actually develops in the wrong way.

Nice stuff at 43% ABV. Sure, in times it is a bit thin, but I have no problem with the reduction. It makes this Islay Whisky very accessible. Don’t let it breathe though. It allows the acidity to develop and hold it hostage. The wood makes the Whisky, but in this case the wood broke the Whisky. It’s not terrible, but especially in the details this Whisky fails a bit.

Points: 80

Gardel 1992/2003 (42%, Fassbind, The Secret Treasures, Barrels #4, #8 & #121, 1401 bottles, Guadeloupe)

We are going to visit Guadeloupe again! This time I have more room for some geography, since the previous review was already a bit long as it is. Guadeloupe lies in the Lesser Antilles in the Caribbean. Guadeloupe is not one island. What usually is considered to be the main island is in fact two islands with a narrow strait in between. Grande-Terre in the east and Basse-Terre in the west. To the south lies Marie Galante. There are more islands to Guadeloupe, but those don’t have Rum distilleries on them. From Guadeloupe comes this Rum I’m about to review. What else could it be? The Rum was made by Gardel, which was founded in 1870 by “General Sucriere”. After working for almost 130 years the distillery is now closed, but the Gardel sugar company still exists. The sugar factory is the sole remaining sugar factory on Grande-Terre, and still one of the largest in the world. Depending on the harvest, it crushes around 500.000 tonnes of sugar cane, produces 50.000 tonnes of sugar and 25.000 tonnes of molasses per annum.

GuadeloupeThis Rum is from 1992, the same year the column still was supposedly exchanged for a pot still. As far as I know, Gardel never bottled Rums themselves, but Gardel was bottled by numerous independent bottlers, although I don’t think a lot of Gardel is still around, so If you like Rhum Agricole and if you like Gardel, be quick. This particular Gardel was bottled by Swiss distiller and spirit importer Fassbind. We already know them from the Linkwood I reviewed earlier. I have seen quite some Rums from them, but most of them have been bottled in 2003. The most recent bottling of Whisky was from 2007, so I don’t believe they are active anymore, although The Secret Treasures bottlings are still not extremely difficult to find. Just like Plantation and many bottlings of Rum Nation, this series was never really expensive, so lets see if this is a hidden gem.

Secret Treasures Guadeloupe 1992Color: Copper brown.

Nose: Very nice and aromatic. I love how this smells. Big, and very fruity. Banana and wax. Lots of heavy esters. Black tea. Leafy and green. Easily recognizable as a sugar cane distillate. Hints of burnt wood and burnt caramel. Sweet tea, flint and gunpowder. Fireworks. New wood, and overripe fruit. Papaya and passion fruit. Creamy vanilla pudding. Very appetizing and very complex. There is a lot happening here. Biscuits and to a lesser extent, fresh cookie dough. Sugared orange skins. Well balanced with lots of complexity.

Taste: Starts with diluted (ear) wax, but is less bitter than that. The bitterness is more of the sappy wood kind. Don’t be worried, the bitterness is quite faint. Some toffee and vanilla, but the Rum still is dry. I guess, If you don’t know the stuff you might not like it at first. Funky toffee, with an acidic touch, intertwined with banana. Warming. Much drier than the nose suggested. Thinner yet chewy. You always get something exciting from a sugar cane distillate. Different and special, although simpler than the nose. Hints of plastic in the finish. Maybe this should have been bottled at a higher ABV? We’ll never know.

Sure it has its faults. The taste is not all that well-integrated. You get several layers of aroma’s and not every layer fits on top of the other nor does it pass on the baton that well either. It even has notes of plastic in the finish, and the finish itself isn’t one of great length. You hardly can say it has a noticeable aftertaste. So this is not so good then? Nope, au contraire, I would say. The nose is really very special. Sure, it lacks a bit in the taste department, but it is also a distillate that puts a spell on you. Hard to put my finger on it, but it is mesmerizing and wonderful. I guess when on Guadeloupe it would be next to impossible to leave this stuff alone. This is particularly a very typical example of a cane juice distillate and definitely is not for everybody. I urge you to develop your palate, because when you get it, this is secretly wonderful (yet faulty).

