I caught a cold last week, which is very unfortunate when you try to write tasting notes. Fortunately my nose is back in business now, and in the process ‘got a rest’. Let’s start whisky reviewing again, with an example of a whisky that should be light and is ‘low’ in ABV.
There are two versions of this, one reduced to 40% ABV (this version) and one at cask strength, that was 57.6% ABV. This example was bottled by Master of Malt, maybe the biggest competition for The Whisky Exchange. Just have a look at their website for quite a nice collection, just don’t be fooled, a lot is sold out and stated as such. Looking around the net a bit, I already got a sense that the cask strength version should be much better. Those of you that are used to my reviews, know already that I don’t like reduction a lot, but I do admit that it sometimes cán work, let’s see if that is the case with this Tomatin.
Color: White wine.
Nose: Toffee with some acidity. Seems sweet at first, but quickly turns into something dry. Cardboard like woodiness. Fern with a hint of licorice, toast and ash. Quite floral later on, but the cardboard doesn’t give way. Not bad, but atypical Tomatin, for this lacks the (tropical) fruityness, we all know. Apart from the cardboard it is powdery and slightly mouldy.
Taste: Again dry, woody and mouldy. Ear wax. Wood spice and slightly bitter. Watery. Nothing more to it really. I hope the cask strength version is (a lot) better, because this is nothing special. Maybe this was reduced to death? Very atypical for a Tomatin, since it lacks all forms of fruityness…
For me a completely uninteresting Tomatin. This must be a cask that was sold off for blending. Would be interesting to try the cask strength version though, because at 40% ABV… well you get the picture…
Points: 80
In the first weekend of October 2011 I went to the Whisky-Show in London with my friend Erik (both days). We liked the show so much that we went there again this year. Both years we tasted a lot of good whiskies. When we talk things over afterwards we always ask each other what surprised us. Last year we voted
This Limited Edition 21yo is made out of 6 Bourbon Casks, since they don’t mention Barrels or Hogshead, I guess both are in the mix. For good measure also a Sherry Butt was thrown in. All casks were Refill casks. Casks were hand (or should I say nose and mouth) picked by Douglas Campbell. It’s called a Limited Edition since this is a one-off deal.
This whisky was distilled on December 12th 1984 and bottled 21 years later on September 6th, 2006, and was bottled for Belgian outfit, The Nectar.
Time for another Lowlander. Rosebank this time. I reviewed a
hoping for a resurrection. Who knows. For the time being, lets see if this Rosebank is any better than the Glenkinchie reviewed earlier.
Instead of expanding into unchartered territory, let’s do something oppositional and do yet another Port Ellen, and another bottle by Douglas Laing. This time from the old series in the normal scotch whisky bottle and not from the new tall bottle. People tend to think this older look contains better whisky. Let’s see if that’s true. By the way ,I read somewhere that in the few months Port Ellen operated during 1983, there weren’t a lot of good casks around, and they filled almost anything they could get their hands on. This Port Ellen looks quite light in color. Is this from a tired butt or a normal refill Fino butt?
Taste: Peat and rhubarb. Sweet, big, leafy and chewy. Black tea with clean refined sugar. No rubber here and it’s no monster either. The peat is very mild here and the finish is quite simple. Still it seems to be very balanced, just not very complex. It has the dryness and a bit of the spiciness of the oak, but not the bitterness, and that’s a big plus (not a Chevrolet). It has citrus with cardboard in the finish. If tasted blind, I would have thought it to be some odd ten years younger.
It’s an end of an era, even if it was a tired cask, this is still very typical and good. Really a shame this got closed. In a way it resembles Talisker in it always being decent. This may be no high flyer, but is has a lot of fine moments to give. No I’m not sentimental, this is good in itself. A very nice Islay Whisky. As I’m sipping the last few drops: “Here’s looking at you kid…”
This Port Ellen is from Dutch retailers 
Don’t smoke or eat. Just you with this Port Ellen. It has balance and complexity, but seems so fragile.
I
just had to write another one about Glen Grant. Do I really have to revert to Gordon & MacPhail to find me a good Glen Grant? There are a lot of great Glen Grants around, but are they bottles of the past maybe? Here I have another Glen Grant that as it turns out ís from Gordon & MacPhail. Will it be good or do Gordon & MacPhail also have some mediocre casks? This one is bottled for La Maison du Whisky who usually pick good casks, so no need to worry, this probably will turn out all right. Besides, this is no 70’s Glen Grant, but a 1956. The year Alfred Hitchcock became American and made
Glen Grant if you want a good one. Well as I said there are a lot of other good Glen Grants around. We’ll have to keep searchin’ to find us one, but for the time being we’ll have this Gordon & MacPhail 1956, and that’s no punishment! The nose is to die for, that alone is worth almost a 100 points. But the whole I will score…
I did some rummaging in my boxes with samples and found another Glen Grant. Well I actually found several of them, but I just chose this one. You know Glen Grant, the place that was the first distillery that was illuminated without burning fuel by themselves. This time we have a Glen Grant bottled in the Old Malt Cask series by Douglas Laing. Again in the new tall bottle, just like the
Color: (Light) gold.
Its raining like crazy outside, and I have this Port Ellen on my lectern, so probably no better moment to have a go at this. Seize the day, the moment is now! There may be no tomorrow! Heed the call of the elements!
Color: White Wine.