Rum is a very diverse product. Most of us know Rum to be a molasses based sweet distillate, and like it. After a while you might encounter a Rhum Agricole, which can be quite a challenge. I often hear of people disliking Rhum Agricole at first, but warming up to it a while later (probably a few years, actually). Not an easy distillate, but when you get into it, you might be hooked for good. Rhum Agriciole or maybe I should say, Rum made from sugar cane juice in general, is something different.

Points: 85

Bellevue 15yo 1998/2014 (52.6%, Isla del Ron, IdR 011, 169 bottles, Guadeloupe)

The market for good Rum is on the rise, especially in markets where Single Malt Whisky is king. In the last couple of years the run on good Whisky was bigger than life, depleting the stocks considerably. Today we face not a shortage as such, but a shortage in older matured Whiskies. In part because there isn’t any, in part because it is simply not bottled because one can fetch a better price later on down the road. Hence we see an ever-growing number of Whiskies without an age statement and with a funky little name. Nothing bad here, but putting two and two together, the Whiskies must be younger and younger to be able to keep the new bottlings coming for a hungry (read: thirsty) public.

Whisky people in general are not happy with the youth of their Whiskies, nor are they happy with the development of prices of their beloved aged Whiskies. Just look at Highland Park 18yo, Talisker 18yo and Laphroaig 18yo, producers simply don’t have the time anymore to wait that long and subsequently sell it for a not so super-premium price. It’s not all romance you know, it still is a business. Happy times for Whisky producers in warm climate countries such as Taiwan and India, where very good Whisky is made today in much less time than in Scotland and the other traditional Whisky countries.

In comes Rum. Whisky people are open to trying other distillates that are nice and/or aged, and/or affordable. One of those alternatives for Whisky is Rum. Guadeloupe Sainte Anne Grande-TerreThe old Rum community is enriched with Whisky people fishing in the pond of Rum and getting to know the product and a different kind of romanticism. Where Scotland is beautiful, but also cold and wet, Rum predominantly comes for the Caribbean and especially the image of paradise islands comes to mind. Older Rums are becoming scarce very quickly and just like Whisky, will become almost extinct, Prices are on the rise as well. Where have we seen this before?

Lots of independent bottlers of fine Single Malt Whisky are turning to Rum. Some did that many, many years ago, Like Cadenhead and Berry Brothers & Rudd, and some more recently like Wilson & Morgan (Rum Nation), Kintra and David Stirks outfit Exclusive Malts, but there are many more. Today we’ll have a look at another one. Isla del Ron is the Rum brand of Thomas Ewers’ outfit, Malts of Scotland.

Thomas EwersThomas bottled a Rum from Guadeloupe from a distillery nobody has heard of, South Pacific (as stated on the label), not to be confused with the South Pacific distillery of Fiji, which is entirely different place altogether. Thomas explained to me he was offered a cask of South Pacific, which turned out to be Bellevue instead, so in this case the label is wrong. Casks like this are sold to bottlers through brokers, so it’s not a surprise there are a lot more Bellevue casks from 1998 bottled by different parties. And with brokers there lies a problem. Brokers only want to sell on casks, not really caring informing the buying party what really is in the cask if they have the information at all.

Thomas believes this to be from the Bellevue distillery on Marie Galante Island, but looking at information of many other “Bellevue’s” from 1998, it can also be Damoiseau’s Bellevue Distillery (Le Moule, Grande-Terre), which would be even more probable, since it is a larger producer. So we’re not sure about the exact distillery, nor can we be about the ingredients. It can be either distilled from molasses or from sugar cane juice. It can even be a blend of both, since some distilleries produce both. Sugar cane when it is harvested, and molasses the rest of the year. Questions, questions.

Isla del Ron GuadeloupeColor: Orange brown.

Nose: Big aroma, lots of different spices. It’s like a spice mix from Indian Whisky. Vanilla, chewy. Dry, spicy and fatty but not sweet. Hint of sweet peppermint. Butter and coffee with milk. Mocha and hot butter as well. Cinnamon, cocoa powder, leather and hints of soft wood. Damp earth and after that rather dusty. Hints of licorice mixed with a nice dry and clean woody note and slightly burned sugar, molten plastic (don’t worry) and creamy banana. Very well-balanced and a nose of great complexity. Especially when the heavier elements are snorted out of the glass, the fun starts. Wow!

Taste: Starts out with a short, sweet and aromatic burst, but quickly becomes dry and very aromatic, with again the Indian spice-mix so predominant in the nose. Nutmeg and lavas, but there is a whole lot more. When it goes down the hatch it becomes even drier. The lighter elements start to evaporate in my mouth and engulfs it with lots of beautiful aroma’s. Milk chocolate, dry leather and a slight bitter edge of wood. Hints of licorice, tar and charred oak. Hot chocolate. After getting used to the spicy dryness, it becomes creamy hot chocolate style. Lovely development as well, especially since the aftertaste is stronger than the finish. Wow, what an amazing Rum!

I like the bottle used for Isla del Ron, it’s the same bottle used for Pusser’s 15yo, HSE from Martinique and last but not least, for Bruichladdich and Port Charlotte. I only have a beef with the label, its dark, dull and depressing. Rum comes from places where life is colorful. I hope Thomas will continue to bottle a lot more Rum’s, but I hope he’ll spice up the looks a bit!

In the end, after I tasted this in the shop, I needed a whole 10 seconds to snatch one up. This stuff makes me happy!

Points: 88

Thanks go out to Rik for the sample.

Tobermory 1995/2006 (55.6%, Berry Brothers & Rudd, Cask #744)

The last Tobermory I reviewed was one of the stellar 32yo’s that have quite a reputation. How to follow-up on one of those? Today we’ll be looking at and independently bottled Tobermory. The bottler being Berry Brothers & Rudd and the year of distillation 1995. Tobermory has a rocky past and for a while even was converted into a power station. The reputation of the distillate was even shakier. In the past this stuff could really be hit or miss, so not something you would buy untasted. It could be really bad and funky, strange even. On the other hand, if it was good it could be really good, surpassing most other Whiskies, so the potential is there. Today that reputation is different. Tobermory and Ledaig are getting better by the year, and every new release is something that interests me a lot. Still no easy Malt, but if you get it, you’ll get it. In the day where everything starts to taste a bit similar and official bottlings are becoming younger and NAS-ser, an independently bottled Tobermory or Ledaig could very well be your best choice. At least it often is different from the rest. What more could you want these days?

Tobermory 744Color: White wine.

Nose: Heaps of barley. Damp hay. Citrussy fresh. Lowland style. Lemon grass, lemon curd, all kinds of sweet lemon, without being overly present and thus overly acidic. Hints of new-made spirit even. Old vanilla. Very light. Hints of a salty sea breeze. Very light peat as well. Smells chewy. Sappy, spicy, fragrant and vegetal wood in the background. Garden bonfire, burning off some dry grass. The initial barley note wears out, for a more coherent smell. I’m not sure if this is perfectly made Whisky, but after I got used to the Bladnoch 8yo I reviewed earlier, I seem to like this one as well. Just like the Bladnoch, this profile grows on me.

Taste: Very sweet entry. Sugary sweet. Sweet barley. Most definitely some hints of Grappa. Toffee, but also a sharper and drier element. All sorts of lemon again, combined with toffee and some dry wood. Otherwise not very fruity. A plethora of different dry grasses. Fatty and hints of cold dish water you forgot. Faint soapyness, like the paper wrapper that came off a bar of soap years ago.

Excellent entry and body, aided by this very typical profile. Nice stuff. The finish is not so strong and concentrates around two or three distinct markers from the body. Slightly soapy barley, wood and paper. As well as a tiny bitter note. The sweetness is gone, although hints of toffee reappear in the aftertaste.

Not a very easy Malt, but definitely one you would like to try, since it is different from many other malts. Quite the learning experience, because it’s almost like an unpeated, peated Malt. It’s how a peated Malt could be underneath. Although this is also no Lowlander, it is nice to have since it has a second face as a Lowlander. True Lowlanders like Rosebank and others are becoming more and more scarce and expensive. Besides this Tobermory, I hope for a bright future for Bladnoch as well, but if not, try something like this before the profile becomes extinct.

Points: 85

Ardbeg 10yo “Ten” (46%, OB, 2012)

Earlier we had another Ardbeg 10yo, but that one was bottled by independent bottler, Cadenhead. Here we have an official 10yo bottled by the distillery itself. I wonder which one will be best. More than “ten” years ago I had another official “ten” on my lectern, and I liked that one very much. Rumour has it however, that the current “ten”, or those of the last few years, are significantly different. More sweet and accessible and less oomph, just like the road taken by Laphroaig. Together with Lagavulin, those were always the heavy hitters from the south shore of Islay. Today it’s Bruichladdich (once unpeated), that makes the peatiest of Whiskies on Islay with Port Charlotte and the Octomore monster.

Ardbeg TenColor: White Wine.

Nose: Well peat first, but is seems to me a very accessible, creamy and fresh, almost citrussy peat. No big oomph, but almost elegant peat. It behaves like a good kid. Reliable. It smells like a very luxury Ardbeg now, since it also has some lovely floral notes with well hidden sweet barley. Wet earth, nice smoke, yet no real barley nor wood. Only of you really want it, you can detect some soft wood. Smelling this for a while, it still does remind me of an Ardbeg, so it hasn’t lost its identity (yet), and I hope it never will.

Taste: It really is the sweetness that first hits you. No crisp dry peaty and smoky dram. It’s peat lemonade. First impression. Yup, in business to sell a brand, and to win over lots of people you don’t want to scare away. Yeah, wonderful. Another sip. I want to taste what comes after the sweetness, but it is so distracting. Lets try again. Sweet yes, we’ve covered that, but what else. Toffee, citrus freshness, lemon curd and vanilla pudding. Almonds, fresh and lightly roasted. Luckily the acidity is just right for this profile. Nutty, yes, but not a lot. What else? This fruity peat, not waxy. It starts sweet, so it takes some time to get the rest, but also the body as not that long, nor is the finish. It does have a warming and likeable aftertaste. A bit thin but fruity nevertheless. Only in the aftertaste I recognize to Ardbeg form not so long ago.

From the smell alone, this is not the Ardbeg 10yo, or “Ten” as it’s officially called, I remember from ten years ago. I don’t think my palate has gone to ruins, because I can still recognize heavy hitting drams that are out there, but this Ardbeg isn’t one of them anymore. But it’s not Ardbeg alone. All the big boys from the past seem to have less oomph these days. Don’t get me started on Laphroaig for that matter. Laphroaig today has nothing to do with the Laphroaig that got me into peated single malt Whisky in the first place. The export strength “10yo” and the “Cask Strength” (green stripe). Those days seem to be gone for good.

So I already feel lots of protests, as if I’m disliking this classic Ardbeg 10yo. That’s not true. This is still very likeable, and still a good dram. If you like your peat but you’re not into heavy peat, than this is for you. It shows quality, and worth your money. It isn’t all that expensive. Good dram.

The problem here is that I know, and have, older bottlings of the Ardbeg “Ten”, so for me comparison in inevitable, and going down that road, well, there is no other conclusion. It has changed a lot. It used to be a crisp, dry and clean heavily peated malt, almost a real young masterpiece, nicely battling it out on the store shelves with Laphroaig 10yo, which had a much longer history. Both having avid fans defending it with their lives. Not me, I loved them both, just like The Beatles and the Stones. This Ardbeg is not that Ardbeg anymore, but today’s Laphroaig most certainly isn’t that Laphroaig anymore too, just like The Stones really. I kid you, but the real problem is that I can’t come up with a real alternative if you want the old heavily peated Ardbeg or Laphroaig back, so I have really high hopes for the new 8yo Lagavulin!

Points: 84

Bolívar Petit Belicosos Edición Limitada 2009

Bolívar LogoAhhh, finally a Bolívar. This is a first one on these pages. Bolívar isn’t a big global brand for Habanos, but it is available in a lot of markets nevertheless. Not a big brand, but it has a specific and fanatical following under seasoned Cigar smokers. Bolívar is known for heavy and strong Cigars.

This 2009 is the first of two Edición Limitadas there are. In 2014 the second and last was released, which was a Super Corona. Don’t think that this means there aren’t a lot of special releases around, because there are. A lot of Edición Regional versions were made. These are limited editions, released in specific countries or markets. In 2006 the first was released for the German market only, and since then 25 more saw the light of day.

This Petit Belicosos is just like its bigger brother the Belicosos, just 15mm shorter. Another difference is that just like other Edicíon Limitadas the tobacco was aged for two years. As far as I know this Petit Belicoso is made in three different factories and thus boxes exist with three different codes: STA MAY 09, OMA JUL 09 and LRE AGO 09.

Bolívar Petit Belicosos EL 2009

Bolívar Petit Belicosos Edición Limitada 2009 (52 x 125mm, Petit Belicosos, Petit Pyramid, Box code unknown).

Color & Looks: Oscuro. Dark brown. No veins, quite stiff to the touch. When it warms up it becomes more flexible.

A cru: Strong leather smell. Cigarette ashes, mocha coffee and dark chocolate. Sawdust and (old) wood in general. Promising power.

Taste: Good smoke and the draw is good as well. Dark taste with hints of petrol. Stong mahogany wood. The whole is also quite on the woody side. It lacks the creaminess we know from Hoyo de Monterrey, but both brands couldn’t be further apart. This Bolívar is dry and sharp. Heavy indeed. Maximum strength dark chocolate. No stuff for beginners. This definitely isn’t one to start the smoking season with, so to speak. Strong powerful stuff, but by now I believe you get the picture. Extremely dry and woody, almost hard to smoke by itself. I wonder with what to combine this to balance the strength out a bit.

To be honest this doesn’t show a lot of development, even after six years in my humidor. Over halfway through some soapyness appears. The dryness is aided by some herbal notes like cumin and some restrained basil. These are all mere hints since the whole is wood, even more wood and some paper. I don’t know if my palate was anesthetized by this Cigar, but even given its power it doesn’t even have a long-lasting aftertaste, like I had with some Partagás from the past, which I could still taste the next day.

Well built and smokes very easily, but it does burn unevenly. It has a thick wrapper. Luckily the uneven burn is easily corrected. In the end I expected more of this. Ashes is darkest grey, black and brown. No white ashes at all. All the way through I had a craving for apple pie with lots of cinnamon, which I don’t even eat that often, so what does that mean? Will it go nicely with pie? I can tell you it went well with very strong coffee, two hammers, hammer as one.

What can I say. This is a heavy Cigar, and for me it was too much. Did I recognize the quality then? No, not really. I found it harsh, lacking development and it didn’t have a long and lasting aftertaste. Having said that, people who like these heavy Cigars do like this one very much, so I won’t argue with that. It probably is not for me. I have still a few of these lying around, so I’ll let them age more, and see what will happen. Maybe the Cigar will change or maybe I will.

Points: 77

Brora 22yo 1981/2004 (56.4%, Signatory Vintage, Cask Strength Collection, Sherry Butt #1561, 611 bottles)

600Post number 600, so lets break out something special. Special for me is Brora. Sure Port Ellen, Ardbeg, Lagavulin, they all are Cohiba’s, but Brora is Trinidad. Brora is extra special (to me). 600 is a round number but it’s not 1.000, 10.000 or even a million. It’s 600, so I won’t be reviewing a 1972 Brora, which for me is the pinnacle of them all. The 30yo OB from 2004 contains lots of 1972 Brora, so look at that review how great 1972 Brora can be. Back to this Signatory bottling from 1981. In 1981 Brora was in production, obviously, but were all over the place. Some expressions are full of peat and some are not. I wonder if this one has some peat to it…

Brora 22yo 1981/2004 (56.4%, Signatory Vintage, Cask Strength Collection, Sherry Butt #1561, 611 bottles)Color: Copper gold.

Nose: Fresh and vivid. Definitely Sherry, but in no way funky. Quickly a fresh creamy and toffee note develops and only a mere hint of peat, just inhale vigorously. Needs to breathe a bit. Nice soft woody note, which sometimes take a turn towards old paper turned yellow. A bit dusty as well, (with whiffs of white peach). In no way dry. Quite spicy. I tickles the nose, and again toffee mixed with wax. Chewy would be the word. Mild yellow fruit notes appear, adding some acidity and yet more freshness to the nose. It’s not typically peach, white or other, but some whiffs come across as peach in semi-sweet yoghurt. The wood stays soft and is part of the fruity and creamy mix, instead of giving it a spine. Its nice overall, and does develop al lot, where initially it didn’t seem very complex. Hardly any peat at all and just a splash of smoke.

Taste: Thick, waxy and fruity. Definitely a profile we get from fruity Speysiders from the seventies. Nice soft wood. Toffee, without being very sweet. It has some fruity sweetness, but just the right amount. It has more than 56% ABV, but it’s still friendly. Not hot, nor burning my throat. Very drinkable. To my amazement, a lot disappears towards the finish and the finish itself is medium at best. Only in the aftertaste it starts to come apart a bit, fading out. Just the right moment to take another sip.

This one isn’t about the peat and the smoke, and the ruggedness of highlands, and sea storms after which you need warming. This one is for those moment you need an old Speysider, Bourbon matured, with lots of fruit and wax. Remember this isn’t from a Bourbon cask, but is from a Sherry butt. It has hints of peat and smoke. It’s a bit like the profile Benromach is going for today with the new 10yo and 15yo.

Points: 89

Frapin Château Fontpinot XO (41%, Grande Champagne, Single Vineyard)

You know what they say, with a good Cigar you need a good Cognac. Cigar? Check! Cognac? Check! We’ll have another Frapin, and with a name like Château Fontpinot XO Single Vineyard Cognac, who am I to pick something different. Earlier I reviewed another Frapin, the VSOP, and was all but impressed with it. The nose was great, but the taste, and especially the finish were big let-downs. Lets give Frapin another chance and move on up to this XO. You know you’ve hit the jackpot when you find out this isn’t bottled at 40% ABV, but at a mind-blowing 41% ABV. Surely this will do the trick? As you know, XO must be at least 6 years old, but this XO is blended with liquids, 18 to 20 years old, part of this, a finish for 6 months in new oak casks.

Frapin Chateau Fontpinot XOColor: Copper gold.

Nose: Nice and strong aroma. Fruity, but it also has quite some depth to it. This isn’t closed at all, it leaps out of the glass to entice you. Spicy. Wet and funky cinnamon. Leather and breaths of fresh air. Nice woody notes and a plethora of fruity notes. Mostly apple and some cherries. It’s almost like standing at the green grocers. Quite some wood, with only a mere hint of licorice (and some tar). Floral and leafy notes appear as well as some vanilla. Give it even more time to breath and the smell of a nice and luxury fresh cologne appears. Well this one has it all. Give it lots of time, because the nose shows a lot of development. Put it in your glass, aireate it for a while and then cover it up with a lid. Leave it for a while and then sniff it again, Stellar!

Taste: Starts sugary sweet, and a bit thin. Next the fruity notes release themselves on my tongue. Some tannins and woody notes stay behind when the liquid is making its way down, warming me. Chewy unripe walnut bitterness. The darker brooding notes from the nose are even bigger in the taste. Funky cinnamon again, combined with brown sugar. I’m not sure the taste is as complex as the nose, but I’m not complaining. The walnut bitterness (not a lot of it, so you can sit back again) stays behind, as well as some mint from old wood. Apply notes are here too. It’s definitely a Cognac, but it has some traits of a good Calvados. This is definitely a better blend with more age behind its belt compared to the VSOP, which also has a hideous looking bottle, but let not get distracted now. Ugly bottle, that VSOP has. There I said it again.

So we have a good nose, and we do have a nice entry and a good body. The weak point is again the finish. It gets more rustic and organic, but that is not the problem. The problem is the balance of the finish. It starts to unravel a bit. Not every aroma stays well-integrated. The finish is also a bit simple, but hey, we’ve come a long way compared to the VSOP. This one I do like, and I didn’t even get to try it with a Cigar yet. Not perfect but very enjoyable nevertheless.

Points: 85

Benromach “Traditional” (40%, OB, 2004)

This is quite a unique bottling. In 1993, Gordon & MacPhail acquired the distillery, but it took them ’till 2004 to release this “Traditional”. The very first Benromach made by the new regime. Alas, today the traditional is no more, it has been replaced, last year, by the 5yo. For me this is a unique bottling, whereas everybody is coming up with, sometimes, silly names for their Whiskies, Gordon & MacPhail decided otherwise. They mothballed the “Traditional” name and replaced it with the 5yo, yes an age statement, so it’s not a NAS anymore. For some, “5” is a pretty low number, but at least you get a better sense of what to expect. Luckily this trend is gaining momentum as well, since there will be a Lagavulin 8yo shortly, and I expect quite a lot from that one. Back to the “Traditional”. It is said to be 20% first fill Sherry and the rest comes from first fill Bourbon. All first fill casks, so they must have impaired quite some aroma to this young Whisky.

Benromach TraditionalColor: Straw.

Nose: Barley, butter and lemon water. Very light and does not want to come out of the glass. Hints of Sherry and spicy oak. More barley and grassy notes come next. A bit dull, restrained, as in it doesn’t greet you, popping out of the glass with lots of fresh and citrussy notes. No, it’s restrained, like an English butler. By now, we have gotten used to the slightly peaty and waxy notes, but here it was something of a first. For those of you who know the new 10yo, both the reduced or the 100 proof version, this is definitely family. The peat is typical, and the waxyness of the spirit as well, so for me this is easily recognizable as a modern Benromach. The Cragganmore I reviewed last, had Fino Sherry written all over it, but I have to say, this one has some notes of that kind of Sherry as well. Hints of new make spirit, so a bit immature. There is also something missing here. This is said to be 80% first fill Bourbon, but where then is the vanilla? It’s there but the peaty notes overpower it. Nice.

Taste: Barley again and definitely sugar-water, with some hidden vanilla and paper underneath, did I mention that it is a bit restrained? At first that’s all there is. Soft. Pudding and paper again. Paper-like and peaty bitterness. Fatty. Diluted liquid honey. Hints, really only mere hints of red fruits (from the Sherry I guess). Slightly warming finish, with peat and again a lot of sweetness. Although it has a very light and uneventful (restrained) finish, it does have some staying power. Totally un-complex, which has a slightly different meaning than “simple”. A first offering but not quite there yet. The bitterness stays behind for the aftertaste.

This brings me to the subject of blind tasting, believed to be the most fair of all ways of tasting spirits. First of all, blind tasting is not entirely objective, since the taster is not objective, and not blind for that matter. You also have different moods and different expectations. Second, a blind tasting is usually done with several Whiskies, so you tend to compare the one to the other, both interact with each other, you like one over the other, but what if in a particular flight is this NAS Benromach as well as a Lagavulin 37yo, which would you prefer? I first tasted this in such a flight and my initial score was 65 Points. This time I’m tasting it by itself, and I know what it is. If I’m in the mood for a Whisky like this, I wouldn’t grab the Lagavulin 37yo now would I? Just like every other Whisky out there, every one has their time and place, but yes the Lagavulin is a way better Whisky, with a way better price-tag as well…

This Benromach is young and simple (un-complex). And not every aroma seems to fit, especially in the taste, but it is also light, grassy, citrussy and fresh, as well as peaty and bitter (and sweet). So it has its moment. Some would call it their summer Whisky. Its nice, simple and…restrained.

Points: 72